So, as it’s customary and cyclical event by now, a new Nintendo Direct dropped at midnight today, and i have something to blabber on about without planning much.
Continua a leggere “Talking bout that new dang Nintendo Direct”
Let’s take a break from giant mutated spiders while i get around to see the new Dune movie… and eventually Space Jam A New Legacy, i kinda “have” to see it, shall we?
So, since i have been spending not small amounts of cash in Blu-Rays put out by renowed cult distributor Arrow Video (i don’t just watch crap, you know?) and preording a lot of their releases, like the Sailor Gun And Machine Girl one, expect to see some “hands on- let’s gander at” pieces, or full out reviews out of that in October (and early January, since some will release in very late November, just before Dino Dicember comes around once again).
I would love to put out videogame reviews a lot quicker, but time is scarce as ever, so hope you enjoyed the Wario Ware Get It Together one, was a bit easier to edit than expected, gotta be honest, but there are some more coming later, check back tomorrow for a new reviewe. Maybe the new Dune, maybe Tremors.
Today is technically a “nap day”, i guess.
(and yeah, i have plans to feature the entire Daimajin trilogy)
As we already saw with previous reviews of Godfrey Ho ninja flicks, anything goes with ninjas, he could splice them and stitch them to any kind of foreign, unfinished and often obscure asian movie he could get his hands on.
Even so, it still comes as a surprise that he would also splice his brand of multicolored, bandana wearing, self-adverting ninja in a rape revenge movie. WHY?
I love how the italian dvd release has a sword with diamons on the cover, it’s extra hilarious considering how it implies that diamonds are important to the plot…. they fuckin aren’t, the sword is way, WAY more relevant.
It’s just that the rapists happen to be diamond smugglers, it doesn’t really matter what they smuggle, AT ALL, they could sell bootleg boglins and nothing would really change, and even the movie barely remembers at the last minute that yes, this should somehow tie together the new storyline and “ninja footage” with the existing footage, this time taken from the 1985 corean rape-revenge movie known as “Poisonous Rose Stripping the Night”, directed by Kim Si-hyun.
Continua a leggere “Ninja Champion (1986) [REVIEW] | Grindhouse Ninjas”
September, perfect time for looking at some slasher movies, even lesser known (but not quite obscure) ones, like today’s Drive In Massacre.
It’s basically Targets, as in both movies have a drive-in as the central scenario of the action, and as a motif. IF Targets was directed by Herschell Gordon Lewis instead of Peter Bogdanovich.
Yeah, this one has a cult status and was quite popular at the time, i’m willing to guess in the drive-in circuits, which i always wondered about, but since that type of cinema experience never took foot here in Italy, i will just have to witness its depiction in american movies. Oh well.
Continua a leggere “Drive In Massacre (1976) [REVIEW] | Get Out Of The Car”
So, we’re yet again having that conversation on social media, about the sanctity of seeing movies in theathers and how it’s the only true way to see them?
Ok, let’s indulge in some fruitless arguing, as the issues are decades old and the industry won’t actually do anything about fixing them, because they won’t until there’s a distinct financial incentive to provide good movie watching experiences.
And this is just indulging, let’s be honest.
Because most people don’t care, won’t really care, ever.
Continua a leggere “The Cinema Show Experience Debate Cycle”
Saw this was running as a candidate film in this Year’s Venice Film Festival, produced by Martin Scorsese, and was already in theathers here, so yeah, sounded quite like a good deal.
The short answer is yes, it was good, but also not great, here’s the longer one with context and stuff.
The Card Counter is the story of William Tell, an ex military with a gruesome, abhorrent past that after doing his time in prison, lives as a professional gambler, enjoying a very a regular, routine-led life by using his ability as a so called “card counter” to accumulate a very small fortune, without a definitive goal or dream, just repeating the circle, having learned the rules of that scene (and how to use them in his favour) as he did in prison.
One day his cherished routine is broken up by a mysterious woman that notices his talent and wants him to work with various financeers, and a young man in search of revenge, Kirk, that happens to share a common foe with William, all inevitably leading him to confront his past once again.
The premise is familiar enough but not cliched, the execution is nuanced and intense, the cinematography is amazing, the cast is relatively small but packed with familiar faces that do a great job, the characters are fairly complex and the drama is pretty good.
Aside from some choices in the final act that might be argued about, there’s no big flaw or flaws in The Card Counter, it’s not even overly long or feels slow until a certain point.
It just happens to be good….just that, nothing great, extraordinary, breathtaking, revolutionary or any other similar adjective useful for a single line review quote in a poster. Still, it is pretty good, go see it.
Ah yes, the “weed slasher” subgenre. Which doesn’t exist… ok it does, but i’m not reviewing the Evil Bong movies. Just. No. Please no.
But cutting out the avalanche of Full Moon crap means there’s very little choice, and i did pick this movie called Shrooms up for 3 bucks on DVD while thrifting years ago, so yeah, it will do fine.
Continua a leggere “Shrooms (2007) [REVIEW] Trip Like I Do”
New horror movie with James Wan actually involved in writing the script? I am SO in.
This time we have the story of Madison, a woman haunted by the visions of horrible murders that aren’t just scarring waking nightmares, but do happen in reality, and she’s just forced to witness them as they take place, by some mysterious force.
Worse, Madison also becomes aware of who is acting them out, as the name or her imaginary friend from childhood, Gabriel, rings again and unlocks her suppressed memories, letting her know he was not imaginary, after all.
Of course, there’s more, and from Wan you would expect a big, excellent twist lying in wait…. and OF COURSE i’m not spoiling it here. I mean, you do expect it, but in a good way, and it doesn’t disappoint. You think you could somehow predict it somewhat… until you don’t, and out loud say “holy shit” as the actual twist unfolds, and things get more grotesque as more is revealed.
What i can say is that it’s not a demon-possession thing, there’s no reincarnation of old evil spirits or any of that, it’s actually – mostly, anyway – a lot more grounded in disgusting reality, with some concessions (like some very foggy scenes or an old castle clearly showing Wan’s love for the classics) that ultimately make the whole angle a lot more entertaining and creepy.
I could say more, make some comparisons, but i fear accidentally giving hints, and this is a movie that you would like to go in as “blind” as you can, even if it’s quite good and doesn’t rely entirely on the twist itself, there’s good acting, some good drama, and a marvelous combo of Wan’s direction and scriptwriting that does not disappoint.
Just go see it. GO!
So, this is Marvel first attempt at doing more asian style action movie, introducing a new protagonist, the titular Shang Chi, forced to face his past as he was raised from infancy to be a perfect assassin by the criminal organization known as the Ten Rings, commanded by The Mandarin (connecting it to the Iron Man movies), and we also have Benedict Wong – as one would expect – is playing… well, the character of the mystic Wong, seen before in Doctor Strange.
YEAH, if it feels quite generic from the premise, and the idea of having Marvel “manufacture” a wuxia fantasy film while also doing a superhero movie and keeping their style of doing it.,…it’s not exactly that alluring, especially with the plot sounding really cliched as hell: the “face the master-father that’s also the boss of a criminal assassin ring so you can be free” thing, etcetera, etcetera
And while it a good step in terms of representation, it also just like the bare minimum by today’ standards.
It’s not a bad movie, but in a way it’s exactly what you would expect from a Marvel movie cramming asian martial arts, wuxia style fights and fantasy-mystical elements usually seen in Chinese (and chinese-related) cinema into their usual superhero mold, and while the action scenes are fun, it’s hard to care much about the story or the characters (aside from the sympathetic villain played very well by Tony Leung, outacting Simu Liu as the main character a lot), they’re mostly ok, but their arcs are brashly executed or not really interesting, given how token pretty much everything is here.
It’s a bit frustrating, as it could have been EASILY so much worse, but also isn’t quite decent, not helped by boring, cliched flashbacks and feeling a bit too long.
Almost went into this one completely “blind”, as while i was aware of the Candyman series, i never experienced it. I thought it was gonna be a reboot since it was discussed as such, but i caught wind of it now being a direct sequel to the original 1992 Candyman.
So i watched that one (didn’t have time for the sequels) for the sake of a better review just before going to see this new film, as i wanna know what i’m talking about, you know.
Still, the premise feels like this could be a reboot, as it’s about a visual artist, Anthony, that learns of the urban legend of Candyman (a 19th centhury slave brutally tortured and then murdered with bees) from the brother of his fiancee Brianna, an art gallery director, and together with her decides to do an exhibit on the subject. But things go awry as people that attend the exhibit start dying. Not ideal.
Make no mistake, though, this is NOT a reboot or a “spiritual sequel”, this is indeed a direct sequel to the first Candyman, and many plot points from that also come back into this one, so one wonders why also just call it “Candyman”, but i guess it’s for marketing’s sake, and the Halloween series already did this stunt before, so…
While it can be seen on its own and they explain most of the important stuff, you’d do yourself a bit of a disservice going to watch this without having seen the 1992 Candyman, as this sequel does play around with the mythos of the Candyman and elaborates on the themes in a modern and ambitious way that honestly feels quite a fitting, natural progression for the concept.
And i’d say the result it’s quite good and pays off indeed.
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