[EXPRESSO] Yaya E Lennie – The Walking Liberty (2021) | Jungle Rebel Yell

Time for some ambitious animation cinema from Italy, from director Alessandro Rak, the brand new Yaya E Lennie – The Walking Liberty, that premiered at the prestigious Locarno Film Festival this year, and had a limited theathrical run as an event screening here in Italy.

Produced by neapolitan studio Mad Entertaiment and animated in 3D CG via Blender, the movie follows the titular duo, a crafty girl and a gentle giant with the mind of a child (a direct reference to Lennie of Mice And Men) that travel this post apocalyptic jungle world with a free spirit, living day by day in a world where aside from the dangerous but free jungle also roam soldiers of the Institution, a military regime clinging to a fascist sense of order in a world newly remade primeval, and bent on bringing civilization at any cost to everyone everywhere.

It’s a children enviromental fable about the importance of freedom in spite of poisonous “progress”, and all that it entails, and it’s a pretty good one, it concedes to some of the animated children movies staples with a proud neapolitan angle, but also doesn’t really pull punches on the matters, uses a good amount of cursing, and also the Chaplin monologue at the end of The Great Dictator. So it’s definitely not pandering itself to toddlers, and manages to earn what it wants to represent, instead of just assuming it can without the actual work.

The characters are quite likeable, the art direction it’s great, there’s even a few lines that will get a chuckle out even the older kids, the story it’s solid enough, the only gripe it how the animation still has that issue with most 3D CG, as in it feels very robotic and “laggy” at times. Even so, it’s good work.

The Spooktacular Eight #6: Dominator: The Movie (2003)

Are you ready to rock and roll with the most unknown Spawn-rip off you never heard?

Are you ever heard of “brit-manga”? Me neither, but apparently Dominator was the “new wave of brit manga animation”, according to what the front cover of the UK DVD release claims.

Yeah, this is some rare shit indeed, an animated movie that involves familiar names in the horror sphere like Doug Bradley, Ingrid Pitt, and metal bands like Cradle Of Filth providing not only the music but the voice acting, based on a series of british comics by Tony Luke, one that was still ongoing in 2006, but has since then been in hiatus.

Continua a leggere

The Spooktacular Eight #4: Big Tits Zombie / Big Tits Dragon (2010)

Based on the manga Big Tits Dragon from Rei Mikamoto (Satanister, Reiko The Zombie Shop, Bloody Deliquent Chainsaw Girl, A Girl of The Iron Ghost), directed and written by Takao Nakano, a famous japanese satirist, or so the Wikipedia page says, in any case i never heard of him before, but giving his background in the japanese adult video market and the cast made out of famous faces from the japanese porn industry (again, so says Wikipedia, i can’t know everything), and given how he did a parody of sorts of Cronenberg’s Shivers (called Sexual Parasite: Killer Pussy, which is up there with Killer Condom as titles you can give movies)….yes, he being involved makes total sense.

It was shot in 3D, which it won’t matter to me since i can’t access a 3D version, and of course there’s no european release of any kind, home video, streaming, nada. Actually, there is a german release and there was an UK release by Terracotta Productions (even had a limited UK theathrical run), but the latter is nowhere to be found, not on their store, site, or even on most ecommerce sites.

Continua a leggere

One Piece TV SP 10: Adventures In Nebulandia (2015) [REVIEW]

Director: Konosude Uda

Writer: Atsuhiro Tomioka

Runtime: 106 minutes

We’re finally taking a somewhat extended break from the recaps extravaganza (but not that extended, as we’ll find out) to have a TV special that actually features an original story, and calls back to a noticeably under-represented story arc, the Davy Back Fight, often completely eschewed from pretty much any adaptation of One Piece, and low-key hated by the fanbase, i feel.

Yeah, the premise sees Foxy and his crew send a false distress signal to the Straw Hats, seeking revenge after their Davy Back fight. The two crews begin another Davy Back, starting off with a mushroom eating contest as the first round of the challenge, but it’s a trap, as the new Foxy Pirates member, Komei, has made them eat the so called “Drousy Shrooms”, then reveals himself to be a Marine Vice Admiral and brings the four incapacited crewmembers as prisoners to Nebulandia.

The rest of both pirate crews follow them, but things get hairy as Nebulandia is an island that nullifies Devil Fruit powers due to its vegetation having adapted to live off sea water, acting as a natural prison for the many “gifted” pirates, so even more people get captured and it’s up to the few remaining to find a way to reserve the effects of the vegetation and escape the island.

Continua a leggere

The Disappeareance of Balan Wonderworld’s Demo [HANDS ON]

To be honest, while i knew of this title since it was announced… i also kinda forgot about it, knew was coming out, but i didn’t particularly care, even if did look like Nights Into Dreams platformer, fairly obvious since this was from Yuji Naka and Naoto Ohshima’s new company, formed specifically to make this new title, the aptly titled Balan Company. It looked a bit cheapish, but whatever, could be fun, though i wondered why we didn’t see reviews already out for it.

Then i saw people in the internet calling it a “dumpster fire”, the press giving it low scores (very low scores), the fact that the demo could accidentally cause seizures due to an unforeseen bug, that Square Enix (who published the title) didn’t actually give out review codes for it, and then this week Square Enix removed the demo with just a couple of days notice before doing it, so people that want to see for themselves if the game it’s as bad as they heard now will have to pay the full 60 bucks. Or pirate it.

Thankfully i downloaded the demo on PS4 (and Switch and PC just for kicks) long before, so i was able to play that… and even from that you can get a grip of many problems pointed out in reviews for the full game.

And i really feel like i should say SOMETHING, because this is kinda tragic.

Continua a leggere

EX-ARM anime (2021) [REVIEW] | Make the bad guys cry like….

I knew of Ex-Arm before the series was announced, as in i red the first volume of the manga, and thought that was.. alright.

Then in early november 2020 i discovered there was an anime planned for it, and apparently it was supposed to launch earlier, but got delayed a couple of times, post-poned until its January 2021 release on Crunchyroll, as one of their “Crunchyroll Originals” exclusive projects.

I heard about it on Twitter, alongside many baffled comments on why the hell is a live-action director with no experience in anime directing a 3D CG anime and also tasking a production company that also has no experience in anime… and i immediatly knew i would just “have” to review it, to witness the monstrum and write a report about what could be found in its wretched bowels.

Get confortable, as this autopsy-review will examine all the guts and decomposed organs, and there’s a LOT of those to rifle through with this one!

Continua a leggere

[EXPRESSO] Pacific Rim: The Black (Season One) (2021) | Netflix Kaijus

For whatever reason, Netflix perseveres in commissioning 3D CG anime based on popular franchises, despite them often not looking good and anime fans notorious knee-jerk reactions of disgust towards 3D CG anime.

So while we wait for Godzilla Singularity Point (which looks notably better), let’s give Pacific Rim: The Black a shot, because Legendary really wants to make this one a franchise. This specific entry (written by Greg Johnson and Craig Kyle but co-directed by Masayuki Uemoto, Susumu Sugai and Takeshi Iwata) follows a couple of siblings that find a Jaeger called Atlas Destroyer and go on a journey with it, after their parents never came back and kaijus destroyed Australia.

And you know what, an anime series spin-off is a shoe-in for Pacific Rim, but once i saw the PV, i realized why most people won’t bother… and yes, it’s animated by Polygon Pictures, which means the robots and monsters look fairly good, but the animation for the people – sporting nicely drawn character models – also has this stiff, uncanny, robotic feel to it. And this honestly doesn’t look much better than the Blame movie or the Godzilla anime trilogy Polygon Pictures also made for Netflix, while this style of “3D anime” has vastly improved in quality over the last few years.

Shame because the giant mecha battles against monsters look good and are fun, but the humans characters or the plot surrounding them aren’t that interesting, and sometimes their animation is just crap. The script, while unremarkable, tries to add something new to to the Pacific Rim universe, but it’s kinda of half baked attempt as it starts getting better only at the very end of this very short first season. Overall, it’s… alright.

A second season has already been greenlit… but i still wonder for whom exactly.

EX-ARM, the oddly shaped Manos of fate, and the invisible off-screen truck of doom

I didn’t expect to write another one of these posts, because the novelty of the EX-Arm anime being unbelievable crap wore off and i just got accostumed to its foul, robotic and uncanny fare. Oh well, it will avoid me having to note down another batch of odd fuck up, animation errors, bad camera angles and stuff.

Or so i thought.

(Gif taken from Twitter, from a fellow stunned viewer)

Continua a leggere

So, that EX-ARM anime wasn’t a practical joke

**And yet you still wanted to make an EX-ARM anime.**

I will have a review of this turd when the series finishes, but this first episode it’s so unbelievably bad it doesn’t matter if the story improves or gets worse as it goes along, with this embarassing animation it’s all for naught. I would like to apologize to the Berserk 2016 anime, this is even worse, it’s unbelievable. But also the logical outcome to have a studio that never did nor understands animation… do anime.

And no, that horrendous screenshot seen above it’s not a one-off, in the first episode alone there are like 3 occasions where a horridly made 3D CG anime character is framed alongside a clearly 2D animated character. To say nothing of the horrible, uncanny way they movie (with the jaw unhinging like a creepy ventriloquist doll), making Polygon Pictures produced anime series look like Redline.

How the hell did these people manage to have this signed up as a Crunchyroll Original i can’t even fathom. The manga isn’t that bad to deserve an adaptation so abysmal.

And yes, the manga also had better animation.

Kemurikusa (2019) [REVIEW] | Leaves Of Tree

After the Kemono Friends anime made a fairly forgotten (and at the time even freshly axed) free-to-play thing become one of the biggest sensations of that year…. Kadokawa fucked the series director over, basically, and in a way of karmic retribution, many resented the second season when it came around, both out of spite for Kadokawa’s behaviour. And because the Kemono Friends gravy train was gone by then.

Regardless, TATSUKI continued to work on other projects (see Keifuku-san and Hentatsu, which i already reviewed), and in 2019 he decided to adapted an older work of his, an original net animation called Kemurikusa (released between 2010 and 2012), into a TV anime series (which so far only streaming on Amazon Video), once again tasking the same animation studio of Kemono Friends (studio Irodori, which he was part of) and the same production company (Yaoyoruzu), culminating into a project that didn’t seem raise much interest online.

People knew the director of Kemono Friends was behind it, definitely, but i guess it wasn’t enough, so the Kemurikusa TV adaptation came out without causing much clamor (outside of some circles) or attracting much attention even from dedicated outlets or anime enthusiasts who knew it existed. At least i got that impression.

Continua a leggere