Pikmin 4 DEMO NSWITCH [HANDS-ON] | The Dog Doing

so Nintendo just released a demo for Pikmin 4, coming at the end of this very month, and given how long i’ve been waiting for another Pikmin game, i’ve got sumething to say about it, for sure.

The first big addition to the formula is the hugely marketed “pikdog”, as in now you have a dog.

That already it’s a good thing, but thankfully this one isn’t gonna suffer the same fate of the dog in Call Of Duty Ghosts (as in getting locked forever into the toybox after being used once), as it ismore than a gimmick, serving as a mount (which can carry many pikmins on his back too) enabling traversal via jumping, being able to smash obstacles, dash, dig, fight by tackling and biting, and can even be controlled directly, especially useful in underground caves that can your character and Pikmins separated by an obstacle Occin (the dog) can’t pass through.

Plus, as your rescue more stranded astronauts you get more upgrade points for the dog, which is just lovely and obviously pretty useful.

And the dog already it’s a great addition to gameplay, and feel natural like it had always been there, but obviously, there is more, in the way of new types of Pikmin, ice and luminescent, but the demo only lets you encounter and use the Ice Pikmins, which already offer another way around exploration, as they can be even used to freeze water surfaces, alongside enemies.

But there has been some streamlining, as in now there is just a big “onion/deposit” for all Pikmins despite of their colors, the 3 protagonists multitasking of Pikmin 3 is gone, and – the more controversial one – there is no limited number of days under which to accomplish the various tasks, which might sound terrible to some old time fans, but frankly i don’t get the issue, since Pikmin 3 already utilized a system that basically gave the player a lot of days to accomplish the various objectives, like a lot, especially if you went for completition.

So really, the removal of the limited days altogether it’s more vestigial than controversial, and i’m fine with it since the days themselves retain the limited time indicating how much you have left before it’s nightfall and you have to scurry back to camp in order to avoid getting your Pikmin eaten by the hungry beasts that are even more aggressive at night.

Hence even so you get some sense of urgency, as you wanna still get the most out of your day of gathering and exploring and rescuing, etc.

Regardless, the fan favourite caves to explore are back from Pikmin 2, and work more or less identically, but are also more abundant in the huge levels/areas, and now there is more emphasis on resource gathering, with these new gems that can be retrieved and converted in building material for bridges and the like, or used as currency to buy items and gadgets from the scientist/inventor, ranging to rotten carrots to paralyze enemies, dog treats, and stuff like fireproof abilitiees.

And these new additions gel without issue with the formula, nothing feels forced or there because there needs to be more shit in a sequel, regardless if it makes sense, no, thankfully Nintendo didn’t really fucked with the proven formula, but expanded it well.

The trailers revealed that indeed now we’ll be able to explore at night, but since the demo ends when you get a certain amount of the new energy resource, the Luminium, we’ll have to play the full release to find out.

Not that this is a small demo, it’s pretty sizeable, including the tutorial area and letting you play a big chunk of it, it’s one of those where you kinda forget you were actually playing a demo so you feel bamboozled by the game telling you “thanks for playing the demo up to where we meant you to play it”.

Speaking of which, by finishing the demo you’ll be able to unlock an Occin costume in Pikmin Bloom, alongside the expected ability to carry over the progress to the full game.

Yeah, as a longtime fan of the series, i’m honestly just chomping at the bit to have the full thing on my hands to play more of it, so yeah, check it out to get your fix on.

Robocroc (2013) [REVIEW] | Domo Wanigato #sharksncrocspartdeux

Police officer Murphy is shot down while confronting a criminal gang, but his body is found by a brood of crocodiles living in Detroit’s sewer system. They nurse him back to health, let him partake of their radioactive flesh, which helps him grow back the lost limbs, and eventually he reemerges into the public eye as the hybrid man-croc vigilante Robocroc.

This is NOT the plot of Robocroc, not that the actual one has anything to do with the movie spoofed in the title. It would took to much time and effort, and this is just not the way these post-Sharkenado low budget killer animal flicks do it. It must be stupid, but within the itsby bitsy budgets, which overtime seem to have gotten smaller and smaller, closer and closer to the “Polonia-sphere”.

So it also means this has more in common with Metal Gear Rising Revengeance than Robocop, as the plot involves a missile launch that goes awry, with the ejected part landing in a zoo, nanomachines coming out of it and into a female crocodile named Stella that happened to be nearby the capsule’s crash site, and these slowly turn her into a cyborg bent on eating his way through the special forces called into the enclosure, then escaping the facility to feed on random people fishing in a lagoon, stopping on dry land to feast on people guilty of driving quad bikes, and finally going for the big feast of a nearby aqua park full of teens partying.

Continua a leggere “Robocroc (2013) [REVIEW] | Domo Wanigato #sharksncrocspartdeux”

Thunder Of The Gigantic Serpent (1988) [REVIEW] #snakesofjunetoo

One of the more infamous piece of copy n paste cinema from the IFD Film & Arts factory of Godfrey Ho and associates, one that happens NOT to be a ninja movie with their pink ninja pajamas and 30 seconds superfights against caucasian ninja masters, but the other kind of exploitation the company specialized in, the “actionxploitation” flick with super american stereotypes fighting against criminals of some ilk, all played by the same 6 non-asian guys Ho and Lai employed.

And we’re lucky because we got Pierre Kirby in this one, playing agent Ted Fast, who only works alone because he’s so good and not utterly stupid, opposing the crime boss Solomon, after a secret formula that can make animals and plants grow to gigantic proportions, like 3000 times their original size.

But sadly Solomon will have to crime very hard for it, since the formula is actually from the “host movie” spliced in by Godfrey Ho (here directing), a 1984 Taiwanese kaiju movie titled “She Wang” (translating to “King Of Snakes”) about a pet snake, Mosla, belonging to a little girl that accidentally comes in contact with the formula, grows giant, and then stars rampaging because the terrorists after the formula kidnap the girl, and Mosla is having none of it.

Continua a leggere “Thunder Of The Gigantic Serpent (1988) [REVIEW] #snakesofjunetoo”

Sssssss! AKA Kobra (1973) [REVIEW] #snakesofjunetoo

Often retitled as Kobra because of its deliciously stupid – and super campy – original title of Ssssss!, this is one of the many killer animals/nature gets revengeance of the early 70s… or is it?

Remember, despite it predating Jaws, killer animal movies did exist, i mean, look at the often brought up Frogs, released a year before, so it would be fairly logical to assume Ssssss is just another one of these that just happened to release before Spielberg’s shark opus made it trendy, profitable and popular, doing it before “it became cool to”.

And yet, Ssssss is not really that, but more of a 50s movie done in the 70s, and is about a college student, David, working as lab assistant to a mad doctor that is working on a serum that can turn people into snakes. David also begins to fall in love with the scientist’s daughter, but the good doctor plans to test the serum on the boy, stupid enough to work for someone that unironically, legitimately is called Dr. Stoner.

Continua a leggere “Sssssss! AKA Kobra (1973) [REVIEW] #snakesofjunetoo”

[EXPRESSO] Denti Da Squalo (2023) | Pool Shark Summer

Time for a review of an italian movie that most likely won’t ever come out internationally (but who knows), for the sake of variety.

Denti Da Squalo (translated literally as “Shark Teeth/Teeth Of A Shark”) is about a 13 yo boy, Walter, that recently lost his father, a former crime boss, and while wandering about finds an apparently abandoned villa with a shark living in a salt-water pool, and Walter makes of the villa his secret getaway place. Only to find another, older boy, Carlo, is squatting there, but Walter keeps coming back, entranced by the literal pool shark, and ends up befriending Carlo…

It’s definitely a very nice surprise of a movie, as not only it avoids pulling the “metaphorical animal we can’t show on screen” bit, the shark it’s seen very early and very often in the movie, and honestly the effects are top notch, obviously it’s not a real shark but it looks and feels real, as it needed to be since it’s both a plot device and symbolic incarnation of the criminal life.

Also, despite having the elements and touching upon the relative themes, it’s not a story of criminal formation, but of emotional formation and reckoning with the loss of the father figure (here played by beloved italian actor Claudio Santamaria), seen as an imperfect, human example that does not glorify nor 100% wilify criminal life, and not as the only real figure to aspire to, not the inevitable set of footsteps for Walter to follow.

For a feature debut, Davide Gentile manages to create a solid and emotionally meaningful modern take on the themes of criminal life, grief, legacy and family, following indeed all the familiar steps of the coming of age story, but the execution and performances make it worth checking out.

King Of Snake (2020) [REVIEW] #snakesofjunetoo

Not be confused with “King Of Snakes”, an old Taiwanese kaiju film mostly known for being edited into one of many’s Godfrey Ho cut-n-paste jobs, Thunder Of The Gigantic Serpent, which opted to insert new actionxploitation footage with western actors into that 1984’s monster film, instead of having them doing the usual “colored pijamas ninjas” shit.

We’re gonna cover that one later this month for #snakesofjunetoo, fear not, i’m always up for reviewing some IFD Films joints, but today we’re looking at something far more recent, a 2020 chinese disaster-monster movie set during the Republic Of China period, when railways were being costructed and the following ecological destruction caused by it (especially deforestation) being the reason for lots of poisonous snakes to assault a train, killing and injuring many.

To cure the survivors of the snake venom and the many that also were attacked in his own home village of Yong’an, the local snake catcher Mu Sheng has to form a small party to venture in search of the “snake flower” cure…

Continua a leggere “King Of Snake (2020) [REVIEW] #snakesofjunetoo”

[EXPRESSO] Spider Man: Across The Spiderverse (2023) | Peter Parter

This review it’s only a formality, but yes, indeed, i had high expectations of this new Spider Man animated movie after Into The Spiderverse was a surprise smash hit, an unexpected excellent opus from an animation studio mostly known for Hotel Transylvania and The Angry Birds movie.

We never saw it coming, but it happened and while it had the side effect of making the live-action Marvel offerings kinda redundant and pointless, i would have been happy even if there wasn’t a sequel, despite being no reason to stop there, i mean, we got the new origin story/introduction of Miles Morales as one of the many Spider Man personas, the studio was gonna follow that up regardless.

This sequel to Into The Spiderverse also follows in the recent resurgence of “two parters” (giving even more proof that time is a flat circle, at least in terms of entertaiment media), and in this “part 1” we see Miles (and Gwen) venture deeper into the multiverse of various Spider personas from many dimensions/universes, meeting a new team of “Spidersonas” known as Spider Society, led by Miguel O’Hara (aka Spider Man 2099), but instead of collaborating they end up clashing in regards of how to deal with the villain at hand.

And honestly it meets the high expectations set by the previous movie, delivering a lot of inspired visuals, variety of animation styles and stylization, new charming and likable characters, plus the story dwelves deeper into the multiverse aspect, Miles’ role in this, so even if it ends on a cliffhanger for “part 2”, it’s not just 2 hours and 1/2 of setup, it’s already very very good as expected, and again it manages to make you really care even if you weren’t already much invested in Spiderman his many comic book incarnations/iterations.

Venomous/Venom (2001) [REVIEW] | #snakesofjunetoo

We’re out of Anaconda sequels at the moment (there’s a reboot in the works, confirmed 3 months ago with Tom Gormican, better known for The Unbearable Weight Of Massive Talent) , so let’s start digging into another barrel o’ snakes by rummaging – as we usually end up doing – through Fred Olen Ray filmography.

Not that i picked up the movie this way, it was another random find on Amazon Prime Video, but there’s no real surprise to see him listed as director… under one of his pseudonyms, Ed Raymond this time, why shouldn’t be his work?

Not to be confused with Silent Venom from 2009, also directed by Fred Olen Ray, in which he realized he could put snakes inside of submarines instead of planes.

Continua a leggere “Venomous/Venom (2001) [REVIEW] | #snakesofjunetoo”

Bringing Out The Serpents again for #snakesofjunetoo

Last June we did feature a lot of serpent based movies (often b-movies, that much is true), so we’re doing it again this year too, though on a smaller scale due to an increase of work and other personal obligations. Plus a surprisingly full summer release schedule of films coming out here (united with a nationwide promotion on ticket prices), so there will be a lot of EXPRESSO reviews…. yes, we’ll also review that one with the lead actors that keeps constantly getting arrested, because while i abhor him, i did watch and review movies where he was in before, like the theatherical cut of Justice League or the recently released (and reviewed) Dalìland, where he plays a very minor role, so much i didn’t notice he was in before watching the thing.

So yeah, it wouldn’t be quite correct of me to stop now, especially since i seriously doubt The Flash will do much in terms of box office, i mean, it’s not one of the more popular superheroes, it’s very well known and documented even between the less devoted audiences that Erza Miller is basically assaulting people on a whim at a noticeable rate, both Black Adam and Shazam 2 weren’t well regarded or even that lucrative (though i did rate Fury Of The Gods higher than most, personally), and remember, this movie also exists to completely reset the mess of the DC Extended Universe, so they can start again with Gunn at the helm.

Plus, honestly the movie looks kinda ass, and it’s undeniable this is NOT a project the studios really believes in, otherwise they wouldn’t have advertised it by dangling the return of Michael Keaton as Batman in trailers, like bait. And that’s some good bait.

Again, i don’t blame people opting out of seeing The Flash because of Erza Miller, or regardless of him, you do you. I kinda have to, to a certain degree.

[EXPRESSO] Renfield (2023) | Flies On The Windscreen

Robert is a man stuck in a toxic codepent relationship with his boss, and partecipates in group therapy sessions to get over it… while also find new abusive monsters to feed his own, Count Dracula itself, as Robert is actually Robert Renfield (Nicholas Hoult), the vampire’s infamous long time familiar, now living in modern New Orleans.

But Renfield it’s tired of being second fiddle and wants out, trying to turn his life around for himself, even falling in love with a righteous police officer (Awkwafina) that feels offended of doing menial jobs instead of busting down the criminal gang that killed her father.

I wasn’t sure what to make of the premise of Renfield, but i fully support Universal’s bent for trying to do new things with their old legacy franchises, this time a comedy horror about Dracula’s iconic familiar/slave, bringing him out of the sanitarium in a modern setting and basically having him try to escape his life as Dracula’s servant, moonlighting as an anti-hero that just needs to feed on insects to gain their life force and rip out people limbs like they’re made of rotten weeks old tuna.

Plus we have Nicholas Cage as fuckin Dracula, hell yeah i was absolutely IN… and after watching the movie i can say this is NOT the case where i love the concept but not the movie as a whole, because the gamble paid off and makes for a light hearted, silly little horror comedy with surprising wit, lots of funny over the top gore effects of good quality and enjoyable action scenes.

Excellent casting too, especially Cage as Dracula is a delightful, brutal but also a manipulative, petty asshole of a monster.

The movie it’s also short, but honestly for the better as it avoids spreading the premise thin.