Tag: Action

[One Piece Film Retrospective] #15: One Piece Film Red (2022)

Yeah, bringing back the One Piece retrospective…. kinda, more like continuing it, with a full, detailed review of the last released One Piece movie, Film Red, that hit theathers in 2022, after the EXPRESSO review done at the time it released in theathers here.

For context, that year i was able to see the tie-in episodes of the series during the yearly Lucca Comics & Games convention in Italy, sadly i missed the early projection of the movie itself, but i did see the aforementioned episodes meant to tie-in to Film Red that detailed a young Rufy meeting a young Uta in Fusha Town when Shanks and his crew set anchor there.

Which are cute but as you would expect they’re not mandatory viewing in order to understand the plot of Film Red, it’s a big popular franchise, they’re not gonna risk alienating people who don’t watch or follow the TV series but do follow the manga, for example.

Who’s Uta, you might ask? But she’s the new character and protagonist of Film Red, a world famous livestreamer and renowed singer that is finally having a concert on the island of Elegia, ammassing a huge amounts of fans coming from all walks of life, be it Goverment soldiers, Navy officers or pirate ships, and of course the Straw Hats come too, as Luffy arrives there and reveals he and Uta were childhood friends.

And then he drops the bombshell that Uta is Shanks’ daughter.

Continua a leggere “[One Piece Film Retrospective] #15: One Piece Film Red (2022)”

Tidal Wave: No Escape (1997) [REVIEW] | Surf Nukem

It’s a drought in every way, so let’s go the ol’ content mill to see what garbage TV disaster movie we can fish out from Amazon Prime Video and it’s ever so unreliable availability of old stuff that now is included with the Prime membership, now isn’t available anymore, or is it but if you subscribe to another channel/service for 8 bucks a month, so sod it, let’s see a random pick from my list which is available for “free”, and if nothing else there’s plenty of these disaster movies to chew through on the service. So i’m kinda glad we didn’t land on one of the Asylum one with this dice throw.

Nope, we’re going back to the late 90s, on the verge of the 2000s being a thing and the Y2K scare was being throttled, with all the bullshit it produced, but it was simpler times as you could make disaster movie about “just” tsunami without the need of a hook like crystal meth spiders hiding under the tectonic plates so now we have swarms of drug spiders being spread by the tidal waves.

Predictably, Tidal Wave: No Escape, directed by George Miller (not that one, despite this George Miller also having a history of directing children movies with/about animals) is about tsunami happening out of the blue (pun) in various american coasts, which forces the usual unwilling “scientist in hiding/ritire” to touch grass and try to make sense of the phenomenon, revealing that he did study a method to artificially create tidal waves, so he gets suspected but then a mysterious voice calls them to inform that the killer waves will happen again, and again and again.

Is Poseidon itself treathening mankind? Will the dumbass army men figure out he’s obviously not the protagonist scientist behind this? Will he form a bond that will bloom into romance with the female scientist that initially thought explosions or meteors were behind the tsunamis?

In terms of plot or characters there’s nothing we haven’t seen before, but even if mostly stereotyped (the dickwad head honcho who is convinced the hero is actually the villain because of petty jealousy, also present in the variant of the more fair and impartial but also incredibly dense black officer whom isn’t as lucky as the dickwad boss), the characters are ok, the acting is decent enough, and surprisingly the effects are not too bad looking today.

Sure, they have certainly aged and are obvious by today’s standards, but this one came before widespread use of cheap digital effects, which are maybe used twice for minor things, so they have to make the waves hitting look real the old fashion way, and for a TV movie of the era it does a respectable job, given the limitations and not having much in terms of “cinematic scope” for spectacle. Again, it was indeed what one could expect for this type of production in that decade.

And to my surprise, Tidal Wave: No Escape it’s actually not bad, not bad at all, the balance between drama and the conspiracy plot is actually nice, and direction is strong especially in the first half, sadly after the mid point and the reveal of a character’s true motivations, the narrative kinda turns into a more typical and a bit too old school action-disaster movie stuffed with boring or filler-ish dialogues so the villain can say something before the climax and some dumb conversations can be had, even thought by this point you won’t really care much about and are just waiting for things to finally unfold as you’d expect they would (and they do).

It’s definitely a naive and kinda outdated relic of its time, especially as you can date it just by how the “hacking” and rudimentary database rummagign is done via old DOS computers on the respectively old timey computer screens not brimming with many colors, but honestly that’s kinda cute to see today, and overall the movie manages to be respectable, enjoyable despite its flaws , which surprisingly do not lie in aged special effects, more in a bloated third act and a fairly thin plot, but it doesn’t bore the viewer with excessive and tiresome pseudo science exposition dumps, plus it does its job with some dignity despite the overall result being just above mediocrity, and that alone is more than one could have expected to say of a 1997 TV disaster movie about tidal waves.

[EXPRESSO] Meg 2: The Trench (2023) | Cranking It Up

As one of that quite enjoyed the first The Meg (believe it or not at the time it had some very split reception from genre fans), i was waiting for its sequel arrive in theathers, pretty giddy about it too, though honestly shark movie fans nowadays pretty much HAVE to make do with anything in terms of theathrical releases.

After all, we are in such an ironic drought that even The Asylum has to commission their mockbusters to the Polonia Bros, so yeah, i’m quite glad we get more “megalomachia” as Jason Statham once again dons the eco-warrior kick ass action hero character whose name i honestly forgot, not that you’re gonna call him that (leave to a side-villain to scream his name when confronting him), and this time he ventures with a new submarine alongside his old and new sealab companions, with the idea to go even further below to where the “megs” prosper, but accidents happen as they also stumble upon an illegal underwater mining operations, and explosions let many of the deep sea creatures reach the surface and start causing the mess, including a giant octopus and what are basically abyss deep “varan-raptors”, frigging dinosaurs.

While the first one was fun, this one is arguably better, with more variety of locations, creatures and set pieces, since we don’t spend half (or all) the movie in the usual high tech underwater lab where the megalodons are kept, but we quickly move to the abyss trench and its peculiar fauna, the mining company installation, even some tropical resort island, and we even get monster vs monster action.

Honestly Meg 2: The Trench has pretty much everything you’d want from one of these dumb ass big budget shark/dinosaur films, very entertaining, with enjoyable characters and abundant over the top action.

[EXPRESSO] Mission Impossible: Dead Reckoning – Part 1 (2023) | Man Machine Interface

That ol’ darn Ethan Hunt is at it again, with the seventh installment of the Mission Impossible movie series, or its first part, because – as it should be clear by now – the two parter trend is back for mainstream big budget movies released in theathers. Heck, even Fast And Furious did it!

But if you had somewhat lukewarm or mixed expectations about Dead Reckoning, especially when it also follows the other trend of making movies even longer than before, inching ever so close to that dreaded 3 hours runtime…. well, Dead Reckoning Part 1 will put those to rest, because it’s actually a rare treat, in a way, both as the new installment of a very long running series that remained mostly constant in tone and style, but also as a demonstration that this kind of blockbuster action thriller movie can still be done today and actually impress audiences.

First, the plot it’s actually very modern (though a decade before would have been considered pure sci-fi), with an advanced learning IA that went rogue, became sentient, then made its incredible power of changing reality known, thus starting a race between nations for the only item that can give control over this almost-omnipotent entity.

Ethan Hunt and his crew are enlisted too, but they realize that to do the right thing they will have to go rogue themselves, given the unbelievably high stakes at play.

In a way there’s – mostly – nothing we haven’t seen before, but the execution is so good, the dedication to not cut corners and actually use the budget where it matters, especially the incredible stuntwork, there’s just so much obvious committment to make this as intense, suspensful and entertaining as possible, while not making the long runtime feel excessive.

Quite a blast, honestly.

[EXPRESSO] Knights Of The Zodiac (2023) | Saint Seiya Evolution

It feels like its the late 2000s again with a production like this, as if Dragon Ball Evolution never released, or it did but nobody learn shit from it, just by gazing upon this brand new live action adaptation of the popular manga/anime series Knights Of The Zodiac, better known as Saint Seiya.

IF you knew this was coming at all, in the US the series never really “took off”, and even in countries like Italy where it still has a lot of nostalgic value for older generations, it has been barely marketed at all and released as 3 days special event thingie, kinda telling.

Honestly, i was never much into Saint Seiya, but just from the trailer i recognized the whiff of another Dragon Ball Evolution. Though this one is SLIGHTLY better.

Just because the effects and visuals are a bit better, and the fights could be worse.

But it’s still a terrible, lousy adaptation that’s so 2000s and it’s a total crapfest anyway, as it checks ALL the negative boxes.

Wildly miscast actors that either half-ass it or are just pure pine, a script trying to squeeze a saga worth of info into a 2 hours runtime, a narration with no focus continuously jumping from scene to scene without context, that is when the stereotypes (there are no actual characters in this movie) aren’t vomiting torrents of exposition.

Even worse, it’s also a BORING mess, and it’s that kind of adaptation that it invents his own plot, one that has barely anything to do with the series’ premise, and – for good measure – it’s stupid, boring, threadbare and utterly tiresome on its own, managing not only to disappoint long time fans, but also alienate general audiences.

Not that it stops this movie sequel baiting into the void.

Thunder Of The Gigantic Serpent (1988) [REVIEW] #snakesofjunetoo

One of the more infamous piece of copy n paste cinema from the IFD Film & Arts factory of Godfrey Ho and associates, one that happens NOT to be a ninja movie with their pink ninja pajamas and 30 seconds superfights against caucasian ninja masters, but the other kind of exploitation the company specialized in, the “actionxploitation” flick with super american stereotypes fighting against criminals of some ilk, all played by the same 6 non-asian guys Ho and Lai employed.

And we’re lucky because we got Pierre Kirby in this one, playing agent Ted Fast, who only works alone because he’s so good and not utterly stupid, opposing the crime boss Solomon, after a secret formula that can make animals and plants grow to gigantic proportions, like 3000 times their original size.

But sadly Solomon will have to crime very hard for it, since the formula is actually from the “host movie” spliced in by Godfrey Ho (here directing), a 1984 Taiwanese kaiju movie titled “She Wang” (translating to “King Of Snakes”) about a pet snake, Mosla, belonging to a little girl that accidentally comes in contact with the formula, grows giant, and then stars rampaging because the terrorists after the formula kidnap the girl, and Mosla is having none of it.

Continua a leggere “Thunder Of The Gigantic Serpent (1988) [REVIEW] #snakesofjunetoo”

[EXPRESSO] Fast X (2023) | Furious Finale, Part 1

As the Fast And Furious series sheds even more words from their movie titles (in order to gain even more speed, obviously), with Fast X we reached the finale… kinda, as it’s a two parter, given how over the top the series is nothing else would have quite sufficed.

I would say they fumbled the opportunity to make the franchise go into space… but that already happened, so Fast X had to somehow up the ante of absolute bullshit that most people have come to love over the years. Myself included, these movies are so dumb but also utterly and sincerely committed that they come off as endearing.

It’s like a live-action shonen manga version of The Italian Job where superpowers are replaced by improbable car manouvers and the universe is themed/styled after the Gasolina music video, where Vin Diesel instead of unleashing a Bankai presses the NOS button or tailspins like a beyblade, it’s fucking great preposterous nonsense and i love it.

In terms of plot we have another shadow from the past style character, Dante Heyes, come and unleash vengeance for the “Toretto team” having killed his father many movies ago, and he’s planning to go full on the eye for an eye business upon Toretto’s family, prompting Vic and his allies on a world throtting chase to stop Dante’ schemes.

To be honest, this is kind of a lukewarm “part 1”, aside from the fact that yes, this is supposed to be heavier on setup… it’s a bit “meh”, as in, still entertaining but we’ve seen better and far more absurd shit happen in these movies, thankfully we have Jason Momoa as a fruity sociophatic villain stealing the show and giving the movie some needed energy.

Cautiously optimistic part 2 will actually be a worthy pay off.

Earth Defense Force AKA Monster Attack PS2 [REVIEW] | Thus The EDF Fought

As we wait for the western release date of EDF 6 (which came out in Japan last August), let’s go all the way back to the beginning, with the original Earth Defense Force on PS2.

Unlike EDF 2 which got an enhanced port on PS Vita, the original Earth Defense Force still remains a PS2 only game, one that americans didn’t get, as the first EDF was only localized in PAL territories as Monster Attack and distributed by Agetec in… lets say limited numbers, since today finding an original copy can be fairly pricey, if you find a PAL copy to begin with, instead of the many cheaper japanese PS2 copies floating around the net.

I did manage to get a used PAL copy under 30 bucks, but one could suggest it’s better to just emulate the thing, if you’re really curious to see how EDF started as a fan of the series, otherwise there’s really no point to simply recommend you play EDF 4.1 or 5 nowadays.

Continua a leggere “Earth Defense Force AKA Monster Attack PS2 [REVIEW] | Thus The EDF Fought”

[EXPRESSO] Dungeons & Dragons: Honor Among Thieves (2023) | Laugh The Die

Dungeons & Dragons need to introduction, i feel, nor i could give it one since i barely even played it at all, tabletop ain’t my thing, but i simply cannot praise the D & D community for pushing back about that OGL mess, which is extra hilarious in hindsight since that’s what you want, Wizards Of The Coast, to push an unpopular revision/change of such a rooted experience, out of the blue, and do so when you have a movie based on the license about to hit theathers.

THAT addressed to the best of my knowledge/competence, i don’t have much baggage with D & D – just making it extra clear -, so i approached the movie as a modern fun action fantasy with mages, rogues, and people turning into owlbears, as its own thing, one could say.

The plot sees a charming thief and his party of unlikely adventurers stumbling upon a forgotten relic and basically doing the “big heist” of their carreer, only to get double crossed and inadvertitly gave the relic to people that were planning to do some very, world ending evil shit with it, so after escaping prison and getting most of the old party back, they will have to get revenge, save the bard’s daughter and eventually the world from what they unwittingly aided bring upon.

It’s no wonder it got such good reception, because it’s a lot of good fantasy fun, with lots of monsters, traps and fantasy stuff, entertaining action scenes, fun & likeable characters, good comedy that also reminds us you can use quips to actually enhance jokes and characterization, not just as a substitute of actual comedy or just diffuse tension, which is “fresh” once again in this media climate, especially for the nerdy-ish inspired sides of big budget cinema.