Quite the functional, generic-ass title, i must say.
This one has TV movie and genre actor Corin Nemec of Stargate SG-1 and Beverly Hills 90210‘s fame, whom also was in Dragonwasps, Sand Sharks, Dracano/Dragon Apocalypse, and many more, including… Robocroc, which it’s exactly what it sounds. And will be quite likely reviewed here in a double feature with Roboshark. Eventually.
Continua a leggere “Dino Dicember #13: Jurassic Attack / Rise Of The Dinosaurs (2013)”
If there are laws in genre cinema, one might be that every kind of movie can be made worse, better, or both by including dinosaurs. Even if it can’t, somewill randomly mix dinosaurs with any other subject, so the “dinosaur singularity” will happen, regardless.
Basketball with dinosaurs. Coming of age stories with or about dinosaurs. The decadence of men and its social constructs, with goofy dinosaurs in office suits and vests. Dinosaurs with other dinosaurs. Dinosaurs with guns, or dinosaurs that are also guns. The sky and the abyss stretch open wide forever, and the dino universe expands.
Continua a leggere “Dino December #6: The Jurassic Games (2018)”
With such a title and a plot synopsis, The Lost Dinosaurs comes across as a Congo knock-off, with dinosaurs instead of simians. So i was – if anything – surprised to learn this is filmed in mockumentary/found footage style, which i think it’s a first for these dinosaurs themed flicks. I wasn’t expecting a jurassic take on Blair Witch Project, of all things. I don’t like this style, i really don’t, but i have to respect the effort into coming up with an absurd idea like this, even if the movie turns out to a complete shitshow.
The plot sees Luke, an adventure enthusiast, secretly embark with his father and uncle on an expedition to find the legendary cryptid Mokele Mbembe (basically the african cousin of good ol’ Nessie) in Congo, and in secluded jungle they actually find animals looking like dinosaurs, thought to have gone extinct 65 millions years ago…
Continua a leggere “Dino December #5: The Lost Dinosaurs / The Dinosaur Project (2012)”
So, either someone really liked Dino Crisis 3, or more likely was “inspired” by the Godzilla animated trilogy, which i feel it’s really underrated and often quite maligned just because the 3D CG looks kinda ass…which it does, but the script by Gen Urobuchi is quite good, so much it makes the trilogy worthy of being seen, i’d say.
While it isn’t the case, i find it hard to not think of it, since the premise still see the main crew of interstellar explorers landing on a planet full of dinosaurs, but it lacks the whole patriotic drive of “conquering back the motherplanet Earth” (this isn’t Earth), or the social tensions forming between the different groups and races on board of the ship. Still, space dinosaurs is still quite the proposition that could do for some good b-movie entertaiment, and isn’t exactly a sub-genre….yet, this isn’t even the only “dinosaur sci-fi in space” flick released in 2018.
Continua a leggere “Dino December #4: Jurassic Galaxy (2018)”
While this isn’t the only “dinosaurs and time travels” exploitative mash up, the premise of Navy SEALs travelling back to the prehistoric times in order to undo another time travel accident (basically implying this what happened as a result of the “Philadelphia Incident”), accidentally unleashing an abnormally large T-rex in modern Los Angeles, it’s at least more interesting and shows a modicum of effort, needed to stand out in the overpopulated dinosaur-xploitation market of cheap raptors and TV movie budgets.
Then again, since is from the director of Swamp Shark, Arachnoquake and Ghost Shark, Griff Furst, credited here as Louis Myman, i guess his favorite pseudonym, since he used a nearly identical one later for Ragin Cajun Gators. Not encouraging that a director “Alan Smithee-s” himself, even more because he’s – more or less – properly credited in his other directing and acting roles.
Continua a leggere “Dino December #3: 100 Million B.C. (2008)”
After the Kemono Friends anime made a fairly forgotten (and at the time even freshly axed) free-to-play thing become one of the biggest sensations of that year…. Kadokawa fucked the series director over, basically, and in a way of karmic retribution, many resented the second season when it came around, both out of spite for Kadokawa’s behaviour. And because the Kemono Friends gravy train was gone by then.
Regardless, TATSUKI continued to work on other projects (see Keifuku-san and Hentatsu, which i already reviewed), and in 2019 he decided to adapted an older work of his, an original net animation called Kemurikusa (released between 2010 and 2012), into a TV anime series (which so far only streaming on Amazon Video), once again tasking the same animation studio of Kemono Friends (studio Irodori, which he was part of) and the same production company (Yaoyoruzu), culminating into a project that didn’t seem raise much interest online.
People knew the director of Kemono Friends was behind it, definitely, but i guess it wasn’t enough, so the Kemurikusa TV adaptation came out without causing much clamor (outside of some circles) or attracting much attention even from dedicated outlets or anime enthusiasts who knew it existed. At least i got that impression.
Continua a leggere “Kemurikusa (2019) [REVIEW] | Leaves Of Tree”
As much as i loved the demo of the game to bits, as much as i frigging love Hyrule Warriors… i’m not gonna review it just after launch. It’s not that i couldn’t, more a combination of “budget constraints” hitting hard this month (as for many, given the circumstances) and… the fact i really got around to get and play Breath Of The Wild in the last months (i held off for years hoping in a GOTY re-release of sorts), and i took my time with it, quite, so much i clearly won’t be able to finish it in time to review Age Of Calamity at the end of november. I just won’t.
Doesn’t help this has been clearly designed as a prequel instead of a spin-off where the story is the usual “portal bonanza” so we can have multiple characters and locations from different installments (and/or different timelines) of a series in Warriors style hack n slash format, and be enjoyed on its own, like Fire Emblem Warriors… even if that did casually drop some spoilers from FE Awakening. Just saying.
And even less reason to pre-order it since this time they didn’t bother to make any sort of Limited Edition with some tat. Boggles the mind why don’t bother to bring the Treasure Box limited edition outside of Japan, they did it before, hell, not even a nerfed version with just the scarf like we got with the first Hyrule Warriors in PAL territories.
So… have fun if you pre-ordered or are gonna get it on launch, the demo i feel it’s telling of the complete base game, we will soon find out!
It’s on my priority list, rest assured, i’m always planning more Warriors and musou games reviews, and something special is coming next month, so… look forward to it!
Developed By: Japan Studio
Players: 1-2
The very existence of this game is big “?”, not only because it came out 4 years after the first Knack, bamboozling the gaming community at large, given how widely hated and reviled the first game and its titular protagonist were. Again, it’s worth remembering that the fist Knack was both a critical and a financial failure, and didn’t do worse in revenue because it was a launch title, so there wasn’t much else to play at the time on the newborne console.
In a way, i can understand why someone at Sony did ultimately greenlit this, as an underdog story for this pitiable franchise (and main characters) would have been nice, and proof you can turn thing around with a sequel; it has been done before, after all, so why can’t Knack be redeemed of his sins?
There are many reasons for that, but let’s start from the beginning, meaning the story.
(review based on a playthrough on Normal, for review purposes)
Continua a leggere “Knack II [PS4] [REVIEW] | Knack Me Twice”
Developed By: Japan Studio
Players: 1-2
With the next-gen at the doors, it’s time to revisit an interesting series. YES, Knack.
Continua a leggere “Knack [PS4] [REVIEW] | War Bandicoot Of Ancient Garbage”
Mobile games get a bad wrap, and while the industry itself is guilty as hell for it…eventually you get a mobile game that actually wants to be just a game, made for enjoyment instead of retention (followed by the game testing your resolve against your wallet)… which you probably didn’t even knew exist until it gets a PC and/or console port.
Yeah, Goblin Sword is a mobile game that found its way to the Switch’s eShop earlier this year, and despite some asset flips (and similar crap from malingering homunculi) from Steam starting to surface here as well, you can still get proper esposure on it, especially since it’s a 2D retro styled Metroidvania-sidescroller hybrid……lacking the random ass rape in the beginning, now we have to warn people of that due to a certain series with “goblin” in the title.
Then again, there isn’t much of a plot, it’s basically you against an evil wizard that wants the titular “goblin sword”. And… that’s it. Gameplay itself it’s a basic sidescroller with a Metroidvania twist, as in you get power-up needed to reach previously unaccessible areas, but progressing in the levels it’s done in a traditional side-scroller gameplay, go right until you reach the end of the level, with double jump being the fancier ability available, and collect all treasure chests and crystals you can.
Gelato Games (oddly not an indie italian videogame studios, despite the name) did cook up a good sidescroller, with a pleasant but a bit generic art direction, and you can still kinda tell this was made for mobile first, but you’ll soon forget that, thank to good level design, the tight controls, the great difficulty curve, a good amount of content and replayability.
I’m glad this one was ported to Switch, because it deserves more attention.
