One Piece TV SP 11: Heart Of Gold (2016) [REVIEW]

Director: Tatsuya Nagamine

Writer: Tsutomu Kuroiwa

Runtime: 105 minutes

It’s not not a recap, it’s not an entirely original story, this time we have a TV special made for tie-in purposes. Like the title gives away, this is a special made to advertise the movie One Piece Gold, and it’s not even the first one, as there was also One Piece Gold: Episode 0 (which we discussed during last year’s retrospective), a featurette taking place before the movie that amounted to a sumo version of the Kintarou story and plenty of Nami bikini fanservice. And the Silver Mine filler arc.

This actually takes place before Episode 0 and can be seen without it (especially since the featurette predictably didn’t further any plot or set up anything relevant for the actual One Piece Gold film than this special already does), and it’s intriguing they actually got Tatsuya Nagamine to direct him, after his work on One Piece Film Z and before the pretty good Dragon Ball Super: Broly.

And indeed, we’re in pretty good hands. We are.

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One Piece TV SP 10: Adventures In Nebulandia (2015) [REVIEW]

Director: Konosude Uda

Writer: Atsuhiro Tomioka

Runtime: 106 minutes

We’re finally taking a somewhat extended break from the recaps extravaganza (but not that extended, as we’ll find out) to have a TV special that actually features an original story, and calls back to a noticeably under-represented story arc, the Davy Back Fight, often completely eschewed from pretty much any adaptation of One Piece, and low-key hated by the fanbase, i feel.

Yeah, the premise sees Foxy and his crew send a false distress signal to the Straw Hats, seeking revenge after their Davy Back fight. The two crews begin another Davy Back, starting off with a mushroom eating contest as the first round of the challenge, but it’s a trap, as the new Foxy Pirates member, Komei, has made them eat the so called “Drousy Shrooms”, then reveals himself to be a Marine Vice Admiral and brings the four incapacited crewmembers as prisoners to Nebulandia.

The rest of both pirate crews follow them, but things get hairy as Nebulandia is an island that nullifies Devil Fruit powers due to its vegetation having adapted to live off sea water, acting as a natural prison for the many “gifted” pirates, so even more people get captured and it’s up to the few remaining to find a way to reserve the effects of the vegetation and escape the island.

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One Piece TV SP 9: Episode of Sabo The Three Brothers’ Bond – The Miraculous Reunion and the Inherited Will (2015) [REVIEW]

Director: Gou Koga

Writer: Hirohiko Kamisaka

Runtime: 106 minutes

Fittingly following from the post-credits scene of the 3D2Y special, the following year we got a TV special about Sabo…. an abridged recap-remake of his story arcs, that is.

And while the title this time is less spoilerific, i feel it’s fair to warn you that, yes, we’re yet again going into BIG ASS GYNORMIC SPOILERS territory, i might be wrong but i believe newer fans might yet not be as aware of Sabo’s childhood and his involvement in the Dressrosa arc, definitely not as Ace’s fate, and since the two characters backstories are so intimately connected in a way that’s hard or downright impossible to talk about without revealing some important detail or event for the overarching story.

So i’m gonna say it again, SPOILERS WARNING.

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One Piece TV SP 8: 3D2Y – Overcoming Ace’s Death! Luffy’s Pledge to his Friends (2014) [REVIEW]

Director: Naoyuki Itou

Writer: Hirohiko Kamisaka, Jin Tanaka, Tomohiro Nakayama

Runtime: 108 minutes

I’d say “SPOILER ALERT”, but it’s not like the title itself even tries to hide it, with the subtitle being “Overcoming Ace’s Death”, and since i have seen people parade this “spoiler” arounds anime cons pretty much anywhere (combined with Jump banking on his life status for later derivative works, like One Piece Novel A).

That aside, with “3D2Y” we’re finally getting started for real, finally talking about quite interesting and intriguing stuff, with some ambition and scope to it, instead of just being an abridged retelling or a cute filler-type mini-story, and utilizing the 2 year time-skip to its advantage, not only to evoke an emotional response, but to fill some of the narrative “gaps” left in the story.

In this case, the special is set during Luffy’s training on Amazon Lily, as he learns to control Haki/Ambition from Silver Rayleigh on the island of Ruskaina. Suddendly Navy ships are being attacked and destroyed by Byrinn World, an incredibly powerful pirate that was betrayed by some of its crew members and was held in Impel Down, but escaped after the Paramount War/Marine Ford events. Now reunited with his older brother and the rest of his crew, World kidnaps Boa and Marigold Sandersonia (Hancock’ sisters), so Luffy and Hancock set out to rescue them from World’s ship, while the other Warlords Of The Sea are summoned to deal with the issue at hand.

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One Piece TV SP 5: Episode of Nami – Tears of a Navigator and the Bonds of Friends (2012) [REVIEW]

Director: Katsumi Tokoro

Writer: Hirohiko Kamisaka

Runtime: 106 Minutes

Like with the One Piece movies, eventually Toei went for the “lazy” route and decided to occasionaly not even bother writing some new material for these TV specials.

This is not to rag on the Toei animators, writers and such, but i’m sorry, these “recap movies/specials” are lazy from a creative standpoint, they are, and it’s not like they serve much purpose as seeing the same scenes and parts of the story you already saw done with a slightly better animation and production values, all repackaged in an abridged fashion running over 90 minutes.

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[EXPRESSO] The Suicide Squad (2021) | King Shark is in it

Let me preface this by saying i find stupid the whole “release the [director’s name] cut” shtick, and i’m sorry, but i did saw the 2016’s Suicide Squad movie, and it was such a mess nothing would have “saved” it. Look, David Ayer it’s not that bad a director, at all, but he made a crap movie with Suicide Squad.

That’s it, nothing special, it happens and can happen to anyone, the world will go on.

You’re free to pursue this crusade if you will, Ayer has all the right to be happy about it (who wouldn’t?), but i personally don’t “get” it (what you’re gonna do next, request the Proyas’ cut for Gods Of Egypt?), honestly, and i was quite happy to see James Gunn give the concept another go.

So yeah, it’s the same idea of getting together a group of DC supervillains to send in a do-or-die important mission, using the expandable baddies instead of the superheroes themselves, this time tasked to take care of “Project Starfish” on a secluded island instead of an american city.

But yeah, it’s a bit surreal to see the same movie done twice in just a span of 5 years, even more since it has most of the same cast and selection of characters, as it’s supposed to be a sequel to the 2016’s movie, which explains some of it but still comes off as confusing since this is basically a re-do of the concept and doesn’t really require seeing the previous Suicide Squad movie, at all.

Honestly i loved it, it’s such a fun, bloody, stylish and funny take on the concept, it’s not just that it’s the FAR better execution of it so far, but it’s also pretty good on its own, with a lot of style and substance.

[EXPRESSO] Jungle Cruise (2021) | Steamboat Amazon Ride

Time and time again, Disney comes back to the familiar well of turning Disneyland rides-attractions into live action movies, hoping to avoid another The Country Bears and strike that sweet, profitable Pirates Of The Carribean lightning once more.

Can’t say i’ve ever even seen this ride in person, but then again i’m not even sure i even went to Disneyland to begin with, and this doesn’t matter anyway.

This time we have a throwback to 40-50s jungle adventure films, with steamboats, fearless guides with pith helmets, treasures guarded by perilous jungle animals, cursed soldiers, evil german royalty (not nazis since this is set during WWI, but it makes virtually no difference if they were), adventurous researchers and natives in “ethnic get up”. And Dwayne Johnson.

It’s as generic as it looks and as generic as they come, clearly prioritizing spectacle and action in order to avoid the audience NOT being stimulated, even if the scenes don’t call for action, there is it anyway, just shovel it in. This is through and through a manifactured Disney summer blockbuster, as obvious as me pointing it out (as if was needed), and ones expectes it to be just a fun, throw-away experience to kill 90 minutes.

BUT i gotta admit it’s fun, it manages to incorporate ride-like elements into the plot, often giving them some minor little twists to the usual cliches for fun, the cast is clearly overlyqualified for the roles and the dialogues, but they clearly have fun with the stock characters and the often silly lines (or deliberately bad jokes), it made genuinely laugh in more than a couple occasion.

It’s quite cute, it’s pretty much what it says it is, it’s a cute, mild, fun little adventure while it lasts, one you’ll quickly forget in any detail after watching.

One Piece TV SP 1: Luffy’s Adventure at the Bottom of the Ocean (2000) [REVIEW]

Director: Yukio Kaizawa

Writer: Hashimoto Hiroshi, Junki Takegami

Runtime: 50 minutes

We start your journey through the One Piece anime’s TV specials with one most fans known, and a fairly long one, even if it’s actually on the shorter side for runtime among the TV specials.

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One Piece TV Specials Retrospective

An entire retrospective on One Piece films is coming, but since i already reviewed them all (expect for Stampede, which was due in Japanese cinemas by the end of the retrospective) for the italian Wise Cafe just 2 years ago, and we already covered the OVAs & featurettes last year, i thinked about it and figured making more time pass would lead to better material, instead of me just translating and partially rewriting the old pieces. I want to, but not yet. Not yet.

This retrospective will only consider the 13 TV Specials considered as such, you could argue a lot of special episodes (like the Romance Dawn version 2 anime remake or the Chopperman episodes) also fit, but then i would have also to consider the crossovers episodes with Toriko and Dragon Ball Z, and i’ll come clean: i considered doing them as well, but i simply don’t have the time right now. Sorry.

Look forward to those and an extra One Piece videogame review as well!

Sky Sharks (2020) [REVIEW] | Gott ist im Himmel

Let’s close this year’s Shark Month with a big bang, shall we?

And frankly i don’t think there’s anything better in that regard as Sky Sharks, a movie you’ve might have heard of but wondered when or if it’s actually coming out.

Borne from a succesful Kickstarter campaign, Sky Sharks was supposed to come out in 2018, but production hit roadblocks, various issues came up, for some time we didn’t hear anything about it at all, but then, in 2020 it resurfaced, complete and was released, even on home video (might have to import it, though).

And it was definitelly worth the wait, since this one of those rare shark movies that sets out to be a big B-movie by design, trying to tick all the usual exploitation-but-awesome points… and actually succeds in living up entirely to its trailer promising flying sharks piloted by undead nazi uber-soldiers, alongside nudity and lots of gore. It’s just missing vampires, a christian-protestant feud, psycho priests with bayonet-blades longer than an arm, but i’m really nitpicking in this case.

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