Colossal (2016) [REVIEW] | Attack Of The Giant Anne Hathaway

While this is one of the more recent movies as far as giant monster movie goes, it also already slipped into semi-obscurity. Quite odd for a giant monster movie with Anne Hathaway, you’d think that would have turned more heads and be talked about, if nothing else as a curiosity, how many Korean-American monster movies are pitched as “Godzilla meets Lost In Translation”?

The plot follows an unemployed writer (Anna Hathaway), struggling with alcolism and an abusive colleague that want to control her, and how one day she unwittingly manifests a giant monster in Seoul. As it turns out, the monster directly replicates her movements and gestures, and when she realizes it, things get more complicated as her abusive colleague also becomes able to conjure a giant entity out of thin air…

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[EXPRESSO] Alice In Borderland (Season 1) (2020) | Through The Killing Glass

A live-action Netflix series based on the manga of the same name by Haro Aso (Hyde & Closer; Zombie 100: Bucket List Of The Dead), Alice In Borderland is about a young guy called Arisu, as he and his best friends find themselves mysteriously lost in an alternative version of Tokyo, and forced to play dangerous games of various nature in order to survive and hopefully discover a way out. All with a fairly gratitous & superficial Alice In Wonderland theme: a character called Mad Hatter, Arisu being the japanese pronunciation of “Alice”, the importance of game cards, etc.

It’s entertaining and you can tell it’s made for modern audiences, as it mostly throws the viewer into the action and events without explaining much, but i really can’t fault it for that because direction by Shinsuke Sato (Princess Blade, Death Note: Light Up The New World), it’s fairly tight, and the public…. is most likely already QUITE familiar with this type of stories: death games, the alternative Tokyo, elaborate trap scenarios with time limits, etc. The series does a decent job with these elements, even if it may feel a touch too derivative and overly familiare at times.

It doesn’t help the lead character, Arisu is presented as this cautious genius with a gamer past, but he inconsistently goes from being smarter than Light Yagami… to not noticing downright obvious traps, depending on that episode’s script. And don’t expect too much from the other characters.

Even so, it’s still quite fun to see these grisly scenarios unfold, the production values are good, and while the middle part kinda drags itself along, it picks up a lot after that, so overall it makes for a fun watch, leading to a cliffhanger ending… and thankfully a confirmed renewal for a second season.

Konga (1961) [REVIEW] | British Jungle Beat

1961 was indeed the year of british giant monster rip-off movies, heck, this was released just 3 days in the UK before Gorgo debutted in US theathers, and both got a comic book tie-in (which eventually pitted them against each other), even if the production companies were different. But again, exploitation cinema is an universal language.

Where Gorgo obviously ripped off Godzilla, Konga went for the giant primate, even going so far as marketing it with this phrase written on the theathrical poster “Not since King Kong has the screen exploded with such mighty fury and spectacle”. But in this case there were no troublesome legal litigations on the name (the ownership to the name “King Kong” is an incredibly messy subject deserving its own detailed editorial or video), as producer Herman Cohen just paid RKO 25.000 $ for using the name “Kong” in the posters and marketing material.

Ironically, Gorgo’s plot was more akin to King Kong’s (or to be precise, Murders In The Rue Morge) than the one found in Konga, because there are no natives worshipping the giant ape, no company kidnapping him and all that jazz.

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King Kong VS Godzilla (1962) [REVIEW] | Kaiju Klassics

Finally, after years of rumors, delays, a new Godzilla VS Kong movie will hit theathers, and hopefully VOD because i can’t recommend getting the Coronavirus for the sake of seeing this one on the biggest screen possible. At the time of writing, i don’t know if i will able to see this is theathers or not, personally i would love to, but it appears this time we won’t have to wait much more for Godzilla to fight King Kong, as part of Legendary’s Monsterverse.

Like most monster movie fans known, this isn’t the first time the two titans clashed on the big screen, but it has been a while (almost 60 years), so it’s the perfect occasion for the youngins to hear if for the first time and for the old fans to have a refresher on the original King Kong VS Godzilla.

First, let’s go over the plot, before getting sidetracked with the plethora of production history facts you most likely have heard every time this movie is brought up.

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Giant Monster March IS A GO!

As the long awaited Godzilla VS King Kong finally is set to it theathers pretty much everywhere (where theathers are open, not a given due to the pandemic), it’s time to celebrate, with a selection of giant monster movies reviews to showcase mostly lesser known titles or movies that nowadays are not as well known as they once were, despite still being remembered by genre fans.

Sorry it’s not a month of non-stop reviews this time. Enjoy!

[EXPRESSO] Psycho Dream SNES | VR Movie Divers

Played via Nintendo Switch Online’s SNES service.

The other title from the February 2021 poultry batch of titles for the NSO that mildly had my attention. More than Doomsday Warriors (also developed by RIOT), anyway.

Not that i even heard of this one before, i guess because it was released for the Super Famicom only, so it never left Japan in any official manner before now. That means i had to look up the plot on Wikipedia, and thanks to that i know you play as either Ryo or Maria, two special agents called “Debuggers”, as they rescue disaffected young people that lose themselves in virtual worlds known as “D Movies”.

In this case, they have to rescue a 17 yo girl of weak constitution, expected to die in a D Movie in the matter of 24 hours..

Interesting plot, but gameplay wise it’s just your typical action sidescroller from the era: advance from left to right fighting off weird ass enemies, collecting power-ups that change or upgrade your weapon, occasionally doing some platforming, and then fighting a boss at the end of each chapter. Nothing really special by any means, and on the technical side you can tell it’s definitely an early game for the SNES/Super Famicom.

There are no major issues with the controls, no limited continues or unfair bullshit of the time (you have unlimited continues, for once), but while it gets some bonus points for the bizarre enemies and visuals that make the game live up to its title, it loses them due to sketchy performance and level designs that at times makes the stages feel either very stretched out or made a bit more confusing than needed just to pad out the overall longevity. So it ends up just being mediocre, playable but mostly forgettable.

[EXPRESSO] Prehistorik Man SNES | Accept Humanity

Played via Nintendo Switch Online’s SNES service.

So, i guess i was one of the few people mildly interested in some of the February 2012 NSO updates. Which is somehow managing to make me miss the original Virtual Console, somehow.

But i have a thing for caveman platformers, i do, so here we are.

To be fair, i didn’t expect much, especially since it comes from Titus (and if you know something about retrogaming, their name wasn’t exactly one welcomed with cheers), i wasn’t familiar with it and just figured it was gonna be a Joe & Mac clone, but this isn’t really the case. And while it’s easy to understand its existence being relegated to niche retrogaming obscurity, as the 90’s were obsessed with cavemen and dinosaurs and this one didn’t do much to stand out in the avalanche of cavemen themed movies or videogames… you might want to give this one a chance.

It’s not an unsung SNES classic by any means, no, it’s kinda generic and unremarkable, but it’s surprisingly nifty, pretty entertaining, and the while the plot see a caveman named Sam on a quest to feed his starving village, while searching for a bone graveyard so to make his tribe rich… it’s very cartoonish and fond of the usual caveman anachronism. It’s also not short, with a good variety to the levels, often putting you in control of a vehicle like a glider; and while the level design starts off fairly straighforward, more often than not it requires you to explore the levels and collect the required items, as it is still an “euro platformer”, and a pretty challenging one too.

I just wish your character’s standard attack was less crap, and the controls were a bit less slippery, but it’s a good retro platformer.

The Screaming Skull (1958) [REVIEW] | Sans Sense

Another classic stinker remembered today thanks in no small part to MST3K, you hardly can go lower than this independent cheesefest, which was originally released in the way most of this crap was back then, the old double-feature for the drive-in market, alongside either Earth VS The Spider or Terror From The Year 5000, both fittingly riffed by the Satellite Of Love’s crew of bots and men.

It’s technically based on the eponymous tale written by Francis Marion Crawford – which it’s quite good and can be found in The Complete Wandering Ghosts collection – itself based on a folk tale of a skull said to be that of a black slave, whose request for burial in his native country was denied following his death, and how it was subsequently followed by strange occurrences and unexplainable shrieking noises that emanated from the wooden box in which the skull was kept.

“Technically” as the movie doesn’t credit Crawford’s novel, and the plot follows a couple, Eric and Jenni, that moves to the house belonging to the husband’s late wife, Marion, which has been curated and cared for by Mickey, an odd gardener loyal to the late wife’s memory. Jenni witnesses some eerie events involving a skull around the house, and begins to think that she’s going insane..

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[EXPRESSO] All My Friends Are Dead! (2020) | Party Harder

Thank you newsletter for remembering me i do have Netflix, let’s review a recent polish black comedy that launched as a Netflix Original, one with the title that suggests a horror movie, even if it isn’t advertised as such, because… it just isn’t.

At a New Year’s party, a group of friends witness an avalanche of weird events, revelations, heartbreaks, including a murder, all spiralling into further chaos. There, done, this is the plot, and it actually delivers what it promises, as it starts showing the graphic aftermath of it all, then goes in full flashback mode to see how the party starts kinda normal before it completely degenerates into the expected debauchery of teen movies, only to get completely out of hand and culminate into an absolute clusterfuck of an accidental new year’s massacre.

It takes its time to accomodate you with the varied ensemble of teen stereotypes, from the mormon kid (who hallucinates and argues with Jesus), the douchy rapper-wanna-be, the desperate virgins, the gigolò, the mismatched couple of guy with milf, the slutty drunken duo ready to fuckin anything moving, and so on. But the wait it’s worthy it, as the comedy is pretty good and goes pretty well with the occasional semi-serious moments of straight up (and often brutal) drama, often to flesh out and make you care a bit more about the otherwise bi-dimensional – but funny – teen stereotypes.

But of course, not too much, as you still want people to enjoy seeing stupid teens do the usual teen crap they do in movies, and see them die in ridiculous over-the-top ways because of it. The ending is quite good, with a strong last bout of black comedy brutality to balance out the drama and any potentially saccharine way to look about it.

Recommended.

Life After Beth (2014) [REVIEW] | Getting Over It (feat. John C. Reilly)

Celebrating Valentine Day’s as you do, with one of the most notable movies in the “zombie romance” subgenre that isn’t Warm Bodies.

(BTW, yes, i knew about Vlad Love, i’m gonna cover it in some way, but it finally started airing just today, so i would have never had a review for it ready by now)

You might be led to think this is a rip-off of that, as in the roles happen to be switched (the girl is the zombie one), but… don’t, because the 2010’s didn’t invent zombie romance (there was a musical-romcom about zombies in 2007, called “Zombie Love”), heck, we had Teenage Zombies back in 1959… but then again that movie was fuckin terrible and didn’t actually feature teenage zombies, so at the very least these modern romantic comedies about zombies got that.

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