Earth Defense Force 5 [PS4] REVIEW | Frogs From Planet Space

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Moments of crisis are what unites us, especially in exterminating space bees and shouting “ EDF ! EDF! EDF! EDF! EDF!” from the safety of our own homes and away from something worse than bouncing giant spiders and ETs with laser guns!

Time to review Earth Defence Force 5, the latest in the main EDF series! Continua a leggere “Earth Defense Force 5 [PS4] REVIEW | Frogs From Planet Space”

Azur Lane The Animation 2019-20 [REVIEW] | The Bone Of My Boat

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Ah yes, one more for the evergrowing subgenre of “shipgirls military slice of life”, less Arpeggio of Blue Steel, and more Kancolle/Kantai Collection, which is obvious as hell as Azur Lane (by chinese companies Manju and Yongshi) came out to fight Kadokawa’s browser game, but actually bothered to give it more actual gameplay, implement less taxing gacha elements (which is akin to say “less rusty gambling hooks piercing my flesh”), and actually made it easier to access worlwide without any need to know japanese, use google translate constantly or set a VPN, just released an app for smarthphones.

And given it performed quite well (even in Japan), it was just a matter of time to see an anime adaptation of sorts, which came out in late 2019…not fully, as two last episodes were postponed to march 2020 after concerns on animation quality. I thought it was due to fans expressing criticisms on social media, but it seems it was mostly the staff itself’s decision in order to deliver a better and satisfying ending to the series instead of rushing it, which is commendable, and gave me time to catch up. Continua a leggere “Azur Lane The Animation 2019-20 [REVIEW] | The Bone Of My Boat”

One Piece: Pirate Warriors 3 PS4 [REVIEW]

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After the “Dream Log” scenario of Pirate Warriors 2, Koei did what it usually does, as it basically starts from scratch in order to have a more faithful and complete recreation of Eiichiro Oda’s pirate world, in the name of canon… and so you wouldn’t need to have played the two previous Pirate Warriors titles, because this was released on all Playstation platforms at the time, and Steam as well.

There’s also a Deluxe Edition for Switch that came later with all DLC already on the cart, and it’s not bad performance wise, worth considering. Continua a leggere “One Piece: Pirate Warriors 3 PS4 [REVIEW]”

[EXPRESSO] Gato Roboto NSWDDL | Domo Domo

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I didn’t know what exactly to make out of Gato Roboto, but since it was on sale and Devolver Digital published it, why not, for 2 bucks?

And it’s not like the game hides or even tries to hide its ispiration, as the main image used for marketing is a cat exiting a black and white version of Samus Aran’s Power Suit. The actual robot suit doesn’t look like that (as one might reasonably guess), but it tells you exactly what this is: is Super Metroid with a cat.

That’s it. I was expecting to see an actual gimmick, but the “gimmick” is that it’s a really good Metroid style title, actually finding the good balance between contained world and Metroidvania style progression that Xeodrifter failed to capture, so you don’t get lost at all since the design pushes you in a certain direction, but you also need to find out how to progress with the obstacles each enviroment introduces, such as heat, lava, water, etc.

And the whole idea of “Metroid but you’re a cat” is actually used well, as you can leave the suit to swim (begrudingly so), jump-scale walls or navigate narrow passages, but you have no offensive capability… because you’re just a normal cat, as normal as a cat using a robotic suit can be. Some good, challenging boss battles too, for a ¾ hour (more if you want to complete it 100 %) experience that’s fun all the way through, and doesn’t overstay its welcome for the sake of pleasing insane logic such as “hour=price”.

And while the aesthetic choice of “black and white graphics with retrò pixel aesthetic” is as “indie game” as it can be, it’s actually pleasing to look at (which isn’t always the case), and the story isn’t half bad, too. Fun one, recommended!

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Azur Lane Crosswave PS4 [REVIEW] | You Are A Boat

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Yeah, an actual videogame devoid of the gacha free-to-play trappings, based after the “Kancolle Killer” smartphone title that basically positioned itself as a Kantai Collection clone (not quite, but it’s obviously aimed at the same demographic), one easily available pretty much worlwide instead of a japan only browser game requiring VPN and troublesome hoops to jump through and compatibility errors if you want to play it.

It’s an odd concept to have a proper videogame that you pay to own as a spin-off of a free-to-play estabilished/borne series, almost emblematic of the state of the market and this “era” of gaming, but it’s interesting from a conceptual standpoint, and now you don’t have to import it from Playasia, as it came out, even in physical retail form, in Europe and the States. Still kinda surprised by that.

I preordered the “super duper hyper” edition with all the tat and OST and artbook, but maybe i’ll eventually review the Limited Edition contents by themselves, they don’t factor into the actual PS4 videogame at all. Continua a leggere “Azur Lane Crosswave PS4 [REVIEW] | You Are A Boat”

One Piece: Pirate Warriors PS3 [REVIEW]

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For the upcoming release of Pirate Warriors 4 (which i though wasn’t gonna happen until it was revealed in the summer of 2019), i’m gonna review all the previous Pirate Warriors titles before it reaches Europe on the 27th of March, so here we go! Continua a leggere “One Piece: Pirate Warriors PS3 [REVIEW]”

Warriors Orochi 4: Ultimate (Overprice)

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Remember this one?

A quick rant, since Koei continues to takes the piss hard with their business policies,  because even now that they don’t have to necessarily physically reprint a game for the expanded/upgraded… they still charge obscene prices, pretty much making more sense to wait for a price drop on the physical edition of the upgrade/expanded game.

Except that they are strong-harming you to still buy DLC, regardless if you bought digital or physical. Continua a leggere “Warriors Orochi 4: Ultimate (Overprice)”

[EXPRESSO] Sonic The Hedgehog (2020) | Amish Paradise

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So after Sega decided to let the internet hivemind make artistic decisions for its Hollywood blockbuster movie based on its most iconic franchise, after that FX studio fixed the ghastly design Paramount was originally gonne use for Sonic (and got axed, as proof that karma is a phantom under capitalism), after the delays from late 2019 to now, the live-action Sonic The Hedgehog movie hit theathers.

The premise here sees Sonic as an alien who escaped to Earth from his home planet after being hunted for his powers, and hides for years in a little town in Montana called Green Hills, until he accidentaly causes a power outage, prompting the authorities to send the eccentric genius known as Dr. Robotnik, and Sonic has to run for its life, helped by Tom, the local cop who accidentaly discovers him, in a quest to recover the lost magical rings.

I was skeptic and waiting for this one to be a regression after the Detective Pikachu movie, and it’s Sonic, there are legitimate reasons why the series has this sketcky (at best) reputation nowadays outside of the 2D style releases. … and sadly i wasn’t too far off. Mind you, it actually fairly good as an adaptation, with pretty much all elements associated with Sonic displayed or worked into the plot, but it’s also a very formulaic kids movie at heart (no “liar reveal”, thankfully).

And while having Jim Carrey back to chewing the scenery with mighty gusto like he did before is nice, he isn’t given very funny lines, and it all feeds into the 90 nostalgia this movie leans heavily on without trying much on anything else.

It’s not bad, at all, but i’m not gonna say it’s decent just because we are trained to expect weird baffling shit from Sonic as a brand.

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[EXPRESSO] Birds Of Prey (2020) | Quinn Patrol

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First off: i didn’t hate Suicide Squad, but boy it was bad, not the worst, but still quite bad, and was so widely panned i’m kinda surprised they even bothered to go through with this… sequel, i guess.

It takes place after Suicide Squad, but aside from a passing comment from Ms. Quinzell herself, it’s basically it’s own movie, focusing on Harley Quinn, who breaks up “Mister J” and goes solo, at first trying to survive without the impunity she had for being with Joker, and then meeting with three female anti-heroes/vigilantes (Black Canary, Huntress and a cop named Renee Montoya) that are searching for a girl named Cassandra Cain, also hunted by villain Roman Sionis, better known as “Black Mask”, who has a plan for taking control of the city’s criminal underbelly, now that Gotham is Batman-less.

While it retains some of the aesthetical flair of the “previous” movie, Birds Of Prey is a different beast, as in it actually knows what it wants to be, and its highly confident in itself, just as much as Margot Robbie’s perfect interpretation of the crazed anti-heroine, with a fun comic book atmosphere and the whole “magenta rebellion” visual style that you could have easily made this an animated movie (and there is a very nice animated prologue).

That and it actually understand that you can do a movie about “girl power kicking ass” and not undermine your own point by quasi-neutering your vision, as fight scenes are quite fun and are deciliously leaning on the savage side (without going randomly overboard), with plenty of arms and legs broken in slo-mo, fun coreography and setpieces, and a decent story told by and for the qwirky arlequin of Gotham. At times the quirkyness is a bit grating, i gotta say, but still charming.

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