Today Oneechanbara Origins, the remake of the first two titles in the series, launches officially on PS4 and Steam, so let’s rivisit that spin-off of sorts Tamsoft made in 2017, branded as “Zombie Panic Shooting Action”, happening in the Oneechanbara universe. Kinda. Maybe.
Yes, the retail PAL version does exist, i have it!
But it’s also available digital for PS4 and Steam.
Continua a leggere “School Girl Zombie Hunter PS4 [REVIEW] | Underpants OF THE DEAD”
Ah, the Mario battle royale game nobody asked for, but it’s here regardless to celebrate the series 35th anniversary, and like the Super Mario 3D All Stars collection, it will be only available until the 31th of March 2021.
That’s… a way to make people excited about investing time in a thing it will die by design in 6 months. Also, it’s an exclusive for Nintendo Switch Online subscribers, available for “free” in the same way Tetris 99 was.
And the game it structured in a similar fashion, just applying it to 35 players with the gameplay of Super Mario Bros on the NES, so everyone starts from a SMB stage with 35 seconds on the timer and can hinder the other players by defeating enemies, which get you extra seconds and sends the defeated goons to appear and try to hamper the other players. Coins can be stored and used to purchase power-ups before, or get power-ups from a “?” block if you get at least 20 coins on that run.
There are timed special challenges, a training mode and a standard ranking system that give you more icons for the profile, but not much else.
And it’s… ok, i guess? I don’t hate it, but it’s not that compelling either, after some matches you feel kinda done already, frankly. There is something to it, not that much, and while it’s clear players that already have amassed enough coins can use that to keep an advantage, you can still win and use some strategies like in Tetris 99, especially when you unlock the later levels (with tougher enemies) of SMB.
Cute idea to celebrate the 35th Mario anniversary, yes, but it won’t keep your attention up for long, almost by design, given it will become useless in 6 months.
FIY: seen in a theather in Italy with social distancing measures, mask and stuff.
Aside from the bad timing (at least for US viewers), i’m glad it’s finally out, as The New Mutants had a troubled production history, and was in development hell for years, enough that i wouldn’t have been surprised if some months ago Disney pulled the plug on theproject all together. And it’s a theatherical release because of the years old deal (Fox was still un-absorbed) that forced Disney to put in cinemas first.
Quite likely the truly last remnant from the X-Men movie series as conceived by Fox, this is an interesting proposition even if it didn’t have this unfortunate production history, because it’s a superhero horror movie, we definitely don’t get many of those.
The plot centers around 5 young mutants, who have been brought to a special asylum in order to help them get a better control over their powers… but it soon turns out they have been locked, to be studied and observed. The group will have to confront their fears and unite their efforts if they wanna escape from the mysterious doctor that keep them locked like rats.
A lot of articles drew comparisons to the Nightmare In Elm Street III: Dream Warriors.. which i didn’t saw, but even with some general horror knowledge, these comparisons make sense, in ways i won’t explain because inherently spoilers. But even so, in this form sponged of direct connections with the X-Men movie series, The New Mutants is a pretty cool movie that balances well the teen drama (and romance) with the superhero and horror elements. Teen horror, i feel the need to point that out, so don’t expect much in the way of gore, but you get some cool action scenes and likeable characters.
Director: Daisuke Nishio
Writer: Hiroshi Hashimoto
The first One Piece featurette, shown alongside the theathrical release of the second One Piece movie, Clockwork Island Adventure, and never re-released outside of Japan (even thought it was included in the japanese DVD release of the movie, if the wikias are correct), for reasons that will become clear, outside of its 5 minutes runtime.
Like the title “implies”, it’s a mainly a musical number featuring Jango, the secondary antagonist in the Syrup Village arc, a pirate hypnotist with passion for dancing and a very minor character overall. The plot sees him seeking refuge in Mirror Ball Island (which is actually kinda canon, as he had a mini-arc told via chapter cover pages in the manga, the Jango Dance Paradise cover arc, like the one narrating what happens after Ener reaches the Moon), but he gets so into the island’sgroove he ends making a fuss and attracting Marines. Continua a leggere “One Piece: Jango’s Dance Carnival (2001) [REVIEW] Obey The Dance Commander”
I teased this with my comment on the Dynasty Warriors 20th Anniversary celebration video, and – as i said in the article – that was just the tipping point, the final push to make me write down an editorial on the musou genre/subgenre, one i had been ruminating about for a couple of years.
And to do that, i will have to start not from the beginning (i will eventually do a full retrospective, in time), but from the last numbered title in the main Warriors series, Dynasty Warriors, yes, Dynasty Warriors 9.
This is a long article, ready your beverage of choice. Continua a leggere “True State Of Musou (As of 2020)”
Director: unknown
Writer: unknown
Going back to the case of a One Piece movie having more than one prologue or preamble, since Film Gold also had a TV special that tie into it, Heart Of Gold, but – as a memory jog – we’re just covering featurettes and OVA this time.
And this actually takes place after that special but before the events of Film Gold itself, like Film Z’s Glorious Island OVA it was also released on smarthphones, and it really doesn’t tie into the movie it’s supposed to, it’s just so happens that the Straw Hats are on their way to the Gran Tesoro ship-city. Continua a leggere “One Piece: Film Gold (Episode 0) (2016) [REVIEW]”
Director: unknown
Writer: Eiichiro Oda
Going really into obscure territory here, since this is the prologue to One Piece Film Z, but it wasn’t released as a limited edition disc in a specific chain of theathers or shops, that would be too easy: instead it was originally released in 2 parts (6 minutes each) on smartphones as part of collaboration with Docomo’s then new mobile TV format-service, NOTTV, and later compiled in the japanese Blu-Ray release of One Piece Film Z.
Yeah, it’s basically an “Episode 0” of sorts, but instead of setting up more clearly the events of the movie and giving more info on the villain (like the following OVA prequel/episodes 0 for Strong World and Film Gold would do), this is a direct prologue that leads into the actual beginning of Film Z. Not that it matters because this is so detatched from the movie (you don’t see any of the movie villains in any shape, for example) it might as well be a random featurette, it would make more sense that way.
Sure, with the release format and the very nature of this OVA, you would reasonably guess whatever happens in it can’t be that important to the plot of the actual movie…..and you’d be correct, let’s not dance around it. Continua a leggere “One Piece: Glorious Island OVA (2012) [REVIEW]”
Director: Naoyuki Itō
Writer: Hitoshi Tanaka
Strong World is arguably one of the better One Piece movies, in no small part thanks to the not small involvement of Eiichiro Oda himself, who wrote the script for it, and definitely a huge step up after two previous theathrical releases that were just adbridged recaps/retelling of canon story arcs (especially in the case of the movie Episode Of Chopper, with some weird bastardization of canon and changes).
This of course didn’t stop Toei to further milk the golden pirate udders of the series (never did), so to advertize Strong World, they released a prequel to the movie in form of this OVA, Strong World: Episode 0, an adaptation of the special chapter “Strong World” released alongside chapter 565 of the manga (and gave away for free if you went to see the film in some japanese theathers, apparently). Of course they didn’t just released it anywhere, but in a limited retail DVD release of 3000 copies, given out as prizes for a contest held in House Foods (a major japanese food manufacturer) stores. Continua a leggere “One Piece: Strong World (Episode 0) OVA (2010) [REVIEW]”
Director: Katsumi Tokoro
Writer: Tsuyoshi Sakurai
Here’s another quite nostalgic OVA, as in 2008, for its 40th Anniversary Shonen Jump held the Super Anime Tour, and Toei was commissioned a recreation not of One Piece, but of Romance Dawn, the one-shot story (the first version, in this specific case) Eiichiro Oda created and that eventually served as a base for One Piece, not only in premise but also character designs, and became a naming convention, so much that the first One Piece chapter is titled “Romance Dawn” as well. Continua a leggere “One Piece: Romance Dawn Story OVA (2008) [REVIEW]”
Director: Goro Taniguchi
Writer: Hiroaki Kitajima
YES, finally time to talk about this one!
While a lot of One Piece fans know about this OVA, i fear it’s not as well known as it should, and regardless, it’s an interesting piece of One Piece media, a look into what could have been if Toei didn’t eventually took upon adapting Eiichiro Oda’s manga into an anime series in 2001. Continua a leggere “One Piece: Defeat The Pirate Ganzack OVA (1998) [REVIEW]”
