[EXPRESSO] Godzilla Defense Force iOS | ♫ To protect Mother Earth… ♫

The second of the three mobile Godzilla games promised by Toho for 2021, advertised a month ago as Godzilla Battle Line, published by Nexon and co-developed by Neople and Studio 42.

After the odd but cute stats raising-pet simulator of Run Godzilla, now we have a more traditional offering for a mobile licensed spin-off game. It’s not exactly a proper tower defense, but more of a tapper with RTS elements: units despatch and attack automatically the enemy waves from building you can upgrade, but you can also tap on them for extra damage (especially when their weak points show up), or use the various Kaiju Cards left by fallen monsters and/or obtained via card packs, of course available to purchase for real money.

It’s a decent little timewaster, a little more engaging than the usual tapper, but it’s aggressively monetized, even if it’s oddly pushy in making you watch ads to boost stats like production speed or to get resources, instead of just saying “cough up the cash to save time”, and i feel it’s the lesser evil of the options they could have gone with. BUT it still feeds into the same objective: to get you spending real money on the card packs and batches of premium currency, especially since the game remembers you revenge can be had easier by wiewing ads, etc.

Presentation is good, the story is what you’d expect, as an EDF commander you organize a defense line to repel kaijus attacking Earth, often sent and/or resurrected by the evil aliens called Xilliens. By progressing you get new locations to build bases, the ability to summon new allies with passive abilities, new monsters (some obscure references to Toho’s non-Godzilla material), making for a decent and entertaining loop, even if you’d wish for a bit more depth to it.

Happy Easter

I guess, here in Italy we’re still knee deep in quarantine, so much theathers didn’t even re-open, and we still have no dates for when some of the hot new movies will hit streaming services here, so that’s why i haven’t posted a review of Godzilla Vs King Kong, i simply have yet to see. And boy i do wanna see it BADLY, even if i really wanted to see in theathers…. it’s not gonna happen this year where i live.

So look forward to some more anime reviews from last season (i do plan to see and review Godzilla Singularity Point, though), and MAYBE an EXPRESSO review of the Snyder Cut of Justice League. MAYBE because i really don’t care about it to be honest, but i did watch the theathrical cut back then, which gives somewhat of a limp excuse and – regardless – is more than i can say for Man Of Steel.

I probably won’t, because it’s 4 frigging hours, but who knows.

Big Man Japan (2007) [REVIEW] | Now it’s history I see

If you have been searching for an original, fresh take on the kaiju movie, you simply cannot overlook a movie like Big Man Japan, directed, written and starring Hitoshi Matsumoto, a popular japanese comedian, here at it first full lenght feature, followed by Symbol, Saya Zamurai and R100.

Sure, in the movie there are giant monsters attacking Japan, there is an Ultraman style humanoid giant that fights them to protect the country and its citizens, but this isn’t a merry tale of people in rubber suits smacking the shit out of each other, getting set on fire by fireworks and hosed down by stage assistants.

This is actually the story of Masaru Daisato. Like his ancenstors before him, he can grow into a giant over 30 meters tall when shocked by electricity, and he uses this power to defend Japan from the giant monsters that routinely attack it…. in a completely unremarkable way, to be very polite about it.

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[EXPRESSO] Pacific Rim: The Black (Season One) (2021) | Netflix Kaijus

For whatever reason, Netflix perseveres in commissioning 3D CG anime based on popular franchises, despite them often not looking good and anime fans notorious knee-jerk reactions of disgust towards 3D CG anime.

So while we wait for Godzilla Singularity Point (which looks notably better), let’s give Pacific Rim: The Black a shot, because Legendary really wants to make this one a franchise. This specific entry (written by Greg Johnson and Craig Kyle but co-directed by Masayuki Uemoto, Susumu Sugai and Takeshi Iwata) follows a couple of siblings that find a Jaeger called Atlas Destroyer and go on a journey with it, after their parents never came back and kaijus destroyed Australia.

And you know what, an anime series spin-off is a shoe-in for Pacific Rim, but once i saw the PV, i realized why most people won’t bother… and yes, it’s animated by Polygon Pictures, which means the robots and monsters look fairly good, but the animation for the people – sporting nicely drawn character models – also has this stiff, uncanny, robotic feel to it. And this honestly doesn’t look much better than the Blame movie or the Godzilla anime trilogy Polygon Pictures also made for Netflix, while this style of “3D anime” has vastly improved in quality over the last few years.

Shame because the giant mecha battles against monsters look good and are fun, but the humans characters or the plot surrounding them aren’t that interesting, and sometimes their animation is just crap. The script, while unremarkable, tries to add something new to to the Pacific Rim universe, but it’s kinda of half baked attempt as it starts getting better only at the very end of this very short first season. Overall, it’s… alright.

A second season has already been greenlit… but i still wonder for whom exactly.

Giant Monster March IS A GO!

As the long awaited Godzilla VS King Kong finally is set to it theathers pretty much everywhere (where theathers are open, not a given due to the pandemic), it’s time to celebrate, with a selection of giant monster movies reviews to showcase mostly lesser known titles or movies that nowadays are not as well known as they once were, despite still being remembered by genre fans.

Sorry it’s not a month of non-stop reviews this time. Enjoy!

Bermuda Tentacles (2014) [REVIEW] | BDF BDF BDF BDF BDF BDF!

You work at The Asylum. SyFy has commissioned another movie, it is a day of the week.

You’re told no sharks, no tornadoes, no dragons, no spiders (giant or normal size) or any combination of these.

No, the monster can’t be made of lava, trapped at the bottom of the sea (being trapped under the sea floor counts) or from another dimension.

The note just says:

“the american president is in danger, after the Air Force One got hit by a tremendous thundestorm just over the The Bermuda Triangle. The _______ is sent in to retrieve the president, but a giant ____ emerges from the deep, potentially posing a threat to America and the world. You are a bad enough dude to save the president.”

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Mammoth (2006) [REVIEW] | Meteor Mayhem

Time to unfrost a b-movie from the mid-2000’s i’ve known about for years, as friends told me of this movie where a mammoth runs around a house without being seen. Yeah, i’m pretty sure they didn’t actually watch the movie and just parroted something they red online, because, as it incredible as that would have been (and kinda fit anyway with the tone), no, a mammoth doesn’t stalk people like a slasher villain and moves around a normal household without wrecking it.

Although, with how many cheap horror flicks about dinosaurs, extinct or mythical animals are there, that movie could actually exist. I couldn’t find anything that fits the exact profile, but you never know.

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Dino Dicember #23: My Pet Dinosaur (2017)

You may argue that most of the crappy dinosaur movies featured in Dino Dicember are “puerile excuses for entertaiment” or some crap like that, so you know what, let’s actually review a dinosaur movie made for kids or intended as a “family picture”. No, not the Land Before Time series (yes, it’s a series). No, not “We’re Back! A Dinosaur Story!” No, there’s not a live-action movie adaptation of Cadillac & Dinousars.. yet, you never fuckin know with the nostalgia market.

Because i’m stupid, we’re gonna do something less known and far more recent, the austrialian My Pet Dinosaur, directed, written and produced by Matt Drummond, who previously directed Dinosaur Island (2014), and cured visual effects for TV documentaries and TV movies like Attack Of The Sabretooth.

Never heard of them either, so no harm no foul.

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[EXPRESSO] Bleed 2 PSN | They Watch The World Burn

After becoming “the world only and truest hero” in the first game (as in her fantasy videogame world), Wryn sat around playing videogames and all was well with the world. Until the usual gaggle of old rivals, new villains and alien invaders (some of them robotic) attack The City, for the usual reasons that this is a videogame and we need to shoot a lot of baddies. Not that it matters in any way, it is a videogame.

What has improved is the gameplay (graphics not so much), which was already good but has been refined, with better controls and a better control over the jump and dash manouver, and a new found emphasis on deflecting back projectiles and countering boss attack thank to the katana, already available in the fist BLEED, but now given as the standard melee weapon to compliment the usual twin pistols, making for faster, tougher and more satisfying encounters and ways to control the flow of battle.

Even the campaign levels are paced and flow better into each other, while also providing more variety, ticking all the classic arcade clichès, like riding and moving around rockets shot by the enemy airship, standing on moving cars while fighting in the highway, levating into the alien mothership, etc.

It’s still a short experience, but this one improves on replayability thank to the better gameplay, as it lends more to speed-runs or the Arcade “1 life only” run, but it also has more varied and interesting characters to unlock (including the Clawgirl from They Bleed Pixels), mutators and a mode that offers a set of 5 randomized levels. The Challenge mode is back unchanged, but at least they just outright say “it’s totally unbalanced”.

Short but quite sweet, i’d recommended getting the series bundle when it’s on sale.

Dino Dicember #19: Super Mario Bros The Movie (1993)

I could have waited until that animated Super Mario movie Nintendo commissioned Illumination (urgh) released… but sure as shit it isn’t coming out this year (not like it was gonna, it was slated for a 2022 release before the COVID-19 pandemic anyway), and i’m doing Dino Dicember… well, in Dicember, so it’s a pretty good “excuse” for me to watch and review the infamous Super Mario Bros live-action movie. And i do enjoy the challenge, it’s not like it’s this obscure adaptation nobody on the internet talked about, but let’s give the movie a fair shake with almost 2 decades of hindsight.

And yes, it totally counts, since it’s about a dinosaur dimension that originated from the meteor that hit Earth 65 millions years ago, which actually created two parallel dimensions of Earth, one inhabited by reptile people descending from dinosaurs, and ours of “human people” descending from primates. As the resources have dried up on the “dino end”, the leader of the dino-people, Koopa, sends minions in our dimension to search for a fragment of the meteor that split the dimensions to begin with, so he can unite the two and rule them under his scaly thumb.

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