[EXPRESSO] Blood Red Sky (2021) | A Vampire On The Wing Of The Plane!

Sometimes Netflix is home to some good surprises, alongside reboots nobody asked and/or lots of “3D CG anime for the west”.

Seriously, Netflix does have some good exclusive movie releases, and this german horror thriller from Peter Thorwarth (also known as Transatlantic 473) is quite the unexpected delight.

Not because it came out of nowhere, i’ve heard of it before and was looking forward to it, but the premise gave the strong impression of this being a very gimmicky movie, using the horror element of “a vampire is on board” as a novelty to spice up another run of the mill thriller about a plane hijacked by terrorists, so i did go into this one with lowered expectations.

The premise see a mother and her son board a plane to New York, where she plans to get cured of her mysterious illness. But during the flight a group of terrorists spring their plan, hijack it, so in order to protect her son and the other passengers, the mother will have to give in her disease, as she’s actually a vampire, the kind that’s just a feral, unhinged creature entirely driven by bloodlust.

The vampire lore is pretty simple but also pretty convincing and brutal, fear not, the horror parts were not shoehorned in at the last moment, at all, and they work very well, not only as they give an interesting, fairly unique spin on the “airplane thriller”, but also feed into the notably solid mother-son dynamic, leading to pretty good drama featuring likeable, solid, competent characters.

Villains are a bit generic, but there’s the usual psychopath nutcase that helps in giving the plot some pretty good action scenes (among other things), and there’s a lot going on regardless, making the sizable runtime quite sensible. Pretty good one, quite recommended.

Sharks Of The Corn (2021) [REVIEW] | Wicker Shark

Like most people probably did, i found this movie while walking down the river, and it’s hard to not look when such a thing happens while you’re there, taking a tranquil stroll in the countryside of the internet mind.

I’m not surprised this movie exists, but i must admit i’ve never heard before of indie filmaker Tim Ritter, writing and directing here, apparently known as the Godfather Of Video Gore, clearly taking after H.G. Lewis, which i understand but also find quite ironical, considering Lewis notorious “disregard” for artistry in cinema as a whole.

Obvious it’s also a commercial craft, and there’s merit to the business and production side of things (and i did recently got my copy of Arrow Video’s H.G. Lewis collection, so i wouldn’t say i hate his output) but we’re going on a completely different, pointless – and uncalled for – tangent, so i’m gonna drop it.

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The Reef (2010) [REVIEW] | Seas For Fears

No, no the kids movie, you silly.

Know what? Let’s talk about a good shark movie, for a change, let’s talk about The Reef, from director-writer Andrew Traucki, here at his second directorial role for a feature lenght film, after debutting with Black Water, another survival horror film, but about a saltwater crocodile (later followed by Black Water Abyss).

This one is often brought up when discussing the best shark movies, and by pure coincidence it’s another Australian production, like Bait 3D, which happens to be one of my favorites and one of the better received shark flick all around. And boy do we need good ones to offset the avalanche of shit shark movies pumped out on yearly basis, we really do need some good one once in a while.

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Virus Shark (2021) [REVIEW] | Bad Taste Sharks

While i promised myself i wouldn’t review stuff like the Corona Zombies films (made DURING the height of the pandemic in 2020 by an even more more shameless and cynical Full Moon Pictures)… i still will pretend they didn’t actually happen, alongside stuff like Angry Asian Murder Hornets, but chance and curiosity took the best of me when i stumbled upon this movie while walking down the river. I figured i could at least use it for this year’s Shark Month, and i selected it for the title alone.

So color me…. not really surprised when i actually started doing some research and finding out it’s yet another Polonia Bros joint.

And no, i didn’t plan out to review so many of their movies, at all. It just sorta happened.

At least they waited until 2021 came around instead of shooting it 3 days during mid-2020 so it could be “shot” and released during the height of the pandemic?

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47 Meters Down (2017) [REVIEW] | The Real Cage Dive

Once more we are more on the serious side of the shark movie, with the rare UK production, among the overwhelming number of american and australian ones, 47 Meters Down (or 47 Metres Down, as my UK DVD release says, thought it was just a typo on the cover art and the back of the box, but nope, it’s just unsure how exactly “europey” it wants to sound), which would also “inspire” the third Open Water film, released just months after this one.

But we’ll talk about what differentiates the two movies when talking of Open Water 3, for what concerns 47 Meters Down, you just have to know it’s about two sisters that decide – after the more introverted one breaks up with her boyfriend – to spend a vacation together in Messico.

While there, they decide to try something extreme and go on a cage scuba dive, but due to the wire malfunctioning, they end up being trapped in a shark cage underwater (at the depth the title specifically refers to), and they desperate struggle to escape while great white sharks siege them.

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Jaws In Japan AKA Psycho Shark (2009) [REVIEW] | Sharkmills Of Your Mind…

In retrospect, it’s kinda hard to believe that Japan didn’t really contributed much to the avalanche of “sharkxploitation” movies seen in late 2000s and the 2010s, aside from the movie we’re talking about today, since this is the country that the very same year gifted us stuff like Vampire Girl VS Frankenstein Girl, to say nothing of the amazing exploitation masterpiece of Tokyo Gore Police.

You would think japanese genre directors would have jumped on the trend and gifted us plenty of insane shark movies with people cutting off their limbs to replace them with shark heads or something, but nope, the only exploitation japanese shark movie that pops up in related searches is this one, and it becomes clear why now it has just been kinda forgotten and left to obscurity.

Because it is fully deserving of such treatment.

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[EXPRESSO] A Quiet Place Part II (2021) | Hush Of Us

I wasn’t sure if i wanted a sequel to A Quiet Place, as i was perfectly satisfied… heck, more than that, with both the finale and the movie itself, one of the best ones i saw that year, had everything you could want from a horror thriller, from fairly original premise to great acting, excellent creature effects, tense atmosphere, great characters, etc.

But i guess the combination of it being surprising (as it came from a director that previously didn’t explore or dabble in horror), acclaimed by everyone, AND being a surprise big financial hit made John Krasinki, Platinum Dunes and 20^th Centhury Fox think of making a follow up, and it’s finally in theathers, another of the many movies delayed for months-years due this goddamn pandemic.

Following the events of the first movie, the Abbott family is forced to venture outside of the house they took refuge in and in doing so confront the human survivors of this post-apocalyptic world, still thriving with the blind deadly creatures attracted by sound.

Gotta admit, my fears of this sequel being somewhat of a cash-in were quickly shattered, as it manages to move forwards the story about this family surviving in the post-apocalypse, to give more context to the events that led up to the creatures appearing, and to develop the survival aspects even more thanks to them having to face not just the monsters, while giving way for character arcs.

All still done with minimal use of dialogue and sound, with a great atmosphere, some really scary – genuinely scary – moments, good action sequences, excellent acting, likeable characters, amazing creature effects yet again, all packed extremely tight in less than 100 minutes, no minute is wasted for the sake of it, at all.

Noteworthy sequel, and great movie all around.

Upcoming Attractions: Sharks und Pirates

(Source) https://danbooru.donmai.us/posts/4273516?q=sharknado+

(no, a Girls Und Panzer retrospective isn’t afoot… YET)

Just a quick overview of what’s coming for the rest of the summer on the blog.

July will be Shark Month. Usually it is anyway, but this year i actually have managed to pile up enough material (despite everything), so there will be a shark movie review out each day, and maybe some EXPRESSO ones too, depending on when i can get to some releases in theathers.

August will yet again be a One Piece retrospective…. of the TV specials.

Last summer we did go over the featurettes, and it’s still too early for me to properly re-assess all the One Piece movies. Like i said before, i’d prefer some more time to pass,, in order to avoid some lazy rewrite-recycle of the old reviews i made in italian years ago.

Also, i’m gonna take a break from the 15th of August (included) until the 1st of September.

This doesn’t mean i will stop posting at all, since EXPRESSO reviews will be made and published, but any time consuming form of review or retrospective will go on hiatus.

That’s about it, so look forward to another summer of sharks and anime pirates!

[EXPRESSO] Spiral – From The Book Of Saw (2021) | Uzumeki

I have been a big fan of Saw since forever, so i was looking forward to this new one, liked the casting, and you know, it had to work hard to be even worse than the pointless and neutered Jigsaw/Saw Legacy. Plus, we have Darren Lynn Bousman (who directed Saw II, III and IV). So yeah, i’m in.

The plot sees an old cynical detective getting assigned a freshly promoted and entusiasthic rookie as partner to investigate on a series of gruesome murders that look unsettingly inspired by one of the more sordid serial killer stories to ever happen in that city, the Jigsaw Killer. Helped by a veteran cop, they soon find out that they are stepping on a spiral of mistery and traps set up for them.

Yeah, plot wise it’s not exactly a reboot, as in this continuity The Jigsaw Killer was a thing of the past, but it doesn’t make clear if the events of Jigsaw even happened or mattered, so it also works as a new take that doesn’t really rely or require seeing the other ones, and this installment does indeed give the series a new direction, focusing more on the detective/police drama, dedicating more time to flesh out the characters directly instead of a heavy “flashback diet”.

The traps are actually creative, vicious, and deliciously sadistic as expected, with a lot of gore and gruesome details, already making this a lot better than the bloodless boring shit in Jigsaw. But as far as actually reimagining and reinventing Saw as a whole.. no, really no, Spiral sticks to formula with decent results, not really feeling that eager to reinvent itself in the first place, after all.

Not bad, but it lacks the ambition to really try something new with the series and potentially fail.

[EXPRESSO] Run (2020) | Night And Day

Gotta be honest, this one completely flew under my radar, i didn’t even knew it was on Netflix from april… until now, where it got a theathrical release in my country (after leaving Netflix, of course).

Whoopsie. Whatever, i still prefer going to a theathrical screening.

From director and writer Aneesh Agharthy (2018’s Searching), Run tells the story of the weird relationship between Diane Walsh (Sarah Paulson) and her daughter Chloe (Kiera Allen), a wheelchair bound and homeschooled teen, as she notices her mother’s behaviour getting stranger and stranger, leading to find some strange name changes on some documents and making Chloe suspect of everything her mother does, fearing to uncover some dark secret.

Run is one of those movies that don’t really sound like much going by the premise, which might come off as too “familiar” and overused even if it really isn’t, and no, it’s nothing like the 1980’s film Mother’s Day (or its loose 2010 remake), even if it debutted original on Mother’s Day.

Still, while you kinda know what to expect, the execution makes it, as the very good script takes 100 % advantage of the setup and possibilities given by a disabled protagonist, without resorting to insincere little pieties about the “poor wittle paralyzed thing”, and offering very well written characters that perfectly play off each other thanks to the great performances of Paulson and Allen.

Also, while it has a slow first act, it’s not that much of a “slow burner”, as things pick up a bit faster than expected, but tension remains high all the way through, with a lot happening in 90 minutes, and a very satisfying ending.

Been a while since i saw a finale so satisfying.

Nothing “new”, but very well done, with nothing about it feeling vestigial. Good one.