Resident Evil: Degeneration (2008) [REVIEW] | Airport Outbreak

While not the first CG Resident Evil movie ever (that “honor” goes to the previously feautured “Biohazard 4D Executer”), Degeneration is arguably the first proper full lenght animated feature based on the Capcom series, intended as an opposite entity to the live action movie series, as those followed the plots of the game very, very loosely, but Degeneration clearly sets itself within the universe of the games, set sometimes after Resident Evil 4 and before Resident Evil 5.

Why it is this film (and the following sequels) kinda ignored, you may ask.

The answer i feel it’s pretty much as obvious as kinda inevitable, and can be really summed up with “motion capture based 3D CG animation”, which has never been too popular among either hardcore or casual fans of the franchise, or self-proclaimed “animation lovers” for that matter.

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Biohazard: 4D Executer (2000) [REVIEW] | Parasite Evil

While we wait for the new Resident Evil film reboot, i’d figure we’d take a look at the other forgotten Resident Evil film series, the CG animated one that basically most people don’t remember, know or care to do any of that.

But before tackling the movies you’ve might actually vaguely heard about, we need to go deeper and unearth the first actual 3D animated Resident Evil movie, 4D Executer, so unknown and so “important” it never got the Resident Evil title, so it still uses the japanese title for the series.

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The Spooktacular Eight #8: Spookies (1986)

Another classic staple of horror retrospective, the “frankensteined” project that started as something specific, never got made and was later edited, injected with new footage, and eventually released as the obvious hodge potche it became. One that for years was quite elusive, not that well known, and was available on VHS only…. but this changed as it finally got a DVD release in the US and some european contries (surprisingly i didn’t even had to import it, since there’s an italian DVD release).

And of course the title is that kind of cheesy that bode wells for retronauts in search of cult sensations from the bowels of horror history.

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The Spooktacular Eight #7: The House On Skull Mountain (1974)

Blaxploitation isn’t my forte, but there’s a lot of horror movies in this vague “category-label”.

I like to not go for the obvious choice (when possible), and we didn’t spotlight an “old dark house movie” with the more typical murder mystery set-up of always: reading of the will of long distant relative that recently croaked in presence of his nephews, many not having ever seen the old lady or the other cousins before this very occasion.

It just happens the deceased was a voodoo priestess living in her southern estate, and her relatives that stay to hear the will are being killed off one by one with voodoo magic, with the survivors trying to figure out who is the killer before it gets to them as well.

And i guess it worked a bit too well as this was the final film for Mike Evans (Good Times, The Jeffersons, All In The Family), not his final acting role, thought.

As you could guess from the plot and the title, it’s a blackploitation horror film with a somewhat gothic theme, due to the mansion and it taking place on “Skull Mountain”, which means some real estate did Skeletor dirty, so to speak. I say “somewhat” due to voodoo being involved, but it’s magical, supernatural stuff regardless, and it looking at a different tradition makes it less trite.

And as one of the characters puts it “one doesn’t exclude the other”.

In case you disagree, there’s the costant thunder cracking outside the mansion (yes, done in the exact same fashion you expect) that sets the gothic mood, the nearly costant rain and some fog. And “tribal drumming”.

An irksome point is that i feel the characters called there to the house were made cousins and thus related way late into scripting to avoid the very notion of afroamerican and white people (as one of the cousins it’s played by Victor French) having a relationship, which it’s fuckin racist as hell, but even odder since they didn’t change some of the music during the “date” montage to fit this.

It’s iffy, to say the least, but it’s also a sign of the decade it was made, i guess.

Despite what you may think, the “blaxploitation” label it’s kinda ill fitting, as this doesn’t have gratituous gore, nudity or harsh language (it barely has blood), it’s indeed a old dark house type of horror thriller that focuses on the atmosphere, the supernatural events and magic, and it’s fairly effective, a bit on the cheesy side (as there are skull shaped door knockers) but spooky indeed.

It’s a bit slow at times since it’s not a mystery who’s actually causing the murder and how, so you wait for a twist, and after a ritual tribal dance scene that goes on a little longer than i liked (to be honest i had enough of rhytmic african drumming solos for a good 6 months)… you don’t really get it either, as the situation it’s pretty much what you thought was shaping up to be.

But you get a pretty spectacular finale, so it’s definitely more than “fine”.

I honestly don’t have much else to say or to complain about, it’s good.

Solid production values, good atmosphere, good acting, and not really exploitative, so i can conclude i’d recommend giving The House On Skull Mountain a good watch however you can.

And remember, blood and magic are thicker than water or skin pigmentation.

Seriously, it’s a good one not deserving its relative obscurity.

The Spooktacular Eight #6: Dominator: The Movie (2003)

Are you ready to rock and roll with the most unknown Spawn-rip off you never heard?

Are you ever heard of “brit-manga”? Me neither, but apparently Dominator was the “new wave of brit manga animation”, according to what the front cover of the UK DVD release claims.

Yeah, this is some rare shit indeed, an animated movie that involves familiar names in the horror sphere like Doug Bradley, Ingrid Pitt, and metal bands like Cradle Of Filth providing not only the music but the voice acting, based on a series of british comics by Tony Luke, one that was still ongoing in 2006, but has since then been in hiatus.

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The Spooktacular Eight # 5: Land Of The Minotaur/The Devil’s Men (1976)

While Greek mythology is arguably the most overrepresented in media (followed closely by Norse mythology as one of the many “free idea buckets”), you don’t exactly think of horror when you think of Greek cinema, as the many monsters from that mythos often are more used in videogames.

But of course, there are exceptions, odd relics that surface when you start digging hard and long enough, and Land Of Minoutar does have the allure of starring Peter Cushing and Donald Pleasance, which is enough to have it featured here.

Even if this isn’t the first time the two beloved actors worked together, as The Flesh And The Fiends is from 1960.

And because this is a very obscure film, it has alternate titles, like just “Minotaur” and “The Devil’s Men”, the latter being used for its UK release, and my copy as well.

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The Spooktacular Eight #4: Big Tits Zombie / Big Tits Dragon (2010)

Based on the manga Big Tits Dragon from Rei Mikamoto (Satanister, Reiko The Zombie Shop, Bloody Deliquent Chainsaw Girl, A Girl of The Iron Ghost), directed and written by Takao Nakano, a famous japanese satirist, or so the Wikipedia page says, in any case i never heard of him before, but giving his background in the japanese adult video market and the cast made out of famous faces from the japanese porn industry (again, so says Wikipedia, i can’t know everything), and given how he did a parody of sorts of Cronenberg’s Shivers (called Sexual Parasite: Killer Pussy, which is up there with Killer Condom as titles you can give movies)….yes, he being involved makes total sense.

It was shot in 3D, which it won’t matter to me since i can’t access a 3D version, and of course there’s no european release of any kind, home video, streaming, nada. Actually, there is a german release and there was an UK release by Terracotta Productions (even had a limited UK theathrical run), but the latter is nowhere to be found, not on their store, site, or even on most ecommerce sites.

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Drake Of The 99 Dragons STEAM [REVIEW] | Back catalogue horrors

Yeah, i don’t need to introduce this one, given his legendary bad game status as one of the worst ones ever on the original X-Box, etc.

I didn’t consider why i never heard of it here in “the Boot”, but i soon realized Majesco never bothered to even give this one an european release (same as the infamous Aquaman: Battle For Atlantis for Gamecube, we European were spared that one). At least on X-Box, it was released on PC in 2004 in Europe as well, i can attest because i found a PC physical copy of this on a flea market for a buck.

Eventually, in 2018, it was re-released on Steam for 6,99 € (or regional equivalent), with some improvements and bugs fixed in an attempt to “un-shit” the game a bit and tempt gaming masochists like me who never played the game themselves. It worked.

And it’s the season for horrors, so strap in, there’s a lot of rotten guts here to morbously examine and fiddle with.

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Alice: Otherlands (2015) [REVIEW] | Uncertain Fate Kickstarted

While Alice Asylum (as said in the review of Madness Returns) is now officially in the pre-production stage of development, the path to this potential third game in the series hasn’t been a walk in the park for anyone involved, and it was bound to be full of bumps and by-products because a third game was never certain, so it makes sense that American Mc Gee tried to bring closure to his series back in 2015, with the project known as “Alice Otherlands”, made of artworks and two short animated films produced by Spicy Horse, funded via Kickstarter, as the owner of the Mc Gee’sAlice IP itself, EA, wasn’t interested in funding a third game, at all, so they had to pivot the project.

Fuck EA, btw. Just in case you needed more incentives to do so. You didn’t.

What came out of it where – mostly – the two aforementioned short films, Leviathan – A Journey Through Jules Verne’s Mind and A Night At The Opera.

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The Spooktacular Eight #2: The Slayer (1982)

I did promise i would cover more Arrow Video releases.

I didn’t specify or pointed out that they also re-released a lot of slasher flicks, so we’re not talking about the works of Park Chan-wook, Miike or Buttgereit, not today.

Today we’re talking about one of the many cult slashers from the 80s (really, what slasher from that era ISN’T a cult sensation today?), The Slayer, the debut feature from genre director J.S. Cardone, and yet another one for the “video nasty” list, which in retrospect helped these movies gain more notoriety than they ever could wish for, so yeah, good one Thatcher and co.

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