The Giant Gila Monster (1959) [REVIEW] | Knee Deep On The Box

In a way i really had to do this one, after tackling The Killer Shrews, it’s only fair i review The Giant Gila Monster, to complete the Ray Kellogg double-feature, and they do feel cut from the same cloth, down to the similar – but very typical of the genre – intros.

And if anything, this sounds less of a joke, compared to the concept of “killer shrews”, just your regular 50s B-movie drive-in fair with giant reptiles, small town sheriffs and white bread teens played by people in their 30s, with a touch of rock n roll… incredibly regional, white rock n roll, but still, that penchant for music that will carry over into the 60s is typical and they even advertised some tracks on the poster itself, without irony, as that was a genuine selling point at the time.

Continua a leggere

Yuru Camp/Laid Back Camp (Season Two) (2021) [REVIEW] | A Comf Supreme

I’ve been waiting for a second season of Yuru Camp for 3 years, like most fans of the series, and i was ready to “jump on it” as soon it was announced, Room Camp was nice and served its purpose, but my lust for more comforting camping and anime girls being cozy in a world where you still can.

Not that i was gonna go camping anyway even without the pandemic thing, at least not in the japanese mountains, probably i would have stayed at home and catched up with the episodes late at night after work, with a blanket and hot cocoa, just to enhance the experience. 🙂

Given the nature of the show and the fact i “recently” reviewed the first season and the short spin-off series, i won’t be going over what the series is about in detail or attempt a plot summary because i would need to describe what happens in every single episodes, and still, it wouldn’t work because it’s a slice of life about camping, with 5 young girls going around and “relax to the max” with said outdoor activity and all that it entails.

Continua a leggere

Azur Lane: Slow Ahead (2021) [REVIEW] | Slice O’ Boat

Might as well, since that second season or second adaptation of the Kancolle anime is still nowhere to be seen, so once again Azur Lane will outright “eat its lunch”.

And i did already review the previous Azur Lane anime adaptation, so i feel kinda obliged to cover this one as well. Not that it shares a direct connection, as it adapts an on-going Azur Lane 4-koma slice of life manga, Slow Ahead, which omits the whole “kriegsmarine” (and annexed wave ruling) aspect of the franchise and just focuses on the daily lives of the shipgirls living in the Azur Lane base, taking as main characters the girls’ quartet of Laffey, Z23, Ayanami and Javelin.

Continua a leggere

Gappa The Triphibian Monsters (1967) [REVIEW] | ♫ It’s The True Mystery of The Universe ♫

Yes, with a “G”.

One of the minor, less known giant monster, and the only kaiju eiga ever made by Nikkatsu (which almost went bankrupt after releasing it), also known under the mystifing title “Monster From Another Planet” in the US, and directed by Hiroshi Noguchi, better known for the Cat Girls Gambler yakuza series and the Ginza Mighty Guy/Ginza Whirlwind series.

Oddly, the plot is virtually identical to the one seen in Gorgo (hi again), with a grouple of people (in this case a group of reporters and scientists instead of a salvage crew) capturing and bringing a monster from its island (here a place called Obelisk Island) to “civilization” in order to become a media attraction. But this also angers the natives of the island and – more importantly – the parents of the infant Gappa monster, who head to Japan and cause huge havoc in their wake.

If japanese monster movies taught me anything, it’s to never steal children, especially those of literal giant monsters. Just don’t. Or stop.

Continua a leggere

Big Man Japan (2007) [REVIEW] | Now it’s history I see

If you have been searching for an original, fresh take on the kaiju movie, you simply cannot overlook a movie like Big Man Japan, directed, written and starring Hitoshi Matsumoto, a popular japanese comedian, here at it first full lenght feature, followed by Symbol, Saya Zamurai and R100.

Sure, in the movie there are giant monsters attacking Japan, there is an Ultraman style humanoid giant that fights them to protect the country and its citizens, but this isn’t a merry tale of people in rubber suits smacking the shit out of each other, getting set on fire by fireworks and hosed down by stage assistants.

This is actually the story of Masaru Daisato. Like his ancenstors before him, he can grow into a giant over 30 meters tall when shocked by electricity, and he uses this power to defend Japan from the giant monsters that routinely attack it…. in a completely unremarkable way, to be very polite about it.

Continua a leggere

Reptilicus (1961) [REVIEW] | Danish Dragons

Denmark gave the world many things, despite what Shakespear told us, many influential painters and artists, many metal bands like King Diamond, Manticora, etc.

But you don’t exactly think Denmark when you think giant monster movies, and the only that still comes to mind is the old Reptilicus, a danish-american coproduction, with two existing versions, one completely shot in danish and the international release that was cut and changed by the screenwriters to make it more marketable (and american) by good ol’ American International Pictures.

While the movie it’s available in DVD fairly easy (and i do own it), i’ll mostly refer to a fansubbed copy of the original danish version. The international release, aside from a complete redub due to the cast very thick danish accent (kinda dumb how AIP didn’t expect that since the cast IS danish), cuts the scenes where Reptilicus flies… because the effects aren’t that great, but added the special effect of green poisonous saliva shooting out when the monster opens its jaw.

Continua a leggere

APE (1976) [REVIEW] | Flipping Kongs

Sure, Konga wasn’t great, and earlier this year we also spotlighted another King Kong rip-off, the italo-canadian Yeti: The Giant Of The 20^th Centhury, which indeed is worthy of being called “craptacular”, as in it’s really bad but also frigging hilarious and with some odd innocence for italian exploitation cinema. Even if there’s a crime thriller subplot that almost kills off Lassie.

But we can go lower down the cinema alphabet, and for theatrically released feature lenght movies about giant apes, you can hardly go lower than the american-south korean A*P*E*, quickly put out to cash-in this wave of Kongsploitation, as it released the same year of the Dino DeLaurentis backed remake, with 3D effects because if we’re gonna do this, might as well make it gimmicky.

Yeah, i’m doing this one because i feel more people are at least aware of The Mighty Peaking Man, also made to cash-in the popularity of the 1976 DeLaurentis’ King Kong remake, but far better than most Kong rip-offs, definitely far better than A*P*E*.

Continua a leggere

Colossal (2016) [REVIEW] | Attack Of The Giant Anne Hathaway

While this is one of the more recent movies as far as giant monster movie goes, it also already slipped into semi-obscurity. Quite odd for a giant monster movie with Anne Hathaway, you’d think that would have turned more heads and be talked about, if nothing else as a curiosity, how many Korean-American monster movies are pitched as “Godzilla meets Lost In Translation”?

The plot follows an unemployed writer (Anna Hathaway), struggling with alcolism and an abusive colleague that want to control her, and how one day she unwittingly manifests a giant monster in Seoul. As it turns out, the monster directly replicates her movements and gestures, and when she realizes it, things get more complicated as her abusive colleague also becomes able to conjure a giant entity out of thin air…

Continua a leggere

Netflix’s Way of The Husband anime, with now marginally more animation than the manga

On April 8th, the wife respecter logs on. Join former yakuza Tatsu as he adapts to married life in the long-awaited adaptation of comedy manga hit The Way of the Househusband. pic.twitter.com/sA37zGcoIF
— Netflix Geeked (@NetflixGeeked) March 2, 2021

I just woke up today to clips of the Netflix anime adaptation of Way Of The Husband (set to release this 8th of April on the streaming service), that manga about a legendary yakuza conman who gives up the criminal world to be a full time husband and support his wife, cooking, cleaning, doing chores, but with the intensity and the untentional creepyness of settling grudges, cutting fingers, plotting murder, and all the comedic misunderstandings that such a premise can spun.

It has become a fan favourite and i gladly bought it when they brough the manga volumes here in Italy some months ago, it’s pretty funny….. but what the fuck is this adaptation? I couldn’t believe it, but yes, it was posted officially by the OnNetflix Twitter Account, i did more research just to rule out me hallucinating or something. I wasn’t.

Now i feel sorry for continuining to journal the disaster that still is the EX ARM Crunchyroll’s anime adaptation, at least it’s animated and not a motion comic of the manga panels. I can’t take that away of that dumpster fire.

I don’t plan in reviewing it, what’s the point of even watching since i can just read the manga again? But clearly i’m the fool, for expecting anime to be animated, despite the word meaning exactly that. Even worse, this is no accident, it’s the producer in the charge of the series…. well, not really liking 2D animation, to put it mildly, as he literally asked to make it look like the manga. In a way, this is worst than EX-ARM, here people knew what they were doing.

For the love of god, just read the manga, Way Of The Husband is frigging great and deserves WAY better (pun not intended) than a QueenBee’s style hack job. Or watch the short live-action TV drama series they made for it!

Giant Monster March IS A GO!

As the long awaited Godzilla VS King Kong finally is set to it theathers pretty much everywhere (where theathers are open, not a given due to the pandemic), it’s time to celebrate, with a selection of giant monster movies reviews to showcase mostly lesser known titles or movies that nowadays are not as well known as they once were, despite still being remembered by genre fans.

Sorry it’s not a month of non-stop reviews this time. Enjoy!