Tag: EXPRESSO

[EXPRESSO] #Alive (2020) | SNS Zombies

No cinema for me this week, so guess i’ll dust off Netflix, see and review this new korean zombie movie, which comes with the hashtag already built in the title. The plot sees a streamer in Seoul waking up and logging on to do some online gaming (he’s shown playing PUBG), only to hear people chatting of something weird being broadcast on tv, and soon enough even in the very streets below him, as a zombie virus of sorts spreads.

He’s forced to barricade himself home, trying to use his tech savviness to understand what is exactly going on outside, all made harder by scarce rations and social medias (or the reception for phones) not working most the time.

It’s better than i expected, and being set in “the now” you get to see fun stuff like zombie (of the running and “contorsionist” variety) getting attacked by drones’s eliblades, and there are some cool action scenes, production values are fairly decent-good, same for the special effects. Problem is, there isn’t too much to the plot, there’s enough, but nothing special, and after a fairly fast start, the movie suffers from pacing problems.

I understand it would be more realistic to see characters barricade themselves into their apartments, and while this is to feed into the “surviving days and days into a zombie apocalypse”, this kinda backfires, as the plot doesn’t really moves forward or backwards, and it’s not until the third act where it picks up again. Thankfully the characters are likeable, given how much time you spend watching them try to communicate or concoct a plan, but they’re not good enough to gloss over the fairly typical twists and turns of the narrative. Not even with some cool “hip” music.

Decent, worth a watch, for sure, but nothing special.

[EXPRESSO] The Vigil (2019) | Ghost Orthodox

Directed and written by Keith Thomas (in his feature directorial debut here), this Blumhouse production tells of Yakov, a down on his luck fellow, who is contacted by a rabbi of his former Orthodox Jewish community, offering him 400 dollars to execute the rite of “shoimer”, consisting in keeping vigil to a recently deceased man, comforting his soul with prayers for a whole night.

The person who was supposed to keep vigil run away, but Yakov isn’t worried, as he has performed the rite a lot in the past, so he accepts, and enters the house of the departed, the recluse and odd Ruben Litvak, where the old widow is also resting. But as the night proceeds, strange events start happening,Yakov starts learning more of Ruben, his past, and demons from his own past start haunting him…

It’s an interesting premise that delivers an intriguing angle to this type of possession/exorcism movies, has a likeable main lead, great atmosphere and suspense, with an interesting choice for the entity (taken from Jewish folklore and demonology, i assume), and some ok scares, even though they’re definitely not the selling point. A simple premise that makes full use of the small house scenario, executed with elegance, sadly a bit lacking in the story department, or in the backstories to the characters (the Holocaust is involved), which are not bad, but are definitely the less inspired parts of the movie, the more typical.

Overall, though, The Vigil it’s more than sum of its parts, and definitely a good, really solid supernatural horror, a chiller, to be more specific, with some good visuals that mines religious elements from a different religion, instead of some brand of Christianity, and from a fairly ignorant prospective, they make for something you don’t see represented often in horror.

Recommended.

[EXPRESSO] Blazing Chrome NSWDDL | Olympus Has Fallen

21XX A.D.

Capitalization of vaguely remembered decades run rampant in the dystopian future where a war against “ze machines” is unfolding. As humanity last stand, the last survivors of a suicide mission, with the main characters designs clearly – “just because we like it” – made to evoke Appleseed’s Dunen and Briareos, you’ll have to attack the enemy HQ in a desperate, last bout of run n gun action.

From the developers of Oniken and Odallus comes a surprisingly good retro 2D run n gun, one that not only evokes the 16 bits days of yore via the usual (but also quite crisp) retro aesthetic, but also because it’s basically Contra III (the weapons will make it even more obvious), with an evasive roll manouver and a Metal Slug-style close quarters knife attack added for good measure. But still, a very good recreation of Contra with enough in it to not just make it a “clone”, made by people that know what to keep from the classics, and where concede to modernity in order to avoid fidelity over quality.

It’s a 6 missions/level affair, but they’re well designed, quite packed and keep the tradition of changing things up with motorcycle sequences, mechsuits, faux-3D shooting sequences, etc. It’s the kind of game that is by design not particularly long, but it’s also very challenging, hard but never soulcrushing difficult, you always feel you can win if you try again, learn and improve. It also gets the arcade type of replayability perfectly, and you’re given various difficuly settings that add or remove “comodities” suck as saving or extra lives. Add in extra playable characters, boss rush mode, and even options for speedrun, and i really can’t recommend this enough.

Shoutout to my buddy Chaosknight69 on Backloggery for recommending this one.

Loved it!

[EXPRESSO] The New Mutants (2020) | Teen Mutant Nightmares

FIY: seen in a theather in Italy with social distancing measures, mask and stuff.

Aside from the bad timing (at least for US viewers), i’m glad it’s finally out, as The New Mutants had a troubled production history, and was in development hell for years, enough that i wouldn’t have been surprised if some months ago Disney pulled the plug on theproject all together. And it’s a theatherical release because of the years old deal (Fox was still un-absorbed) that forced Disney to put in cinemas first.

Quite likely the truly last remnant from the X-Men movie series as conceived by Fox, this is an interesting proposition even if it didn’t have this unfortunate production history, because it’s a superhero horror movie, we definitely don’t get many of those.

The plot centers around 5 young mutants, who have been brought to a special asylum in order to help them get a better control over their powers… but it soon turns out they have been locked, to be studied and observed. The group will have to confront their fears and unite their efforts if they wanna escape from the mysterious doctor that keep them locked like rats.

A lot of articles drew comparisons to the Nightmare In Elm Street III: Dream Warriors.. which i didn’t saw, but even with some general horror knowledge, these comparisons make sense, in ways i won’t explain because inherently spoilers. But even so, in this form sponged of direct connections with the X-Men movie series, The New Mutants is a pretty cool movie that balances well the teen drama (and romance) with the superhero and horror elements. Teen horror, i feel the need to point that out, so don’t expect much in the way of gore, but you get some cool action scenes and likeable characters.

[EXPRESSO] Pokemon Masters EX iOS | The Rolling Girls (& Boys)

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I usually don’t re-review smarthphone games (i did an Expresso review of the game in italian soon after launch one year ago), but since i didn’t really touch the game after spending time on it for the review, i actually enjoyed it enough, and Nintendo feels the update is so big to warrant a title “upgrade” (hence the “EX”), i will indulge this time.

As one would expect, in time they added more extra modes and stuff to do, even Pokemon eggs (alongside the stuff added as part of the anniversary update, which brought also a new interface)… but they also added freemium elements that weren’t in the game at launch, like the “energy meter”, and of course more stuff for the gacha, and this game is one of those that differentiates between premium currency gotten in-game and paid. Still, they didn’t add lootboxes or more monetization system, and admittely the game launched a little bare on content, not broken or unfinished, but DENA clearly underestimated how ravenous gamers can beat in days what was intended to be consumed in weeks or months.

And i feel bad that ultimately Pokemon Masters is so reliant in the gacha to really lure you back in, because the gameplay itself is (and was) fairly solid, as it’s basically the classic Pokemon combat formula but as a 3 vs 3 affair, with some semplification to accomodate it not being turn based, and a slightly revised system of types’ compatibility. Along with new passive abilities for defense, it’s the closest we have to a proper Pokemon game on smarthphones/mobile, and it’s the better one we got yet. Surely better than that Pokemon Rumble Rush (RIP?).

Still, a fairly good mobile game i don’t really care to play with any sort of frequency.
Or give money to, honestly.

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[EXPRESSO] Tenet (2020) | Time After Time

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Ah, yes, Christopher Nolan tale of Batman against one of his most obscure villain, Palyndrome. Or maybe it’s a live-action Tin Tin adaptation in disguise.

FIY: i watched this in theathers with social distancing enabled, but then again, i remember i’m Italy-based, which happens to be kinda lucky for me in this particular istance. Don’t go to theathers if there any chance to get the plague, not worthy it.

So, Nolan is back into the game, bringing his lavish and twisting narratives into the spy movie genre, with Tenet, where a CIA agent gets recruited for a secret mission, launched into action only knowing the word “Tenet” and that at stake is avoiding World War III. Oh yes, also, there is time travel involved, so good luck.

Like most movies that center their story about time travel, Tenet has his own specific rules (outside of the obvious ones like paradoxes), which are unique, but are also a bit confusing. The script and direction by Nolan help juggle all the time travel hubba without leaving plot holes or anything like that, but at times, even with some choices made specifically to avoid them being confusing – or more confusing -… some scenes feel too busy, way too busy. Even so, it’s always quite the spectacle, even when you aren’t exactly sure what exactly is happening, a highly entertaining spectacle, the plot is worth watching unravel all the way through its 2 hours runtime, and you have a great cast (as expected) with John David Washington, Robert Pattinson, Kenneth Branagah, Elizabeth Debicki, Hamish Patel.

Oh, yes, Michael Caine is in the movie for 5 minutes, being very british.

Good movie, even if at times confusing (not incomprensihible, but confusing), and with a tone that feel a bit too “composed”, even for Nolan.

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[EXPRESSO] Siberia (2020) | LSD: Dream Dafoe Emulator

Siberia 2020 poster.jpg

Abel Ferrara’s last movie, a German-Italian-Mexican co-production…it’s definitely a movie. That you can watch in theather right now (at least in Italy)… i wouldn’t exactly recommend it.

Siberia, to be fair, at heart it’s an Abel Ferrara movie, focusing on sinners and outcasts searching – with futile attempts – for some redemption. Here we have Clint (William Dafoe), going out into the siberian tundra and embarking on a dreamlike quest to confront his own subconscious and past in a non-cronological narrative.

Problem is, while none of really complicated (or cryptic), the movie feels the need to constantly stop itself to basically overexplain the internal conflicts of the character out loud, or have scenes that feel weird for the sake of it (in hindsight, a power drill killing scene could have happened), or made downright pointless in the long run.

Even when it’s fairly clear what’s going on, even if you “get it”, you will still want to ask what the point of that was, more…annoyed than actually confused by the imagery and some really random exchanges that don’t really connect to anything. It doesn’t help that – for whatever reason – in the italian theatherical version William Dafoe clearly isn’t dubbed, so he speaks in italian with such a BAD, laughable german-russian accent it’s literally impossible to take anything he says with any degree of seriousness.

This isn’t a nitpick, i fully mean it.

I’ll say this: it isn’t boring or predictable, but i found myself more asking if it’s really just a 90 minutes movie, not really intrigued by most of the events and what they say about Clint, nor really that curious to see where exactly the narrative is going.
Fitting end, i must admit.

I don’t regret seeing it or anything like that (at all), but i didn’t like it.

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[EXPRESSO] Gretel And Hansel (2020) | Coming Of Mage

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With this one i didn’t check any of the “discourse” or reviews from the american press beforehand, i just guessed it was a retelling of the Brothers Grimm’ fairytale focusing on Gretel’s viewpoint, and it’s not as gratuitous as it may seem at a glance, since Gretel is indeed the one to figure out the witch’s plan and ultimately kill the cannibal old hexe.

While many aspects of the story are changed or done away with as with the abandoning routine (among other things, but i’ll keep it spoiler free), the focal points are mostly kept, so we see the two siblings wandering in the woods in search of food and shelter, stumbing upon a house where a kind old woman treats the two to delicious banquets, gives them a place to stay at, and teaches them how to chop wood, how to treat illness, etc. Especially to Gretel, which might have the same epiphany as Ichigo Kurosaki…

It’s a horror retelling that leans even more into the supernatural elements, as to further enhance the absolute misery of medieval poverty, of sickness and dirt, and centers on Gretel mostly, basically turning the fable into a coming of age story, with magic, axes, great photography, amazing atmosphere, pretty good character and great acting. And as it’s the usual, any theme of feminist empowerment is made better by baskets of guts, with some grisly imagery that’s not overused.

The bigger issue would be the pacing…. i guess, Oz Perkin’s take on this fairytale it’s not a fast moving one, but it’s not that slow as other people seem to think it is, it’s exactly as long and fittingly paced as it needs to be, i feel. Then again, i saw people arguing this “actually” isn’t a horror movie (yes, yet again), so…..

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[EXPRESSO] Onward (2020) | Dad Quest

Onward 2020 poster.jpg

Yeah, due to the COVID-19 lockdown, this was delayed… until theathers reopened yesterday in Italy, pretty much. For U.S. moviegoers, this will old hat, as the movie debutted there in march, but eh, what you gonna do?

After the fun but kinda pointless rethread of Toy Story 4, Pixar here treats us to a story about two brothers in a quest for an artifact to make their deceased father exist – completely, that is – for one more day, all set in a fantasy suburbia world of elfs, cyclops, goblins, station wagons, smarthphones and convenience stores, as technology advanced and made magic basically obselete over the millennia. Yes, still a better modernized fantasy world than Bright, let’s just get that out right away.

And there’s a token minor LGBT character (a cyclops cop), so token it’s made so by a single line, not bad or offensive, the character isn’t completely pointless to the plot, to be fair, it’s just….yeah, nothing to really brag about, given it’s ancillary status, but Pixar needed some social media icons for Pride Month, so…

That aside, it’s good mix of family drama and road movie, with some fun characters design, likeable characters (even if it’s another tale of getting over feelings of inadequacies, this time exploring brothers and fathers relationship), funny spins on fantasy and GDR clichès leading to some pretty good visual jokes, pacing is perfect, the moral becomes obvious but still feels earned (and the lesson at the end actually gels together with the themes), there’s even some action with swords and dragons and stuff.

Definitely a step up from Toy Story 4, and better than one would reasonably expect from Dan Scanlon, who previously directed that Cars supernatural-ish spin-off short…. and Monster University (the only review i still regret writing). Good one.

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