Gamera The Complete Collection UK BLURAY [REVIEW] | Absolute Pristine Turtle Meat, Really Neat

Gamera The Complete Collection UK complete set

Arrow Video keeps being a shining beacon of light in a world where companies are planning to stop making physical media all together, so they can hold properties hostage on another streaming service with no guarantee film and series will always be there, or there in a matter of months, for that matter.

This time they bring us a collection that will make kaiju fans furiously ejaculate, and for good reason, as there wasn’t any complete collection of the beloved Gamera series, there were some boxsets for the North American market, but nothing complete, and here in Europe TM we got it far worse, Italy especially, as they brought only 5 five of the Showa Era, often calling Gamera “The Great King” and retitling the movies to imply it’s Godzilla or King Kong, with craptacular marquee artworks to boot.

But now it’s all good again, as this boxset (which i preordered as soon as i saw it) is shipping worlwide, and it’s all english… but it’s also a limited release, so i’m just gonna say this to interested fans: stop reading, and get it RIGHT NOW, this is pricey and there aren’t gonna be that many copies around, so just go. Definitely worth the price, it’s not cheap, at all, but it’s worth every single cent. Continua a leggere “Gamera The Complete Collection UK BLURAY [REVIEW] | Absolute Pristine Turtle Meat, Really Neat”

[EXPRESSO] Pokemon Masters EX iOS | The Rolling Girls (& Boys)

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I usually don’t re-review smarthphone games (i did an Expresso review of the game in italian soon after launch one year ago), but since i didn’t really touch the game after spending time on it for the review, i actually enjoyed it enough, and Nintendo feels the update is so big to warrant a title “upgrade” (hence the “EX”), i will indulge this time.

As one would expect, in time they added more extra modes and stuff to do, even Pokemon eggs (alongside the stuff added as part of the anniversary update, which brought also a new interface)… but they also added freemium elements that weren’t in the game at launch, like the “energy meter”, and of course more stuff for the gacha, and this game is one of those that differentiates between premium currency gotten in-game and paid. Still, they didn’t add lootboxes or more monetization system, and admittely the game launched a little bare on content, not broken or unfinished, but DENA clearly underestimated how ravenous gamers can beat in days what was intended to be consumed in weeks or months.

And i feel bad that ultimately Pokemon Masters is so reliant in the gacha to really lure you back in, because the gameplay itself is (and was) fairly solid, as it’s basically the classic Pokemon combat formula but as a 3 vs 3 affair, with some semplification to accomodate it not being turn based, and a slightly revised system of types’ compatibility. Along with new passive abilities for defense, it’s the closest we have to a proper Pokemon game on smarthphones/mobile, and it’s the better one we got yet. Surely better than that Pokemon Rumble Rush (RIP?).

Still, a fairly good mobile game i don’t really care to play with any sort of frequency.
Or give money to, honestly.

expresso-icona

One Piece: The Great Tongari Island Treasure Hunting Adventure (2018) [REVIEW] 4D Pirate Propaganda

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Writer: unknown

If having to go at selected water parks and such places to see the 3D featurette Trap Coaster seemed asking a lot, don’t worry, this time you – only – had to go to One Piece Tokyo Tower, the only One Piece theme park in the world, situated inside Tokyo Tower (in case the name wasn’t clear enough), open since 2015… and closed – permantly, to boot – this 31th of July 2020.

Gomu Gomu no Bummer indeed. Continua a leggere “One Piece: The Great Tongari Island Treasure Hunting Adventure (2018) [REVIEW] 4D Pirate Propaganda”

[EXPRESSO] Gretel And Hansel (2020) | Coming Of Mage

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With this one i didn’t check any of the “discourse” or reviews from the american press beforehand, i just guessed it was a retelling of the Brothers Grimm’ fairytale focusing on Gretel’s viewpoint, and it’s not as gratuitous as it may seem at a glance, since Gretel is indeed the one to figure out the witch’s plan and ultimately kill the cannibal old hexe.

While many aspects of the story are changed or done away with as with the abandoning routine (among other things, but i’ll keep it spoiler free), the focal points are mostly kept, so we see the two siblings wandering in the woods in search of food and shelter, stumbing upon a house where a kind old woman treats the two to delicious banquets, gives them a place to stay at, and teaches them how to chop wood, how to treat illness, etc. Especially to Gretel, which might have the same epiphany as Ichigo Kurosaki…

It’s a horror retelling that leans even more into the supernatural elements, as to further enhance the absolute misery of medieval poverty, of sickness and dirt, and centers on Gretel mostly, basically turning the fable into a coming of age story, with magic, axes, great photography, amazing atmosphere, pretty good character and great acting. And as it’s the usual, any theme of feminist empowerment is made better by baskets of guts, with some grisly imagery that’s not overused.

The bigger issue would be the pacing…. i guess, Oz Perkin’s take on this fairytale it’s not a fast moving one, but it’s not that slow as other people seem to think it is, it’s exactly as long and fittingly paced as it needs to be, i feel. Then again, i saw people arguing this “actually” isn’t a horror movie (yes, yet again), so…..

expresso-icona

One Piece 3D: Trap Coaster (2011-2012) [REVIEW] | 3D Water Park Pirates

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Director: unknown

Writer: unknown

Unlike the previous One Piece featurettes, shown alongside that year’s feature film of the series, Trap Coaster was – fittingly so- shown in water parks and the like as a limited “theathrical” release (as in i guess it was shown inside small locales repurposed as temporary cinemas, or something like that, i don’t really know) between December 1, 2011, and February 27, 2012.

Of course never re-released in any official capacity anywhere, so it’s no wonder it’s almost unknown even to One Piece fans, but internet exists, so you can find it subbed. Continua a leggere “One Piece 3D: Trap Coaster (2011-2012) [REVIEW] | 3D Water Park Pirates”

One Piece: Dream Soccer King (2002) [REVIEW] | King Of Table Soccer

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Director: unknown

Writer: unknown

The second featurette, another theatrical short, was shown before (and on the japanese DVD release was bundled with) the third One Piece movie, Chopper’s Kingdom in the Strange Animal Island.

And again, it was never officialy released outside of Japan, which is true for pretty much all the featurettes and theathrical shorts. Continua a leggere “One Piece: Dream Soccer King (2002) [REVIEW] | King Of Table Soccer”

[EXPRESSO] Onward (2020) | Dad Quest

Onward 2020 poster.jpg

Yeah, due to the COVID-19 lockdown, this was delayed… until theathers reopened yesterday in Italy, pretty much. For U.S. moviegoers, this will old hat, as the movie debutted there in march, but eh, what you gonna do?

After the fun but kinda pointless rethread of Toy Story 4, Pixar here treats us to a story about two brothers in a quest for an artifact to make their deceased father exist – completely, that is – for one more day, all set in a fantasy suburbia world of elfs, cyclops, goblins, station wagons, smarthphones and convenience stores, as technology advanced and made magic basically obselete over the millennia. Yes, still a better modernized fantasy world than Bright, let’s just get that out right away.

And there’s a token minor LGBT character (a cyclops cop), so token it’s made so by a single line, not bad or offensive, the character isn’t completely pointless to the plot, to be fair, it’s just….yeah, nothing to really brag about, given it’s ancillary status, but Pixar needed some social media icons for Pride Month, so…

That aside, it’s good mix of family drama and road movie, with some fun characters design, likeable characters (even if it’s another tale of getting over feelings of inadequacies, this time exploring brothers and fathers relationship), funny spins on fantasy and GDR clichès leading to some pretty good visual jokes, pacing is perfect, the moral becomes obvious but still feels earned (and the lesson at the end actually gels together with the themes), there’s even some action with swords and dragons and stuff.

Definitely a step up from Toy Story 4, and better than one would reasonably expect from Dan Scanlon, who previously directed that Cars supernatural-ish spin-off short…. and Monster University (the only review i still regret writing). Good one.

expresso-icona

One Piece: Glorious Island OVA (2012) [REVIEW]

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Director: unknown
Writer: Eiichiro Oda

Going really into obscure territory here, since this is the prologue to One Piece Film Z, but it wasn’t released as a limited edition disc in a specific chain of theathers or shops, that would be too easy: instead it was originally released in 2 parts (6 minutes each) on smartphones as part of collaboration with Docomo’s then new mobile TV format-service, NOTTV, and later compiled in the japanese Blu-Ray release of One Piece Film Z.

Yeah, it’s basically an “Episode 0” of sorts, but instead of setting up more clearly the events of the movie and giving more info on the villain (like the following OVA prequel/episodes 0 for Strong World and Film Gold would do), this is a direct prologue that leads into the actual beginning of Film Z. Not that it matters because this is so detatched from the movie (you don’t see any of the movie villains in any shape, for example) it might as well be a random featurette, it would make more sense that way.

Sure, with the release format and the very nature of this OVA, you would reasonably guess whatever happens in it can’t be that important to the plot of the actual movie…..and you’d be correct, let’s not dance around it. Continua a leggere “One Piece: Glorious Island OVA (2012) [REVIEW]”

One Piece: Infiltration! Thousand Sunny! OVA (2011) [REVIEW]

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Director: unknown
Writer: unknown

Yet again we have a collaboration short, Infiltration! Thousand Sunny, born out of a deal with Nissan (yeah, the car company), and sold as a limited edition DVD exclusively in their japanese stores to obliquely promote the Nissan Serena model.

The DVD also included a making of the short film One Piece 3D Straw Hat Chase, not only because it’s animated in the same style of 3D CG, but because it’s main point it’s to advertise Straw Hat Chase, Luffy outright says that at the end, and it serves as a 8/9 minutes preamble to that movie. Continua a leggere “One Piece: Infiltration! Thousand Sunny! OVA (2011) [REVIEW]”

One Piece: Strong World (Episode 0) OVA (2010) [REVIEW]

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Director: Naoyuki Itō
Writer: Hitoshi Tanaka

Strong World is arguably one of the better One Piece movies, in no small part thanks to the not small involvement of Eiichiro Oda himself, who wrote the script for it, and definitely a huge step up after two previous theathrical releases that were just adbridged recaps/retelling of canon story arcs (especially in the case of the movie Episode Of Chopper, with some weird bastardization of canon and changes).

This of course didn’t stop Toei to further milk the golden pirate udders of the series (never did), so to advertize Strong World, they released a prequel to the movie in form of this OVA, Strong World: Episode 0, an adaptation of the special chapter “Strong World” released alongside chapter 565 of the manga (and gave away for free if you went to see the film in some japanese theathers, apparently). Of course they didn’t just released it anywhere, but in a limited retail DVD release of 3000 copies, given out as prizes for a contest held in House Foods (a major japanese food manufacturer) stores. Continua a leggere “One Piece: Strong World (Episode 0) OVA (2010) [REVIEW]”