12 Days Of Dino Dicember #1: Triassic Hunt (2021)

This one it’s a bit odd, as you would guess it being a mockbuster of Jurassic World 3 Dominion… or at least it was probably gonna be that, but that movie – along many others – was postponed time and time again due to complications caused by the pandemic, so The Asylum for once had the mockbuster ready to leech off a movie that wasn’t out yet, and released it anyway this last January.

I mean, nothing stops them from making dinosaur movies that are not mockbusters, but in the end it’s mostly a matter of labels, since this one as well isn’t exactly copying directly a more popular movie, just ripping off Carnosaur even more than Corman and Buechler did, to continue the circle of trash cannibalizing older trash.

Long live the new trash, etc etc.

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What is Christmas without an Ice Cream Bunny?

Think watching The Star Wars Holiday Special each year it’s not the hipster “christmas tradition” it was before? If so, i will propose something that’s also not new, as it has a cult following, but very very smaller in comparison, since it doesn’t have the Star Wars branding.

Santa and The Ice Cream Bunny.

If this didn’t trigger a PTSD-like reaction, i’m here to share my cursed knowledge upon you, because in a way this fits the Christmas period, and its deranged insanity.

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Monster On The Campus (1958) [REVIEW] | Coelacanth Jekyll & Hyde

Since today it’s Coelacanth Day, it’s the only time of the year when it’s “proper” to review the only b-movie about the coelacanth, you know, that primitive/living fossile fish that was thought to be extinct for decades, most likely you know it because it’s also the basis for the pokemon Relicanth.

And even that it’s quite tenous, because this isn’t the late 50s version of Bloody Waters of Doctor Z you might expect, even though we’re still going into psychotronic territory and a coelacanth fish it’s involved, with a college professor that acquires a newly discovered specimen of said fish, and an accidental exposition to its blood, which of course it’s radioactive due to gamma rays and the 50s.

Though this is really a triviality, given that this detail comes very late in the movie, i guess it had to be made a radioactive thing by the studio for marketing reasons, maybe not, but it’s indeed very 50s.

This somehow results in the college professor mutating back into a monstruous hominid-troglodyte that wreaks havoc on the campus, like a inner city Eegah minus the Arch Hall Jr.

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[EXPRESSO] Spider Man: Far From Home (2021) | Multiverse Mayhem

I feel kinda bad for this part of the new Spider Man series because… yeah, let’s get this out immediatly, Marvel themselves already did it years ago as one of the best animated movies i’ve seen in a while, a miracle all the way that worked as well as it did also thanks to be being not bound to the fucking MCU. And that is finally getting a 2 part sequel too, really looking forward to those.

This one…. yeah, whatever, guess i’ll have to watch it so we can get over it, might be even fun.

This one follows directly from the ending of Far From Home, where Mysterio revealed Spider Man’s real identity being Peter Parker and framed him as a murderer. As he, his friends and family have trouble living with this false stigma, Peter asks Doctor Strange to cast a spell in order to make everyone forget that Peter Parker IS Spider Man, but something goes wrong and multiverse portals invade this reality/continuity, bringing a lot of well known faces from the Spider Man series……

Given the existence of Into The Spiderverse and me not liking too much the new MCU Spider Man movies…. you can color me surprised, because this one was incredibly easy to mishandle, but to my surprise it manages to balance the fanservice and the many villains with a story that actually makes this Peter Parker go through some decisive character development, with a lot at stake and some meaningful consequences.

It’s “also” quite fun, with some funny moments that actually don’t feel forced, there just because the Marvel algorhythm requires some quirky (but not TOO quirky, risque or creative) comedy bits.

Definitely the one i’ve enjoyed the most out of these MCU Spider Man movies, and arguably the better one overall.

20 hours into Pokemon Brilliant Diamond/Shining Pearl

An EXPRESSO review would be pointless, arguably even a regular full lenght review would be not that useful, because people have been pleading for a remake of the 4th gen Pokemon titles for years, and given this remake has already sold like 6 millions units, i’d say there was not much convincing to be done about it anyway, it’s frigging Pokemon after all.

So let’s just talk about it after 20 hours spent into my Shining Pearl copy.

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The Abominable Snowman (1957) [REVIEW] | Tibet Climbing, Joel

While i teased a Shriek Of The Mutilated review in the Snowbeast’s one…. i’m gonna keep teasing it a bit more, i’m not yet ready to rewatch and talk about that “fine specimen”, but i’m willing to keep the “yeti train” goin’, so let’s defrost a Peter Cushing film from the old Hammer catalogue with their 1957’s “The Abominable Snowman”, itself derived from their BBC series “The Creature”.

The plot sees antropologist John Rollason (Peter Cushing) and a scientist friend of his going to Tibet and being welcomed in a buddist monastery. The head monk questions them and he’s not convinced by John claiming to be there in order to study the local flora, and as soon as an american climber by the name of Tom Friend (Forrest Tucker) joins them, the actual reason for their travel becomes clear: they plan to climb the mountains in a quest for the legendary snowman, the yeti.

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The Iced Hunter (2018) [REVIEW] | Mozgus Chaser

Welcome to another installment of “no, you never heard of this one before, and i haven’t either”, with The Iced Hunter, an italian horror fantasy action film directed by Davide Cancila and about the titular “iced hunter” (you can tell his namesake was never intended to be translated in english, because it sounds like a fancy non-IBA approved cocktail or a Blooborne collaboration cafè item), a mysterious non-human warrior with fittingly mysterious origins and with memories not of his own, being trailed by the “Domini Lupi” sect, hellbent of getting rid of him at any cost.

Does this feel like a werewolf spiced live action “redo/reinterpretation” of the “Holy Iron Chain Order” arc in Berserk?

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Snowbeast (1977) [REVIEW] | TV Yeti Jaws

(This Is An Enhanced Rewrite-Revision)

1975. Jaws hit theathers, proving to be a massive success and establishing the idea of the “summer blockbuster film” for Hollywood and the big cinema industry at large, launching the career of Steven Spielberg and going down in history as one of the best “b-movies” ever made, inadvertly spawning the absurdity of what amounts to a full fledged subgenre now, the “shark movie” one.

Why i’m even talking about sharks when tackling a movie about yetis/sasquatches?

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[EXPRESSO] Resident Evil: Welcome To Raccoon City (2021) | Herbal Bundle

Finally time to review this one, the first reboot movie for the Resident Evil film series, distancing itself from the previous films by Paul W. Anderson in order to make a more faithful adaptation.

Helmed by 47 Meters Down director Johannes Roberts, Resident Evil Welcome To Raccoon City basically provides an abridged retelling combining the plot of Resident Evil and Resident Evil 2 into a single one. Not completely random as both games’ plot take place in Raccon City, where in 1998 the farmaceutical megacorporation Umbrella Corporation had basically withdraw from operating, leaving the city to wither.

After an epidemic turns people and animals into undead monsters, a squad of local police officers is sent to investigate the Spencer Mansion in the nearby mountain area, while other survivors rally to survive the horrors left by Umbrella.

There are various changes and differences, often kinda necessary due to the merging of the two plots, which leads to the movie feeling rushed, as i feared. Aside from some hamfisted (but still cute) references, the movie actually captures pretty well the horror B-movie spirit of the games, and actually wants to be a horror film.

And it succeds, the atmosphere is nice and creepy, there’s a lot of practical effects, the characters are mostly quite accurate, and most of the elements from the games are used with sense in-context.

It’s not perfect, the cast is decent but there is some questionable acting and the “plot mix” it’s a source of other issues, but overall it’s actually quite solid and enjoyable.

Shame because this is arguably the better, more faithful RE live action adaptation… but it’s shaping up to be a box office bomb, not surprising since it was released in late November, and the “Thanksgiving holiday weekend” window makes sense only for Americans.