[EXPRESSO] Moonfall (2022) | Moon Machine Tentacles

Roland Emmerich is back again to deliver the kind of movie he’s definitely good at: the popcorn munching big dumb ass disaster flick. And i kinda mean that as a compliment, as he specializes in this type of cinema cheese, definitely its wheelhouse, and this is pristine Roland Emmerich all the way through.

It’s that special type of dumb and insane that i find hard to dislike, i mean, this is a movie that opens with astronauts debating the lyrics of Africa by Toto, that really sets the tone perfectly for the rest of the plot, which is fairly insane, as it concerns the moon…. randomly getting out of its orbit, then moving faster towards Earth.

Not to give away the rest of the plot (and there plenty of insane shit that happens in the last act), but basically the Moon it’s not the satellite we always though it was, but a kind of mega-structure of sorts built for some purpose by someone. We know that because there’s a conspiracy theorist dude (of course there is one, it’s an Emmerich movie) that figures out the orbital displacement will happen before the NASA does, and he ends up helping an astronaut that was defamed a decade ago for an “incident” that happened near the Moon’s orbit.

And i mean it when i say it’s definitely more insane than you think it would be, Emmerich really outdid himself, while also delivering a lovable kind of so bad it’s good type of writing, it’s nonsensincal and not good but honestly i was hugely entertained all the way through, the plot wasn’t really predictable as you would think, and the disaster spectacle was on point and abundant.

A lot of stupid, lovable, sincere insane fun that undeniably accomplishes all it sets out to do/be.

[EXPRESSO] Netflix’s Cowboy Bebop (Season One) (2021) | It’s time we blow

I was gonna make a full review, but then realized it wasn’t deserving of it.

Often you see people wondering who the hell is the target for live action adaptations of anime series that etched theirselves as classics, even more when it’s a series that become a hit even outside the anime circles, so you can’t really pull the snarky excuse “no normal people have seen the thing”.

In this case, i feel no one, because it’s incredible how they managed to create something that not only the fans will despise but newcomers will just find bad, and wonder why the hell people liked Cowboy Bebop to begin with.

An adaptation of an anime that should actually work better than most in live action, but manages to be a genuine complete wreck.

It’s also a live action adaptation made by and for people that scoff at anime, because that sentiment it’s made pretty much manifest by the many changes made to excuse, justify or alter many elements and expand on stuff regardless if it makes sense or if it’s good.

This was always gonna be different from the original, but this is such a witless, soulless, boring, badly paced and barely recognizable adaptation that fundamentally misunderstands the material and it’s willing do any random garbage with it, hypocritically treating the original as gospel but without really respecting it, or even understanding it, not really caring too much to anyway.

The fairly cheap CG it sparely uses to remember you it’s technically set in space doesn’t help. I seriously hope the budget for the One Piece live action they’re also working is higher than this.

The cast it’s quite good and does an unbelievable job, but they can’t save this pitiable, hackneyed, utterly ill-conceived trash from itself. Don’t even bother hatewatching it.

Syndicate PS3 [REVIEW] | Cyberbooting EA Nonsense

While CD Projeckt Red (look out to not be sued by Robert Fripp) it’s still trying to patch up the comatose corpse release of Cyberpunk 2077, let’s go back in time when cyberpunk was…. actually not that far since i actually played this last year while quarantined and cleanin some of my backlog, and the game actually came out in 2012, almost ten years ago.

It just feels odd to discuss a game like this now, with the scenario of a society that basically taps directly into the “Wired” (not actually called that, but you get it), so you can connect to the internets with a chip installed in your brain, with more than half of the world populace having it, and using it to – among other things like downloading porn and Doom 2 WADS, i guess – align with one of the megacorporations that have become more important than nations themselves. The megacorps of course compete for dominance by also upping their terror and spy tactics by using prized killers, like the protagonist, Kilo (yes, with a “i”), as corporate espionage is basically a full on war.

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Virus Shark (2021) [REVIEW] | Bad Taste Sharks

While i promised myself i wouldn’t review stuff like the Corona Zombies films (made DURING the height of the pandemic in 2020 by an even more more shameless and cynical Full Moon Pictures)… i still will pretend they didn’t actually happen, alongside stuff like Angry Asian Murder Hornets, but chance and curiosity took the best of me when i stumbled upon this movie while walking down the river. I figured i could at least use it for this year’s Shark Month, and i selected it for the title alone.

So color me…. not really surprised when i actually started doing some research and finding out it’s yet another Polonia Bros joint.

And no, i didn’t plan out to review so many of their movies, at all. It just sorta happened.

At least they waited until 2021 came around instead of shooting it 3 days during mid-2020 so it could be “shot” and released during the height of the pandemic?

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[EXPRESSO] Voyagers (2021) | In observation, I analyze

It’s the future, and a group of young men and women, raised to be intelligent and obedient, are sent into space on a mission to colonize a distant planet. But they discover some of the expedition’ secrets, and then rebel to the mission in order to explore their less intelligent, more primitive and irrational side of themselves, resulting in a chaotic struggle with their own fears and lusts.

I want to clarify right away that Voyagers (written and directed by Neil Burger) isn’t a bad movie, it isn’t, but it’s also one of those movies that might come across as incredibly frustrating, the kind of frustrating born not of lazyness or lack of energy and vision, but of ambition too vast for the script own’s good, and – more to the point – its quality.

The premise is intriguing and ripe with potential, the themes are there, there’s clearly a vision, but the execution is incredibly predictable, underwhelming, and some of the more original details of the plot that make it stand out end up unadvertly working against it’s own overall message, coming off as dumb mistakes on part of the program, or contrived excuses to create more conflict.

Like, why the teens are asked to maintain the ship for a mission they themselves simply won’t live enough to carry out ? Why not cryogenically put them to sleep, instead? And yes, they’re teens, so they can be fuck up or be swayed regardless of their IQ or education, sometimes they come off as both incredibly intelligent AND dumb as a bag of bricks (or incredibly naive), somehow, and it never feels natural, just arbitrary bullshit.

There is definitely something to like here, like the good cast and performances, but the overall result it’s an overly ambitious mixed bag. Pity.

Shockwave A.K.A. I.A. Assault (2006) [REVIEW] | Wynorski’s War Of The Worlds

I didn’t plan to do a Jim Wynorski-A-Thon when i accidentally started watching movies in my saved list that would soon abandon Amazon Prime Video (or gate themselves beyond another paywall), and i’m tired having to preface this already, but i can’t say i really wanted to see this movie that much.

Then again, i did put in the “watch for later” list because the robots in the thumbnail looked like the martian war machines in H.G. Wells’ War Of The Worlds.

Plot is sadly not as interesting, with a couple of experimental robots sporting advanced IA being carried on a plane over a desert Pacific island, plane crashes, and Navy Seals (because the OSI is busy learning not to plug the entire mainframe into a single wall socket) are sent in to recapture the robots, as they turned against the humans, and they’re getting smarter and smarter….

Script convenient criminals also happen to be arrive on the island, as they manage to get the helicopter stuck there after robbing 2 milions from a passenger cruise, but then again, the Navy (Such As) Seals might as well bring nerf guns, despite knowing the “supah” robots can be harmed only by a specific weapon. And they know because the scientist’s daughter, also a scientist and carrying on her father’s work, told me it is so.

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Dino December #4: Jurassic Galaxy (2018)

So, either someone really liked Dino Crisis 3, or more likely was “inspired” by the Godzilla animated trilogy, which i feel it’s really underrated and often quite maligned just because the 3D CG looks kinda ass…which it does, but the script by Gen Urobuchi is quite good, so much it makes the trilogy worthy of being seen, i’d say.

While it isn’t the case, i find it hard to not think of it, since the premise still see the main crew of interstellar explorers landing on a planet full of dinosaurs, but it lacks the whole patriotic drive of “conquering back the motherplanet Earth” (this isn’t Earth), or the social tensions forming between the different groups and races on board of the ship. Still, space dinosaurs is still quite the proposition that could do for some good b-movie entertaiment, and isn’t exactly a sub-genre….yet, this isn’t even the only “dinosaur sci-fi in space” flick released in 2018.

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Dino December #3: 100 Million B.C. (2008)

While this isn’t the only “dinosaurs and time travels” exploitative mash up, the premise of Navy SEALs travelling back to the prehistoric times in order to undo another time travel accident (basically implying this what happened as a result of the “Philadelphia Incident”), accidentally unleashing an abnormally large T-rex in modern Los Angeles, it’s at least more interesting and shows a modicum of effort, needed to stand out in the overpopulated dinosaur-xploitation market of cheap raptors and TV movie budgets.

Then again, since is from the director of Swamp Shark, Arachnoquake and Ghost Shark, Griff Furst, credited here as Louis Myman, i guess his favorite pseudonym, since he used a nearly identical one later for Ragin Cajun Gators. Not encouraging that a director “Alan Smithee-s” himself, even more because he’s – more or less – properly credited in his other directing and acting roles.

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[EXPRESSO] Zed Blade/Operation Ragnarok NSWDDL | Norsemech

Zed Blade NSWDDL.jpg

More Neo Geo titles on Switch? YES.

Like most offering in the Arcade Archives-ACA series by Hamster, the game has both the american/international release and the original japanese one, named Operation Ragnarok. Not that it matters, they took names from norse mythology, but you are still in the usual spaceships flying around, shooting mechs, insectoid robots n stuff, as one of three anime styled characters you can choose.

As for why, you’re up against the supercomputer-turned-rebellious spaceship Yggdrasil, not that you’re ever gonna find out if you don’t read the description in the store page or search wikia, because the game itself doesn’t tell you.

MHK’s game delivers a typical but satisfying 2D spaceship shooter, with an interesting feature, as you can (and must) customize the type of main shot, rear shot and missiles (all shot at the same time) at the start of the game, alongside one of the three characters, who determines the ship’s speed. There are power ups that improve each type of shot, alongisde the classic smart bombs, but you mostly gotta work with the loadout chosen at the beginning.

Graphics are nice, nothing impressive for the time, the music on the other hand definitely stands out, with EDM style tracks that i personally dig. Sadly, i don’t think it’s enough to overlook the generic nature and some balance issues, since your ship has a bigger sprite than it should, making it for some cheap deaths, but then again the smart bomb is a bit too powerful, and even without those, it’s an easier (and shoter) affair than usual for the genre.

Good game, still, definitely worth playing for fans of genre hungry for lesser known Neo Geo games, even if flawed and lacking distinguishing features in a sea of more popular (and often better) shmups.

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