Sky Sharks (2020) [REVIEW] | Gott ist im Himmel

Let’s close this year’s Shark Month with a big bang, shall we?

And frankly i don’t think there’s anything better in that regard as Sky Sharks, a movie you’ve might have heard of but wondered when or if it’s actually coming out.

Borne from a succesful Kickstarter campaign, Sky Sharks was supposed to come out in 2018, but production hit roadblocks, various issues came up, for some time we didn’t hear anything about it at all, but then, in 2020 it resurfaced, complete and was released, even on home video (might have to import it, though).

And it was definitelly worth the wait, since this one of those rare shark movies that sets out to be a big B-movie by design, trying to tick all the usual exploitation-but-awesome points… and actually succeds in living up entirely to its trailer promising flying sharks piloted by undead nazi uber-soldiers, alongside nudity and lots of gore. It’s just missing vampires, a christian-protestant feud, psycho priests with bayonet-blades longer than an arm, but i’m really nitpicking in this case.

Continua a leggere

Sharkenstein (2016) [REVIEW] | VS Baragon (not included)

It was just a matter of time before we reached the Nazi end of the sharkxploitation spectrum, and this – as we will find out later in Shark Month – isn’t even the only shark movie like this.

At least in regard for this combination, it’s from Mark Polonia (of the Polonia Brothers), so you already known what to expect, including a kickass poster that we just know it’s bound to be better than the movie itself in every way. I do like the posters they make for these flicks, genuinely do.

The plot takes more than a page from Frankenstein VS Baragon/Frankenstein Conquers The World, as it basically rips off the idea of the Creature’s heart (and in this case, also the brain) being immortal, and applies it to a “Franken-shark” created by mad scientist Dr. Klaus, as he continues a previously shut down experiment about weaponizing sharks the Third Reich started during WWII.

Now, more than 50 years later, the experiment has been concluded and the “super Nazi shark” is set loose on the small seatown of Katzman Cove, where three friends have come for a boating trip, and now have to survive this unexpected threat so obviously NOT cooked up by The Doctor from Hellsing.

Continua a leggere

Shark Month BEGINS!

As promised, a monthful of shark movies starts now, but you’ll find it’s not quite totally about sharks, and some other ferocious fishes might be spotlighted for one reason or another, because here at Wise Cafe International we don’t discriminate about people getting eaten by anything or anyone… in movies.

But of course sharks are the main protagonist, it’s Shark Month after all!

Enjoy!

(btw, just managed to finally see A Promising Young Woman, holy shit!)

Frankenstein VS Baragon / Frankenstein Conquers The World (1965) [REVIEW] | Atom Heart Monster

Strange as it may sound, you really can’t talk about King Kong and Godzilla beating each other up without talking about the Frankenstein’s monster, but we already talked about the backstory of the original “Monkey VS Nuclear Dinosaur” kaiju flick in its review, so let’s just say that this movie is actually Toho bringing back the partially scrapped idea of having Kong fight a monster created by Frankenstein for King Kong VS Godzilla, which would itself spawn a follow up a year later, with War Of The Gargantuas. And of course, tasking yet again Ishiro Honda to direct it.

Also, this one introduces a monster that would eventually cross into the Godzilla franchise, Baragon, not be confused with another, completely different but – for pure coincidence – very similar looking (at a glance) monster from the Gamera franchise, Barugon, with a “u”. A minor monster, brought back just for the giant monster brawls installments of the Godzilla series (where pretty much every frigging Toho kaiju was invited for a quick cameo), but here the main antagonist to the “Frankenstein” monster, as the original japanese title makes it abudantly clear.

Continua a leggere

Giant Monster March IS A GO!

As the long awaited Godzilla VS King Kong finally is set to it theathers pretty much everywhere (where theathers are open, not a given due to the pandemic), it’s time to celebrate, with a selection of giant monster movies reviews to showcase mostly lesser known titles or movies that nowadays are not as well known as they once were, despite still being remembered by genre fans.

Sorry it’s not a month of non-stop reviews this time. Enjoy!

[EXPRESSO] Lupin III – The First (2019) | LUPIIIIIIIN THE THIRDDDDDD

was supposed to see this one in theathers (if you didn’t know, Lupin III was and still incredibly popular here in Italy, so much a couple of licensed PS2 videogames technically have a PAL release because they were only released in Italy, outside of Japan) back in march, but the lockdown happened, and eventually this one was snapped by Amazon as a Prime Video Exclusive. Smart move, in hindsight, since i was also waiting to see the second MHA movie, which got a new release window…. but cinemas have closed, as we’re in a quasi-lockdown situation.

I’m faffing around because i really don’t have to introduce Lupin III, now, do i?

The plot is fairly typical, concerning a book by the archeologist Bresson, containing a mysterious treasure and encased in a cryptic mechanical contraption, and standing as the only one the original Arsenè Lupin wasn’t able to get. But not only Lupin The Third himself wants to do out his grandfather, a girl named Laetitia and a surviving nazi group are also after the treasure.

It’s what many would call “classic Lupin III”, it’s quite appropriate (even more since it’s dedicated to Lupin III’s author, Monkey Punch, who passed away in April 2019), and it’s still quite a blast, thanks in no small parts to the downright amazing 3D CG animation by TMS Entertaiment and Marza Animation. The animation itself is worth the “ticket” by itself, just a masterful implementation of this style, which is often derided as stiff or a cheap compromise that never satisfies or manages to translate “anime” into CG.

THIS is how you do it.

To draw a comparison with another new film based on an old series also released that year, this is definitely better than City Hunter: Private Eyes, in pretty much everything.

[EXPRESSO] Jojo Rabbit (2019) | Achtung! The Desert Night of The Lepus

Jojo_Rabbit_(2019)_poster.jpg

Yeah, we didn’t get this in theathers until last week.

Johannes “Jojo” Betzler (anime joke) is a shy 10 year old boy who has trouble making friends, he’s always clumsy and reluctant, so he ends up earning the mocking nickname of being a cowardly “rabbit” (hence the title) by his peers and superiors, because just being in the Hitler Youth wasn’t enough. But fear not, for Jojo has an imaginary friend to rely on, Adolf Hitler (played by Waititi himself, and with gusto), always ready to give him advice when the need arises.

But despite aspiring to belong, he discovers that there’s a jewish girl taking refuge in their house, and experiences many events that make him question the rigid nazi indoctrination received, the arian myth, and all that bullshit, and he digests this……. like a 10 year old boy would.

Despite the edgy-looking premise, Taika Waititi’s “springtime in Germany opus” (loosely based on the novel “Caging Skies” by Christine Leunens) is actually very heartwarming, colorful and playful, but definitely doesn’t pull punches, balancing out drama and comedy like good black comedies do, and i’m kinda surprised by the style of comedy. Sure, Waititi/Imaginary Hitler is goofy and quite fun to watch, there are more flamboyant outbursts, but many jokes are done with an almost deadpan delivery.

Which mostly works, but some scenes would have benefitted by a more outlandish visuals, while others do work better because the characters shrugh off absurd stuff happening, which ultimately makes some of them lacking the impact they’re searching for, not flop totally, but also not making you burst out laughing.

Despite this gripe, it’s a surprisingly uplifting movie, with a very good cast, good characters, but i completely understand why it could fall kinda flat for others, not necessarily because of its subject.

expresso-icona