[One Piece: Side Pieces | Retrospective] Monsters: 103 Mercies, Dragon, Damnation (2024) [REVIEW]

To kick off this little retrospective about One Piece spin-offs and One Piece related stuff, let’s talk about Monsters: 103 Mercies, Dragon, Damnation, a short anime film adaptation of a 1994 Eiichiro Oda’s one-shot manga, simply – and terribly – titled “Monsters”, though most fans of One Piece have most likely read it when it was later recompiled in “Wanted!”, a volume collection of Oda’s pre-One Piece one shot mangas.

Apparently it was previously adapted in 2021… as a voice comic audio thing, but again, it was a “voice comic” affair, something made as part of the celebration for the series’ publishing its 100^th volume, so this 2024 anime adaptation for streaming services like Netflix might as well be the first.

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Cocaine Shark (2023) [REVIEW] | #thesharksix

You know the saying, the last year’s sensation is still fresh when gimmicks barely add anything, and by gimmicks i mean the fact Cocaine Bear was actually a big b-movie studio release last year, so by that summer you know they had someone on speed-dial to make their own knock off with 1000 times less the budget.

And it’s telling that in the past The Asylum would have made the movie themselves, but this is modern Asylum, so the first to put the “cocained killer animal mockbuster” was Mark Polonia.

…. though even that isn’t really the truth, as it’s often the case, reality is quite disappointing, as Mark Polonia just happened to release a movie called (Crab Shark) that premiered the 29^th of January 2023 in Japan (apparently even actually got real screenings, which is far more unbelievable than a crab shark but it seems to be true), and he retitled it “Cocaine Shark” when releasing it in the US later that July, to capitalize on the sensation of Cocaine Bear.

Funnily beating the director of Cocaine Bear, Elizabeth Banks, to the punch in making a follow up with a shark, again based on an actual news story.

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Megalodon: The Frenzy (2023) [REVIEW] #thesharksix

Somehow, The Asylum stumbled their way into making a trilogy of films about Megalodon sharks, with the third and last entry so far being last year’s Megalodon: The Frenzy.

I say “stumbled” because i seriously doubt they planned any of this at all, but Megalodon Rising was indeed a sequel to their own 2018 Megalodon film, and this one starts with a recap to get you up to speed and confirm that the events of the previous movie happened.

…not sure entirely to what end, as the plot itself doesn’t have returning characters from either Rising or the 2018 movie, and is about how a submarine mission meant to establish a supply of clean geoenergy from an underwater volcano ends up causing a fissure in the seabed, accidentally unleashing 5 megalodons that wreak havoc.

They do eventually reference the events of Rising and the 2018 film, and the USS King, damaged after the finale of Rising comes into play, but then is now helmed by a character played by Eric Roberts… problem is he wasn’t in Rising, but since the lead characters died in the finale, i guess he was on ship and took over, whatever, who cares, now Eric Robert is manning the ship, in this “it was supposed to be filmed for the finale of the previous movie, but wasn’t” intro.

Whatever keeps him to star into A Talking Cat?! 2: Paws Of Fury, i guess.

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In The Aftermath (1988) [REVIEW] | Corman’s Angel Egg

As i already mentioned before, my Vita is still in the shop for repairs, meaning one of the planned reviews won’t be ready in time, but it is my birthday, and they announced a 4K remaster of Angel’s Egg supervised by Oshii himself…

So you know what it means? Time to review In The Aftermath (also known as In The Aftermath: Angels Never Sleep), in its Blu-Ray release from Arrow Video, of course i got this release as soon as i knew it existed.

And yes, i started planning this earlier this month only to read some days later of Corman’s passing, so this was not meant to be a tribute…. but it now is because Roger Corman was a true fuckin cinema legend in so many ways it’s unbelievable, either if you were a fan of his B-movies production or knew how he basically kickstarted the career of so many future movie stars like Jack Nicholson and directors like James Cameron, to say the obvious.

Maybe an odd choice of movie to cover as a tribute, but the timing has been so weirdly apt i can’t ignore it, and this is indeed an interesting piece of cinema history, of when Corman indirectly met Mamoru Oshii… but didn’t know what to do with his vision, to put it politely.

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Tiger & Crane Fists AKA Savage Killers (1976) [REVIEW] | “That’s A Lot Of Nuts!”

To give us some respite from the videogame reviews dominating this #MeleeMay, i’ve figured we could check out some old fashion cinematic melee action, as in some old ass kung fu flick from Hong Kong. Which doesn’t narrow it down at all, so why not review a movie a lot of people most likely have seen… but also not actually, factually seen first hand?

I’m not talking about parroting opinions from a film Twitter account, i’m talking about Tiger & Crane Fists (also known as Savage Killers) , whom american and international audiences will have some familarity with, even if they don’t think so, because its the film used by Kung Pow – Enter The Fist and given a comedy dub job, because it was the early 2000’s, and – among other things that didn’t age well at all – parody/spoof movies actually made some sense to exist and come out in theathers, after taking off big in the 70s and 80s with the various Mel Brooks films, the Police Academy franchise, and continuining through the 90s with the Naked Gun series.

And then absolutely nothing else after.

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The Cyclops (1957) [REVIEW] | #giantmonstermarch

Really scraping the bottom of the Bert I. Gordon barrell with this one, but i did mention it twice before, and – as i said when reviewing 2008’s Cyclops – it’s not like we’re drowning in cyclops movies, at all, and this one has some of that “so bad it’s good” qualities, so for this year’s Giant Monster March’s finale it’s time to end as we begun, meaning to fall face first into a vat of Gouda, groan like a fuzzy giant toddler and “do the cyclops”.

At least it has Lon Chaney Jr. past his prime as a Universal horror star but not yet being reduced to a pathetic, drunken parody of himself (the epitome of that would be him in 1971’s Dracula VS Frankenstein, which nowadays is kind of a cursed movie as it was the undignified end of many actors careers and lives), not yet, here we have him in his post-glory phase were he did a lot of work pretty much any support roles in any kind of movie, mostly westerns, exotic adventure flicks, and horror films once in a while, mostly cheap, low budget, often indipendent productions.

The Cyclops definitely fits the bill, being a Bert I. Gordon film and what that entails, and here a plays a villanous mining expert in search of uranium, part of a posse led by the wife of a pilot that disappeared 3 years ago in the jungles of Mexico, as she still believes he’s alive despite all odds, but guess what, it’s a 50s b-movie, so the mining for radioactive material results in mutated everything, from spiders, lizards, eagles, mice and whatever animal stock footage Bert could superglue together.

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12 Days Of Dino Dicember #32: Bikini Girls VS Dinosaurs (2014)

It was either this or Picha’s The Missing Link, this won out due to snags in the schedule, either way we’re gonna talk about banging and dinosaurs, not the two together because no thanks, not this year anyway, not feeling it.

Decided to review this one hoping for a modern throwback to old cavemen/dinosaurs movies like The Wild Women Of Wongo, heck, even the similarly titled but not actually related soft porn spoof/parody Bikini Girls On Dinosaur Planet, but this is not the case.

We’ve entered the “Polonia-sphere” equivalent of such ideas, as in it dresses itself in all the post-modern meta self-deprecating facade of disinterestinly using the Star Wars text crawl to vaguely explain but actually not the premise, just so we can cut to a very Turkish Star Wars levels of production sequence of the three protagonists fighting rebels, as in if Star Wars was made with some of the cheapest effects free video software from the early 2000s could afford and was basically an e-girls with Logitech flight controllers vs Sith streamers standoff of DIY cockpits.

All rendered with the computer graphics of a mid 90’s console game 3D cutscene, and that is being generous, since the Wing Commander series existed.

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12 Days Of Dino Dicember # 26 : Jurassic Domination (2022)

In a way, there’s little i can complain about a movie like Jurassic Domination, because i pretty much known what i’m going to get from a modern Asylum mockbuster of a dinosaur film, even down to them not really marketing them anymore so even trash buffs and cinema shit seekers like me end up finding out about them years after they came out, undermining the point of a timely release dor the mockbuster to leech off a big budget tent-pole release, in this case Jurassic World: Dominion.

And yet everytime i come out slightly disappointed because i’d like for The Asylum to at least try more with the plots, since their mockbusters are even more and more detatched from the movies they allegedly exist to profit off indirectly with their bootleg low budget offering, they could try to go utterly insane with the plots if they will never improve budgets and effects to any significant degree, but why would they put any more effort if people still watch their garbage regardless?

They know people like me will start combing the internet for these kind of movies, sooner or later, so why bother? They’re so cheap to be worth it from a financial standpoint regardless, so until the well dries up completely, they won’t stop, and it’s hard to fault them for that when the Jurassic World series exists and the difference between the contenders and the “champions” is how much money they can throw at the fx budget to cover up botched or flawed scripts.

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The Flying Luna Clipper (1987) [REVIEW] | Laserdisc Vaporware Of Yore

Think there is little to new variety to the blog, maybe lamenting i don’t review stuff like Walerian Borowczyk’s filmography? Too many occasional ninjas, exploitation flicks, or ninjaxploitation flicks? You’re wrong, but for the sake of it, we’re going into proper obscure, cult classic weird territory with The Flying Luna Clipper, the best intro movie to a game that doesn’t exist.

Imagine an obscure japanese point and click game heavy on surreal imagery of moon faced TV presenters, birdmen and anthro fruits, all natively dubbed in nearly “engrish” fashion, but instead of having to solve inventory puzzles or explore or witness dream scenarios while Osamu Sato tunes play in the background… minus the gameplay aspect.

Because this was never meant to be a game, but a showcase of what the MSX line of 8-bit computers could accomplish, an art film distributed by Sony and directed by Ikko Ono, the graphic designer mostly known for the cover artworks of MSX Mazagine, also having a column in the magazine itself for various illustrations, Ikko’s Gallery, that would later be featured in this film, presented by/as “Ikko’s Theathre”.

And it’s the very definition of forgotten gem, since it did receive various releases on home video in Japan at the time, but it was basically only salvaged from the darkness in 2015 when Matt Hawkins found a copy of its Laserdisc release in a thrift store, and uploaded it to Youtube, and ever since growing its niche popularity, to the point it’s definitely one of the main inspiration for what would later become the “vaporwave” art scene, itself stemming from the music style of the same name.

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Ninja The Shadow Killers AKA Shadow Killers Tiger Force (1986) [REVIEW] | WIN (Women In Ninja)

Endless is the quest for the acolytes of the ninja way as teached by Master Ninja Ho, after all – as E. Honda once said – the training never really ends, and there are at least still DOZENS and DOZENS of cut-n-paste ninja flicks from the IFD Film & Arts mill left to review and catalogue properly.

Ninja The Shadow Killers is definitely one of them, but this time we have something slightly different in terms of the witch’s brew that will pass for a film, as i’m pretty sure i never saw any other one where he spliced his western ninja footage…. into a women in prison film.

Definitely a genre we don’t really cover to any degree here, not on purpose or anything, but yep, indeed, the “host movie footage” is taken from 1976’s Taiwanese-Hong Kong-South Korean film Prisoner 470 (reminding me of yet another movie series i could be watching instead), and is also notable how this time we have a female ninja protagonist/master, Jenny, played by Deborah Grant.

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