12 Days Of Dino Dicember #18: Cowgirls Vs Pterodactyls (2021)

In the spirit of exploiting terms like “gender equality” and “inclusive”, i had to follow up my review of Cowboys VS Dinosaurs with this one, because everyone (aside from nazis, fascists, and their “variants”) is welcome to make its own bad movie about dinosaurs, with effects that really stretch the modern goodwill towards crap movies to excuse stuff that’s embarassing even by film student standards.

So cowgirls can fight the other – and honestly more represented in cinema – group of specific dinosaurs, because we’ll pretend we can’t afford to create any other dinosaur that isn’t a pterodactyl.

I do like pterodactyls (and Aerodactyls), so whatever, what plot brings these two factions to fight for the fate of the land without having to kidnap emperors?

A stolen husband. Yep. One day a teacher’s husband is pteronapped, so she enlist the helps of a prostitute and a gunslinger (a rpg class not represented in the title, for shame) to save his ass.

One thing i was hoping for is them trying to do this as “period piece”… and they do!

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12 Days Of Dino Dicember #17: Dinosaurus! (1960)

Among the many dinosaurs films ailing from the 50 and ownards, Dinosaurus! comes to mind as a classic cheesefest full of b-movies cliches, incredibly outdated values and characters that would fly only in that decade, sometimes for other reasons besides being offensive.

Never mind it being from the ’60s, or the fact that Steve McQueen was intended to play the lead character (after his success as the lead teen in 1958’s The Blob, also produced by Jack Harris, and also directed by Irvin Yeaworth), but opted out to star in The Magnificent Seven, never mind, because this is such a cornucopia of old timey laughable b-movie trash that it was eventually featured on Rifftrax. It was just a match made in cheap dinosaur heaven.

Such a perfect film to lampoon and ridicule that i’m surprised it took them until 2018, and now it’s fully free on their Youtube channel, so you have no excuse now.

But for us, we’re gonna try and review it in his “riff-less” original release, it’s the season of giving after all, so let us partake in some fermented dinosaur cheese of yore.

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[EXPRESSO] Diabolik 2: Ginko Attacks! (2022) | Color Cinecomic Photoplay

After the Diabolik revival movie of 2021 was surprisingly succesfull, we now have the sequel, Ginko Attacks, with inspector Ginko pressing its dogged hunt for master criminal Diabolik, managing to find its hidden lair, and eventually collaborating with a betrayed Eva Kant.

Though Diabolik himself was recast, here being played by Giacomo Gianniotti instead of Luca Marinelli from the 2019 movie.

As of why, Gianniotti does look almost identical to Diabolik as depicted in the original comics, but it’s a bad trade-off as Marinelli was by FAR a better actor, and a better Diabolik.

He doesn’t even feel like the same character either, but then again almost no character in Ginko Attacks has a semblance of personality, just existing as a barren narrative gear.

Cumbersome pacing (for a 2 hours and 20 minutes movie) doesn’t help, nor having Monica Bellucci in the cast.

Dialogues are pretty awful too, and tipify the whole problem with the movie, as it feels excessively faithful to the source material, making one wonder if they lifted the text verbatim from the comics, without ever considering how (or if) they would work in an actual film, or to actually update the literal decades old material for modern cinema standards.

So it’s no wonder the plot it’s also bad, utterly predictable from the get go regardless, with the twists/reveals actually making thing worse, because the entire narrative relies on almost every “character” being way too fuckin stupid to predict what the audience did hours ago.

Though it’s hard to get angry because it’s such an alienating, empty experience, with some style backed…by absolutely zero substance, and it’s very disappointing since the first movie was flawed, yes, but also WAY better.

So i’m not exactly looking forward to the third one already in the works.

Awful. Disappointingly awful.

The Ninja Warriors (Arcade Archives) NSWDDL [REVIEW] | Arcade Ninja Terminators

Well, guess who bought this on sale on the Nintendo eShop on a whim and kinda regretted it.

I was surprised to see this on the “ACA” label, as The Ninja Warriors received a remaster on Switch, even on a non-limited physically produced cartridge, didn’t knew it had an arcade version…

and i was right because it didn’t, Taito just happened to make an arcade game called “The Ninja Warriors” (the one being reviewed here) in 1987 and then reused the same name for the sequel on the SNES… which is kinda confusing anyway(and also oddly appropriate) as it’s more of an enhanced remake.

And boy, the arcade precedessor/original, aside being outclassed in everything by the SNES game….didn’t age as well, as the arcade trappings are so obvious and dated, thought it’s not a complete disaster or a completely mediocre forgettable relic that leaves nothing to say about it.

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The Spooktacular Eight #15: Once Bitten (1985)

While we wait for the third Sonic The Hedgehog film to remind us that Jim Carrey still works because why wouldn’t he say no to Sega asking him to redo his old shtick… well, let’s go back to one of his earlier film for this year’s entry in old horror comedies that time forgot.

I could have reviewed instead The Silence Of The Hams, but we did revisit Dracula Dead And Loving it last years, so Mel Brooks and Ezio Greggio get a pass this year.

I actually haven’t seen nor heard of this one before doing some research, so serendipity today brought us to shine a spotlight on Jim Carrey’s early carriers, and it’s hard to go back even further than Once Bitten in terms of feature films, since this movie marked Carrey’s first major role ever, playing the innocent and naive high school student Mark Kendall, seduced in a Hollywood’s nightclub by a sultry countress, whom happens to be a four centhuries old vampire.

Why him? Well, in order to keep her youthful appearance (and immortality), she has to drink blood from a male virgin man 3 times by Halloween each year, which starts to become a issue, since its the 80s and this centuries old vampire countress figured it was best to settle in frigging California to satisfy this specific need. HM.

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Student Bodies (1981) [REVIEW] | Comedy Dies Tonight

In the spirit of school season, here’s a rewrite for Student Bodies, the 1981 slasher parody direct by Mickey Rose (writer of Woody Allen’ Bananas and Van Dyke And Company, among others) and Micheal Ritche (Bad News Bears, Wildcats, The Golden Child), which is notable for being the first movie to parody the then rising slasher genre, which at the time had success stories like Halloween and Prom Night.

It’s an interesting artifact of the era, which is why this isn’t so much a rewrite but a new review built from scratch (i did cover it years ago in one of my italian blogs, FIY), despite the fact this movie would have deserved me just unearthing and traslating my old review with barely any edits, but its historical importance it’s enough for me to overlook the fact i kinda hate it a lot.

After all, it’s something to have modern movies take the piss of the slasher subgenre, so i’ll have to give Student Bodies some credit for being the first of its kind, decades before Scary Movie and its spawn run the parody subgenre to the fucking ground (with the internet age subsequiently making them redundant as big studio productions you went to see in theathers), and here you’re kinda looking at the genesis of those misbegotten films, an ancient prototype if you will.

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[One Piece Film Retrospective] #5: The Cursed Holy Sword (2004)

When preparing to do this new One Piece films retrospective, there was one in particular i was dreading to cover again, that i istantly knew i wasn’t gonna like having to watch another time for review purposes. Yes, i didn’t particularly care for the first official One Piece movie, but i always had “beef” with The Cursed Holy Sword, even on a conceptual level it irked me greatly.

But i’m a man fond of redemption tale, and giving this movie a second chance after all was just professional courtesy as a critic, after all it’s a “re-view” in name, fact and spirit.

I will recognize that one could see this movie in particular as an attempt to offer something a bit different from before in terms of movie outings, i can’t fault that mindset, but i still feel like this was a previous script for another shonen series that was repurposed for another, more popular IP, regardless if was a good fit or not.

And yes, i would argue the fantasy-heavy storyline doesn’t really fit the world of One Piece much, usually the weird stuff it’s all due to some Devil Fruit ability or something that is treated akin to science, something that its grounded in its own reality, see the Skypiea arc treatment of the “gods in the sky” kerfuffle. Put another way, 99 % is just stuff that it’s explained in-universe sooner or later, i mean, it fits with the underlying “age of discovery” angle the pirate theme often brings.

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King Cobra (1999) [REVIEW] | Dropkick Cobras with Pat Morita #snakesofjune

Due to the overabundance of snake movies, distributors had improvising their own method of flute chanting to enthice people, in this case by slapping on the cover Pat Morita’s name, and with special effects curated by the Chiodo Brothers of Killers Klowns From Outer Space and Critters fame.

Well, that sure would have gotten my attention, but even the funny Erik Estrada cammeo wouldn’t properly mask how this is the squintillionth Jaws rip-off.

That’s literally it.

I know i did eventually described the same plot over and over since lots of b-movies ripped off Jaws in everything, you wanna know the context that lead to a giant snake hybrid breaking loose? Fine.

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[EXPRESSO] Congo’s Caper/Joe & Mac 2 SNES | Sun Wukong Upon A Star

Ah, yes, the three inescapable truths of life: death, taxes and SNES caveman platformers that somehow you didn’t play or knew existed, like todays’s Congo’s Caper, just recently rereleased on the NSW Online subscription/retro apps.

This one it’s a bit more recognizable than stuff like Prehistorik Man, as it’s basically a spin-off of the Joe & Mac: Caveman Ninja series by Data East, but also the second game in the series, since it was actually sold as Joe & Mac 2 in Japan and PAL regions.

And i kinda get why, as Data East also recycled some characters from the mainline Joe & Mac series, like the devil or the first stage t-rex boss , and the controls are similar, as it retains the high jump, but not the weapons, as you use only a small club to attack.

The more distinctive feature is the player character turning back into a monkey if hit, and regaining your human form with a red crystal (Mario style), with the ability to enter a “super saiyan” invincibility state too, you’re a half-monkey man after all.

Controls are actually pretty smooth, arguably better than the original Joe & Mac, the new protagonist has some new abilities like hanging from vines, so it should be better…. and it arguably is, it’s definitely more polished, has a lot more levels, BUT it’s too easy for its own good, it’s fun, but it lacks challenge, and the level themselves are very short, while also not providing anything you haven’t seen (or heard, as some of the sound effects are pretty much “ripped off” of Super Mario World…. or its sound libraries) done better in terms of level design.

So it’s not a bad game, but a decent one that could have been potentially quite good.

Shame, really.

[EXPRESSO] Rival Turf SNES | Dashing Beat

So, Nintendo opened its maw again to spit out another meager assortment of old titles for the NES and SNES Online services, but this time it did add Rival Turf, as in the localized version of the first Rushing Beat, so i guess it’s time to complete my trifecta of reviews for the Rushing Beat trilogy, with the others being localized as Brawl Brothers and The Peacekeepers respectively.

Like The Peacekeepers the throwing and suplex moves are so overpowered that you’ll rely too much on those, especially since the enemies knows this as well, and can deal way too much damage even without using throws, made worse by the fact this is the only beat ‘em up i know that has “recovery damage”, as in you lose life even by getting up from getting knocked down.

At least it works for both you and the enemies, but still, weird.

Everything else is crappy bootleg Final Fight, from the bootleg enemies with smaller sprites, the iffy collision detection, the punches and moves lacking much “oomph”. The only difference being the “run” button which allows to also execute dash moves, despite the hilarity of the character not so much running (there’s no running animation per se) but “walking-gliding” at a faster pace.

It’s also such a blatant rip-off of Final Fight you really have to compare it to that game, and its own only reason of being was the 2 player co-op mode that the SNES release of Final Fight lacked, but nowadays means squat.

It’s aged crap from Jaleco, and while the sequels – mostly – improved gameplay…. there’s very little reason to bother with the original Rival Turf/Rushing Beat, unless you’re a beat em up buff on a mission to play them all for fun, education and/or profit. There’s worse.