[One Piece Film Retrospective] #1: One Piece The Movie

Using the cover of the Japanese Blu-Ray release because the movie itself doesn’t even have a title card or a proper title. Just the default “One Piece” title card the TV series used at the times.

After the One Piece TV series started airing and proved to be successful, a movie was bound to be made sooner or later.

And this is… sure it’s called a movie, and i’m willing to call it as such, but it was clearly early in the series’ history, as Toei’s anime adaptation only started airing in 1999 (an year after Production IG’s One Piece OVA: Defeat The Pirate Ganzack), so i guess they figured out it was better to not go all the way immediatly, and made this medium-lenght, so it could be released alongside the even shorter Digimon film “Digimon Adventure: Our War Game” during the 2000’s Toei Anime fair.

Those are a lot of words to say that Toei kinda cheaped out and compromised, and honestly i can’t really say that’s unfair, as this movie feels less like a movie and more like two episodes of the TV series superglued together.

And not interesting episodes either, but first, the plot.

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Horror Shark 3D AKA Blood Shark 3D (2020) [REVIEW] #sharksncrocs

Shark attack movies are an appealing worldwide phenomen, so it’s not surprising even mainland China would eventually invest more and more in these, as they can serve a fairly new domestic cinema industry and are easy to export since the genre is pretty popular everywhere. Shark never get old for audiences, after all.

Obviously this isn’t the first chinese shark movie ever, or even the first one we featured here, but it’s China very first 3D big budget shark attack film. It has received a fairly easy to find DVD release on online marketplaces, but i watched it on Youtube, as it was uploaded in full on YOUKU’s Youtube Channel, with english subs available.

The plot of Horror Shark 3D (also known as Blood Shark 3D) concerns “a swimmer and a marine paradise trainer (trainer for what?) who accidentally fall into a huge conspiracy about blood sharks.”

At least this is the plot synopsis you’ll find around the web, but i’d say it’s badly translated and partially incorrect.

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[EXPRESSO] X (2022) | Fornicators!

Kinda “surprise release” of this one in theathers here, didn’t really expect it!

I wasn’t familiar with Ti West’s work before i saw this, FIY, but i’m glad i did.

Set in 1970’s rural america, X tells of a crew that rents a farm house in Houstin, Texas, from an elderly couple, to whom they obviously didn’t told their real purpose: shooting a porno film in order to make it big thanks to the promises of “home video entertaiment” as an upcoming industry.

The problem is the couple happens decrepit and crazy, as they both are driven homicidal by the lethal combination of old age, puritanical christian values (fueled by fearmongering televangelists) that clash with the newfound sexual revolution in the younger generations, and envy.

It’s a tribute to the early 70s gruesome slashers and similar films depicting – at the time – unseen levels of violence, set in the remote depths of Texas, but it’s not just style and homages, as it balances out comedy, fairly violent gore with creepy, unsettling sequences, great acting and good characters, even the villains have a relatable side.

Also, incredibly it juggles the line very well in terms of the exploitation factor, as it’s fairly graphic, the kills are satisfying, there’s plenty of nudity, so it definitely doesn’t pull punches, but also doesn’t feel it’s being too excessive or tacky, showing some class and being able to touch upon some meaningful topics, of having some moments of earnest tenderness amongst the carnage.

And even a bit of Lake Placid action, between the porno shoots and the creepy elders deciding its time yet again to vent the frustration of old age on the youngins.

It’s also very damn satisfying in terms of kills, to boot, so i’d say X it’s pretty good stuff.

Recommended!

Orca: The Killer Whale (1977) [REVIEW] #sharksncrocs

Let’s take a break from the “noughties”, enough of this modern shit, let’s go back to when Jaws rip-offs were still fresh in the eyes of audiences and a new glistening opportunity for some cheap cash grabs to exploit. So of course Dino De Laurentis was involved, may he rest in peace but damn he know when to jump on a bandwagon, even if this time we’re not talking giant apes.

And the story behind Orca The Killer Whale is indeed fairly simple in terms in conception, as Dino De Laurentiis saw the incredible success of Jaws, and wanted to quickly put together a similar film, though it wanted to upstage Jaws by having the title killer animal being even more ferocious and powerful, so he did really got suggested to make it about an orca, since they notoriously hunt sharks. And they are also quite stinky, if some orca-themed vtubers are to be believed.

Then again, how many movies marketed to exploit Jaws’ popularity have the Paramount Logo at the start, are directed by Micheal Anderson (Logan’s Run, The Dam Busters, Around The World In 80 Days), AND feature a score by Ennio Morricone?

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[EXPRESSO] Thor: Love And Thunder (2022) | “Bi” from “Bifrost”

After being pleasantly surprised by Thor Ragnarok (which i quite liked), i was cautiously optimistic about this one, since we have Taika Waltiti back in the director chair, and two Thors, why not?

The plot sees Thor cruising the galaxy on a quest for his own inner peace, after basically handing to others his expected status and obligations of a god. But his hippish voyage for love and identity is cut short by an intergalactic killer known as “Gorr The God Butcher”, forcing the son of Odin to request the aid of Valkyrie and even his ex, Jane Foster, who now can wield the mighty Mjolnir as “Mighty Thor”, on an adventure to find out Gorr’s motives and stop him before he can bring his godslaying crusade to the next level.

More than previous installment, this one leans into the comedic aspect that ran through the Thor series to make it more distinct from Ragnarok, especially by “leaning” heavily into romantic comedy territory, and aside from a similar-esque scene, the movie feel like a continuation of the previous one but not a redo, and it manages to fully give Thor a proper character arc.

Problem is that tonal unconsistency rears its ugly head here, as the “eros and thanatos” combo never fully finds a proper balance, so while the film works, it does feel kinda disjointed and in turn it’s hard to fully engage with what’s going on, even if funny, entertaining or emotional. Some tired comedy beats and some (arguably inevitable) franchise fatigue only exacerbate things further.

A shame, because the villain it’s pretty decent, Waltiti flair is still in full force here, but i also can’t deny that Thor: Love And Thunder feels messy, at times unfocused and ultimately it’s decent fun but kinda disappointing and oddly forgettable.

Lake Placid (1999) [REVIEW] | Feeding The Crocs

Given the overabundance of killer animals film in the horror as genre (or subgenre), it’s hard to say you’ve seen them all, as you most likely completely glossed dozens of the things, often entire series of movies about killer creatures. Lake Placid is one i personally didn’t bother with, more due to the timing of my proper interest in horror and related cinematic material blooming, i was aware of the series growing up but i didn’t care about killer croc films, and by the time i did it was basically already sequelized hard, so i turned to weirder, newer killer sharks movies and such.

Today we’re “correcting” this by starting a retrospective on the entire Lake Placid series, from the 1999 original to the most recent installment, 2018’s Lake Placid Legacy.

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The Sharks & The Crocs

As promised, this year we’re gonna let our reptilian friends join what’s usually Shark Month on here, hopefully that’ll will make you wanna stab me with knives a little less, as the bi-daily posting schedule will remain, meaning the roster of reviews has been cut in half to 15.

Not too happy about that myself, to be blunt. It is what it is, sadly.

(also, yeah, baffled that Panty & Stocking is coming back, it actually is)

See you later today!

The not review of The Deer King not coming soon at all

So, i honestly kinda forgot The Deer King was a thing, but i still wanna kick myself for missing the 3-days only theathrical screenings it had… and i will reserve a good kick in the nuts for whoever thought to really NOT market it AT ALL. Absolute zero marketing.

Heck, i even saw Jujutsu Kaisen 0: The Movie in theathers last week, not a single trailer for this movie not even for that screening, not even a newsletter from a partner anime or streaming related site about animation to remind one that this thing was coming to theathers and i should totally preorder my ticker, like it’s a Marvel movie or something.

So much i learned about the movie playing his 3 days run by pure habit of checking my local cinema’s upcoming slate of releases (and of course was stealthly added to the list too), when i couldn’t organize myself to even catch it at the very last minute.

Aside from missing the chance to review it on EXPRESSO, i’m also angry at the distributor, are you insane to NOT publicize a new animated movie by ex-Ghibli (a name which is extremely well known as Disney here in Italy as well) staff outside of a single trailer and just vague entries on anime news sites? I know you are, because they also decided to bring back to cinemas older Ghibli movies without zero fanfare.

I don’t mind the latter at all, mind you, but i feel like i’ve been bamboozled.

What the fuck is this non-marketing bullshit for Ghibli and Glibli-tied movies coming to cinemas?

Not that the movie it’s getting that warm a reception here as well, pretty lukewarm, but still, i wanted to see it on the big screen for myself, which i feel i won’t get to do, i really don’t expect to see the distributors give the movie back in theathers for some more days, given how it was quietly released.

Guess i’ll wait for the Blu Ray to dribble into existence later, or for it to appear on streaming services.

Hope you enjoyed this ramble for what it was, because there’s no surprise announcement or meaning or secret logic behind this post.

See you later for some sharks and crocs.

[EXPRESSO] Studio 666 (2022) | Dave Grohl Made Me Do It

No, this is not a Jojo reference, nor its one of those weird hybrid music video-concert films (see for example Metallica’s Through The Never), this a full on fictionalized affair, and one i’ve been looking forward to since it was announced. Sure, rock and metal superstar bands aren’t new to cinematic experiences about their personas, but the pitch-premise of a comedy horror starring Dave Ghrol and his bandmates as themselves it’s so good it’s hard to ignore.

As the band Foo Fighters it’s struggling to come up with ideas for its tenth studio album, they get recommended a secluded house in Encino, California, where in the 70s a band called Dream Widow went to record an album, ending with the frontman massacring all the band members before killing himself. The band settles in despite the creepy vibes they pick up from the house, but things get progressively out of hand, leading to Dave Grohl being possessed by a demon. Among other things.

It’s a good dang premise, and thankfully the script and direction are up to snuff to make the most of the pitch, having a zany time with horror cliches and the expected “behind the music” stuff, with the band proving to be very good sports in this delightfully ridiculous comedy horror romp, especially Dave Grohl overacting like a champ as he grows progressively more obsessed once he manages to “magically” get over his artistic block.

Yeah, it’s pretty funny, there’s more to the story than expect, and Studio 666 isn’t afraid to be extra cheesy and honestly it’s kinda surprising that the effects are very good, but besides that, i’ve seen horror movies that try to take themselves seriously but ultimately wish they could pull off even half-successfully a random jumpscare this movie uses as a joke.

Recommended!

[EXPRESSO] Lightyear (2022) | Space Mediocrity

Ok, let’s leave aside the whole “identity crisis debacle”, despite Pixar being outright silly in starting the movie with the premise that THIS is the movie that in 1995 spawned the Buzz Lightyear toy Andy from Toy Story got. Also ignoring the 90’s animated TV series that served as a backstory to the character, because it’s clear this is a different interpretation-canon.

WHATEVER, who cares, let’s move on from this non-sense.

Though i can understand it’s quite tempting to do so since the ludicrous meta footnote is ripe for lampooning, and the actual movie leaves very little to say for itself.

But first, the plot.

I has been described by many as a sort of rip-off of Interstellar for children, and i agree, as we see Buzz and company investigate a newly scanned planet that the ship flew by during their voyage.

This alien world immediatly reveals to be rife with hostile fauna and flora, and in attempt to escape, the ship gets damaged, forcing Buzz and all the other people on board to camp and live there, while they find a way to create the specific fuel need for lightspeed space travel in order to contact base and leave the planet. They do manage to create the special fuel, but things turn for the weird as Buzz keeps failing the lightspeed flight test and returns to learn that his minutes long voyages translate to years of time passing in his absence….

I’ll say that this ain’t bad. I didn’t expect much from the trailer, but sadly despite the plot having some potential to be better, it all comes off as a generic “origin story” through and through, from the action to the characters, everything it’s pretty mild, predictable and – again – generic.

Enjoyable, but sadly quite middling overall.