Girls Nite Out AKA The Scaremaker (1982) [REVIEW] | Bear Claws In

Would it really be September here without a school themed slasher from the 80s that has been mostly forgotten? Yep, there were so many of these that the “content vein” seems to never end, there’s always more slasher to pick and revaluate, here thanks to the UK (and also US) release on Blu-Ray by Arrow Video, who else?

I’m NOT gonna review the Blu-Ray itself and the many extra contents (especially if you managed to get your hands on the Limited Edition with the extra slipcase with the poster art of the movie under its alternative release date “The Scaremaker”), but i will say the 2K restoration it’s hella good.

I said school, but in this case we have a sorority group of college girls that are killed one by one by a degenerate in a bear costume (the college’ sport mascot) during a night-long scavenger hunt taking place on campus, with the story of a former student – called Dickie Canavaugh– that was recovered in a sanitarium and speculations on why he hanged himself.

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[One Piece Film Retrospective] #15: One Piece Film Red (2022)

Yeah, bringing back the One Piece retrospective…. kinda, more like continuing it, with a full, detailed review of the last released One Piece movie, Film Red, that hit theathers in 2022, after the EXPRESSO review done at the time it released in theathers here.

For context, that year i was able to see the tie-in episodes of the series during the yearly Lucca Comics & Games convention in Italy, sadly i missed the early projection of the movie itself, but i did see the aforementioned episodes meant to tie-in to Film Red that detailed a young Rufy meeting a young Uta in Fusha Town when Shanks and his crew set anchor there.

Which are cute but as you would expect they’re not mandatory viewing in order to understand the plot of Film Red, it’s a big popular franchise, they’re not gonna risk alienating people who don’t watch or follow the TV series but do follow the manga, for example.

Who’s Uta, you might ask? But she’s the new character and protagonist of Film Red, a world famous livestreamer and renowed singer that is finally having a concert on the island of Elegia, ammassing a huge amounts of fans coming from all walks of life, be it Goverment soldiers, Navy officers or pirate ships, and of course the Straw Hats come too, as Luffy arrives there and reveals he and Uta were childhood friends.

And then he drops the bombshell that Uta is Shanks’ daughter.

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One Piece Odyssey: Reunion Of Memories PS4 [DLC REVIEW] | Overdrawn At The Memory Bank

For disclosure, i pre-ordered the super duper deluxe edition of the game that came with the big Lim & Luffy figure, and the expansion content also included in the Deluxe Edition version, so i didn’t cash out extra to access the DLC story expansion for One Piece Odyssey that released in May 2023, Reunion Of Memories. Otherwise, to buy the DLC normally the MSRP is 25 bucks.

Keep that in mind because it will come back later in the review, but before beginning i will preface by saying while i will keep this DLC review spoiler free… i’d recommend either reading my full review of the base game or finish the game yourself before reading, because some plot details regarding the finale are simply impossible not to touch upon.

YOU HAVE BEEN WARNED.

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One Piece Odissey PS4 [REVIEW] | Cube Memory

One Piece might not be a franchise that you would immediatly associate with RPGs, but like Dragon Ball its surprising how the genre is represented in their many videogame iterations, especially if we’re talking about older systems, and even more so if we’re talking about Japan-only releases, as the first One Piece videogame was a RPG on the old black-n-white WonderSwan, and more came out for both the Wonderswan family of consoles as wells as for Game Boy Color, Game Boy Advance, and even on the original Playstation.

But sadly most western fans are not familiar with some of these quirky GBC One Piece RPGs where (among other things) the Straw Hats are turned into animals, no, most likely you’ve yearned for years for a localized One Piece RPG, only to find out that it exists, One Piece: Romance Dawn, and that it’s sadly a very shit game, even worse as it’s a port from PSP to 3DS, and a cheap one too, because knowing this it makes all sense for the game to look that much like old ass.

I reviewed that one as well, but today we’re here holding hope to finally retire this status and have a big budget mainstream RPG that can make the series some justice instead of wishing they wouldn’t have bothered to begin with, with the long anticipated One Piece Odissey, developed by ILCA and published by Namco Bandai (who else?) in January 2023 to celebrate the series’ 25^th anniversary.

Available pretty much on all the platforms, old gen and new…. but not the Nintendo Switch.

For the record, this review is based on the PS4 version played on a PS4 Pro.

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[EXPRESSO] Zombie 100: Bucket List Of The Dead (2023) | Cross-Z Shark! Are you ready?

Given the success of the live action adaptation of Haro Aso’s Alice In Borderland manga, it’s no wonder Netflix also ordered a live action movie based on one of his other works, the zombie comedy Zombie 100: Bucket List Of The Dead, also adapted into an anime TV series that started airing this July.

The premise sees Akira, a young man working for a japanese “black company” , bullied by his boss, working non stop like a robot, sleeping in the office… until a good ol’ fashioned zombi apocalypse happens. So finally free, he jots down a list of 100 things he wants to do before death (or “undeath”) catches up with him, eventually finds his best friend and encounters other survivors….

Yeah, this is a fun and – almost – novel twist to the over-explored (both for drama and comedy) zombie apocalypse mold, the spin here is quite fun and light-hearted, making for a slice of life episodic narrative that…would have simply worked better as a series instead of a 2 hour movie feeling like episodes of a TV series stapled together, making me wonder if this was the compromise to avoid having both adaptations cannibalizing each other.

Thought this live action film is far more “sanitized” compared to the manga, i guess to make it feel akin to the Netflix Alice In Borderland adaptation that mostly eskwed fanservice or sexual content (though gore is abundant and far from hidden), but honestly it feel longer that it needs and characters are likeable enough but fairly stock.

Though it also features a mutant zombie shark that’s already better than the entire film “Zombie Shark”, fought in sentai style because the lead actor played Ryuga Banjo in Kamen Rider Build.

So, overall, it’s decent enough, very cute, for what it is.

One Piece (Shonen Jump’s) GBA [REVIEW] | USA Piece

There are many One Piece videogames, even on the GBA, most RPGs or fighting games, but there is a notable exception, even weirder than usual since it out came out in North America, and North America only. Yep, despite being developed by Dimps (the Sonic Advance series, Draglade, many Dragon Ball and Shaman King licensed games… and shit like Seven Samurai 20XX), it was never released in Japan or Europe, only in the US as simply “One Piece” (also listed as Shonen Jump’s One Piece for cataloguing needs) in 2005.

As of why i’m not sure, sure, it was based/dependant on the 4kids butchered version of the TV anime series, but the same was true for the first OP: Grand Battle PS2 game and that had an European release… so it basically means most people experienced it via emulator, i first did too, until i did found a cartridge for an “okay” price, but unless you’re a fan of the series and-or a dedicated GBA collector, i wouldn’t bother searching for an used copy, since it’s quite pricey today.

I’m not even gonna suggest waiting for a rerelease because it more than simply “unlikely”, unless it randomly pops up on Switch like that Macross GBA game, or Badnai Manco makes a complete One Piece videogame collection in the future.

Regardless, it’s also odd how this was the only One Piece GBA game that released outside of Japan, maybe due to the licensing as the time, most likely the same legal bullshit that saw the first Unlimited game never released in Europe, while the Unlimited Cruise titles never arrived in the US.

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The Cinema Show Experience Debate Cycle (2nd Round)

Told you we’re gonna do this dance again, and i feel now it’s the time to address some of the issues left unchallenged and unchanged, as anyone with any foresight could have told you before.

I guess the catalyst for new lamentations is the new blockbuster releases mostly doing very bad, regardless of quality or marketing employed, as even movies coming from recognizable and renowed studios and carrying recognized names and brands come out to basically big box office woes most of the time, in what most people have accetted as a “post-Covid 19” world, even in countries where it’s still far from over because reality and consequences and such.

Because i’m a dumbass, instead of making a thumbnail with a load of nonsensical buzzwords on it for a “video essay” (really, words mean nothing anymore to a certain subset of creatures) that’s somehow longer than the movie it discuss… i’m gonna say it’s obvious this wanna gonna happen.

Even if we collectively agreed to pretend the pandemic is over everywhere and forever, even pretending and disgarding the argument/issue as a thing of the past, this newly found “box office bombagery” should really not surprise anyone that has been to theathers more than once in recent years.

To avoid repeating what i said before, i’m just gonna link the previous editorial so you can check that out instead. Consider this an addendum more than a “follow up”.

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Futurama PS2 [REVIEW] | … With Blackjack and Hookers

To celebrate the second return of Futurama on TV (even if i’m not expecting much given how these modern resurrections-continuations of beloved animated TV series-franchises, but who knows, i’m remaining cautiously semi-optimistic), time to take a look at its forgotten – and by now quite rare – PS2/X-Box tie-in videogame, simply called “Futurama”.

And what it might as well be the only Futurama videogame, since there’s not much to say about the mobile only Futurama: Worlds Of Tomorrow, besides it being a cheap and shallow cash grab akin to many other free-to-play tycoon simulators, like Simpsons Tapped Out, maybe a little more complete since it had a combat system in it from the start, but still, mostly a shallow time waster very heavy on aggressively try to make you fork out cash for anything of “substance” available.

Then again, it’s not like you can play it anymore, the servers were closed for real (as in they were announced to be closing in 2022) this year on the 9^th of March.

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[EXPRESSO] Barbie (2023) | Life In Plastic

For once i’m glad here in Italy we don’t get movie releases as the US do, because Oppenheimer is releasing in late August here, so i can bury that stupid “Barbenheimer” shit.

So, the Barbie movie, by renowed director Greta Gerwig, it’s definitely something i’d been looking forward since announcement, wondering what the fuck the plot of a live-action Barbie movie could be, this isn’t aimed at children like the dozens of animated Barbie movies we’ve seen over the years, at all.

The basic gist is similar to Enchanted, as we’re introduced to Barbieland, a world where Barbies live perfect days, party and have fun in perpetuity… until the “Stereotype Barbie” (Margot Robbie) has an existential crisis, seek help from the wise old “Weird Barbie” that tells her she has to go to the real world and reconnect with the girl that played with her in order to fix the situation. Problem is, Mattel itself learns that “Barbie has breached contaiment”, and one of the Kens (Ryan Gosling) sneaks away into the real world too…

It’s a feminist comedy that use the brand to tackle the obvious themes you’d think, in modern ouvert (and very meta) fashion as expected and… well, neeeded, because at this point we know audiences can be quite “thick”, but it’s as brazen as it’s funny and caring in poking fun, showing a profound love of cinema in doing so, with some really nice musical segments and amazing sets.

It’s not perfect, for example the main plot is basically resolved 40 minutes in and then it kinda feels like they had to follow a “b-plot” for the sake of the runtime, the feminism itself it’s slightly superficial (not shallow, but not deep either), but even with its flaws, it’s a really sincere, entertaining and witty film.

Jurassic Shark 2: Aquapocalypse (2021) [REVIEW] | Sequelgeddon #sharksncrocspartdeux

I eventually had to find out this existed, because words like “sequels” don’t mean anything anymore, even more when we dwelve in the “homegrown/DIY” territory of the shark movies, where one name echoes through the vast oceans, Mark Polonia, and he stands atop of his carboard throne, commanding beasts of papermaciè and plastic (and whatever the budget can afford) to fend off the rare adventurers setting off in the desperate quest for the homegrown crown.

So powerful he is that only he can received the task of doing a sequel of a low budget shark movie he didn’t originally make, as Jurassic Shark was directed and produced by Brett Kelly, but that isn’t even the stranger thing about Jurassic Shark 2: Aquapocalypse.

That would be this one standing as the “official” sequel, as Brett Kelly also directed Raiders Of The Lost Shark, which was a surprise kind of sequel to Jurassic Shark, as i discussed when reviewing it.

But this one gets to have the Jurassic Shark name and slap a 2 on the end, for whatever reason, and so it kinda surprising the plot has anything to do with the first, as the oil company from the first movie (whom accidentally released the megalodon) is back and wanting to drill for oil of the coast of Cat Island (not that one), and its up to the workers of the oil rig – that accidentally discover the beast – to try and save what they can from its unfeeling jaws… And its amazing inflatable fin.

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