[EXPRESSO] The Mummy Demastered PSN | Prodigium Posse

Since i got this on the Halloween PSN sale, why not?

And i mean it, sure, it’s based on 2017’s “The Mummy”, that turd of a movie that was supposed to be the “real” launchpad for Universal’s MCU horror equivalent, the Dark Universe.. after trying and failing with Dracula Untold just 3 years earlier.

But it’s also developed by Wayforward, who notoriously built their reputation by actually doing good tie-in licensed videogames (and kickstarting their original series, Shantae), so they could manage to actually do some good with the abysmal source material. And they did.

It’s nothing original, but it’s also a good little Metroidvania title, who puts you in control of a soldier working for Prodigium, the secret company dedicated to defend the world from monsters, tasked by the face of Russel Crowe (who plays Doctor Jekyll in the movie) with defeating the freshly resurrected mummy princess Ahmamet. The plot is basically a side-sequel, as its events run alongside the ones in the movie, so no digitized retro-Tom Cruise to see here. Still, the plot is better narrated here than in the movie, and it’s told almost completely via exposition dumps.

The 16-bit styled retro graphics and the synthwave music are quite good, and while the game doesn’t try to change much of the typical Metroidvania trappings, it’s far from uninspired. Actually, it’s well done, and it also has a touch of “Zombi U”, as when you die you restart at the last save point, taking control of another Prodigium soldier and having to retrieve your equipment and upgrades from the other soldier, now zombified, but still weapon savvy.

It’s also fairly well paced, a bit on the short side, but, enjoyable all the way, and fairly well balanced, not easy but also not impossible. Or too challenging overall.

School Girl Zombie Hunter PS4 [REVIEW] | Underpants OF THE DEAD

Today Oneechanbara Origins, the remake of the first two titles in the series, launches officially on PS4 and Steam, so let’s rivisit that spin-off of sorts Tamsoft made in 2017, branded as “Zombie Panic Shooting Action”, happening in the Oneechanbara universe. Kinda. Maybe.

Yes, the retail PAL version does exist, i have it!

But it’s also available digital for PS4 and Steam.

Continua a leggere

Oneechanbara: Bikini Zombie Slayers WII [REVIEW] | Carpal Zombie Syndrome

As i said in the review of Bikini Samurai Squad, D3 Publisher released that and this Wii exclusive the same year in western territories. Aside being a fairly logical choice to do a “double feature” with games clearly drawing heavily from exploitation cinema of the 70s, these two games happen to be sequels, main installments in the Oneechanbara, as Bikini Zombie Slayers (“Oneechanbara 4”) is set after Bikini Samurai Squad (“Oneechanbara 3”), and features all characters from that game.

The story itself… it’s hard to say it has a plot. I played it years ago and completely forgot anything about the plot, so i had to google it and even that didn’t yield any synopsis, so i had to bust out the game’s physical manual, the old, old school way. One that would never fail… if they actually print any kind of story in the booklet to begin with.

They didn’t in this case.

Continua a leggere

[EXPRESSO] Jack In The Box (2019) | Spring Daemon

I’ll be honest, i walked into this one expecting a turd of sorts.

I mean, it’s not like this promises more than it does, it’s called Jack In The Box and it’s about an evil Jack In The Box. As in, the clown in the box is evil, because it can’t be a pierrot or an evil possessed figure from Commedia Dell’Arte, something that isn’t your usual choice of evil clown. Then again, this specific angle isn’t overdone… i think.

The plot deals with a new museum curator, Casey, arriving in the little english town of Hawthorne, and while wading through the “lost and found” inventory, he notices an odd box with some mystical engraving, appearing to be a creepy jack-in-the-box toy from the victorian era. But as more mysterious murders keep occurings, the more Casey learns of old tales related to the “jack-in-the-box” being coinceived to contain and unleash demons, and of a previous murder related to the box…

Directed and written by Lawrence Fowler, who previously directed some shorts and something called Curse Of The Witch’s Doll, which looks as generic as this one. And there is a sequel to this one already in pre-production, set to release in 2021.

And….i’m not against a sequel, there is something here (even if the “jack-in-the-box” demon lore is a bit silly, just a tad), and for a relatively low budget independent british horror film, this is definitely more than presentable for theathers, the monster design, make-up and effects are quite convincing, and the museum setting is a nice touch. Acting is decent, to boot.

Shame the direction and script are not as strong, kinda generic, pedestrian at times, with some twists seen coming a mile away, flashbacks to things that happened 10 minutes before, and an ending that aggressively sets up a sequel.

[EXPRESSO] The Vigil (2019) | Ghost Orthodox

Directed and written by Keith Thomas (in his feature directorial debut here), this Blumhouse production tells of Yakov, a down on his luck fellow, who is contacted by a rabbi of his former Orthodox Jewish community, offering him 400 dollars to execute the rite of “shoimer”, consisting in keeping vigil to a recently deceased man, comforting his soul with prayers for a whole night.

The person who was supposed to keep vigil run away, but Yakov isn’t worried, as he has performed the rite a lot in the past, so he accepts, and enters the house of the departed, the recluse and odd Ruben Litvak, where the old widow is also resting. But as the night proceeds, strange events start happening,Yakov starts learning more of Ruben, his past, and demons from his own past start haunting him…

It’s an interesting premise that delivers an intriguing angle to this type of possession/exorcism movies, has a likeable main lead, great atmosphere and suspense, with an interesting choice for the entity (taken from Jewish folklore and demonology, i assume), and some ok scares, even though they’re definitely not the selling point. A simple premise that makes full use of the small house scenario, executed with elegance, sadly a bit lacking in the story department, or in the backstories to the characters (the Holocaust is involved), which are not bad, but are definitely the less inspired parts of the movie, the more typical.

Overall, though, The Vigil it’s more than sum of its parts, and definitely a good, really solid supernatural horror, a chiller, to be more specific, with some good visuals that mines religious elements from a different religion, instead of some brand of Christianity, and from a fairly ignorant prospective, they make for something you don’t see represented often in horror.

Recommended.

[EXPRESSO] Gretel And Hansel (2020) | Coming Of Mage

Gretel_&_Hansel_-_A_Grim_Fairy_Tale_theatrical_poster.jpeg

With this one i didn’t check any of the “discourse” or reviews from the american press beforehand, i just guessed it was a retelling of the Brothers Grimm’ fairytale focusing on Gretel’s viewpoint, and it’s not as gratuitous as it may seem at a glance, since Gretel is indeed the one to figure out the witch’s plan and ultimately kill the cannibal old hexe.

While many aspects of the story are changed or done away with as with the abandoning routine (among other things, but i’ll keep it spoiler free), the focal points are mostly kept, so we see the two siblings wandering in the woods in search of food and shelter, stumbing upon a house where a kind old woman treats the two to delicious banquets, gives them a place to stay at, and teaches them how to chop wood, how to treat illness, etc. Especially to Gretel, which might have the same epiphany as Ichigo Kurosaki…

It’s a horror retelling that leans even more into the supernatural elements, as to further enhance the absolute misery of medieval poverty, of sickness and dirt, and centers on Gretel mostly, basically turning the fable into a coming of age story, with magic, axes, great photography, amazing atmosphere, pretty good character and great acting. And as it’s the usual, any theme of feminist empowerment is made better by baskets of guts, with some grisly imagery that’s not overused.

The bigger issue would be the pacing…. i guess, Oz Perkin’s take on this fairytale it’s not a fast moving one, but it’s not that slow as other people seem to think it is, it’s exactly as long and fittingly paced as it needs to be, i feel. Then again, i saw people arguing this “actually” isn’t a horror movie (yes, yet again), so…..

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[EXPRESSO] The Grudge (2020) | The House That Kayako Built

The Grudge 2020 poster

(finally got another chance of seeing this in theathers)

Despite the mostly negative reception in the States and the frankly stupid idea of doing ANOTHER remake of Ju-On/The Grudge…. at least it had to just be better than the 2004 american remake, and that one had the same directors of the original. Then again i haven’t watched any of the sequels yet (american or japanese ones), but i can confirm this one is a “side-sequel” meant to connect with the 2004 american The Grudge.

And this is the main problem, as it wants to not disregard the previous american movies, but also doesn’t want to rework the premise to make sense in a completely different place and culture, or to make you forget that this a western remake of japanese movie. So there a willingly suicidal tendency to this one taking place in America with an american cast (plus John Cho), but still having to originate from Japan, with the curse basically using a character as a vessel to propagate itself in a small town, where a local sheriff investigates strange murders seemingly connected to a single house, all told in a non-linear fashion (as you’d expect) with the characters acting as “chapters-victims”.

It’s kinda tragic, because Nicolas Pesce manages to craft good characters and make you care about them, the drama is decent and the acting good, but when it comes to the horror parts, you’d wish the movie didn’t bother at all, even without throwing into the mix the trite j-horror movies cliches, or stuff that “has” to be here regardless, just because it’s The Grudge. The open ending doesn’t help.

Definitely a step up from the 2004 The Grudge, but please, let this type of “reboot/remakes of japanese movies” stay where it belongs. In the past.

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The PS5 Reveal Obligary “Hot” Take

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So, after an earlier conference focused on specs and details that for many people don’t mean much of substance (one that was actually labeled as such, but people had to be outraged regardless, despite being their fault for not reading what it was about), and a week of delay made to be respectful of recent events in America (and the obscene crimes against humanity perpetrated by the police, because this is basically United States Of Nord Korea), this 11th of June Sony did their “Nintendo Direct” equivalent to unveil the new upcoming main console in the Playstation line, the PS5, share some more juicy details, and most important, show some games for it. Continua a leggere “The PS5 Reveal Obligary “Hot” Take”

Shark Month approacheth

Sweetness And Lightning same song

So yeah, as this month comes to a close and coincidentally i go back to work, i’d like to announce that you will see a lot of shark movie reviews in june, as this quarantine was quite boring, with 15 planned reviews, and maybe some extra ones, if i have the time.

And no, i don’t plan to review JUST shark movies in june, nor i planned to dub it “shark month”, but you get the point!

[EXPRESSO] Mass For The Dead iOS | Bossing Lich Mobile

Anime licensing is often weird as hell when applied to videogames (see the Attack On Titan or My Hero Academia releases for recent examples), but like that Overlord themed Picross game, previously release as “Lords Of Nazarick”… it was kinda necessary, since this popular light novel/anime/manga isekai series has one of the most generic titles ever, and there already was a a videogame series called Overlord (beloved if fairly forgotten nowadays).

Despite this, this new adaptation it’s well presented, with even an original animated opening by MADHOUSE and a track by MYTH & ROID to make it feel like the anime, with redrawn background, some good Live 2D sprites and decent 3D in-game models. The game start off with the general premise of the protagonist, that find itself stuck in the fantasy world of the VRMMORPG he was playing as his lich avatar, but offers an original story with some new characters.

Gameplay wise, it’s a RPG, fittingly so, but more like a proper turn based rpg, with some convenient options (and a mostly useless autobattle function) AND some actual tactical nuance for when enemies become more powerful than a fly…. which will take a while, and even so, you will be a bit too prepared for the boss battles, until they start using way specific “almost instakill” moves. Then you grind or just use premium currency.

To be honest, i arrived at the second part of the story just for the sake of review, it’s kinda boring, and doesn’t have any peculiar “hook” to make you come back to it (outside the usual ones, anyway), the gacha differentiates between paid and free/in-game earned premium currency, there’s VIP/battle pass equivalent, etc.

It’s.. alright, ok, honestly.

It’s something for Overlord fans to do until the 4th season of the anime, at least.

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