We gotta talk about Palworld

I remember writing a quick piece when this one was presented back in 2021, laughing it off as i thing that would be shot down by Nintendo’ lawyers.

Obviously that didn’t happen (and never will, i would assume), and since it has sold 5 million copies in the span of DAYS after releasing in Early Access this 19th of January, the company behind it being shady con merchants and the fact people are actually defending a game with “bootleg Electabuzz Totoro with gatling gun” is amazing… look, we need to talk about this.

(this is not a review, FIY, just putting this out there early)

Leaving aside the fact most likely this game doesn’t use generative AI for the “‘mons”, they look just rip-offs – sometimes literally as you can some really obvious bits of both official Pokemon designs and even fandesigns – done the ye old fashion way, and the sociopathic premise of “you can kill, cook and enslave your non-Pokemon pals” (even more sociopathical how you can catch human NPCs,) to what seems like a very basic survival and crafting game that defines the “early” in Early Access title.

One that also looks very “asset flippy” as it literal looks they recycled assets from their earlier title, Craftopia, which itself tries to ape BOTW and even “borrows” enemy designs, which already tells you these people don’t give a fuck. Just don’t, and knew exactly how to use the “we pokedo what Nintendon’t” controversial energy to get every publication to talk about it.

That much they did and played it right, because i talked about it back then, and in the time between i wrote this thing it and posted, it sold 3 more million copies for a total of 8 millions, but oddly this isn’t so much about money, per se.

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The Cinema Show Experience Debate Cycle (2nd Round)

Told you we’re gonna do this dance again, and i feel now it’s the time to address some of the issues left unchallenged and unchanged, as anyone with any foresight could have told you before.

I guess the catalyst for new lamentations is the new blockbuster releases mostly doing very bad, regardless of quality or marketing employed, as even movies coming from recognizable and renowed studios and carrying recognized names and brands come out to basically big box office woes most of the time, in what most people have accetted as a “post-Covid 19” world, even in countries where it’s still far from over because reality and consequences and such.

Because i’m a dumbass, instead of making a thumbnail with a load of nonsensical buzzwords on it for a “video essay” (really, words mean nothing anymore to a certain subset of creatures) that’s somehow longer than the movie it discuss… i’m gonna say it’s obvious this wanna gonna happen.

Even if we collectively agreed to pretend the pandemic is over everywhere and forever, even pretending and disgarding the argument/issue as a thing of the past, this newly found “box office bombagery” should really not surprise anyone that has been to theathers more than once in recent years.

To avoid repeating what i said before, i’m just gonna link the previous editorial so you can check that out instead. Consider this an addendum more than a “follow up”.

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The Cinema Show Experience Debate Cycle

So, we’re yet again having that conversation on social media, about the sanctity of seeing movies in theathers and how it’s the only true way to see them?

Ok, let’s indulge in some fruitless arguing, as the issues are decades old and the industry won’t actually do anything about fixing them, because they won’t until there’s a distinct financial incentive to provide good movie watching experiences.

And this is just indulging, let’s be honest.

Because most people don’t care, won’t really care, ever.

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#E32021 Conferences Recap/Review/Thing

As already pointed out, E3 coming back this year was kind of a big deal, as the pandemic made it impossible to be held as usual in 2020, and even with the usual croc of shit that the event is and promotes… it’s a ritual, it’s a tradition for many people with huge interest in videogames, it’s a communal experience.

But i wonder if one year of non holding the event made many companies just forgot what the hell the expo was even supposed to be, like old people forgetting something they usually did out of habit because they had to stop doing it for a reason or others.

Mind you, E3 history is full of cringy – and often legendary – conferences often full of people that barely could speak english or had any PR experiences, overblown lies and hype for everything, announcements of announcement without nothing to show for titles of interest, so it’s telling this year’s output was a complete mess.

I don’t think that’s too hyperbolic to say.

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Musings on Animal Crossing New Horizons “live service” model

So, i was gonna write this editorial this summer, when the July update for the game reintroduced scuba diving (seen before in AC: New Leaf), but i held off on publishing, waiting to see if it the issues i had with the game had any legs… and now i feel they do.

It’s worth noting i bought the game and played it since launch day, and i have spent like 300 hours on AC New Leaf alone, and a lot on the original AC on Gamecube, not to brag (i’m pretty sure there are a lot of way more dedicated AC players), but to give what i’m about to say some confidence. As in, i know what i’m talking about. Continua a leggere “Musings on Animal Crossing New Horizons “live service” model”

Cinemas fully reopening next week in Italy (plus words on live action Mulan)

A new chapter in the “saga”.

While some theather chains had already reopened 2 month ago here in Italy, they were mostly showing stuff that released the week when the COVID-19 lockdown was put in place, but mostly throwing a lot of stuff from last year’s catalogue, when not even older material. Not much else you could do, really, as obviously no one was approving new releases to play in closed theathers during a sweeping pandemic.

But pretty much most theathers (even the one i usually go to) will resume proper this 19 of august, and i look forward to see the new Abel Ferrara movie, Siberia (and Onwards, honestly) not a bad way to begin a new – hopefully prolonged – “theather binge”.
I did went to see (and reviewed) The Grudge 2020 in the meantime, it was nice to go back, but it’s even better when you can choose to see movies you didn’t already saw last year…….. or 2 years ago. Continua a leggere “Cinemas fully reopening next week in Italy (plus words on live action Mulan)”