Raiders Of The Lost Shark (2015) [REVIEW] | Jurassic Shark: Fallen Kingdom

Read the title. Read it again. And yes, that is the original title.

It pretty strongly implies this is a shark-centric Indiana Jones rip-off, and low budget full movie lenght parodies can be atrocious and ungodly, so this already should put you in the defensive. It really should.

But experience did “tell me” that wasn’t the case either, it would have been weirder if i didn’t heard more people talk about the oddity of a shark movie parodying Indiana Jones, and yes, it’s just another fuckin shark flick about a prehistoric giant shark released by the usual oil drilling accident, with the beast rampaging in the waters of a small lake community.

It’s only 70 minutes long (actually, just 60, jesus christ), it’s not directed dy Donald Farmer, how bad can it be?

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Land Shark (2020) [REVIEW] | China Deep Blue Sealab

Not be confused with the Polonia Brothers movie of the same released in 2017.

Or the SNL sketch.

Nope, this time we’re branching out a bit and taking one of the many (more than i expected, anyway) creature features from mainland China that manage to be known westward thanks to dedicated users reviewing them, and the various chinese companies realizing it’s easier to market these outside of China if they just put the movies on their Youtube channel with english subs.

Like this one, originally titled Luxingsha (which translates to “Land Shark”, as you could guess by now) and directed by Cheng Siyu, and at the time of reading available for free on Youtube with optional english, indonesian and vietnamese subs.

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Piranha Sharks AKA Jurassic Piranha (2016) [REVIEW] | Piranha Shark Tank

From the director of Frankenstein Reborn and Transmorphers comes more sharkxploitation, this time NOT from The Asylum, but Bitter End Media Group, a fairly new name, so i guess they decided to play it extra safe and extra stupid by having piranhas genetically crossbred with great white sharks. Why? For the bored New York rich assholes that weren’t content with banal piranha.

Of course the piranha-sized sharks get into the water supply, and your run-of-the-mill group of random people (in this case 3 exterminators and a nutty scientist that knows what damage these “piranha sharks” will – and do – cause) has to save the city before the army nukes it down.

It also happens to take place on Christmas, which could have helped it qualify for Dino Dicember, but sadly the alternate UK title of “Jurassic Piranhas” is a total lie, these aren’t ancient, extinct or a dinosaur of any sorts, they’re just breed in a lab.

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Bacalhau (1975) [REVIEW] | Brazilian Jaws

After almost a year of searching the digital sea, i got hold of the legendary and obscure Brazilian Jaws spoof… like most of the few people that even knew about it did, by ordering a bootleg copy with english subs on a foreign DVD site, which delivered. I will not name or recommend this site, since the quality of the film was atrocious and the english subs where clearly handled by an online translator tool and/or a person who also doesn’t have a real grasp on english as a language.

I seriously doubt there’s even an official release of the movie in Brazil, and IMDB isn’t helping at all on this regard. It’s that barely documented, yes.

I’m gonna have to apologize in advance for the abysmal quality of the screenshots, but i have never seen better looking images of this movie online (there’s a trailer on youtube in decent quality), and i wouldn’t hold my breath for a Criterion re-release or anything like that anytime soon for Bacalhau, There’s not exactly much demand.

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Empire Of The Sharks (2017) [REVIEW] | Fury Boat

As you might remember, i frankly hated Planet Of The Sharks, so i post-poned the review of Empire Of Sharks, which i also incorrectly described as a sequel.

Because it isn’t: completely different cast, completely different characters, no continuity, you know the drill by now.

It still kind of a follow up to Planet Of The Sharks, as in this is The Asylum trying again to make work the ill-conceived- and under budgeted – mash up of Mad Max, Waterworld and a shark movie.

I don’t why exactly they felt the need to try again, since i’m not even sure it raked in much profit for the Asylum, but i guess Mark Atkins wanted another go at the concept, so this time he directed but also wrote the script himself, which is not necessarily encouraging piece of info.

Continua a leggere “Empire Of The Sharks (2017) [REVIEW] | Fury Boat”

Jaws In Japan AKA Psycho Shark (2009) [REVIEW] | Sharkmills Of Your Mind…

In retrospect, it’s kinda hard to believe that Japan didn’t really contributed much to the avalanche of “sharkxploitation” movies seen in late 2000s and the 2010s, aside from the movie we’re talking about today, since this is the country that the very same year gifted us stuff like Vampire Girl VS Frankenstein Girl, to say nothing of the amazing exploitation masterpiece of Tokyo Gore Police.

You would think japanese genre directors would have jumped on the trend and gifted us plenty of insane shark movies with people cutting off their limbs to replace them with shark heads or something, but nope, the only exploitation japanese shark movie that pops up in related searches is this one, and it becomes clear why now it has just been kinda forgotten and left to obscurity.

Because it is fully deserving of such treatment.

Continua a leggere “Jaws In Japan AKA Psycho Shark (2009) [REVIEW] | Sharkmills Of Your Mind…”

Barracuda (1978) [REVIEW] | Burn it to the wick

Most movies about killers animals from the 70s can be “blamed” on Jaws success, this one is a “double whammy” because it can be also linked to one of Jaws’ most notorious rip-off, Piranha from 1978, which – as mentioned before – it’s almost a parody as well, and was directed by Joe Dante. As Piranha did quite well that year, America General Pictures approached him to direct Barracuda (also sold under the title of The Lucifer Project) as well, but clearly it didn’t happen, so directing duties went to Harry Kerwin and Wayne Crayford, both already pulling double duty as actor and co-writer. Gotta pump em out fast, so fast this came out 2/3 months after Piranha.

And while there are plenty of Jaws rip-offs made in that decade, the comparison between the two films in question is fairly obvious, not just because they came out the same year, but because they both have the same theme of secret government experiments that end up mutating marine fauna, in this case more declined into an enviromentalism issue, but also a fairly direct critique of the military, as in they didn’t breed combat-ready mutant cyborg barracuda, but the government basically used a small town as guinea pigs for conditioning experiment to make everyone more aggressive and violent, and more easier to whip up in a frenzy or recruit for war.

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#E32021 Capcom [Highlights]

I was gonna include the Take 2 Interactive showcase…well, it wasn’t called a “showcase”, but a “panel”, but still, i went in expecting to see something about the games, but it’s not that.

It’s a long panel where various figures from the company and not discussing equity and representation in games…. and that’s it. Important topics, absolutely, but why even bother letting people assume it was gonna be a showcase, when you don’t showcase nothing? Why bother tricking The Gamers (TM) into watching this, when you already know they are still offended by a random woman existing in videogames?

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#E32021 Wholesome Direct [Highlights]

Yeah, sorry but due to very limited time on my part, i will kinda have more “double feature” posts.

Especially since this E3 there’s way more conferences and showcase stuff to see, despite Sony basically being absent and EA delaying their crap to a direct thing in July.

Meaning i won’t have to cover it.

Also, since i’m on the subject, i won’t comment or watch the Warner Bros event, as they announced it’s all gonna be about Back 4 Blood and….i don’t really care about it, same for the PC Gaming Show, the Razer one and the final E3 Awards thingie.

And my time is limited, sadly.

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Yeti: The Giant Of The 20th Centhury (1977) [REVIEW] | Italo Disco King Of The Kong

It’s still january, it’s still cold as hell (proper Dante Alighieri hell), so it’s time to shovel up and unearth a yeti movie from the motherland, with the forgotten Yeti: Il Gigante Del 20° Secolo from director Gianfranco Parolini (credited as Frank Kramer), often called just “Yeti”, “Big Foot” (yeah, that helps a lot, thanks) or with a direct – and accurate – translation of the title in english, as Yeti: The Giant Of The 20th Centhury,

Italian-canadian kaiju yeti-xploitation, can’t go wrong with that!

Yeah, digging this gem out to also celebrate the new trailer for Godzilla VS King Kong !

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