[EXPRESSO] The House (2022) | Trifecta Triumphant

New stopmotion animation film on Netflix with (also) animal people, you know i’m already in.

Even more since it’s a small anthology of 3 stories, one about a poor family meeting a miraculous proposal, one about an anxious ratman constructor trying to score estate success, and the last about an exhausted landlord, all tied together by revolving about the same house, while taking place in different epochs and with different kind of characters, going from humans to ratman and catmen.

The character models aren’t clay or the odd-papermaciè style seen in Mary Shelley’s Frankhole, but go for a very textured felt-wool look, with a very fuzzy feel juxtaposed to the horror atmosphere and visuals, even though just the first story has actual supernatural horror elements, there’s always a sinister or weird tone to most of the events, with some very stilish visuals to match.

Animation it’s top notch, the character models have very good designs and craft, and it’s a quite good trifecta of stories, with a balanced mix of horror, satire, drama and comedy, quite grabbing as you always wanna see where they’re going in exactly. I think the second one it’s arguably the best, as you never quite sure what direction it’s gonna go, gets weirder and has an even weirder ending.

And stuff like a trip-out insects & maggots musical sequence.

And free-roaming hippie catmen.

Honestly, i don’t really have much to complain about or add in general, if your ears peaked up like a fox at “animated stopmotion anthology film with lots of style and fun substance”, the chances are good you’re gonna like this one, easily. And it comes in a pretty good 90 minutes package, with everything in it feeling as long as it needs to be.

What a really great surprise, too. Excellent.

Ganbare Arino-san!

Today there’s no review, no promise of something coming to the blog later this year, not even a ramble on a recent subject. This one it’s for the analytics, to have something posted on to keep my streak going, but i can say i’m working on the reviews of two anime fighters, both really close to completition.

And i can recommend you watch good ol’ Arino, any way you can, good stuff!

I’m not gonna pull a “seriously though” because i do feel like Game Center CX would be up many people alleys when talking about retro videogames shows, but seems kinda niche in the “anglophone” sphere on the web.

That is better than just posting a screenshot from an anime and be done with it.

I will say i’m sorry i can’t offer much in terms of cinema releases, as even the events are lackluster, with a new documentary-style film about Van Gogh’s Sunflowers paintings and Demon Slayer: Mugen Train getting released as event projections.

Shame Mugen Train was already released here officially dubbed on Amazon Prime Video last year, i would love to see it theathers again, still, but that argument train left the station time ago, and i’m leasurelly watching the Entertaiment District arc of Demon Slayer for my own pleasure, btw.

Yeah, it’s january alright in terms of releases, even in “The Boot”, and i’ve rambled anyway, bye!

Remember Kancolle? It’s back, in second season form!

Not even two weeks into 2022, and we’re getting befuddling news like that the second season of the Kancolle anime series isn’t scrapped, but it’s coming out this fall (October 2022), after 6 years of absolutely nothing aside from messages from Kadokawa confirming the thing was actually being made somewhere, somehow, and technically not cancelled.

Guess it was true, but it’s still a surprise considering how Kancolle as a brand has been eclipsed by competitor Azur Lane, who brought the formula into international hands, making more bazillions along the way, to say nothing of the other gacha free to play games with similar themes of “antropomorphized anime girls versions of weapons… and mostly WW II warships”.

The brand as a whole it’s not dead, and Kancolle still does decently in its own original browser game incarnation back in Japan, which i guess makes sense, since Kadokawa Games’ division never planned to make the game (officially) available outside of Japan, but i guess someone in the upper echelon of Kadokawa its kicking himself he didn’t push to localize the darn thing or make a smarthphone version to also make available overseas, since Azur Lane did exactly that, and stole Kancolle’s thunder and a huge part of the potential fanbase.

So yeah, i guess that other, different Kancolle anime series that was announced – and also confirmed as “not dead” over time- it’s also being made, eventually.

Guess i’ll have to review the first season of the Kancolle anime and the sequel movie this summer, i’ve already reviewed both Azur Lane The Animation and the slice-of-life spin-off Slow Ahead, so why the fuck not?

This Summer: One Piece Films Retrospective

As you might now, the new One Piece film, titled One Piece Film: Red, was announced in November 2012 set for a summer 2022 release. Which isn’t really “new” as from One Piece Film Gold in 2016 Toei makes a new movie every 3 years, but i’m finally ready to review all One Piece films… again.

As in – like i previosly told – i previously reviewed them to accompany the release of One Piece Stampede back in 2019 on the original italian version of the blog, so in the previous years i’ve reviewed the One Piece OVAs and the TV Specials, as i wanted to make some time pass, as i’m rewatching them all and writing the reviews from scratch, instead of translating, reworking, polishing the old ones.

Who knows, in time i might have changed my opinions on some…. and i mean “some”, there’s one in particular than i might have even harsher words for, but we’ll see.

12 Days Of Dino Dicember #12: Journey To The Beginning Of Time (1955)

It’s the final day of the 12 Days Of Dino Dicember, so let’s end it with a proper obscure gem, the Czech movie Journey To The Beginning Of Time. As in the original, not the re-cut, re-filmed version that reached US territories in 1966 under the same name.

Today thankfully you can watch it as it was released on a region-free Blu Ray by Second Run, which also includes the English version, but i’m not gonna bother with that for now. Sorry, but i simply can’t afford the time to watch that as well and compare the two.

This comes from Karel Zeman (no, not the soccer manager), nicknamed the “Czech Melies”, famous for his fantasy films combining live action and animation, and hugely influential, not surprising to fellow czech Jan Svankmajer (you can’t imagine how happy i am by just having the occasion of nominating him in any of these reviews, retrospectives, but beloved by many american directors, like Terry Gilliam and Tim Burton, and serving as inspiration to Jurassic Park itself.

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12 Days Of Dino Dicember #4: Attack Of The Super Monsters (1982)

It really IS Christmas time, because today we’re doing a movie that’s both dinosaurs and vintage tokusatsu cheesiness from the 80s. How can you go wrong? You simply can’t.

Add drill spaceship to the mix and you really can’t go wrong.

Though it’s worth pointing out this is actually an edited down TV series (i suppose it’s just the first 4 episodes of the series mashed together, as it was a common practice at the time), Dinosaur War Aizenborg, itself quite the interesting piece of media, as it’s an hybrid anime and live action show, with sentai style rubber suit and stop motion puppets action for the dinosaurs and giant monsters, but animation for the humans and most regular animals, played over live-action miniature sets.

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Revisiting Satoshi Kon’s Tokyo Godfathers & the legacy of Keiko Nobumoto

Since Netflix is adding the movie to its catalogue in time for the season, i figured it was an excuse good as any to rewatch it, and yes, i’m totally gonna say you’re doing yourself a disservice by NOT watching it, especially since it’s available on the biggest streaming service worlwide.

You’ve got no excuse, so just go and watch/rewatch it, i’m not here trying to convince you if you should or should not do that. After all, this isn’t a review.

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Extinction PS4 [REVIEW] | Mockbust On Titan

Remember this one? Most likely not, i don’t blame you if you didn’t even out this was out when it released in 2018, at least until it entered – deservedly so – that year’s “Top 10 Worst Games” list, only to immediatly fade into the miasma of obscurity, where it should really remain.

But since i like raising the dead for a laugh and try to make people remember the lessons of old, in the hope there will be something to learn and so avoid wasting money on stuff that was launched on the market to no fanfare. And if it nothing else, it’s fun to reignite some old dumpster fires.

In the case of Extinction, the main takeaway is that you shouldn’t be afraid of anything you wanna put out on the market, not because you should dump whatever garbage you want, but because it’s hard to say you shouldn’t do what you want, as games like these somehow managed not only to get released, but to get the full boxed retail and “multiple tiers editions” treatment.

Be bold, ye children of the Yellow Turbans, i guess this is the takeway. Don’t be garbage.

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Resident Evil Vendetta (2017) [REVIEW] | Remote Zombies

As Resident Evil: Welcome To Raccoon City was released in theathers earlier this week (in most countries), let’s take a look at the final Resident Evil CG animated film, Vendetta, which is also technically the last of the “CG trilogy”, as in all three movies have Leon Kennedy as the main character and are set in the same universe of the Resident Evil games, to contrast with the live action film series (as previously said).

The biggest change – but not the most noticeable – is the animation, with this film produced by Marza Animation Planet instead of Digital Frontier, the studio behind all previous Resident Evil CG movies and even the short film Biohazard 4D Executer that we started this little retrospective with.

The name might not say much, but it’s actually a studio that started by providing CGI cutscenes for the Sonic The Hedgehog games, and eventually for both anime TV series and even full lenght features, working alongside japanese animation titans like Toei for the 2012 3D CG Space Captain Harlock movies, even Lupin III The First, and more recently being one of the production companies for the new Sonic The Hedgehog movies, in a kinda poetic turn of events.

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Resident Evil Damnation (2012) [REVIEW] | Slavic Struggle

4 years after Degeneration, Capcom followed it up with Damnation (i would wager they didn’t plan the titles beforehand, at all), made mostly to promote Resident Evil 6, released in Japan roughly 3 weeks before, as it acts as a prequel to that game’s storyline.

So yeah, it’s not really a sequel to Degeneration as there are no returning characters from that movie aside from Leon S. Kennedy and Hunnigan, and the events from that film don’t really ever get brought up or serve any purpose to the story of Damnation.

They just don’t.

Which i understand from a functional standpoint, you don’t wanna have people lost if they didn’t watch Degeneration, that movies was released 4 years prior and these CG movies didn’t exactly make people and fans drool over them en masse. But you could have tried to make some fuckin connections happen and try to build an overarching plot of sorts, if nothing else to artificially make the various plots seem more important and better due to the interconnection.

In hindsight it’s not a problem, so let’s talk about the plot of Resident Evil Damnation.

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