Sharks Of The Corn (2021) [REVIEW] | Wicker Shark

Like most people probably did, i found this movie while walking down the river, and it’s hard to not look when such a thing happens while you’re there, taking a tranquil stroll in the countryside of the internet mind.

I’m not surprised this movie exists, but i must admit i’ve never heard before of indie filmaker Tim Ritter, writing and directing here, apparently known as the Godfather Of Video Gore, clearly taking after H.G. Lewis, which i understand but also find quite ironical, considering Lewis notorious “disregard” for artistry in cinema as a whole.

Obvious it’s also a commercial craft, and there’s merit to the business and production side of things (and i did recently got my copy of Arrow Video’s H.G. Lewis collection, so i wouldn’t say i hate his output) but we’re going on a completely different, pointless – and uncalled for – tangent, so i’m gonna drop it.

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Shark Season (2020) [REVIEW] | Tis Is

We do gotta pick every stitch, it is always season of scripts running down the ditch,

sharks are out to make it rich, must be the season of sons of a bitch

I’m sorry Donovan, but these fuckin movies often leave me little choice but just invent shit like this, especially when scriptwriters don’t even bother to make the premise stand out for movies like these, so at a glance they mesh all together and often can be really sketchly summed, as they barely have anything to say or show. Especially when they keep getting released under alternate titles that are either mystifing, deceptive, or already used by older, better known shark movies. Because fuck you.

There’s no other explanation than “fuck you” when you release this recent shark movie as “Shark Attack” for its UK DVD release. And as “Deep Blue Nightmare” for US TV broadcasts. (sighs)

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47 Meters Down: Uncaged (2019) [REVIEW] | Mayan Ruins Of The Deep

While not exactly loved, 47 Meters Down did get a decent reception and turned out a profit, which means the studio hired back Johannes Roberts to write and direct another one of these “sequel but not really”, often called by the more elegant definition of “stand-alone sequels”.

You know the drill: no continuity, same basic premise, completely different cast, you don’t really need to have seen the previous movie, etc.

Well, actually the premise it’s a bit different this time around, even if – of course – it involves sharks, like you expect and want. Like the subtitle implies, this time around isn’t about a cage dive gone awry, but a group of girls that go scuba diving in a sunken Mayan city, only to be hunted by a group of sharks that happen to be swimming in it.

I mean, why the fuck not? Especially if you can get away with titling your movie after “cage diving” despite it barely have relevance to the story, this 47 Meters Down non-sequel can do whatever he likes, even sound like if someone accidentally made a possible Everblue horror adaptation.

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The Reef (2010) [REVIEW] | Seas For Fears

No, no the kids movie, you silly.

Know what? Let’s talk about a good shark movie, for a change, let’s talk about The Reef, from director-writer Andrew Traucki, here at his second directorial role for a feature lenght film, after debutting with Black Water, another survival horror film, but about a saltwater crocodile (later followed by Black Water Abyss).

This one is often brought up when discussing the best shark movies, and by pure coincidence it’s another Australian production, like Bait 3D, which happens to be one of my favorites and one of the better received shark flick all around. And boy do we need good ones to offset the avalanche of shit shark movies pumped out on yearly basis, we really do need some good one once in a while.

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Shark Zone (2003) [REVIEW] | Welcome To

As opposed to any other zone. We gotta be specific, it’s only the billionth shark movie to come out, but apparently the first one to have the balls to claim this zone as specifically designed for shark use only. So it’s NOT their fault you happen to walk in there and get eaten. Sharks are people too.

Or in other words “Go into the water, live there, die there, live there die”

What do you want? You wanna know the plot? You don’t. More accurately, you don’t need to, even if you just red a lot of reviews of shark movies you can fairly accurately assume what is gonna happen before even seeing it, or go pretty close.

This one of those that aside the usual fare of beach community, majoral dickery, and sharks munching people has the “lost treasure hunt by order of a mob boss”.

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47 Meters Down (2017) [REVIEW] | The Real Cage Dive

Once more we are more on the serious side of the shark movie, with the rare UK production, among the overwhelming number of american and australian ones, 47 Meters Down (or 47 Metres Down, as my UK DVD release says, thought it was just a typo on the cover art and the back of the box, but nope, it’s just unsure how exactly “europey” it wants to sound), which would also “inspire” the third Open Water film, released just months after this one.

But we’ll talk about what differentiates the two movies when talking of Open Water 3, for what concerns 47 Meters Down, you just have to know it’s about two sisters that decide – after the more introverted one breaks up with her boyfriend – to spend a vacation together in Messico.

While there, they decide to try something extreme and go on a cage scuba dive, but due to the wire malfunctioning, they end up being trapped in a shark cage underwater (at the depth the title specifically refers to), and they desperate struggle to escape while great white sharks siege them.

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[EXPRESSO] Resident Evil: Infinite Darkness (2021) | Monstrum Abruptum

So, this review wasn’t planned at all, not so soon anyway.

I was aware of the Resident Evil CG films going back from the early 2000s, but i never cared to check them out. This one just came out on Netflix as an exclusive, i decided to watch some episodes… and i have the suspicion this first “season” was originally a short movie, as it’s incredibly short and a bit too much “definitive” in its resolution than expected, let’s say that.

I guess Capcom went for the “Castlevania” approach, with a first season only lasting 4 standard lenght episodes to test the waters, and plans to eventually make more and longer seasons, but this doesn’t change that this thing isn’t exactly mindblowing. Again, at the time of writing (and posting) i haven’t seen the previous CG films, so i can’t compare to that.

But i can say that the dialogue isn’t good, often cringey and redundant. While the 3D CG looks honestly quite good, despite still feeling like a big budget long ensemble of cutscenes from a videogame… this first season barely does anything with the set-up, one oddly located in an early 2000s America where Leon has to stop a conspiracy involving a foreign nation and avoid that the US President (father of Ashley from RE 4) sets on the path of war against China.

It’s just so underwhelming AND short, not really an inspired or surprising script, even the action scenes and the monsters leave a bit to be desired. It’s not completely awful, it’s mildly entertaining, but it’s just so generic, uninspired and forgettable, even as a “foundation”. There IS something to work with, sure, but judging by this, i would expect more stories that barely interconnect and are resolved too quickly to create anything.

We’ll see.

Ghost Shark 2: Urban Jaws (2015) [REVIEW] | The Auckland Haunting

As said as the end of the Ghost Shark review, 2 years after that movie we would get… another movie. Called Ghost Shark 2, for sure, but being unrelated to the 2013 Ghost Shark movie produced by SyFy, because numbers are for idiots with their logic and assumptions of sequels.

We encountered many cases of titles implying the movie are sequels when they’re not, many times, but Ghost Shark 2 is a peculiar case, as it started as a fake trailer (well before the first Ghost Shark was even a thing, odd as it sounds) and eventually became a real movie, like Hobo With A Shotgun, after production of a feature version did start in Auckland back in 2010.

Yeah, this is a New Zealand production, and the movie wants you to know it takes place there, in Auckland, specifically, because why not.

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Aquarium Of The Dead (2021) [REVIEW] | Aqua Zoombies

Today i’m gonna ask you a question, answer sincerely.

Who exactly asked for a Zoombies 3?

I’m not even being sarcastic, i’m genuinely curious because i’m pretty sure most people that at least saw the first Zoombies didn’t knew it had a “sequel” to begin with. This is not a series that has anything as a following, as far as i understand.

But yes, this is actually the third movie in the Zoombies trilogy, despite the title.

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Land Shark (2020) [REVIEW] | China Deep Blue Sealab

Not be confused with the Polonia Brothers movie of the same released in 2017.

Or the SNL sketch.

Nope, this time we’re branching out a bit and taking one of the many (more than i expected, anyway) creature features from mainland China that manage to be known westward thanks to dedicated users reviewing them, and the various chinese companies realizing it’s easier to market these outside of China if they just put the movies on their Youtube channel with english subs.

Like this one, originally titled Luxingsha (which translates to “Land Shark”, as you could guess by now) and directed by Cheng Siyu, and at the time of reading available for free on Youtube with optional english, indonesian and vietnamese subs.

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