#E32021 Wholesome Direct [Highlights]

Yeah, sorry but due to very limited time on my part, i will kinda have more “double feature” posts.

Especially since this E3 there’s way more conferences and showcase stuff to see, despite Sony basically being absent and EA delaying their crap to a direct thing in July.

Meaning i won’t have to cover it.

Also, since i’m on the subject, i won’t comment or watch the Warner Bros event, as they announced it’s all gonna be about Back 4 Blood and….i don’t really care about it, same for the PC Gaming Show, the Razer one and the final E3 Awards thingie.

And my time is limited, sadly.

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#E32021 Summer Game Fest [Highlights]

Changed my mind, i will write small recaps/highlights of the various conferences, starting with this one.

Which is reall Geoff Khiley hosting “The Games Awards” by another name… yay?

Even more due to the event being sponsored by Prime Gaming…YAY.

Yeah, i didn’t miss this part of the E3 so much.

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Disgaea 6: Defiance Of Destiny (Switch) [DEMO] [HANDS ON]

So, the new Disgaea has a demo out, you betcha i was gonna take the opportunity to talk about it, even more since i will not be able to a have a review for it in a timely manner (or at all), i’m pretty sure, i know my schedule it’s gonna be hell when the game releases.

the demo is fairly beefy, and let’s you play the first 2 chapters (of 15, as i understand) of the story, making for 2/3 hours of content (maybe a bit more if you want to clear all the quests you can actually finish without the Item World available) more than enough to get a grip with it. I will not talk about the story because i’d rather let you enjoy it for yourself, just know this is primo Disgaea style of absurd and zany.

Yeah, it’s not like the demo for Disgaea 5 Complete where you could immediatly access uber-peta-leveled characters just to try them out, this demo is just a slice of main serving, so it makes sense you’ll be able to carry the save data to the full game when it releases this 29th of June.

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[EXPRESSO] Freaky (2020) | Stop ‘n’ Swop

It’s my pleasure to say that with Freaky we’re back to Christopher Langdon’s brand of energetic and delightful modern slashers movie “with a twist”.

This time it’s NOT a Groundhound Day time-loop applied to a slasher movie, but another popular twist, as in “body swapping” between the heroine/final girl and the killer (via a mystical sacrifical dagger), an indirect “reversal”, as our troubled teen girl has to go back in her body and do it fast as the spell will be irreversable after 24 hours, with the killer using the advantages of his new body to continue the murder spree at the school prom.

While the main twist is indeed fresh for the slasher subgenre, and Langdon’s script fully utilizes for dramatic and comedic effect (while also obviously giving a spin to the chasing killer trope), Freaky is both style AND substance, able to hit many of the satisfying slasher elements, like the satisfaction of the killer tearing up detestable characters, the fairly graphic and unapologetic gore of the more elaborate kills, keeping most of the traditional elements.

It’s not just a cynically conceived gimmicky twist hurriedly scribbled to akwardly “spice up” an otherwise uncaring crap slasher, it’s clearly crafted and written with a clear understanding of the genre/subgenre, and while it’s very funny, with the same whimsical tone seen in previous Langdon’s film, it’s not a satire or parody, but a proper slasher movie in itself, one with great actors like Vincent Vaughn and Kathryin Newton, giving off great performances.

Even if you weren’t crazy for the director previous films (wasn’t too fond of the second Happy Death Day, myself), it can’t be denied it’s a very confidently written, acted and directed blend of horror and comedy that successfully lays an old fan favourite twist on the slasher formula.

Queen Crab (2015) [REVIEW] | Crab Budget Z

It has been a while since we dabbled into the territory of modern Z-grade movies about killer animals, so it’s time to descend into the muk of the ultra cheap features, so cheap that they are barely discernable from freshman cinema assignments shot during the summer break of the past.

An advice for fellow collectors living in Europe: you don’t need to get the german version, there’s a cheaper UK DVD release under the title “Claws”, it’s the same movie, don’t be fooled by the wrong synopsis on the back of the box (and most likely on the Amazon item page as well), clearly written by people that didn’t actually see the damn movie, there are no “space meteor crabs” in Queen Crab.

It’s obvious from the first minute this is indeed a monster movie shot on a microbudget using cheap digital video equipment, but i was interested in it because it promised the giant crab done in stop-motion animation, indeed a tasty promise and a rare sight regardless of budget to any cinephile.

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[EXPRESSO] Tom & Jerry (2021) | Featuring Paolo Bonolis from the Paolo Bonolis series

Oddly they decided to release in theathers here as well now, so why not. It’s bound to be more interesting than Cruella or any of the direct-to-video Tom & Jerry movies where they just put the characters in other famous stories, and it could make for a memorable disaster, even more since it’s directed from Tim Story, better remembered for his Fantastic Four movies.

And this is actually the second theathrical movie for the cartoon duo, almost 30 years after the last one, so i was indeed curious.

Plot sees Jerry take refuge into a fancy hotel, which prompts a young employee of the estabilishment to team up with Tom in order to get rid of the mice problem before a big wedding takes place, but eventually they have to put aside their differences to fight the real “villain”, who’s cospiring to ruin the wedding for its own gain.

I wasn’t sure why they eventually went with the hybrid of live action people and computer animated cartoon characters….i guess mostly to enhance the slapstick due to the juxtaposition of cartoon characters (sporting very old school designs too) still adhering to cartoon logic even when interacting with real world people and locations.

Maybe.

This could (and should) easily have been a fully animated feature, but despite the very predictable plot (complete with the “liar’s reveal”) and token human characters, it’s not that bad. At least it has some funny moments (including the by now expected but always welcome Droopy cameo), it keeps Tom and Jerry as a non-talking slapstick duo, the slapstick itself it’s pretty decent, the music is surprinsigly well chosen, and the animation is decent.

To be honest, it’s not good, but it’s arguably a bit better than the 1992’s movie most people from my age have nostalgia for.

Arachnoquake (2012) [REVIEW] | Phantom Uses Rollout

In a sense, i’m way overdue for reviewing this, not that i was getting emails about it, but because i realize i should have seen and reviewed this before Lavalantula and the sequel, 2 Lava 2 Lantula, especially the first one, who in hindsight sound a lot like a parody of that one, but featuring the bus driver as lead instead of the washed up celebrity played by Steve Guttenberg (and yes, that movie realized the irony in that casting), just taking place in New Orleans instead of California and this time the spiders are coming out due to an earthquake caused by fracking, instead of being long lost cousins of Phantom incased in magma for millions of years that woke up and started the eruption.

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[EXPRESSO] Another Round (2020) | ALCOHOL!

I’m just gonna pretend that an “american remake” of this isn’t already in the works.

(glorch)

Despite the Oscars feeling less and less relevant and more “old men row selecta”, they still serve the purpose of spotlighting interesting films like today’s Another Round, from danish director Thomas Vinterberg, set in Denmark and starring many danish actors, most prominently Mads Mikkelsen.

Four teachers, all very unappeased with their lives on both a professional and personal level, decide to test on themselves a theory according to which every human has a little percentual of alcohol and trying to achieve a state of constant inebriation would lead to huge benefits in everyday life.

Even the formal and distant history teacher, Martin (Mads Mikkelsen), joins in, and actually get results by becoming a better teacher and husband, but obviously this is the very definition of a slippery slope experiment. You don’t watch a movie like this waiting for Mads to emerge from black ooze with mascara and leading ghost soldiers, you know where it would realistic go from that premise,but still, the execution is masterful, depicting the tentations of alcoholism, its effects both in a very funny way, even wholesome at time, while also depicting its obvious negative effects, but without getting preachy on the matter or using it as easy scapegoat for deeper issues.

It’s a really funny movie that not afraid to tackle the more dramatic and very mature implications rising (even indirectly) from the odd situation, able to perfect balance both, with very likeable characters. But it’s also a surprisingly, utterly optimistic – not naive, mind you – celebration of life seen through the lens/state of light, happy intoxication, making for a very joyful ride.

In short, it’s very, very, VERY good indeed, and i highly recommend it to everyone.

Alligator (1980) [REVIEW] | Don’t flush the reaper

Ah yes, Wally Gator’s origin story. Or maybe not.

This one actually has sort of faded into obscurity, but it shouldn’t because it’s arguably one of the better “killer animals” film of the 70/80s, and also is a “Jaws rip-off” of sorts, in the same way as the original Piranha, to be precise, since the script is also written by John Sayles, and it’s a good combination of straight killer animal flick and light-hearted, affectionate satire of the B-movie clichès. It definitely has a sense of humour, not just by downright having P.O.V. shots of the gator with the soundtrack playing almost the Jaws theme, by having people selling merchandise of the “monster”, but also by basing an entire movie about that urban legend. 🙂

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Python (2000) [REVIEW] | ….and all i got was this lousy t-shirt

There was a time before we got for granted monster movies about giant hybrid animals, but still after the 70s and 80s brought along any kind of killer animal, even slugs.

It was the new millenium, the 90s just ended and what that meant for b-movies is that now it’s fairly cheaper thanks to computer graphics, not that it’s necessarily that easier, but for the cheapo companies that banked on pumping out crappy monster movies for the TV or home video markets, it meant not having to bother anymore with animatronics or puppets or that much more in the way of practical effects for the monster or animal you wanna make the movie about.

Not that you couldn’t use both practical AND digital effects for the creature, but it was never much of a concern anyway for movies like these and the companies that made them, which – let’s be honest about this – gladly welcomed the new, cheaper tools now available, as they meant larger profits to be made.

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