[EXPRESSO] Superman (2025) | Acape Anew

The long awaited Superman reboot by James Gunn (Tromeo And Juliet, Slither, Guardians Of The Galaxy) is here, after the whole reboot thing done with The Flash movie, so WB can cleanse their hands of previous promises and concept it didn’t want to committ to anymore (when it didn’t flush entire finished movies down the drain).

And indeed it’s a James Gunn superhero film, i mean that in a flattering way because it was the right choice to just point at him and say “fix our shit”, he knows how to do them good and this ain’t no exception. Plus i feel fans of the “Man of steel” have been clamoring for something different from Snyder edginess, and this definitely does change things for the sillier, which it’s a good thing because it acknowledges superhero films can be proper silly without having to be ashamed of some specific silly parts of the source material, which it embraces (Superman’s dog, Krypto, is actually a major side character, and yes he has the lil ‘cape on) but without being lazy about it.

It’s a reboot that also understands it doesn’t have to restabilish the whole mythos by redoing the same things as previous Superman films, people know the character, and the script demonstrates Gunn does too, so it cuts some vestigial superhero film traditions of old for the better, by demonstrating instead of telling or expositioning to death, the plot (itself plucking a lot of characters and plot beats from well known iconic iterations and classic storylines) centering on the public perception of Superman after he’s already established as a hero, despite also ignoring pressing geopolitical matters in order to do the right thing, and Lex Luthor’s efforts to undermine his actions and antagonize the whole world against him.

Good, fun stuff!

[EXPRESSO] Joker: Foliè A Deux (2024) | Pierrot Le Bore

Cards on the table: i didn’t like the first Joker, but it was influential, and more importantly, it made money, also i guess Todd Phillips was still bummed about people calling his (mostly) garbage comedies antiquated garbage, so Joker 2 it is.

Though i will admit that, on paper, the idea of a Joker sequel taking into account the reception of the first movie, as it basically became an unintentional big budget “incel manifesto”, deliberately not giving the audience what it wants, in order to do a character assassination of the Arthur/Joker persona.. it’s quite the interesting idea.

Problem is, it does so over a grueling 2 hours and 20 minutes of Todd Philipps exposing the thesis/message that should have been obvious in the first Joker, overexplaining it over and over, now wih musical numbers that are made to be loathed by musical fans and haters alike, so overabundant and pointless are these song inserts with lyrics either too vague or on the nose.

Just to make the whole thing feel even more of a punishment, not only for the people that saw the first movie as an endorsement of Joker’s actions, as Foliè Au Deux doesn’t have anything else of substance to add or say to compensate for what it purposefully sets out to deny… probably because it would have contrasted with the need to make people hate the film (and by extension the Joker persona) on purpose.

Which it does accomplish greatly.

I almost wanna like it for its unflinching committment to its unpopolar vision, but there’s still no amount of “post-irony” that changes the fact this is a boring overly long slog, too content to having “outplayed” its audience, too happy to wallow in its own smugness on having “made a point” to care about being entertaining.

Suicide Squad Isekai (2024) [REVIEW] | Through The Unlooking Glass

Why i am reviewing this, you may be asking yourself.

Just for the trash factor? Just because its seems like “easy prey”?

Not quite, it’s more due to how since its debut (and even then, i learn this was gonna be through the collaboration with V-tuber and singer Mori Calliope, as she composed the ending theme) i never heard a single peep online about it, not even to shit on it, which worried me even more.

Also i learned after searching that it was being streamed in my region via a sub-channel on Amazon Prime Video, absolutely zero marketing had been spent to even make people know it was legally available on a commonly used streaming platform (FIY, there’s no HBO Max or Hulu here).

But still, this looked and sounded like like the kind of trash Twitter (not calling it X) loves to shit on weekly, just for the hell of it, but the only thing i saw on there was someone else befuddled by how the internet decided to skip having any discourse on it all together, that it was likely not even worth that kind of engagement, as nobody bothered, not even for the finale…..if anyone knew this series was a thing to begin with, that is. No one using the new Joker and Harley designs for their profile pictures, it was THAT much ignored or just never actually marketed properly after its announcement.

Continua a leggere

Green Lantern: Rise Of The Manhunters X360 [REVIEW] #meleemay

During the 7^th generation of console, there were still movie tie-in Marvel and DC games for each of the heroes/movies (though mostly for what is now known as Phase 1 of the Marvel MCU) , mostly under the Sega brand, and there was a 70 % chance of it being a beat em up because God Of War was still the new cock of the walk, leading the market to lots of imitators crafting up 3D hack n slash/beat em up in where to fisticuffs dozens of foes while playing as a digital Hollywood actor in costume. Yep, years ago, it was economically pheasable to pay for the actors’ likenesses without that alone costing more than the budget for the game itself. Looking at you, Square Enix’s Avengers.

The Green Lantern movie released in 2011 (starring a yet-to-bloom Ryan Reynolds) and… was definitely one of those, bad but not as bad as i expected. So after finally watching on a whime the movie last year on Neflix , i’ve decided to finally bother unearthing the disc from my 360 library. Hope you hankered for some tie-in movie trash of yore to be reviewed.

A shame DC is most likely never gonna touch the idea of a Green Lantern reboot in terms of live action film, so engrained is the stigma the 2011 movie has, because it would still make more sense than the Black Adam movie they did make, but who knows?

Continua a leggere

[EXPRESSO] Aquaman and The Lost Kingdom (2023) | Wrath Of Black Manta

I quite enjoyed the first Aquaman film, a phrase i’d never expect to write down ever, so yeah, why not a sequel, which thankfully ignores all the DCEU reboot kerfluffle.

No need to known any of that, just having watched the first film, and in this direction continuation we see Arthur Curry having trouble living his double life as a father taking care of his son on the surface, and having to deal with the taxing diplomatic duties of Aquaman, king of Atlantis.

While trying to fix his suit and continue his quest for revenge against Aquaman, David Kane (aka Black Manta) discovers an underwater set of ruins in Antarctica, finding a mystical trident and a material known as Orichalcum, which he uses to power his newfound stash of Atlantean technology also lying in the ruins…

This leads to climate change-based disasters, forcing Aquaman to secretly free its previously imprisoned half-brother Orm in order to find Black Manta and stop his plans…

James Wan it’s back on the director’s chair, and he does manage to expand on the worldbuilding, with many varied locations (including the titular lost kingdom), squeezing a lot of story, action scenes, while also making Black Manta more the proper villain than the “accidental” one it was in the first movie, though that’s kinda undermined by the revelations about the Black Trident.

Which i don’t mind too much since it lets Wan infuse some horror elements in the mix, i’m always up for that, and the movie does manage to fit a lot in 2 hours while feeling just long enough.

Maybe it’s not better than the first, but it’s still a lot of fun, dumb fun, if you must, with a hearthy attitude about action fantasy superhero shenanigans that aims to give the viewers its all.

[EXPRESSO] Blue Beetle (2023) | Latino Guyver From Outer Space

The new DC super hero film after the “MADE IN HEAVEN” treatment the continuity received via The Flash movie, Blue Beetle is here in theathers, and i’m so not familiar with this character at all, but the trailer gave me Deadpool-ish vibes, and more specifically of Guyver, as we have a sentient symbiotic suit that organicaly fuses with his host and gives it the powers.

Heck, here as the well the suit/armor is a relic from an ancient alien civilization, so the comparison is not that outlandish.

The plot involves a recently graduated teenager, Jaime Reyes, that while becoming disillusioned about his future work opportunities, unadvertedly get his hand on the Scarab, a powerful alien biomechanical armor that grants him enhanced exoskeleton and powers, turning him into the superhero known as “Blue Beetle”. But obviously, other, less well intentioned individuals also known about the Scarab and want its array of weapons and abilities for themselves…

In a way Blue Beetle is not what i expected, as in the titular hero is not “Deadpool but as teen The Guyver” personality wise, and it’s not trying to be edgy or grimdark, quite the opposite, as it definitely kid-friendly and plays a lot in the “latino family” theme for that, which isn’t original but its still quite fun, thanks to the endearing characters (especially Jaime’s family) and honest emotional moments they bring alongside some good laughs.

They do help make you care despite the very bog standard plot and type of origin story which offers nothing we haven’t seen before, and sadly this kinda applies to the Blue Beetle himself, which isn’t a very interesting hero in terms of either personality or powers or anything really, despite the good concept behind the Scarab suit.

Still, quite decent and very pleasing, enjoyable superhero film.

[EXPRESSO] The Flash (2023) | Weather Report

Let’s get this over with, because i’m not really too comfortable with the idea of this review, as i previously stated, but i made a decision, so here we are.

Even casting aside the heinous shit Erza Miller pulled, i can’t say i was ever well disposed towards the film, as i didn’t really care much for The Flash as a character, the trailers and promos we eventually saw surface were more about Michael Keaton returning as Batman, an alluring prospect for older generations like mine that grew up on the 1989 Burton classic, paraded as “bait” because Batman brings ALL the boys to the yard, so to speak.

And i guess to remember you THIS world is unfair and cruel, the movie that should have been a total piece of shit… it’s not. I’d make a joke about dodging lightining, but why couldn’t Black Adam have been alright and this one a turd.. i guess it’s ironic in its own right.

The plot concerns Barry Allen, The Flash himself, using his powers to go faster than light and eventually to go back in time, all so he can avoid the incident that saw his mother die and his father wrongfully imprisoned. He eventually succeeds, meets his younger self, but learns that his actions led to a new timeline entirely, one where a lot of his super hero friends and colleagues never existed, but other villains did.

Thankfully he finds that reality’s Batman (Michaeal Keaton) and tries to launch a counter-offensive to save everyone…

Yeah, sure, some of the CG work can be uncanny valley levels of off-putting at times, the ending basically “pulls a JoJo” for more cynical reasons, but against all expectations, the movie it’s alright, it’s decent.

I’ve seen FAR worse offerings, especially from the DC side.

[EXPRESSO] Black Adam (2022) | Avenging The Stone

Dwayne Johnson first foray into actual superhero films happens to be in the DC Extended Universe, and it also happens to be very, very bad, but not for the reasons you’d think.

As in, i will argue that Morbius is still worse, but you could also counter with the premise of that movie having some potential, where in Black Adam there’s no effort put to anything, to the point where its way too generic, sharing the same symptoms seen in the regular cut of the Justice League movie, but actually worse, as the new group of heroes are blatant knock offs of Marvel’s roster (even if the characters themselves originally weren’t), with some straight up copying the Marvel’s shtick and mannerisms, when they don’t remind you of the X-Men.

Or the movie it’s just speedrunning every superhero movie cliches and recurrent flaws to the ground, with overly long exposition dumps, deranged abuse of slo-mo, predictable and unsatisfying narratives with the twists seen coming MILES away.

Do not forget a villain so lazy and boring you’ll pine for Justice League’s Steppenwolf.

The plot centers about the titular anti-hero Black Adam, an ancient egyptian man born slave than was bestowed incredible powers by the mage Shazam, and later sealed.

When he’s summoned back by a woman trying to stop a criminal empire, he unleashes his rage, prompting Amanda Waller to sick the Justice Society of superheroes to stop him, as he does not subscribe to the non-lethal kind of superhero combat.

The movie has some funny/cute scenes, and it tries to say something about the need for violence to fight the oppressors, etc, but as with everything in Black Adam, it’s mediocre at the very best, but always completely superficial and so generic it hurts. Even with Dwayne Johnson doing his thing.

[EXPRESSO] The Batman (2022) | Nigma Notions

After fighting the dreaded villain known as COVID19-Man, Batman is back to the silver screen, now being played by Robert Pattinson in what it’s essentially another “reboot” of sorts, since the plot of The Batman goes back to basics, depicting the reasons why millionarie Bruce Wayne uses his wealth to moonlight as the masked vigilante of the “Batman”, his encounter with Selina Kyle (aka Catwoman), and has him face the villain known as The Riddler.

The main difference is that this time Bruce Wayne’s past (including e his legacy as a Wayne) plays a bigger role, as we were lead to think by the trailers and promo materials, but thankfully this re-establishes the character without being an origin story, and depicts Batman as a more tragic and frail force of justice, as now his family’s legacy comes into play into the corrupt nature of Gotham itself.

The good: Gotham’s depiction is amazing, the brooding and even more dark tone is perfect, the mood overall it’s great and matches the more grounded approach (which of course reminds one of Nolan’s work on the caped crusader), the cast is stellar and giving out great performances, with Pattinson making for a really convincing and more obsessive Batman.

Shame that the narrative ultimately suffers not being as strong as it could, thanks in part to the kinda messy script that falls victim to overstuffing, with ¾ climaxes and the movie being pretty much 3 hours long. It’s not boring, actually it’s fairly captivating, but it feels like they crammed almost 2 scripts into 1 because superhero movies are expected to be very long these days.

I still recommend it, despite the aforementioned flawas, because it’s refreshing to a superhero movie done with vision in mind more than a spreedsheet of pre-made and rounded-edged lego blocks.

[EXPRESSO] The Suicide Squad (2021) | King Shark is in it

Let me preface this by saying i find stupid the whole “release the [director’s name] cut” shtick, and i’m sorry, but i did saw the 2016’s Suicide Squad movie, and it was such a mess nothing would have “saved” it. Look, David Ayer it’s not that bad a director, at all, but he made a crap movie with Suicide Squad.

That’s it, nothing special, it happens and can happen to anyone, the world will go on.

You’re free to pursue this crusade if you will, Ayer has all the right to be happy about it (who wouldn’t?), but i personally don’t “get” it (what you’re gonna do next, request the Proyas’ cut for Gods Of Egypt?), honestly, and i was quite happy to see James Gunn give the concept another go.

So yeah, it’s the same idea of getting together a group of DC supervillains to send in a do-or-die important mission, using the expandable baddies instead of the superheroes themselves, this time tasked to take care of “Project Starfish” on a secluded island instead of an american city.

But yeah, it’s a bit surreal to see the same movie done twice in just a span of 5 years, even more since it has most of the same cast and selection of characters, as it’s supposed to be a sequel to the 2016’s movie, which explains some of it but still comes off as confusing since this is basically a re-do of the concept and doesn’t really require seeing the previous Suicide Squad movie, at all.

Honestly i loved it, it’s such a fun, bloody, stylish and funny take on the concept, it’s not just that it’s the FAR better execution of it so far, but it’s also pretty good on its own, with a lot of style and substance.