My final EXPRESSO review of the year, and – unless something unexpected happens, or the COVID shit gets worse here – my last cinema experience till next year, and it happens to be a movie that likely won’t mean or say much to anyone outside of Italy, as in a new cinematic adaptation of italian comic book series Diabolik, a pulp fiction tale written by the Giussani Sisters, set in the fictional city of Clerville that follows the titular Diabolik, a brilliant and ruthless master thief, aided by his partner & lover femme fatale Eva Kant, and pursued by police inspector Ginko.

While it’s one of the most popular and well known italian comic series ever, i feel most people remember the older 1968 adaptation by Mario Bava… but this new one it’s nothing like that, at all.

This new adaptation actually it’s more faithful to the earlier stories of the Diabolik series, as it depicts Diabolik itself as incredibly ruthless criminal, murdering everyone he can get away with in order to get what it wants and needs to pull off incredible heists, while continuosly slipping away from the grasp of the police and inspector Ginko, in what sounds like a Lupin III-esque dynamic but quite isn’t.

The plot isn’t an origin story but works quite well as an introduction the series as a whole, as it features Diabolik’s soon-to-be lover & partner Eva Kant. And while it’s a good adaptation, the acting its great and the style is good, the story itself leaves something to be desired (not that interesting) and the script it’s a bit bloated.

Still, even if flawed, it’s a realized adaptation by the Manetti Bros, who stuck to an actual vision they had, instead of trying to chase trends and ape modern comic book movies.