Shiver Me Timbers (2025) [REVIEW] | Night Of The Sailor Comet

As the time of writing (and posting, since i improvised this trifecta of Popeye horror films’ reviews) this is the more recent in the batch of 3 horror films based around Popeye’s copyright falling into the public domain that were basically dumped on VOD, all released in a matter of months (or weeks) from one another, and while i’m fairly sure there by September (to be very generous) this specific declination of the fad will have died down due to diminishing returns (since it’s the third time, after Winnie The Pooh and Steamboat Willy’s Mickey Mouse) … i’m not putting this mini-marathon of modern “public domainxploitaition” in “extend mode” if another one or more of these eventually crop up, i’m not playing catch-up anymore.

So let’s see how Shiver Me Timbers, the debut film for director-writer Paul Stephen-Mann, fares out.

In the summer of 1986, a group of friends, led by Olive Oil and her brother Castor, are going on a trip in Northern California to witness the rare Haley’s comet meteor shower event, but they couldn’t expect that a comet piece would fall to the ground that night, a piece lodging itself into the corncob pipe of a reclusive fisherman living nearby, Popeye, now turned into a monstrous, violent killer with superhuman strenght, ready to sate its bloodthirst on Olive and his friends..

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Popeye’s Revenge (2025) [REVIEW] | Hamburger Friday The 13th

Surprise!

As i said prefacing the review for Popeye The Slayer Man, i’m not gonna change the schedule for these films, but since i also don’t want to have these hanging off the “to do” list like dingleberries, we’re doing overtime.. well, I am doing overtime, let’s cover these now and hope i won’t have to do another round of Popeye-xploitation in the fall.

And yes, i guess i should have done this before Popeye The Slayer Man, since it came out earlier and it’s actually the first one to capitalize on Popeye’s character falling into public domain (the other free idea bucket alongside mythology), and surprising no one it’s by one of the production companies behind the Winnie Pooh Blood And Honey movies (though it’s not part of their Twisted Childhood Universe), heck, it’s written by Harry Boxley (Dinosaur Hotel 3, Jurassic Triangle, Tsunami Sharks, and of course a couple of the Steamboat Willy-xploitation flicks, Mouseboat Massacre and Mouse Of Horrors), and directed by William Stead, curiously not his feature lenght debut, as directed something called “Children Of The Night” back in 2023.

The plot is that in a UK coastal town, a boy with abnormal arms and a pronounced chin is born, his appereance leading to him getting relentelessly getting bullied at school (where he often dons his sailor outfit), until one day he snaps and fights back, killing one of his bullies.

His parents hide him in the basement for his own good, but the townspeople form an angry mob and they torch down Popeye’s family home, with his parents dying in the fire and apparently him drowning in a nearby lake.

Years later some douchy young adults inherit the house, unaware of his dark history, but as they try to settle in more and more of them keep disappearing off…

You know what this sounds like?

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Popeye The Slayer Man (2025) [REVIEW] | Yams The Dark Ages

We’re doing this now because honestly these are not worth having to change most of the blog’s schedule, as yes, this is another subchapter in the “public domainxploitation” saga, after the Steambot Willy version of Mickey Mouse and previously the Pooh character from Winnie The Pooh were preyed upon by the evergrowing amount of horror hacks.

And sincer this is just one of the 3 Popeye horror films made and released this year, “hacks” i feel is the right term, you don’t get to pretend otherwise when you actually makes films of this ilk.

Also yes, i am quite late to the partay, since these films were released starting from late February onwards, but i did not known Popeye was gonna be forcedfully made to join the trend until a saw a poster for this film in late May.

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12 Days Of Dino Dicember #44: Dinosaur Hotel 3 (2024)

Yeah, no waiting about another year, i’m reviewing both Dinosaur Hotel sequels back to back, hoping to Dino Saint Nicholas Of Myra that 2025 doesn’t bring out a Dinosaur Hotel 4.

Please, Jagged Edge Productions, focus on the Winnie The Pooh and fairy tale slasher stuff instead, because to say i didn’t enjoy any of the Dinosaur Hotel films so far.. it’s being overly kind.

Honestly i think i enjoyed working more than the first Dinosaur Hotel, the sequel was a slight improvement but still an experience that felt like a thousand years had passed since i started the film, despite the 72 minutes runtime, but that one had an open ending that was very “battle royale-esque” of sorts, with the frontman/creator going rogue to get back at the new people running the show that tried to push him, leaving on that plot thread for Dinosaur Hotel 3 to pick up.

Oh i guess SPOILERS. Who cares. I don’t. And these movies have barely a plot anyway, the characters are stereotypes at best, and are a struggle to sit through, so bite me, as they say, i’d rather you not bother even for the morbid curiosity some dino buffs might want to satisfy.

Heck, no one even bothered to leave a review on IMDB for this one, that does say a lot.

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12 Days Of Dino Dicember #43: Dinosaur Hotel 2 (2022)

To say i didn’t like the first Dinosaur Hotel is being nice, but that won’t change the fact it had some of the worst CG i’ve seen in a while, even for modern cheap low budget dinosaur flicks the effects were plainly pathetic, the premise old and already done better years before.

But since this is a modern low budget dino flick from the UK (it’s another Jagged Edge Production thingie, the same company backing the Winnie The Pooh slasher films, BTW), a sequel was bound to happen… and at least it happened fast, i guess, since only 1 year later, Dinosaur Hotel 2 hit the internet and general VOD services in some regions, and this year they dropped another sequel with Dinosaur Hotel 3. At least they keep the titling consistent and simple.

Curiously, if a movie like this would have been released in the 90s, it would have done the usual “sequel in name only” shuffle we’ve discussed countless times before, but in this case we’re doing actual sequels, for best or worst, even if it doesn’t quite matter, as we’re still doing the same idea, again, with people doing a survival game in a place full of dinosaurs, with the jackpot for the lone survivor being ONE MIL-oh, wait 10 MILLION DOLLARS, gotta outbid Dr. Evil.

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Winnie The Pooh: Blood And Honey 2 (2024) [REVIEW] | Farewell To The Flush

I was gonna delay this review… but i really don’t wanna have to put this one on The Spooktacular Eight (never gonna happen) this year or having to deal with it in 2025, so might as well catch up to the “Twisted Childhood Universe” and see how the story continues.

And i do genuinely mean “continues” because the first one didn’t so much ended as simply stopped, so half-assed was even in sequel-baiting itself, i guess because there was no more money to make it 90 minutes long, those mask really ate into the budget, or maybe not.

So yeah, in a stupid way there was even more reason to continue a story they didn’t finish telling properly (as if they didn’t planned like this, but whatever), so Blood and Honey 2 – i’m gonna use this short-hand from now – continues the merry tale that someone had make into a slasher, with Christopher Robin surviving and coming back to civilization to tell everyone of what happened…. with the expected and logical result of anyone – aside from some of its close friends and family – believing that he has gone cuckoo and maybe even murdered those girls himself.

Regardless, the incident is eventually dubbed as the “Hundred Acre Massacre” and they even make an horror film adaptation out of it, ruining Christopher Robin’s medical career and reputation even worse, basically making him a reject, a “pooh pariah” if you will.

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Winnie The Pooh: Blood And Honey (2023) [REVIEW] | Public Domain Expansion

I knew of this one, and that i eventually will have to feature it here, and i guess the moment arrived for me to actually see the damn thing when they – almost to my surprise – localized it for Halloween 2023, and put it as an Amazon Prime Video streaming exclusive.

Which does remind one of the state of the service itself, but whatever, it’s basically free, not beholden to another paid subscription within Prime Video, they bothered to even dub it, let’s not post-pone the inevitable any further.

“Inevitable” since this movie’s only reason for existing is the original Winnie The Pooh’s book falling into public domain in the US in January 2022.

So let’s be honest, sooner or later someone was simply gonna do this movie, i mean, the public domain slide is why we have so many unrelated Amytiville movies, for example.

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We gotta talk about Palworld

I remember writing a quick piece when this one was presented back in 2021, laughing it off as i thing that would be shot down by Nintendo’ lawyers.

Obviously that didn’t happen (and never will, i would assume), and since it has sold 5 million copies in the span of DAYS after releasing in Early Access this 19th of January, the company behind it being shady con merchants and the fact people are actually defending a game with “bootleg Electabuzz Totoro with gatling gun” is amazing… look, we need to talk about this.

(this is not a review, FIY, just putting this out there early)

Leaving aside the fact most likely this game doesn’t use generative AI for the “‘mons”, they look just rip-offs – sometimes literally as you can some really obvious bits of both official Pokemon designs and even fandesigns – done the ye old fashion way, and the sociopathic premise of “you can kill, cook and enslave your non-Pokemon pals” (even more sociopathical how you can catch human NPCs,) to what seems like a very basic survival and crafting game that defines the “early” in Early Access title.

One that also looks very “asset flippy” as it literal looks they recycled assets from their earlier title, Craftopia, which itself tries to ape BOTW and even “borrows” enemy designs, which already tells you these people don’t give a fuck. Just don’t, and knew exactly how to use the “we pokedo what Nintendon’t” controversial energy to get every publication to talk about it.

That much they did and played it right, because i talked about it back then, and in the time between i wrote this thing it and posted, it sold 3 more million copies for a total of 8 millions, but oddly this isn’t so much about money, per se.

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12 Days Of Dino Dicember # 28: Kingdom Of The Dinosaurs/ Dinosaur Valley (2022)

More relatively fresh dinosaur meat, because the grind never stops even for these.

And nope, this is not another Jurassic World : Dominion mockbuster…. kinda, it’s pretty much that, as it comes from prolific and fairly fresh GB-based low budget C-D grade movies supplier Jagged Edge Productions, better known for the recent Winnie The Pooh slasher film (and its sequels), many “Curse Of” movies about some random public domain-fairytale character turned slasher villain, Bunnyman rip-offs (i’m not joking), but also behind a lot of pretty obvious mockbusters, including releasing something called something called Freddy’s Fridays the very same year of the Blumhouse FNAF movie being out in theathers, so yeah, shame was never an option.

Among these and others, they also pump out dinosaur movies, like the previously featured Dinosaur Hotel, which in the meantime got a sequel and a third entry on the way. So yeah, this company is clearly set on being the new Asylum, or Full Moon Pictures, for better or worse.

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