Categoria: Drama

So Microsoft just bought Activision Blizzard King, like that

I usually don’t comment much on gaming news, stat, but this is such a monumental event i feel compelled to say something, as it doesn’t happen everyday that Microsoft just outright bought Activision Blizzard, one of the biggest companies since the Atari era.

And boy, my opinion on it really can’t be anything but disgust, as its another “Disney move” leading to an even shittier cyberpunk present we have, as it strangles even more the flebile sense of “competition” in the market, as corporate behemots are eaten by other mostrously larger corporate behemoths.

One might argue that this new leadership situation might improve the hive of scum, sexual assault and toxic workplace culture Activision Blizzard (which also including King, the Candy Crush guys) has become known for (alongside his many, identically minded buddies like Ubisoft), and it might, but it doesn’t change the fact that Microsoft now has Bethesda and Activision-Blizzard under its direct control.

I don’t expect much to change in terms of console esclusivites, as it doesn’t gel much with Microsoft current business strategy of basically wanting to sell its services (especially the Game Pass) as wide as possible, so i don’t expect them to make Call Of Duty NOT come out on PS consoles or anything like that in near future.

Again, some good things might come out of this, but i’ve seen how this industry behaves long enough to not trust anything positive change in it, not where it matters.

So, i’d say it sucks shit, and it’s kinda depressing overall, honestly.

[EXPRESSO] Demon Slayer: Mugen Train (2020) | Eternal Pyre

Fuck it, i’m reviewing this one as well, since it did eventually arrive just now in theathers here in Italy…. after being made available on Amazon Prime Video months earlier, but i’m willing to watch it again to support anime cinema releases, and to properly assess things further for a review.

Since the series it’s the more recent shonen manga success story, i doubt i need to introduce Demon Slayer/Kimetsu No Yaiba, even more since i feel its success lies in being pretty straightforward and easy to connect, as its set in a fantasy Japan of old, where demons lurk at night and feast on people, but are fought back by a secret order of samurai with mystical blades and techniques, the Demon Slayer Corps.

The protagonist, Tanjiro, becomes a Demon Slayer in hopes to undo the curse that made his sister Nezuko a demon, and along the way befriendes the cowardly lightining fast swordman Zenitsu, as well as Inosuke, a wild boy wearing a boar mask.

The plot revolves around the trio being tasked to – alongside an experienced demon slayer called Rengoku – embark a train and protect the people on it from eventual demon ambushes, and this isn’t an original story, a mostly disconnected one-off adventure, as most of these shonen anime movies are, but actually bridges the events of the first and second season, and has some important stuff happening in it, so i wouldn’t recommend jumping into this if you haven’t seen the first season (or red the equivalent manga chapters), for spoiler reasons.

That said, it can be watched fine on its own, and rewatching it made clear it’s a pretty good shonen manga film, with excellent animation from ufotable as expected, funny moments, good drama, likeable characters and intense fights with high stakes.

Jump Force PS4 [REVIEW- FUNERAL] | To The Digital Graveyard With You!

One might wonder why review Jump Force now, as it got “internet spanked” quite enough when it came out in 2019. Aside the fact i don’t need a reason to do so… Namco Bandai gave me a big one, by announcing they would remove the game from digital storefronts, alongside the 2 season passes, the DLCs characters and content by february 8th 2022, with online functionalities and features shutting down entirely by August 24th 2022, this on all platforms.

Now, i know this would be reason for joy to many, but i’m an archivist at heart, and while i won’t miss the microtransaction laden bullshit, i find it silly that they didn’t even managed to make a complete edition of it with all the content on disc, only the Deluxe Edition on Switch with the Season Pass 1 content baked in the cart.

So years in the future you won’t be able to play the Season Pass 2 characters at all, which isn’t exactly a loss given the game wasn’t good to begin with, but it’s even more soon-to-be legally lost content. The loss of the online functionalities was inevitable, to a point, but the rest not so much.

Continua a leggere “Jump Force PS4 [REVIEW- FUNERAL] | To The Digital Graveyard With You!”

[EXPRESSO] The House (2022) | Trifecta Triumphant

New stopmotion animation film on Netflix with (also) animal people, you know i’m already in.

Even more since it’s a small anthology of 3 stories, one about a poor family meeting a miraculous proposal, one about an anxious ratman constructor trying to score estate success, and the last about an exhausted landlord, all tied together by revolving about the same house, while taking place in different epochs and with different kind of characters, going from humans to ratman and catmen.

The character models aren’t clay or the odd-papermaciè style seen in Mary Shelley’s Frankhole, but go for a very textured felt-wool look, with a very fuzzy feel juxtaposed to the horror atmosphere and visuals, even though just the first story has actual supernatural horror elements, there’s always a sinister or weird tone to most of the events, with some very stilish visuals to match.

Animation it’s top notch, the character models have very good designs and craft, and it’s a quite good trifecta of stories, with a balanced mix of horror, satire, drama and comedy, quite grabbing as you always wanna see where they’re going in exactly. I think the second one it’s arguably the best, as you never quite sure what direction it’s gonna go, gets weirder and has an even weirder ending.

And stuff like a trip-out insects & maggots musical sequence.

And free-roaming hippie catmen.

Honestly, i don’t really have much to complain about or add in general, if your ears peaked up like a fox at “animated stopmotion anthology film with lots of style and fun substance”, the chances are good you’re gonna like this one, easily. And it comes in a pretty good 90 minutes package, with everything in it feeling as long as it needs to be.

What a really great surprise, too. Excellent.

[EXPRESSO] El Paramo (2022) | Thy Patience Consumed

Some really fresh (as in “new”) Netflix content for me and you, El Paramo is set in 19th centhury Spain, where a family living in a remote house is haunted by an entity that feeds on their terror, and it falls upon the young boy Diego to save his mother from the entity… and herself.

…. or so this is premise as Netflix puts in the description. A correct synopsis that doesn’t spoil the experience, i’m not harping on that, i just prefer to describe this movie as “mother simulator”, since the mother not only has to suffer her husband basically disappearing and never coming back most likely due to the wars happening outside their isolated refuge, having to defend herself from a supernatural beast that she thought was just a legend, but also having to put up with her son, one of the most annoying and dumbass child character i’ve seen in a recent horror film.

Stupid, grating and spineless too, just in case the kid wasn’t annoying enough to deal with, even though it eventually leads to his character arc going where you would expect…but until the last act he doesn’t come off as the more sane and kind character he actually is, but as cowardly dumbass that almost makes this movie an accidental “anti-Babadook”, as for most of it i was rooting for the mother to get rid of both “annoyances”, not only the monster, and have some peace.

That said, let me stress that the movie it’s not bad, the setting it’s pretty good, the cinematography it’s also quite nice, the creature’s lore and design are spooky enough and played fairly decently for tension instead of jumpscares, and there are some atmospheric moments, but there’s just not much to it and overall it’s mostly average.

Don’t expect a Pokemon Legend Arceus review in a timely manner

Yeah, one more from the beloved series of “Don’t Expect Anything”, i wouldn’t wanna spoil you too much least you forget the cold, disappointing and cruel embrace of reality.

Gloom aside, the reason for today “episode-ramble” is that i simply haven’t preordered Pokemon Legends Arceus, and so far i’m kinda glad i didn’t, since there are rumors and various leaks about the game’s performance being crap enough to noticeably affect the exploration of the full-on open world this Pokemon game goes for.

To be honest, it looks not worse than Sword and Shield from the official gameplay trailer released some days ago, but also not as good as you would expect since Game Freak didn’t do double duty on this and the Pearl/Diamond remake, i guess they really haven’t got the memo that they can/should make technically polished titles, since they’re not developing for handheld consoles anymore.

And they really can’t pull off “first proper new Pokemon gen game on the system” excuse.

Still, since the game comes out at the end of this month, a day one patch (and most likely more following that) could fix the issue… to some degree. I mean, the game launches in 2 week and 1/2, so it’s simply absurd to expect the situation to be easily dealt with via patches, regardless of how many they will be, for obvious reasons.

Do i still look forward to eventually playing the game itself? Sure, but i’m not going down the mine this time, i’m still bummed by pre-ording Ultrasun/moon, so i will wait to see how the situation evolves over the months, i’m not offering myself as proverbial canary this time. Really tired of that.

That sure was a Pokemon ramble, see ya!

[EXPRESSO] The King’s Man (2021) | Tonal Clash Service

I quite liked the first Kingsman movie, even enjoyed the second one (even if it was uber cheesy, with the robodogs and Elton John and all), but i feel that maybe it would have been best if this didn’t became a series, as we are already going for the “origins of” storyline, but whatever.

The film – as you would expect – it’s about the foundation of the Kingsman’s intelligence agency, borne in Britain during the events of WW I by elite warriors that woved to silently defend humanity from its from villains and tyrants, which puts them against Grigori Rasputin and other conspirators led by a mysterious figure, intent in making Germany overwhelm Britain in the conflict.

This is not a bad movie, mind you, nor bad movies. I do feel like they had scripts for two different movies set in the Kingsman universe, and – maybe – afraid that with the current situation of theathers they couldn’t get another chance (also due to hypotethical series fatigue) at it, so here you go, you get the story of Orlando Oxford’s son wanting to enlist in the war to prove his worth, with a fairly serious war movie tone, and the over the top comic book style spy action fights that you’d expect from a Kingsman movie.

Both are quite decent and entertaining in themselves, which is laudable, but the tone (and the themes, honestly) doesn’t really match between the events on the WW I trenches and a delightfully excessive Grigori Rasputin using his mystical powers (which are somehow real) to cure a wound by licking it frantically, to say nothing of the charicatural characterization of the kaiser, czar and most of the villains.

Despite this, it’s definitely not a slog, cast it’s pretty good and overall it’s decent fun.

Remember Kancolle? It’s back, in second season form!

Not even two weeks into 2022, and we’re getting befuddling news like that the second season of the Kancolle anime series isn’t scrapped, but it’s coming out this fall (October 2022), after 6 years of absolutely nothing aside from messages from Kadokawa confirming the thing was actually being made somewhere, somehow, and technically not cancelled.

Guess it was true, but it’s still a surprise considering how Kancolle as a brand has been eclipsed by competitor Azur Lane, who brought the formula into international hands, making more bazillions along the way, to say nothing of the other gacha free to play games with similar themes of “antropomorphized anime girls versions of weapons… and mostly WW II warships”.

The brand as a whole it’s not dead, and Kancolle still does decently in its own original browser game incarnation back in Japan, which i guess makes sense, since Kadokawa Games’ division never planned to make the game (officially) available outside of Japan, but i guess someone in the upper echelon of Kadokawa its kicking himself he didn’t push to localize the darn thing or make a smarthphone version to also make available overseas, since Azur Lane did exactly that, and stole Kancolle’s thunder and a huge part of the potential fanbase.

So yeah, i guess that other, different Kancolle anime series that was announced – and also confirmed as “not dead” over time- it’s also being made, eventually.

Guess i’ll have to review the first season of the Kancolle anime and the sequel movie this summer, i’ve already reviewed both Azur Lane The Animation and the slice-of-life spin-off Slow Ahead, so why the fuck not?

This Summer: One Piece Films Retrospective

In love with this design, holy shit!

As you might now, the new One Piece film, titled One Piece Film: Red, was announced in November 2012 set for a summer 2022 release. Which isn’t really “new” as from One Piece Film Gold in 2016 Toei makes a new movie every 3 years, but i’m finally ready to review all One Piece films… again.

As in – like i previosly told – i previously reviewed them to accompany the release of One Piece Stampede back in 2019 on the original italian version of the blog, so in the previous years i’ve reviewed the One Piece OVAs and the TV Specials, as i wanted to make some time pass, as i’m rewatching them all and writing the reviews from scratch, instead of translating, reworking, polishing the old ones.

Who knows, in time i might have changed my opinions on some…. and i mean “some”, there’s one in particular than i might have even harsher words for, but we’ll see.