[EXPRESSO] Yesterday (2019) | Beatles Beatles No Mi

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Preface: i never saw Across The Universe.

I don’t know how much (or if) it matters, but keep that in mind.

I’m not even a particularly big Beatles fan, but hey, Danny Boyle at the helm, i couldn’t refuse, especially with an original premise like this. Jack struggles to make it as a music star between shifts at the supermarket he works, and despite his best friend/crush egging him to persevere, he at last gives it up. But he’s hit by a bus (coincidentally timed with a worlwide lights out, not a truck, this isn’t an isekai), and when he gets out of the hospital he realizes everyone else in the world has forgotten the Beatles and their music, it’s not a joke of sorts from his pals.

So he decides to use this miracolous opportunity to relaunch his music career by singing Beatles’ songs as his own, which eventually leads him to stardom, fame, fortune, to the success he wished for, in an inescapable spiral that Jack find himself trapped in as time goes on, because for all the others know, the Beatles were never a thing, which is fortunate since Jack doesn’t even precisely know by memory the lyrics for every song.

And i’d argue it’s one of the best movie i’ve seen this year. A great balance of great comedy, romance and music that tackle to the importance (or lack there of) of the author, the meaning of legacy and respect in a business that eats you and spits you out in a snap, with an amazing cast of hilarious supporting characters (his weed enthusiast best friend, his absent minded and mildly dismissing parents, and Ed Sheeran as himself), a satisfying romance that never gets too mushy or depressing, amazing editing and radiant attitude.

It’s very good, indeed.

Recommended.

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[EXPRESSO] Tolkien (2019) | Warlocks & Dragons

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Preface: i didn’t read any of the novels of mr. Tolkien, i didn’t knew what
his actual life was like, i watched the Lord Of The Rings movies. That’s it, that’s how much i knew before seeing this in theathers. That, and how the Tolkien family didn’t approve or endorse the motion picture.

So i didn’t exactly know what to expect, besides the obvious. And frankly you just get that, the expected from a dramatized biopic of a fantasy author. We start in media res when J.R. Tolkien is figthting in the trenches of WWI while searching disperately for one of his friends, and he struggles to survive we get to see his life with his brother and mother living in slums, then as orphans in the foster home of an Ofxord aristocratic lady that took them in, his romance with Edith, another orphan already under her wings, and his circle of friends made at the Ofxord university.

Tying this all together is Tolkien passion for creating stories, legends of magic and fantasy lands, great dangers and journey, even going so far as to create a new alphabet and language specifically for his tales, which carries over in significant event of his life and here is made to create parallel with his fantasy creations, and the struggle to make the unevitable truths of life better with the power of art, and how it lead to him writing the Hobbit, etc etc.

It’s got a decent-good cast, a very good scenography, likeable characters, it’s heart it’s in the right place, and it’s not like it undermines its own point or anything like that.

But it’s also a very standard romanticized biopic of a creative’s troubled life, it’s decent, fairly enjoyable, but, you’ve already seen this before, and done better.

It’s alright.

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[EXPRESSO] Il Signor Diavolo (2019) | “Superstition, fear, and jealousy”

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To most of you in the english speaking regions, the name Pupi Avati most likely doesn’t ring a bell., but movie buffs may remember him as the director of The House With The Laughing Windows, and this movie (title translates to “Mr. Devil”, roughly, and came out a couple of days ago in Italy) marks its return to the horror genre since 1996’s The Mysterious Enchanter.

Set in the northern Italy of 1952, the movie follows a ministry inspector, Furiò (yes, with an “i”) Momentè, tasked to clean the reputation of the church regarding the murder of a teen, believed to be possessed by the locals, killed by a fourtheen year old boy named Carl. As he travels to Venice to investigate, he reads the reports of previous interrogatories with the boy, learning of how Carl and his friend Paul lived happily, until the arrival of Emilio, the deformed single heir of a powerful woman, and popular opinion is that he tore to pieces his own little sister.

Paul shows off and publicly humiliates Emilio, whom, angered, snarls at him with monstruous teeth, and weird things start happening in the archaic small town, still largely beholden to supersistion and a tangible, fearful belief in the Devil.

It’s an old school horror movie, in many ways (there some practical gore done by Sergio Stivaletti, better known for his work with Dario Argento), with a good atmosphere, and it’s intriguing to see the inspector wading through the files and trying to discern the truth, wrapped as it is in a shroud of confusion and beliefs borne from pious peasant minds prone to burn the witch, all serving a conflict of religious and political interests, with an ambiguous but satisfying outcome.

Quite good, despite the “slo-mo” effects being a little too “old school”.

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[EXPRESSO] The Quake (2018) | Daijishin

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Disaster movies aren’t exactly my bag, but this time isn’t about american setpieces and explosion porn, it’s a norwegian thriller about a distraught geologist, Kristian Elkjord, who years ago was able to save his family and other people from a previous earthquake, but was also consumed by guilt over the many people who died, and became obsessed by his work and research. So much he practically abandoned his family.

When he hears of a friend/colleague dying, he starts looking through his notes and alternative theories about the methods of detecting and reading telluric activity, he realizes he was onto something, and tries to convince his old boss that an earthquake of gynormic proportion is about to break out in Oslo, but he dismisses it as him being paranoid as hell, even more since the technology they have now made monitoring sismic activity even better than before.

But because the movie would stop 40 minutes in otherwise, Kristian is right about the earthquake, and tries to grab his family and run away before it happens, but he has to rescue them from a crumbling skyscraper in the center of the city during the aftershocks.

If you’re here mostly for the spectacle of Mother Earth undoing the work of man in a fell, catastrophic swoop (which delivers in the final act), then The Quake isn’t for you, because it’s mostly about Kristian trying to make amends with his family left behind for a cause he found to be more important, feeling responsable for not having done more before.

Which isn’t a bad thing since the drama is compelling, acting is good, but characters and direction feel a bit too dry, especially in the action scenes of the last act.

Not “good”, but quite, quite close, a B++, if you will. Worth seeing, still.

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P.S.: Also, this seems to be a follow up of sort to a movie called The Wave (cited in the american tagline), which i didn’t see or knew existed.

[EXPRESSO] Fighting With My Family (2019) | Wrestle for it!

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Preface: i was not familiar with the real life events this is based upon, or the 2012 documentary The Wrestlers: Fighting With My Family, about the wrestler Paige.

And one could have made some educated guesses that some of the events didn’t actually happen, i didn’t even know it’s basically a dramatization of a documentary based on a true story. I did know it had Dwayne Johnson, Nick Frost, Vince Vaughn and Florence Pugh (recently seen in Midsommar) in it, and i was already sold on that.

Zak and Saraya Vebis, brother and sister, since the age of 10 are trained by their parent in their work and family tradition: putting up wrestling events and training other kids in their gym in ol’ Norwich, UK. They grow up with the dream of making it big, until Zak and Saraya manage to attend a try-out event, but only Saraya is ultimately accepted, which crushes Zak’s long held dream.

So Saraya moves to Florida to train and try to actually be signed into a league, and Zak stays in Norwich to attend to his newborn son and the family gym.

You’ve heard this story before, you know where it goes, but it’s done without over-romanticizing the sport/craft in question, with believable character arcs, believable characters, a great cast, and it isn’t a glorified ad for the WWE, or its’ public, for that matter. And more importantly, it has a honest, big hearted attitude about the drama, so it never feels too contrivedly syrupy or more dramatic just for the sake of being dramatic, but more grounded in reality.

Not a complain about the movie itself, but there’s a bitter aftertaste to it knowing this year the WWE strikes a 10 million deal with Saudi Arabia for pay-for-view shows, so no women division, because Saudi Arabia.

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