One Piece Odissey PS4 [REVIEW] | Cube Memory

One Piece might not be a franchise that you would immediatly associate with RPGs, but like Dragon Ball its surprising how the genre is represented in their many videogame iterations, especially if we’re talking about older systems, and even more so if we’re talking about Japan-only releases, as the first One Piece videogame was a RPG on the old black-n-white WonderSwan, and more came out for both the Wonderswan family of consoles as wells as for Game Boy Color, Game Boy Advance, and even on the original Playstation.

But sadly most western fans are not familiar with some of these quirky GBC One Piece RPGs where (among other things) the Straw Hats are turned into animals, no, most likely you’ve yearned for years for a localized One Piece RPG, only to find out that it exists, One Piece: Romance Dawn, and that it’s sadly a very shit game, even worse as it’s a port from PSP to 3DS, and a cheap one too, because knowing this it makes all sense for the game to look that much like old ass.

I reviewed that one as well, but today we’re here holding hope to finally retire this status and have a big budget mainstream RPG that can make the series some justice instead of wishing they wouldn’t have bothered to begin with, with the long anticipated One Piece Odissey, developed by ILCA and published by Namco Bandai (who else?) in January 2023 to celebrate the series’ 25th anniversary.

Available pretty much on all the platforms, old gen and new…. but not the Nintendo Switch.

For the record, this review is based on the PS4 version played on a PS4 Pro.

Continua a leggere “One Piece Odissey PS4 [REVIEW] | Cube Memory”

One Piece (Shonen Jump’s) GBA [REVIEW] | USA Piece

There are many One Piece videogames, even on the GBA, most RPGs or fighting games, but there is a notable exception, even weirder than usual since it out came out in North America, and North America only. Yep, despite being developed by Dimps (the Sonic Advance series, Draglade, many Dragon Ball and Shaman King licensed games… and shit like Seven Samurai 20XX), it was never released in Japan or Europe, only in the US as simply “One Piece” (also listed as Shonen Jump’s One Piece for cataloguing needs) in 2005.

As of why i’m not sure, sure, it was based/dependant on the 4kids butchered version of the TV anime series, but the same was true for the first OP: Grand Battle PS2 game and that had an European release… so it basically means most people experienced it via emulator, i first did too, until i did found a cartridge for an “okay” price, but unless you’re a fan of the series and-or a dedicated GBA collector, i wouldn’t bother searching for an used copy, since it’s quite pricey today.

I’m not even gonna suggest waiting for a rerelease because it more than simply “unlikely”, unless it randomly pops up on Switch like that Macross GBA game, or Badnai Manco makes a complete One Piece videogame collection in the future.

Regardless, it’s also odd how this was the only One Piece GBA game that released outside of Japan, maybe due to the licensing as the time, most likely the same legal bullshit that saw the first Unlimited game never released in Europe, while the Unlimited Cruise titles never arrived in the US.

Continua a leggere “One Piece (Shonen Jump’s) GBA [REVIEW] | USA Piece”

Dynasty Warriors Strikeforce PS3 [REVIEW]| #musoumay

As most Warriors fans know, once a main numbered entry in the Dynasty or Samurai series is released, Koei and Omega Force don’t follow up them up with another numbered either, no siree, but basically squeeze the foundations and assets of the newly made entry for many spin-offs, alongside the expected Xtreme Legends and Empires versions.

And Dynasty Warriors 6 was no exception (thought the poor reception had a lot less derivative titles spun from it, not even a proper XL expansion), so back in 2009 they made another one, Dynasty Warriors Strikeforce (Multi Raid in its japanese release) to also ride on the “online co op” frenzy the industry was pushing wish during the PS3/360 era…. on the PSP, initially.

Then HD ports on consoles that touched up the graphics, added full in game voice acting for battles and non-battle events. Though worry not, most of the cutscenes are outright recycled from DW 6, with just a slightly different hue overlaid to disguise the fact it’s stock footage.

The story is basically the same as always, there’s really not much to discuss, aside that this time magic, mystical beasts and the such plays a lot more into it, leading to some alternate or new events alongside the classic confrontations like Chi Bi, Wu Zhang Plain, Xia Pi, etc.

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10 Hours-ish Into One Piece Odyssey

While i’m overburdened to even conceive putting out a full review for the game (since i’m still early into it, as the title may suggests, since it’s a JRPG we’re talking about) before Spring hits, i do wanna talk about it since i have been looking forward to it since the announcement, and i pre-ordered the collector’s edition with the figure and season pass and shit.

I mean, i have been expecting a proper One Piece RPG to wash the horrid taste Romance Dawn on the PSP/3DS left in me mouth for years, and i’m not feeling like digging out emulated and/or translated roms of those very old and very “Japan-only” One Piece RPGS on the Wonderswan and Game Boy. I do have some of those imported, but whatever, i do want to play something modern once in a while, you know?

Btw, these first impressions are based on the PS4 version running on a PS4 Pro (and there’s also a demo version available), so you know.

Continua a leggere “10 Hours-ish Into One Piece Odyssey”

12 Days Of Dino Dicember #16: Raptor Island (2004)

Some tales are indeed worthy of a Princess Bride style framing, as they retold time and time again.

Some are expendable TV movie fodder that will be only remembered as vague snippets of an – often incorrect – IMDB entry by generations of trash seeking cinema nerds, lured in by the dinos.

Those aren’t definitely getting any younger. Or older.

And indeed Raptor Island is one of those, where the “dino cheese” is so thick you could just read a synopsis and rightfully assume this was a TV movie for the Sci Fi Channel, because it involves a team of Navy Seals fighting terrorists somewhere in the South Chinese Sea area, stumbling on a island where a bunch of dinosaurs seem to have survived that global extinction event thingie.

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[EXPRESSO] One Piece Film Red (2022) | Idol Live Stream

Managed to catch a subbed preview screening in cinemas here, and actually catched another esclusive screening for the tie-in anime episodes meant to complement One Piece Film Red.

Not that you really need to see those going into the new One Piece movie, you don’t.

As the marketing and title (logo included) strongly implied, it’s a movie that involves series fan favourite Shanks, indirectly, as it’s about the pirate crew reaching a mysterious island where the first live event of the world’s most popular singer, Uta, will take place.

The Straw Hats come to party, Luffy it’s revealed not only being a childhood friend of Uta, but girl herself being the daughter of Shanks, one of the Four Emperors Of The Sea, which attracts other pirates – as well as the Marines – on the island of music, Elegia.

And despite the obvious fact this is also a vehicle for rising j-pop singer Ado, whom provides all the soundtracks (giving Kohei Tanaka some well deserved rest)… it’s also a surpringly good script, with Uta being a very good original character, some intriguing surprises that also justify in terms of narrative the many musical pieces, which are also very intriguing visually and incredibly well animated, while the songs themselves are quite catchy.

Definitely a more original and interesting script than the all-stars extravaganza of 2019’s Stampede (while it’s also the first film appearance for many relatively newer characters like Katakuri), and a fitting return for Goro Taniguchi (Code Geass, Gun X Sword, Planetes) to the series, decades after his One Piece Ganzack’s OVA by Production IG.

Sure, it leverages Shanks’ legacy/importance in the series to rope in fans, but it does not overrely on nostalgia alone, at all, making Film Red a surprisingly strong (and varied) entry in One Piece’s filmography.

[One Piece Film Retrospective] #14: One Piece Stampede (2019)

Oddly a movie title that could have also worked for Chopper’s Kingdom on The Land Of Strange Animals, since that actually has bull-like animals going into stampedes, while walnuts are disappointingly missing from the 14th One Piece film, One Piece Stampede, which doesn’t really have a “wild west” theme of sorts, despite its title, but delivers with a smorgasboard of characters from the series.

Fitting as its main raison d’etre was to celebrate the animated series 20th anniversary.

And indeed in retrospect its become even more clear the main goal of One Piece Stampede was to bring together an all-stars ensemble of One Piece character, especially the ones rising in popularity and that make their film debut here, like Trafalgar Law, Kidd, Boa Hancock or some oldies-but-goldies, like Smoker and Tashigi. Yep, in case you forgot or didn’t read the review of Episode Of Alabasta… they were actually absent from that one, absurd as it sounds.

Continua a leggere “[One Piece Film Retrospective] #14: One Piece Stampede (2019)”

[One Piece Film Retrospective] #13: Film Gold (2016)

*cue crazy prospector’s laugh *

We’re finally getting to the One Piece films i’ve actually watched in theathers while they were new, and coincidentally audiences also had to wait a while before seeing a new One Piece film, 4 years to be precise. Most likely as they realized they couldn’t keep cranking them out on annual basis because otherwise Toei would find even more of its staff overworked to death. Just a hunch.

An upside of this 4 year gap is that audiences were gonna be even more eager and ready to get hyped at the prospect of a new One Piece film, one that had a very huge marketing campaign behind it, and was definitely ready to rack in the titular auruos substance, so much it had a world premiere on Jule 15th at the Emirates Palace’s hotel in Abu Dhabi, then released a week later in Japan. Not THAT surprising, considering how a Saudi fan pretty much singlehandedly funded the documentary about Dinosaur War Izenborg, simply called The Return Of Izenborg.

But today we’re talking One Piece Film Gold, so back to that!

Continua a leggere “[One Piece Film Retrospective] #13: Film Gold (2016)”

[One Piece Film Retrospective] #12: Film Z (2012)

After the very brief and very odd interlude of Straw Hat Chase, Toei “came to their senses” and the next year released another proper One Piece film, surely having learned that these movies are at their most successful when you have extra side-corn to market them, as in OVA and small filler arcs for the TV series, alongside the eventual promotion with retailers and shit.

So yeah, this had a tie-in filler arc in the TV anime, and an OVA set slightly before the events of the movie, Glorious Island Z, aka Nami and her big floaties taking more screentime (and “choice angles”) than Luffy eats meat during any meal of the day.

Fitting title, though.

Even if viewership can be spotty as some people got bored or tired of the TV series’ pacing (especially if they already know what’s gonna happen from reading the manga), you can bet chances of these people taking a look at the trailer for a new shiny One Piece film, even more if you market it by saying that this will pit the Straw Hats against one of their most powerful enemies ever.

Continua a leggere “[One Piece Film Retrospective] #12: Film Z (2012)”

[One Piece Film Retrospective] #11: Straw Hat Chase 3D (2011)

Strong World was such a step up in terms of One Piece movies, such a big deal that in 2010 they didn’t release any new One Piece film, but that can be – partially – attributed to the fact Strong World was delayed to December 2009 from its original spring release windom that same year.

Clearly it was a bit too good or too much, as for the next installment Toei basically went back to the roots so hard it did a 360°, heck, arguably even more, since this is the shortest One Piece released so far (and probably will forever hold that distinction), just 30 minutes, to the point one would struggle to even consider it as such, despite being included in many One Piece films collection.

Even the first 3 movies were each longer than this, still films, but we’re basically back to that type of dealio, complete with the fact it was a double bill screening, so you would see this and Toriko 3D Kaimaku! Gourmet Adventure, which also marked the first movie for that series, but not the last time One Piece and Toriko would crossover with each other, and some space ape warriors too…

Continua a leggere “[One Piece Film Retrospective] #11: Straw Hat Chase 3D (2011)”