Raiders Of The Lost Shark (2015) [REVIEW] | Jurassic Shark: Fallen Kingdom

Read the title. Read it again. And yes, that is the original title.

It pretty strongly implies this is a shark-centric Indiana Jones rip-off, and low budget full movie lenght parodies can be atrocious and ungodly, so this already should put you in the defensive. It really should.

But experience did “tell me” that wasn’t the case either, it would have been weirder if i didn’t heard more people talk about the oddity of a shark movie parodying Indiana Jones, and yes, it’s just another fuckin shark flick about a prehistoric giant shark released by the usual oil drilling accident, with the beast rampaging in the waters of a small lake community.

It’s only 70 minutes long (actually, just 60, jesus christ), it’s not directed dy Donald Farmer, how bad can it be?

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Aquarium Of The Dead (2021) [REVIEW] | Aqua Zoombies

Today i’m gonna ask you a question, answer sincerely.

Who exactly asked for a Zoombies 3?

I’m not even being sarcastic, i’m genuinely curious because i’m pretty sure most people that at least saw the first Zoombies didn’t knew it had a “sequel” to begin with. This is not a series that has anything as a following, as far as i understand.

But yes, this is actually the third movie in the Zoombies trilogy, despite the title.

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Land Shark (2020) [REVIEW] | China Deep Blue Sealab

Not be confused with the Polonia Brothers movie of the same released in 2017.

Or the SNL sketch.

Nope, this time we’re branching out a bit and taking one of the many (more than i expected, anyway) creature features from mainland China that manage to be known westward thanks to dedicated users reviewing them, and the various chinese companies realizing it’s easier to market these outside of China if they just put the movies on their Youtube channel with english subs.

Like this one, originally titled Luxingsha (which translates to “Land Shark”, as you could guess by now) and directed by Cheng Siyu, and at the time of reading available for free on Youtube with optional english, indonesian and vietnamese subs.

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Piranha Sharks AKA Jurassic Piranha (2016) [REVIEW] | Piranha Shark Tank

From the director of Frankenstein Reborn and Transmorphers comes more sharkxploitation, this time NOT from The Asylum, but Bitter End Media Group, a fairly new name, so i guess they decided to play it extra safe and extra stupid by having piranhas genetically crossbred with great white sharks. Why? For the bored New York rich assholes that weren’t content with banal piranha.

Of course the piranha-sized sharks get into the water supply, and your run-of-the-mill group of random people (in this case 3 exterminators and a nutty scientist that knows what damage these “piranha sharks” will – and do – cause) has to save the city before the army nukes it down.

It also happens to take place on Christmas, which could have helped it qualify for Dino Dicember, but sadly the alternate UK title of “Jurassic Piranhas” is a total lie, these aren’t ancient, extinct or a dinosaur of any sorts, they’re just breed in a lab.

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[EXPRESSO] Black Widow (2021) | Velvet Assassins, Inc.

Marvel movies are back into theathers, a fact of life made accidentally more intriguing after the pandemic stopped the torrent of Marvel theatherical releases, and saturation gives way to acceptance and wishing to return to the “pre-Covid 19” habits.

At the very least this particular movie had already plenty of delays and issues behind the scenes before, but the Black Widow “origins” movie is here.

Not exactly my favourite of the Avengers, i will say this upfront, but still, easily more intriguing that anything they could come up with Hawkeye (at least judging what the Marvel movies did with him), i’d say. Like the previous movie hinted at, she had a troubled upbringing, was a KGB, and here we see her momentarily leave the Avengers team (in a timespan between Civil War and Infinity War) to meet up with her old “family”, leading her to take on the villain Taskmaster and confront a figure from her past youth as a selected trainee for the “Black Widow” program.

As Natasha Romanoff is simply human, her origin story uses this to give the movie a more “realistical” feel (though don’t worry, there’s the usual Marvel bombast), and aside from some of the inevitable mentions of the other Avengers, the movie does want to stand on its own and distinguish itself by tackling darker (and a bit more “grounded”) themes than usual, as this action thriller about child soldiers raised -at all cost – to be the most efficient assassins and spies, the new characters are good, there are some fun moments (alongside the usual, obligatory Marvel self-jab).

The cast is pretty dang good too (it has Florence Pugh), and while not sensational, it’s quite entertaining and willing to not really rely on other Marvel movies to tell its own story. Fun one.

Empire Of The Sharks (2017) [REVIEW] | Fury Boat

As you might remember, i frankly hated Planet Of The Sharks, so i post-poned the review of Empire Of Sharks, which i also incorrectly described as a sequel.

Because it isn’t: completely different cast, completely different characters, no continuity, you know the drill by now.

It still kind of a follow up to Planet Of The Sharks, as in this is The Asylum trying again to make work the ill-conceived- and under budgeted – mash up of Mad Max, Waterworld and a shark movie.

I don’t why exactly they felt the need to try again, since i’m not even sure it raked in much profit for the Asylum, but i guess Mark Atkins wanted another go at the concept, so this time he directed but also wrote the script himself, which is not necessarily encouraging piece of info.

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Barracuda (1978) [REVIEW] | Burn it to the wick

Most movies about killers animals from the 70s can be “blamed” on Jaws success, this one is a “double whammy” because it can be also linked to one of Jaws’ most notorious rip-off, Piranha from 1978, which – as mentioned before – it’s almost a parody as well, and was directed by Joe Dante. As Piranha did quite well that year, America General Pictures approached him to direct Barracuda (also sold under the title of The Lucifer Project) as well, but clearly it didn’t happen, so directing duties went to Harry Kerwin and Wayne Crayford, both already pulling double duty as actor and co-writer. Gotta pump em out fast, so fast this came out 2/3 months after Piranha.

And while there are plenty of Jaws rip-offs made in that decade, the comparison between the two films in question is fairly obvious, not just because they came out the same year, but because they both have the same theme of secret government experiments that end up mutating marine fauna, in this case more declined into an enviromentalism issue, but also a fairly direct critique of the military, as in they didn’t breed combat-ready mutant cyborg barracuda, but the government basically used a small town as guinea pigs for conditioning experiment to make everyone more aggressive and violent, and more easier to whip up in a frenzy or recruit for war.

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Blue Demon (2004) [REVIEW] | El Tiburon Pasa

It’s both banal and amazing how many shark movies exist, you’d figure there are plenty, but that’s not the case, there is an entire ocean of them. An ever-expanding ocean.

So much that some are pretty much to accidentally “fall through the cracks”, even if you own dozens upon dozens (almost thousand) of shark movies, and this one of them, found it at flea market. After triple checking i don’t already own this on DVD under a different name or it’s available to stream on Netflix or something, that is.

Wouldn’t be the first time.

But no, Blue Demon is just called Blue Demon pretty much everywhere in the world, and somehow i didn’t even heard about it. Or maybe i did and my brain removed it to store some porn, i dunno.

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Shark Month BEGINS!

As promised, a monthful of shark movies starts now, but you’ll find it’s not quite totally about sharks, and some other ferocious fishes might be spotlighted for one reason or another, because here at Wise Cafe International we don’t discriminate about people getting eaten by anything or anyone… in movies.

But of course sharks are the main protagonist, it’s Shark Month after all!

Enjoy!

(btw, just managed to finally see A Promising Young Woman, holy shit!)

[EXPRESSO] Voyagers (2021) | In observation, I analyze

It’s the future, and a group of young men and women, raised to be intelligent and obedient, are sent into space on a mission to colonize a distant planet. But they discover some of the expedition’ secrets, and then rebel to the mission in order to explore their less intelligent, more primitive and irrational side of themselves, resulting in a chaotic struggle with their own fears and lusts.

I want to clarify right away that Voyagers (written and directed by Neil Burger) isn’t a bad movie, it isn’t, but it’s also one of those movies that might come across as incredibly frustrating, the kind of frustrating born not of lazyness or lack of energy and vision, but of ambition too vast for the script own’s good, and – more to the point – its quality.

The premise is intriguing and ripe with potential, the themes are there, there’s clearly a vision, but the execution is incredibly predictable, underwhelming, and some of the more original details of the plot that make it stand out end up unadvertly working against it’s own overall message, coming off as dumb mistakes on part of the program, or contrived excuses to create more conflict.

Like, why the teens are asked to maintain the ship for a mission they themselves simply won’t live enough to carry out ? Why not cryogenically put them to sleep, instead? And yes, they’re teens, so they can be fuck up or be swayed regardless of their IQ or education, sometimes they come off as both incredibly intelligent AND dumb as a bag of bricks (or incredibly naive), somehow, and it never feels natural, just arbitrary bullshit.

There is definitely something to like here, like the good cast and performances, but the overall result it’s an overly ambitious mixed bag. Pity.