[EXPRESSO] Demon Slayer: Mugen Train (2020) | Eternal Pyre

Fuck it, i’m reviewing this one as well, since it did eventually arrive just now in theathers here in Italy…. after being made available on Amazon Prime Video months earlier, but i’m willing to watch it again to support anime cinema releases, and to properly assess things further for a review.

Since the series it’s the more recent shonen manga success story, i doubt i need to introduce Demon Slayer/Kimetsu No Yaiba, even more since i feel its success lies in being pretty straightforward and easy to connect, as its set in a fantasy Japan of old, where demons lurk at night and feast on people, but are fought back by a secret order of samurai with mystical blades and techniques, the Demon Slayer Corps.

The protagonist, Tanjiro, becomes a Demon Slayer in hopes to undo the curse that made his sister Nezuko a demon, and along the way befriendes the cowardly lightining fast swordman Zenitsu, as well as Inosuke, a wild boy wearing a boar mask.

The plot revolves around the trio being tasked to – alongside an experienced demon slayer called Rengoku – embark a train and protect the people on it from eventual demon ambushes, and this isn’t an original story, a mostly disconnected one-off adventure, as most of these shonen anime movies are, but actually bridges the events of the first and second season, and has some important stuff happening in it, so i wouldn’t recommend jumping into this if you haven’t seen the first season (or red the equivalent manga chapters), for spoiler reasons.

That said, it can be watched fine on its own, and rewatching it made clear it’s a pretty good shonen manga film, with excellent animation from ufotable as expected, funny moments, good drama, likeable characters and intense fights with high stakes.

12 Days Of Dino Dicember #1: Triassic Hunt (2021)

This one it’s a bit odd, as you would guess it being a mockbuster of Jurassic World 3 Dominion… or at least it was probably gonna be that, but that movie – along many others – was postponed time and time again due to complications caused by the pandemic, so The Asylum for once had the mockbuster ready to leech off a movie that wasn’t out yet, and released it anyway this last January.

I mean, nothing stops them from making dinosaur movies that are not mockbusters, but in the end it’s mostly a matter of labels, since this one as well isn’t exactly copying directly a more popular movie, just ripping off Carnosaur even more than Corman and Buechler did, to continue the circle of trash cannibalizing older trash.

Long live the new trash, etc etc.

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[EXPRESSO] Netflix’s Cowboy Bebop (Season One) (2021) | It’s time we blow

I was gonna make a full review, but then realized it wasn’t deserving of it.

Often you see people wondering who the hell is the target for live action adaptations of anime series that etched theirselves as classics, even more when it’s a series that become a hit even outside the anime circles, so you can’t really pull the snarky excuse “no normal people have seen the thing”.

In this case, i feel no one, because it’s incredible how they managed to create something that not only the fans will despise but newcomers will just find bad, and wonder why the hell people liked Cowboy Bebop to begin with.

An adaptation of an anime that should actually work better than most in live action, but manages to be a genuine complete wreck.

It’s also a live action adaptation made by and for people that scoff at anime, because that sentiment it’s made pretty much manifest by the many changes made to excuse, justify or alter many elements and expand on stuff regardless if it makes sense or if it’s good.

This was always gonna be different from the original, but this is such a witless, soulless, boring, badly paced and barely recognizable adaptation that fundamentally misunderstands the material and it’s willing do any random garbage with it, hypocritically treating the original as gospel but without really respecting it, or even understanding it, not really caring too much to anyway.

The fairly cheap CG it sparely uses to remember you it’s technically set in space doesn’t help. I seriously hope the budget for the One Piece live action they’re also working is higher than this.

The cast it’s quite good and does an unbelievable job, but they can’t save this pitiable, hackneyed, utterly ill-conceived trash from itself. Don’t even bother hatewatching it.

The Spooktacular Eight #4: Big Tits Zombie / Big Tits Dragon (2010)

Based on the manga Big Tits Dragon from Rei Mikamoto (Satanister, Reiko The Zombie Shop, Bloody Deliquent Chainsaw Girl, A Girl of The Iron Ghost), directed and written by Takao Nakano, a famous japanese satirist, or so the Wikipedia page says, in any case i never heard of him before, but giving his background in the japanese adult video market and the cast made out of famous faces from the japanese porn industry (again, so says Wikipedia, i can’t know everything), and given how he did a parody of sorts of Cronenberg’s Shivers (called Sexual Parasite: Killer Pussy, which is up there with Killer Condom as titles you can give movies)….yes, he being involved makes total sense.

It was shot in 3D, which it won’t matter to me since i can’t access a 3D version, and of course there’s no european release of any kind, home video, streaming, nada. Actually, there is a german release and there was an UK release by Terracotta Productions (even had a limited UK theathrical run), but the latter is nowhere to be found, not on their store, site, or even on most ecommerce sites.

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Oneechanbara Origin PS4 [REVIEW] | Blood Feuds, Zombies and Bikini Swords

So this finally went on sale on the PSN, i wanted to get to this sooner as it came out last year, but i refused to shell out 60 bucks for the whole enchillada since now D3 Publisher just releases these games digital only, and still tries to charge them the same.

Kinda, EDF 5 later got a physical release by Pqube, but i guess just because they already published a lot of EDF titles, and NIS – most likely – wasn’t interested in carrying this one westward like it did with Oneechanbara ZII Chaos.

But let’s get back on track, it’s the perfect time of the year after all.

This is the latest game in the series, but – as the title hints to – it’s not a prequel, but a remake-retelling of the first two Oneechanbara games, done to celebrate the 15^th anniversary of the series as a whole, i guess it was easier to do this instead of making a new one with new ridiculous looking scanty clad characters and ridiculous story.

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Reflecting a bit on the new Shaman King anime for Netflix

So, a month or something ago the new anime adaptation of Shaman King dropped as a Netflix exclusive, and after watching the first 8 episodes, i think there is something to be said (in a non-elaborated, just “vomiting my thoughts without much editing or revision” way) about Shaman King and its legacy, and how this new adaptation is indeed trying to propose a very old shonen series to modern audiences, but staying as loyal as it can to the source material, which is nice but it also shows how old and fairly ancillary feels this series today, with many others Jump series that came out at the same time, later or before and still left a bigger, longer lasting mark on the genre.

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So, a “few” words about that Samurai Warriors 5.

While i won’t have a review for the game out anytime soon (as explained in a previous post earlier this month), i want to say a few things about Samurai Warriors 5, after getting the Treasure Box edition (because i’m a sucker for artbook and CDs) and clocking in 32hours (which include finishing the story mode, of course) into it, as a last piece before i give the blog (and myself, to some extent) some rest.

I have like 5 pages of text and notes written about it, but i’ll try to be “brief” here.

It’s better than Dynasty Warriors 9?

Yes, it would have been quite hard to do even worse than that.

But it’s amazing how Omega Force still kinda held unto some of the crappier design choices from that shit title, leading to some old problems of the Warriors series coming back in new, unexpected and baffling ways.

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One Piece TV SP 4: One Piece Historical Drama Series – Luffy’s Detective Story (2005) [REVIEW]

Director: Unknown

Writer: Unknown

Runtime: 42 Minutes

Time for One Piece to go “jidaigeki” and rock the 19^th centhury japanese setting way before the Land Of Wa arc, but – as the opening narrator smugly and humurously remind us – this special takes place in Jipangu, which may look like some country of some time ago, but let’s not be pedantic, it’s just a cartoon after all.

You should really just relax.

In this case it’s not a chanbara styled special, but more in the vein of Ranpo Edogawa’s period detective stories, with the One Piece characters (included many old faces from the early arcs) playing the role of civilians, tax collectors, carpenters and so on, while Luffy is the purposely unfitting secret policeman-detective of the city, and mantains order with his fists and jitte, aided by ninja Usop and perpentually indebted to Nami and Sanji’s restaurant.

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#E32021 Capcom [Highlights]

I was gonna include the Take 2 Interactive showcase…well, it wasn’t called a “showcase”, but a “panel”, but still, i went in expecting to see something about the games, but it’s not that.

It’s a long panel where various figures from the company and not discussing equity and representation in games…. and that’s it. Important topics, absolutely, but why even bother letting people assume it was gonna be a showcase, when you don’t showcase nothing? Why bother tricking The Gamers (TM) into watching this, when you already know they are still offended by a random woman existing in videogames?

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#E32021 Devolver Digital & Gearbox Software [Highlights]

One wonders why even bother watching any showcase or conference outside of Devolver Digital’s…. and this year is no exception, The deranged saga of Nina Struthers “continues” with even more ferocious, unsubtle piss taking of the videogame industry, corporate culture and all it stands for, all while keeping the unhinged multi-layered meta-narrative going, and while showing perfect awareness that they themselves are still in the industry to sell you stuff, all packaged in a 22 minutes delirium box.

They get it and still got it.

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