To celebrate the western release of Oneechanbara Origins coming October 14th, let’s look back at a couple more titles from the series (i have already reviewed the first 2 games, if you’re interested). Due to even more atrocious time costraints, i won’t be reviewing Oneechanbara Z or it’s sequel, not this year.
Continua a leggere “Oneechanbara: Bikini Samurai Squad X360 [REVIEW] | I Spindle On Your Grave”
Played via the SNES- Nintendo Switch Online’s service.
And i gotta say, despite Nintendo handling this service.. in a totally Nintendo way, sometimes there are surprises, like this forgotten SNES beat em up by Jaleco, actually the third of the Rushing Beat trilogy (which also includes Rival Turf and Brawl Brothers, the latter already released on the service), at least it was originally. I’d say this is a fairly obscure release, as i never even heard of its existence, even by name.
Playing it, i realized why it slipped into obscurity so easily. Just plain ol’ crap in a market – at the time – saturated with tons of titles like that, often better.
It’s hard to say The Peace Keepers is “bad”, as it pretty much plays like Final Fight (aside from a plot that throws movie clichès AND literary references into the pot, with mutants, villains named Iago and places called Ozymandias Island), but it’s not a fast paced affair. Also, the combination of slightly stiff controls and the screen never scrolling properly to the right leads to you dashing into enemies’ fists, not that the game really ever throws tons of foes at you. Which is “good” because each takes more hits than it should to go down in a game like this, making the throws (already a bit too efficient than punches, in a brawler) pretty much mandatory to get anywhere.
Branching paths leading to different bosses and endings are nice but aren’t enough to make the story seems more than a jumbled sequence of scenes. And for some stupid reason the game by default just has the sound effects and ambient noises, i almost went the whole game wondering if the game had no actual music. It does, but you have to change a setting in the options.
Definitely one of the movies i’ve been looking forward to this year (again, came out last year in the US, but not here), always up to see what Laika Studios are doing next, and Kubo was great.
This latest feature is set in 1886, and sees cryptozoologist ante-litteram Sir Lionel Frost respond to a misterious letter that hints at the possibility of finding the fabled “missing link”, and embarks on a quest, as finding it would also give him recognition from his fellow adventurers, including his rival.
So the search for sasquatch begins in the Pacific North West…. and then begins again when Sir Lionel finds out who sent the letter, and why.
The plot offers an interesting variation on the old adventures flicks where British guys went around the world to “discover” and “civilize-colonize” all they could get their cane on, while maintining the old clichès like the bar fights, assassins sent after them by the main villain that epitomizes the old world of arrogant status-quo.
Not that Lionel himself is that much better, but it’s all to feed into the theme of family and what comes with a ugly duckling type story, one featuring a lovably awkward sasquatch and great characters.
You can see where the plot is going, but it’s a fun ride, the character designs and stopmotion animation are top notch as you would expected, the art direction amazing, the slapstick is quite decent, too. At times the dialogue tries to be a little too clever, but it’s mostly quite well and smartly written, just throwing a couple of puerile jokes because it has to (being a kids movie). Oddly some of the funniest moments are quite simple, in contrast to some of the more complex verbal gags that don’t fully land.
It’s pretty good, yes.
Another season, another DLC Pack for Pirate Warriors 4, the game that keeps in making you wish there was more of it, not only for what concerns the roster of characters.
But i did that mini-essay for the review of the first Character Pack, and then a full-on editorial about the state of the musou sub-genre as a whole.
So i’m gonna keep this and the next one shorter.
This time the theme is “Worst Generation”, referring to 12 characters belonging to the so called “worst generation” of pirates (and Blackbeard), 11 of which come from nine top pirates crew, and firstly referred to as the Eleven Supernovas, the notable rising pirates from that generation that caught the attention of the World Nobles, and one of them is speculated will become the next Pirate King.
Compared to the first pack, this one was far easier to guess once the theme became clear, because most of the “Worst Generation” pirates were already playable in the base PW 4, some had been since Pirate Warriors 2, even.
Continua a leggere “One Piece Pirate Warriors 4 – DLC Pack 2 PS4 [REVIEW]”
I’ll be honest, i walked into this one expecting a turd of sorts.
I mean, it’s not like this promises more than it does, it’s called Jack In The Box and it’s about an evil Jack In The Box. As in, the clown in the box is evil, because it can’t be a pierrot or an evil possessed figure from Commedia Dell’Arte, something that isn’t your usual choice of evil clown. Then again, this specific angle isn’t overdone… i think.
The plot deals with a new museum curator, Casey, arriving in the little english town of Hawthorne, and while wading through the “lost and found” inventory, he notices an odd box with some mystical engraving, appearing to be a creepy jack-in-the-box toy from the victorian era. But as more mysterious murders keep occurings, the more Casey learns of old tales related to the “jack-in-the-box” being coinceived to contain and unleash demons, and of a previous murder related to the box…
Directed and written by Lawrence Fowler, who previously directed some shorts and something called Curse Of The Witch’s Doll, which looks as generic as this one. And there is a sequel to this one already in pre-production, set to release in 2021.
And….i’m not against a sequel, there is something here (even if the “jack-in-the-box” demon lore is a bit silly, just a tad), and for a relatively low budget independent british horror film, this is definitely more than presentable for theathers, the monster design, make-up and effects are quite convincing, and the museum setting is a nice touch. Acting is decent, to boot.
Shame the direction and script are not as strong, kinda generic, pedestrian at times, with some twists seen coming a mile away, flashbacks to things that happened 10 minutes before, and an ending that aggressively sets up a sequel.
No cinema for me this week, so guess i’ll dust off Netflix, see and review this new korean zombie movie, which comes with the hashtag already built in the title. The plot sees a streamer in Seoul waking up and logging on to do some online gaming (he’s shown playing PUBG), only to hear people chatting of something weird being broadcast on tv, and soon enough even in the very streets below him, as a zombie virus of sorts spreads.
He’s forced to barricade himself home, trying to use his tech savviness to understand what is exactly going on outside, all made harder by scarce rations and social medias (or the reception for phones) not working most the time.
It’s better than i expected, and being set in “the now” you get to see fun stuff like zombie (of the running and “contorsionist” variety) getting attacked by drones’s eliblades, and there are some cool action scenes, production values are fairly decent-good, same for the special effects. Problem is, there isn’t too much to the plot, there’s enough, but nothing special, and after a fairly fast start, the movie suffers from pacing problems.
I understand it would be more realistic to see characters barricade themselves into their apartments, and while this is to feed into the “surviving days and days into a zombie apocalypse”, this kinda backfires, as the plot doesn’t really moves forward or backwards, and it’s not until the third act where it picks up again. Thankfully the characters are likeable, given how much time you spend watching them try to communicate or concoct a plan, but they’re not good enough to gloss over the fairly typical twists and turns of the narrative. Not even with some cool “hip” music.
Decent, worth a watch, for sure, but nothing special.
Xeodrifter is a confusing game, to me.
Ok, you’re an indie game developer, you wanna basically made your own game and be unsubtle as possible for the inspiration behind it, and being inspired by Metroid isn’t a bad thing, let’s put it that way.
But i don’t get why do your “Metroid tribute” and fashion it after the original Metroid on NES gameplay wise. I get why you’d wanna make a nostalgia inspired game after the action NES titles, but Metroid isn’t action, it’s exploration, and frankly it’s vastly outdated today, and was already improved upon by the other titles in the series, and then by Symphony of Night.
Continua a leggere “Xeodrifter NSWITCHDDL [REVIEW] Mecroid”
Arrow Video keeps being a shining beacon of light in a world where companies are planning to stop making physical media all together, so they can hold properties hostage on another streaming service with no guarantee film and series will always be there, or there in a matter of months, for that matter.
This time they bring us a collection that will make kaiju fans furiously ejaculate, and for good reason, as there wasn’t any complete collection of the beloved Gamera series, there were some boxsets for the North American market, but nothing complete, and here in Europe TM we got it far worse, Italy especially, as they brought only 5 five of the Showa Era, often calling Gamera “The Great King” and retitling the movies to imply it’s Godzilla or King Kong, with craptacular marquee artworks to boot.
But now it’s all good again, as this boxset (which i preordered as soon as i saw it) is shipping worlwide, and it’s all english… but it’s also a limited release, so i’m just gonna say this to interested fans: stop reading, and get it RIGHT NOW, this is pricey and there aren’t gonna be that many copies around, so just go. Definitely worth the price, it’s not cheap, at all, but it’s worth every single cent. Continua a leggere “Gamera The Complete Collection UK BLURAY [REVIEW] | Absolute Pristine Turtle Meat, Really Neat”
I usually don’t re-review smarthphone games (i did an Expresso review of the game in italian soon after launch one year ago), but since i didn’t really touch the game after spending time on it for the review, i actually enjoyed it enough, and Nintendo feels the update is so big to warrant a title “upgrade” (hence the “EX”), i will indulge this time.
As one would expect, in time they added more extra modes and stuff to do, even Pokemon eggs (alongside the stuff added as part of the anniversary update, which brought also a new interface)… but they also added freemium elements that weren’t in the game at launch, like the “energy meter”, and of course more stuff for the gacha, and this game is one of those that differentiates between premium currency gotten in-game and paid. Still, they didn’t add lootboxes or more monetization system, and admittely the game launched a little bare on content, not broken or unfinished, but DENA clearly underestimated how ravenous gamers can beat in days what was intended to be consumed in weeks or months.
And i feel bad that ultimately Pokemon Masters is so reliant in the gacha to really lure you back in, because the gameplay itself is (and was) fairly solid, as it’s basically the classic Pokemon combat formula but as a 3 vs 3 affair, with some semplification to accomodate it not being turn based, and a slightly revised system of types’ compatibility. Along with new passive abilities for defense, it’s the closest we have to a proper Pokemon game on smarthphones/mobile, and it’s the better one we got yet. Surely better than that Pokemon Rumble Rush (RIP?).
Still, a fairly good mobile game i don’t really care to play with any sort of frequency.
Or give money to, honestly.
Yeah, due to the COVID-19 lockdown, this was delayed… until theathers reopened yesterday in Italy, pretty much. For U.S. moviegoers, this will old hat, as the movie debutted there in march, but eh, what you gonna do?
After the fun but kinda pointless rethread of Toy Story 4, Pixar here treats us to a story about two brothers in a quest for an artifact to make their deceased father exist – completely, that is – for one more day, all set in a fantasy suburbia world of elfs, cyclops, goblins, station wagons, smarthphones and convenience stores, as technology advanced and made magic basically obselete over the millennia. Yes, still a better modernized fantasy world than Bright, let’s just get that out right away.
And there’s a token minor LGBT character (a cyclops cop), so token it’s made so by a single line, not bad or offensive, the character isn’t completely pointless to the plot, to be fair, it’s just….yeah, nothing to really brag about, given it’s ancillary status, but Pixar needed some social media icons for Pride Month, so…
That aside, it’s good mix of family drama and road movie, with some fun characters design, likeable characters (even if it’s another tale of getting over feelings of inadequacies, this time exploring brothers and fathers relationship), funny spins on fantasy and GDR clichès leading to some pretty good visual jokes, pacing is perfect, the moral becomes obvious but still feels earned (and the lesson at the end actually gels together with the themes), there’s even some action with swords and dragons and stuff.
Definitely a step up from Toy Story 4, and better than one would reasonably expect from Dan Scanlon, who previously directed that Cars supernatural-ish spin-off short…. and Monster University (the only review i still regret writing). Good one.
