Lake Placid (1999) [REVIEW] | Feeding The Crocs

Given the overabundance of killer animals film in the horror as genre (or subgenre), it’s hard to say you’ve seen them all, as you most likely completely glossed dozens of the things, often entire series of movies about killer creatures. Lake Placid is one i personally didn’t bother with, more due to the timing of my proper interest in horror and related cinematic material blooming, i was aware of the series growing up but i didn’t care about killer croc films, and by the time i did it was basically already sequelized hard, so i turned to weirder, newer killer sharks movies and such.

Today we’re “correcting” this by starting a retrospective on the entire Lake Placid series, from the 1999 original to the most recent installment, 2018’s Lake Placid Legacy.

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The Sharks & The Crocs

As promised, this year we’re gonna let our reptilian friends join what’s usually Shark Month on here, hopefully that’ll will make you wanna stab me with knives a little less, as the bi-daily posting schedule will remain, meaning the roster of reviews has been cut in half to 15.

Not too happy about that myself, to be blunt. It is what it is, sadly.

(also, yeah, baffled that Panty & Stocking is coming back, it actually is)

See you later today!

The not review of The Deer King not coming soon at all

So, i honestly kinda forgot The Deer King was a thing, but i still wanna kick myself for missing the 3-days only theathrical screenings it had… and i will reserve a good kick in the nuts for whoever thought to really NOT market it AT ALL. Absolute zero marketing.

Heck, i even saw Jujutsu Kaisen 0: The Movie in theathers last week, not a single trailer for this movie not even for that screening, not even a newsletter from a partner anime or streaming related site about animation to remind one that this thing was coming to theathers and i should totally preorder my ticker, like it’s a Marvel movie or something.

So much i learned about the movie playing his 3 days run by pure habit of checking my local cinema’s upcoming slate of releases (and of course was stealthly added to the list too), when i couldn’t organize myself to even catch it at the very last minute.

Aside from missing the chance to review it on EXPRESSO, i’m also angry at the distributor, are you insane to NOT publicize a new animated movie by ex-Ghibli (a name which is extremely well known as Disney here in Italy as well) staff outside of a single trailer and just vague entries on anime news sites? I know you are, because they also decided to bring back to cinemas older Ghibli movies without zero fanfare.

I don’t mind the latter at all, mind you, but i feel like i’ve been bamboozled.

What the fuck is this non-marketing bullshit for Ghibli and Glibli-tied movies coming to cinemas?

Not that the movie it’s getting that warm a reception here as well, pretty lukewarm, but still, i wanted to see it on the big screen for myself, which i feel i won’t get to do, i really don’t expect to see the distributors give the movie back in theathers for some more days, given how it was quietly released.

Guess i’ll wait for the Blu Ray to dribble into existence later, or for it to appear on streaming services.

Hope you enjoyed this ramble for what it was, because there’s no surprise announcement or meaning or secret logic behind this post.

See you later for some sharks and crocs.

[EXPRESSO] Studio 666 (2022) | Dave Grohl Made Me Do It

No, this is not a Jojo reference, nor its one of those weird hybrid music video-concert films (see for example Metallica’s Through The Never), this a full on fictionalized affair, and one i’ve been looking forward to since it was announced. Sure, rock and metal superstar bands aren’t new to cinematic experiences about their personas, but the pitch-premise of a comedy horror starring Dave Ghrol and his bandmates as themselves it’s so good it’s hard to ignore.

As the band Foo Fighters it’s struggling to come up with ideas for its tenth studio album, they get recommended a secluded house in Encino, California, where in the 70s a band called Dream Widow went to record an album, ending with the frontman massacring all the band members before killing himself. The band settles in despite the creepy vibes they pick up from the house, but things get progressively out of hand, leading to Dave Grohl being possessed by a demon. Among other things.

It’s a good dang premise, and thankfully the script and direction are up to snuff to make the most of the pitch, having a zany time with horror cliches and the expected “behind the music” stuff, with the band proving to be very good sports in this delightfully ridiculous comedy horror romp, especially Dave Grohl overacting like a champ as he grows progressively more obsessed once he manages to “magically” get over his artistic block.

Yeah, it’s pretty funny, there’s more to the story than expect, and Studio 666 isn’t afraid to be extra cheesy and honestly it’s kinda surprising that the effects are very good, but besides that, i’ve seen horror movies that try to take themselves seriously but ultimately wish they could pull off even half-successfully a random jumpscare this movie uses as a joke.

Recommended!

[EXPRESSO] Lightyear (2022) | Space Mediocrity

Ok, let’s leave aside the whole “identity crisis debacle”, despite Pixar being outright silly in starting the movie with the premise that THIS is the movie that in 1995 spawned the Buzz Lightyear toy Andy from Toy Story got. Also ignoring the 90’s animated TV series that served as a backstory to the character, because it’s clear this is a different interpretation-canon.

WHATEVER, who cares, let’s move on from this non-sense.

Though i can understand it’s quite tempting to do so since the ludicrous meta footnote is ripe for lampooning, and the actual movie leaves very little to say for itself.

But first, the plot.

I has been described by many as a sort of rip-off of Interstellar for children, and i agree, as we see Buzz and company investigate a newly scanned planet that the ship flew by during their voyage.

This alien world immediatly reveals to be rife with hostile fauna and flora, and in attempt to escape, the ship gets damaged, forcing Buzz and all the other people on board to camp and live there, while they find a way to create the specific fuel need for lightspeed space travel in order to contact base and leave the planet. They do manage to create the special fuel, but things turn for the weird as Buzz keeps failing the lightspeed flight test and returns to learn that his minutes long voyages translate to years of time passing in his absence….

I’ll say that this ain’t bad. I didn’t expect much from the trailer, but sadly despite the plot having some potential to be better, it all comes off as a generic “origin story” through and through, from the action to the characters, everything it’s pretty mild, predictable and – again – generic.

Enjoyable, but sadly quite middling overall.

[EXPRESSO] Black Phone (2021) | The Basement Dead

Time for some fresh meat, as this one will drop in theathers here in a week’s time, but i manage to see this earlier preview screening, and boy i’m glad i did, as i’ve heard of this movie before but kinda forgot when or if it was gonna come out in theathers here.

Based on the short story of the same name by Joe Hill, Black Phone is the new feature from Sinister ‘s (and the 2016’s Doctor Strange, as marketing makes abundantly clear) director Scott Derrickson, telling the story of a serial killer – dubbed “The Grabber” by the community – that in 1978 terrorizes a suburban town in Colorado by kidnapping children, with the sixth being the 13 yo Finny Shaw. While being imprisoned, Finny realizes that the black phone in the basement, despite having the line physically severed, acts a conduit for the Grabber’ previous victims to talk with the boy and hopefully help him escape. At the same time, Finny’s sister begins to have weird dreams, or visions..

You know when the trailer and most of the marking material makes the movie look good and “proper”, you go see it and then it’s actually quite good? Yeah, Black Phone it’s one of those.

Not only the setting it’s good, the presentation excellent at using “low budget tricks” like scenes filmed or edited to feel like era archive footage (which is not surprising given the director), all contributing to avoid the common modern mistake of “overly produced/shiny horror movies”, it’s a pretty creepy slice of that late 70s’ suburban America, with a really good atmosphere, a little bit of well integrated comedy and great characters all around, with the villain being as creepy as he looks.

Pretty good, fairly intense and quite satisfying to boot. Recommended.

Anacondas: The Hunt For The Blood Orchid (2004) [REVIEW] #snakesofjune

Let’s go back to a slightly older time, not implying it was a better time per se, just saying that back in the late 90s – early 2000s you still could make B-movies about snakes with good effects and released widely in theathers, and this is true for Anacondas: The Hunt for the Blood Archid.

Though worry not, even if you didn’t see the original Anaconda (which we covered sometimes ago), this is a stand-alone sequel with a completely different cast and a completely separate plot, with directing duties handled to Dwight Hubbard Little (Marked For Death, Free Willy 2, Halloween 4).

Aside from proving than indeed what it’s old it’s eventually new again, there’s the fact that today this kind of sequel would never reach theathers, heck, not even the first/original movie would.

Continua a leggere

[EXPRESSO] Jurassic World: Dominion (2022) | Jurassic Mixtape Meatloaf

While i would have a lot to say about this one, i’ll reserve some of it for when we tackle the entire “Jurassic Park/World” series, so i’ll keep it brief.

While long overdue, it’s finally that time again. Time to go see the new “big budget Asylum movie equivalent”, i really go in these later Jurassic movies with this mindset, after Fallen Kingdom i don’t even entertain the idea that i might be too hyperbolical, given that someone greenlit that script.

Speaking of which, yes, the plot sees the fallout of that shit awful ending, leading to dinosaurs escaping free into our modern world, and the inevitable fight for survival that ensues. This also leads to Chris Pratt having to save the offsprings of Blue the velociraptor, the actual true protagonist of this new trilogy.

Like pretty much any other goddamn IP from decades ago that still receives installments, Jurassic World: Dominion treads heavily on nostalgia, even more than before, as it basically recasts all the surviving actors from the original Jurassic Park and “alluding” to that one a LOT.

Talk about a series that peaked so hard and so instantly, to the point nobody really cares anymore about anything that came after the 1993 original.

Even so, i feel this is arguably the best of the Jurassic World movies, thanks to a script that’s not fuckin tosh, despite trying to balance the “nostalgia mixtape best of 1993” of having pretty much all the original cast back, the callbacks (horror-style scenes included), more focus on story and the more chaotic dino bullshit from the other Jurassic World movies.

Honestly i’m surprised the final result isn’t a complete mess despite the movie wanting to compromise/squish together both the old and the new.

At least it’s entertaning big budget b-movie meatloaf funtime.

[EXPRESSO] Black Parthenope (2022) | ♫ Goin’ Naples Underground ♫

Bringing you more new italian horror movies coverage, the new ones that just kinda “sprout” out of nowhere into the programming schedule of my local cinemas, with no fanfare and almost no national marketing budget to speak of.

And i guess this is the year of smaller italian horror movies like this that frustrate me, as they make good use of distinctive regional italian locations and have some potential, but kinda squander it or are afflicted by fairly big flaws.

Black Parthenope is a horror thriller set in the incredibly extensive set of underground catacombs and tunnels of Naples, the so called “Naples Underground”, where some business people met in order to sell the entire “underground city” to a company that’ll make parking lots out of it, but they get lost and haunted by the neopolitean folklore legend of the “Monaciello” (meaning “small monk”), a wronged soul that was shunned and then killed in the underground tunnels, forever seeking revenge on anyone that walks his haunting grounds.

The Neapolis Underground setting it’s great, some of the scenes manage to create a decent atmosphere, the cast it’s decent and it’s a well produced movie… but it’s almost brought down entirely by how shallow, grating and obnoxious the characters are, to say nothing of the aggressively awful dialogue, and how uneven and often middlesome direction can be, falling back to cliches in a way telling of this being a feature debut for the director in question.

While the final part partially redeems the movie from “proper bad” territory, the first act almost makes you wanna give up on it entirely, but at least you can tell that this movie was always meant to be a thriller-horror movie, unlike the previosly reviewed The Bunker Game.

Even so, it’s definitely not a bad effort!

Dinosaurs and Snakes Of June (plus some Violet / Scarlet Pokeposting)

First, the EXPRESSO review of Jurassic World Dominion is coming a little later than expected, for personal reasons, basically. Wanna see it leasurely and shit.

Second, a full lenght review of GITS SAC 2045’s second season is coming.

Second, June will feature a decent number of snake movies’ reviews, as it will lead into what usually is Shark Month, but this year will be a “double feature” in terms of theme, for the hell of it. You’ll see.

Lastly, i feel like i should say something about the newly revealed gameplay trailer for Pokemon Scarlet/Violet, as i did post my musings on the Pearl/Diamond remake and Legends Arceus.

Maybe it’s because i’m old enough to have done this dance over and over, i’m kinda mild over what was shown. I like the “tribal vs technology” theme, the legendaries look like Yu Gi Oh 5DX bikes, and i’m happy there’s gonna be more emphasis on multiplayer.

The very few new pokemons shown really don’t do it for me in terms of designs, i do like the Spain-inspired look of the setting (and the player character with that spanish catholic schoolboy/girl vibe), and as i literally just happened to beat Pokemon Legends Arceus, i’m sure this will expand the formula, as Arceus’ open world template it’s not complex but it’s actually fun and well executed, exactly the good change of pace the series has needed since a while ago.

Maybe as we’ll get to see and learn more how the open world will be “more open” than in Arceus, what features will be returning and what new stuff will be added… i’ll most likely warm up to this new mainline game. We’ll see.

Didn’t help that it was announced very quickly after Legends Arceus launched, way earlier than anyone expected, i mean, come on Nintendo, it will sell zillions even if you slated this to release in early january 2023.

Guess they couldn’t wait even for december this time around. Geeze.