Dino December #5: The Lost Dinosaurs / The Dinosaur Project (2012)

With such a title and a plot synopsis, The Lost Dinosaurs comes across as a Congo knock-off, with dinosaurs instead of simians. So i was – if anything – surprised to learn this is filmed in mockumentary/found footage style, which i think it’s a first for these dinosaurs themed flicks. I wasn’t expecting a jurassic take on Blair Witch Project, of all things. I don’t like this style, i really don’t, but i have to respect the effort into coming up with an absurd idea like this, even if the movie turns out to a complete shitshow.

The plot sees Luke, an adventure enthusiast, secretly embark with his father and uncle on an expedition to find the legendary cryptid Mokele Mbembe (basically the african cousin of good ol’ Nessie) in Congo, and in secluded jungle they actually find animals looking like dinosaurs, thought to have gone extinct 65 millions years ago…

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Dino December #4: Jurassic Galaxy (2018)

So, either someone really liked Dino Crisis 3, or more likely was “inspired” by the Godzilla animated trilogy, which i feel it’s really underrated and often quite maligned just because the 3D CG looks kinda ass…which it does, but the script by Gen Urobuchi is quite good, so much it makes the trilogy worthy of being seen, i’d say.

While it isn’t the case, i find it hard to not think of it, since the premise still see the main crew of interstellar explorers landing on a planet full of dinosaurs, but it lacks the whole patriotic drive of “conquering back the motherplanet Earth” (this isn’t Earth), or the social tensions forming between the different groups and races on board of the ship. Still, space dinosaurs is still quite the proposition that could do for some good b-movie entertaiment, and isn’t exactly a sub-genre….yet, this isn’t even the only “dinosaur sci-fi in space” flick released in 2018.

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Kemurikusa (2019) [REVIEW] | Leaves Of Tree

After the Kemono Friends anime made a fairly forgotten (and at the time even freshly axed) free-to-play thing become one of the biggest sensations of that year…. Kadokawa fucked the series director over, basically, and in a way of karmic retribution, many resented the second season when it came around, both out of spite for Kadokawa’s behaviour. And because the Kemono Friends gravy train was gone by then.

Regardless, TATSUKI continued to work on other projects (see Keifuku-san and Hentatsu, which i already reviewed), and in 2019 he decided to adapted an older work of his, an original net animation called Kemurikusa (released between 2010 and 2012), into a TV anime series (which so far only streaming on Amazon Video), once again tasking the same animation studio of Kemono Friends (studio Irodori, which he was part of) and the same production company (Yaoyoruzu), culminating into a project that didn’t seem raise much interest online.

People knew the director of Kemono Friends was behind it, definitely, but i guess it wasn’t enough, so the Kemurikusa TV adaptation came out without causing much clamor (outside of some circles) or attracting much attention even from dedicated outlets or anime enthusiasts who knew it existed. At least i got that impression.

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[EXPRESSO] Greenland (2020) | Family Fallout

Oh, yes, the indie subgenre of Gerard Butler movies.

For the record, i do like Butler, but for better or for worst you can often easily guess what kind of experience you’re getting in a movie just by seeing him starring in it. This is exactly one such occasion, as Butler stars in another disaster movie, after weathering Geostorm (which i didn’t see) 3 years ago.

This time things are a teensy bit different, as he embarks in a desperate journey to a bunker in Greenland, where maybe him and his family can survive a coming meteor that will fall on Earth and probably cause the extinction of mankind. So yeah, no chance to see him suplex the meteor out of orbit while clad in a mechanical golden god robe, but it’s a more realistic approach, and the focus on surviving the threath more than facing it works better.

Directed by Ric Roman Waugh (Snitch, Angel Has Fallen), Greenland sadly never rises from being … adequate, as it tries to focus more on the drama, but also has no qualms in compromising and forcing conflict so we can have more action scenes, or more twists, doesn’t matter if they’re dumb even in context. Regardless, don’t get locked into a conversation with Butler, he’ll get his way regardless if you do, even at long-range.

The movies tries to be better, but it can’t fully committ to either its more ludicrous or serious elements, decent to good perfomances can’t do much when the main characters are built out of clichès, and the movie wants to hit you over the head with the themes, or cheaply provoke an emotional response. While it’s perfectly watchable, i feel it’s a bit longer than it should, you could have cut 20 minutes out of it.

Serviceable.

[EXPRESSO] #Alive (2020) | SNS Zombies

No cinema for me this week, so guess i’ll dust off Netflix, see and review this new korean zombie movie, which comes with the hashtag already built in the title. The plot sees a streamer in Seoul waking up and logging on to do some online gaming (he’s shown playing PUBG), only to hear people chatting of something weird being broadcast on tv, and soon enough even in the very streets below him, as a zombie virus of sorts spreads.

He’s forced to barricade himself home, trying to use his tech savviness to understand what is exactly going on outside, all made harder by scarce rations and social medias (or the reception for phones) not working most the time.

It’s better than i expected, and being set in “the now” you get to see fun stuff like zombie (of the running and “contorsionist” variety) getting attacked by drones’s eliblades, and there are some cool action scenes, production values are fairly decent-good, same for the special effects. Problem is, there isn’t too much to the plot, there’s enough, but nothing special, and after a fairly fast start, the movie suffers from pacing problems.

I understand it would be more realistic to see characters barricade themselves into their apartments, and while this is to feed into the “surviving days and days into a zombie apocalypse”, this kinda backfires, as the plot doesn’t really moves forward or backwards, and it’s not until the third act where it picks up again. Thankfully the characters are likeable, given how much time you spend watching them try to communicate or concoct a plan, but they’re not good enough to gloss over the fairly typical twists and turns of the narrative. Not even with some cool “hip” music.

Decent, worth a watch, for sure, but nothing special.

Open Water (2003) [REVIEW] | Fear Of The Shark

Open Water 2003.png

Didn’t plan to review this, but suddendly i saw “this film will be unavailable the 31 of august”. Thanks, Amazon Prime Video, wanna remove first some garbage that probably isn’t even really licensed so much as “uploaded” by random persons? No? Thank you.

So anyway, Open Water, the first one of the not-series, as there are two more, but there’s no story continuity, and the second one often isn’t even titled as a sequel, which is fairly common for these realm of horror thriller about killer animals… or killer anything, to be even more honest, and pretty any distribution company “has” to have it’s own shark series with movies that just add numbers at the end of titles and share the same overall concept or premise.This is Lionsgate’s. Continua a leggere “Open Water (2003) [REVIEW] | Fear Of The Shark”

Japan Sinks 2020 (2020) [REVIEW] | ooh the eastern sea’s so blue

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I knew this series was coming, but the surprising lack of hype, coverage and buzz on social media sites made me think either people forgot about this, or didn’t bother since most of the feedback from the dedicated sites was, with most of the comments expressing disappointement, criticizing excessive nationalism for the sake of it or just baffling stating stuff that – somehow – happens, like a grandpa “360° sniping” with a bow and arrows, etc.

This made me a bit sad, as i loved Keep Your Hands Off Eizouken (which i highly recommend, just go watch if you haven’t), and i don’t dislike Masaaki Yuasa’s work in general, quite the opposite, for example i love Kick-Heart, good stuff, Ping Pong The Animation is incredible, and his screenplay for the extra-surreal Cat Soup (another one i highly recommend) is quite good.

After pondering on it, i wrote a small blog post about the same apprehensions, and decided to watch the series since it’s a Netflix exclusive, and i do have Netflix, despite barely using most of the time. Continua a leggere “Japan Sinks 2020 (2020) [REVIEW] | ooh the eastern sea’s so blue”

Japan Sinks 2020 review coming later in August

I wanted to have a review of Masaaki Yuasa new series up by tomorrow, but there’s a lot more to say about than i expected, i thinked it over for a couple of days, and i decided that instead of rushing out a crap job (even more than usual, since i’m also working on something else for August), i’m gonna finish the series and let it stew in my brain for some days, in order to make a better review.

Also, watch Kick-Hearth, it’s the greatest love story involving masochistic luchadores , wrestling sadist nuns and orphanages that need to be saved.

So, about Japan Sinks 2020…

I knew Masaaki Yuasa’s new series hit Netflix (even in my region) a couple of weeks ago or something, and apparently it’s a big ol’ turd with excessive nationalism and insane bullshit like granpas being superhuman hitman “360° sniping” with a bow or something?

At least that the impression i got from a lot of people on social media, and if that’s the case, i’m a bit sad, i absolutely loved Yuasa’s previous series, Keep Your Hands Off Eizouken, that one was great, a banger, so i guess i’ll have to see myself.

I wish i had a better excuse to dust off Netflix, but eh.

Expect a review of it later this month.