Due to unforeseen circumstances, today there’s no review, i really didn’t have time to even conjure a quick rewrite, so sorry, we’ll have a full lenght review tomorrow to close off January, and – as previously announced – we’ll shift to a bi-daily posting schedule, as in, every two days instead of daily posting, for reasons touched upon in the other announcement-ramble post.
Sorry.
If you’re wondering whenever you should or should not go watch Guillermo Del Toro’s latest film, Nightmare Alley (which has just released here in theathers)…. stop reading this and just go watch it in theathers. It’s 2 hours and a half, yes, but make no mistake, nothing is drawn out or superfluous, it’s one of those very long AND very good Hollywood movies that sometimes still happen.
It’s really fuckin great, so just go watch it now!
Set in the 1940s, the film follows a poor man that enters one of the many circus-fairs troupes, and alonsgide the many tricks of the shady trade, he learns that he has quite the ability as a barker, and trained by an old french mentalist-type carny, he puts his quick wit and oratory prowess to the test time and time again, until he masters them and leaves the circus (alongside his love interest) to bring his act out of the squallid, lurid and shady countryside fairs.
He manages to make a name for himself, bringing his deceptive craft to renowed establishments, living a luxurious life with his wife, but the allure of more money and fame brings him to collude with a corrupt psychatrist and perform as more than a mere mentalist…
The cast it’s great, the acting it’s stellar, the story it’s a classic period piece tale of greed and desperation about the age-old craft of tricking-conning people, the drama is excellent, the characters are great, and the love for horror imagery (and some fairly violent moments) by Del Toro it’s still strong as ever. The 1940’s America of carnies, conmen and prestige it’s alluring as its squallid, the cinematography is fantastic, and it’s enrapturing from beginning to end.
It’s that kind of arguably familiar story, but boy the execution is excellent.
Thought over this for almost a month, but in order to improve the quality of reviews and my physical-emotional status (i also have a full-time job and didn’t stop working aside from during the first wave of the pandemic, for some prospective), from February on there will be a post and/or review every 2 days instead of daily.
This will hurt my stats and views, obviously, but i’m pretty much burnt out, and some extra time would also be spent in reviving the old platformers rubric i had on my italian blog time ago, Platformation. Really would like to, but i need to write out some rules, quirks and whatnot, consider what to feature on there, etc.
Talk about a surprise release, since this 2020 french scifi movie only now has reached theathers in “The Boot”, and i’m willing to guess it never reached US theathers, since i didn’t even heard about it via social media.
Not even a mention, despite the original french title being similar to Luc Besson cult classic Le Dernier Combat, also a sci-fi movie with Jean Renò.
Regardless, the movie its set in a not too distant future (2050, in this case) where humanity it’s on the brink of extinction, with a red planetoid knows as the Red Moon is now coming so ever closer to Earth, bringing desertification, unliveable temperatures, animal extinctions and an energy crisis..
Only one man, Paul W.R., can save the day as he’s only one able to survive and pass through the magnetic field surrounding the planetoid, but mere days before the mission begins, Paul escapes to get away from his responsabilities, making the authorities start hunting him down, and he happens to meet a young girl called Elma, willing to follow him in his uncertain quest….
I’ll say that the cinematography it’s very good, some of the sequences are entertaining, there are some ideas, but the execution it’s just so confusing in many ways, as in the mesh of road movie and action scifi elements in a way that tries to kinda go for a more american-international feel or the themes and character motivations often feeling at odds, if not almost random.
Add a mediocre worldbuilding with some plot points never properly explained to make a simple plot kinda hard to follow, and you have a movie that’s perfectly watchable, has some good acting, but from beginning to end will have you more confused and annoyed than engaged at what’s going on and why exactly.
EUNGH.
Fuck it, i’m reviewing this one as well, since it did eventually arrive just now in theathers here in Italy…. after being made available on Amazon Prime Video months earlier, but i’m willing to watch it again to support anime cinema releases, and to properly assess things further for a review.
Since the series it’s the more recent shonen manga success story, i doubt i need to introduce Demon Slayer/Kimetsu No Yaiba, even more since i feel its success lies in being pretty straightforward and easy to connect, as its set in a fantasy Japan of old, where demons lurk at night and feast on people, but are fought back by a secret order of samurai with mystical blades and techniques, the Demon Slayer Corps.
The protagonist, Tanjiro, becomes a Demon Slayer in hopes to undo the curse that made his sister Nezuko a demon, and along the way befriendes the cowardly lightining fast swordman Zenitsu, as well as Inosuke, a wild boy wearing a boar mask.
The plot revolves around the trio being tasked to – alongside an experienced demon slayer called Rengoku – embark a train and protect the people on it from eventual demon ambushes, and this isn’t an original story, a mostly disconnected one-off adventure, as most of these shonen anime movies are, but actually bridges the events of the first and second season, and has some important stuff happening in it, so i wouldn’t recommend jumping into this if you haven’t seen the first season (or red the equivalent manga chapters), for spoiler reasons.
That said, it can be watched fine on its own, and rewatching it made clear it’s a pretty good shonen manga film, with excellent animation from ufotable as expected, funny moments, good drama, likeable characters and intense fights with high stakes.
Yeah, i changed my mind and on a whim went to see this limited screening event release.
This is actually the latest in the Exhibition On Screen gallery series of art documentaries, which already featured the dutch master painter Van Gogh twice (Van Gogh In Japan and Van Gogh: A New Way Of Seeing), which makes sense as many other films (documentaries and fiction) based on the life of Vincent Van Gogh and his art were and are still made regularly, with various degrees of quality.
So i was surprised by this one, as it centers on an apparently both specific and banal subject of Van Gogh’s output, his series of Sunflowers paintings, often mistaken as a single work but actually consist of 11 variations-iterations, and exploring the reasons why these prove to be incredibly iconic and popular for decades, the factual events (and theories) under which Van Gogh painted them, and some narrative inserts with actor Jamie de Courcey as Van Gogh.
Honestly, it explores the subject quite well, avoiding most of the obvious and beyond well known facts, and it being just a glorified advert for a museum (as they can be, like that one documentary about the Hermitage narrated by Jeremy Irons), while we do travel across the globe to see the 5 publicly owned pieces of the series (one in the Amsterdam Van Gogh Museum, of course), in what they differ from each other, and we go a bit deeper in the matters of restauration, of critique and preservation of these painting, as well into connected topic of botany, and the persisting popularity of what are – at first glance – very simple and almost banal in terms of subject.
Not great, but definitely a good art documentary, one coming in a comfortable 90 minutes package.
Figured we’d take this occasion of very few time on my hands and wanting to see some crap on Amazon Prime Video in order to complete Wallace Brothers’ filmography, after covering his Jurassic/Alien Expedition movie during 12 Days Of Dino Dicember not too long ago.
As in, that movie its the second and so far the last one he ever did, with only this David And Goliath movie listed in his IMDB directing credits… and roles overall, he apparently just directed this two direct-to-video cheapo movies and nothing.
Again, going from the IMDB page, and as we learnt by going through the various Godfrey Ho and Joseph Lai ninja flick, IMDB it’s not that definitive a database, but checking on other sites like Letterboxd doesn’t make any new info surface, so…
Continua a leggere “David And Goliath (2016) [REVIEW] | He said Jehova!”
New stopmotion animation film on Netflix with (also) animal people, you know i’m already in.
Even more since it’s a small anthology of 3 stories, one about a poor family meeting a miraculous proposal, one about an anxious ratman constructor trying to score estate success, and the last about an exhausted landlord, all tied together by revolving about the same house, while taking place in different epochs and with different kind of characters, going from humans to ratman and catmen.
The character models aren’t clay or the odd-papermaciè style seen in Mary Shelley’s Frankhole, but go for a very textured felt-wool look, with a very fuzzy feel juxtaposed to the horror atmosphere and visuals, even though just the first story has actual supernatural horror elements, there’s always a sinister or weird tone to most of the events, with some very stilish visuals to match.
Animation it’s top notch, the character models have very good designs and craft, and it’s a quite good trifecta of stories, with a balanced mix of horror, satire, drama and comedy, quite grabbing as you always wanna see where they’re going in exactly. I think the second one it’s arguably the best, as you never quite sure what direction it’s gonna go, gets weirder and has an even weirder ending.
And stuff like a trip-out insects & maggots musical sequence.
And free-roaming hippie catmen.
Honestly, i don’t really have much to complain about or add in general, if your ears peaked up like a fox at “animated stopmotion anthology film with lots of style and fun substance”, the chances are good you’re gonna like this one, easily. And it comes in a pretty good 90 minutes package, with everything in it feeling as long as it needs to be.
What a really great surprise, too. Excellent.
Today there’s no review, no promise of something coming to the blog later this year, not even a ramble on a recent subject. This one it’s for the analytics, to have something posted on to keep my streak going, but i can say i’m working on the reviews of two anime fighters, both really close to completition.
And i can recommend you watch good ol’ Arino, any way you can, good stuff!
I’m not gonna pull a “seriously though” because i do feel like Game Center CX would be up many people alleys when talking about retro videogames shows, but seems kinda niche in the “anglophone” sphere on the web.
That is better than just posting a screenshot from an anime and be done with it.
I will say i’m sorry i can’t offer much in terms of cinema releases, as even the events are lackluster, with a new documentary-style film about Van Gogh’s Sunflowers paintings and Demon Slayer: Mugen Train getting released as event projections.
Shame Mugen Train was already released here officially dubbed on Amazon Prime Video last year, i would love to see it theathers again, still, but that argument train left the station time ago, and i’m leasurelly watching the Entertaiment District arc of Demon Slayer for my own pleasure, btw.
Yeah, it’s january alright in terms of releases, even in “The Boot”, and i’ve rambled anyway, bye!
I teased it a couple of times, so why not, let’s go down deep into the yeti hole by fishing out cult exploitation crapfest Shriek of The Mutilated, a classic go-to for fans of the cinematic abysmal, a common territory for most movies about the legendary humanoid cryptid Bigfoot/Sasquatch/Yeti, as the poor bastard it’s quite popular fodder for bad movies regardless of decade.
This is some primo shlock, coming from Michael Findlay and his wife Roberta Finlay, both infamous exploitation directors and producers behind many erotic and horror films, but i’d wager you most likely know them for the rather infamous Snuff from 1975, aka them riding the rumors around the existence of actual snuff films, marketing Snuff itself as a real snuff movie and making it about non-Charles Manson guiding around his cult followers into a killing spree.
Continua a leggere “Shriek of The Mutilated (1974) [REVIEW] | Have you ever had… a Yeti feast?”
Wise Cafe (International) 