[EXPRESSO] Overlord: The Sacred Kingdom (2024) | Lichdom: Battlemage

After the 4^th season of the anime, we got a Overlord film, depicting the Sacred/Holy Kingdom Arc that was discussed/teased but not shown during Season 4 itself.

For reference, the series is about a regular guy that get stuck in a VR MMORPG when the servers close, as its character, Momonga, an elder lich, with previous NPCs start acting on their own, including the servants/characters made by his fellow guild members basically electing him as supreme leader, and he’s basically forced to live up to their expectations while plotting schemes for world domination as the Overlord.

The plot here sees Momonga/Ainz Ooal Gown, finally having established its territory and himself as the “Sorcerer King” getting into an alliance with the Sacred Kingdom, needing help to slay the Demon Emperor Jaldabaoth that’s attacking them with his hordes of humanoid monsters..

Again, this is as about as good a synopsis as it gets without doing huge spoilers, and while it strikes a good compromise between being watchable on its own, since the story here presented (picking up the previously established but basically ignored “Jaldabaoth” storyline) has mostly original characters, provides enough closure, and you can guess/deduce some things… having context for the characters and situations definitely benefits the experience (since it doesn’t recap shit, just giving a very brief text explanation of the premise), which does deliver on both the spectacle, violence and some honestly fun, enjoyable “anime isekai non-sense”, including fantasy politics.

I was worried the animation might had the “CG-isms” seen in later Season 3 and Season 4… not as much, the animation isn’t notably better but you can tell there’s a bump in quality and direction to take advantage of it being a film, more battles to show the animation off, etc.

Quite satisfied with it, i must say.

Suicide Squad Isekai (2024) [REVIEW] | Through The Unlooking Glass

Why i am reviewing this, you may be asking yourself.

Just for the trash factor? Just because its seems like “easy prey”?

Not quite, it’s more due to how since its debut (and even then, i learn this was gonna be through the collaboration with V-tuber and singer Mori Calliope, as she composed the ending theme) i never heard a single peep online about it, not even to shit on it, which worried me even more.

Also i learned after searching that it was being streamed in my region via a sub-channel on Amazon Prime Video, absolutely zero marketing had been spent to even make people know it was legally available on a commonly used streaming platform (FIY, there’s no HBO Max or Hulu here).

But still, this looked and sounded like like the kind of trash Twitter (not calling it X) loves to shit on weekly, just for the hell of it, but the only thing i saw on there was someone else befuddled by how the internet decided to skip having any discourse on it all together, that it was likely not even worth that kind of engagement, as nobody bothered, not even for the finale…..if anyone knew this series was a thing to begin with, that is. No one using the new Joker and Harley designs for their profile pictures, it was THAT much ignored or just never actually marketed properly after its announcement.

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Samurai Maiden PS4 [REVIEW] #meleemay

I’ve been waiting to cover this one for a while, but i had to wait for it to go on a decent discount, since D3 Publisher went extra crazy and asked 50 bucks (70 for the Deluxe Edition that includes all DLCs, mostly costumes and music from other D3 franchise like Bullet Girls) for what was obviously another budget game of theirs.

Having played all Oneechanbara games and waiting for the Namco Bandai owned company to finally announce the western release for EDF 6 (which was supposed to be out this spring but was eventually delayed to late July 2024), i did want to play Samurai Maiden earlier, but the absurd price really held me off, i’m not fucking paying 70 bucks for a complete edition of a digital only release of a D3 Publisher budget hack n slash anime game.

Curiously, despite the publisher involved and the premise of hack n slash action using a japanese anime high school girl, this is NOT the fanservicey fest you’d expected, i guess after the “prude crusade” Sony went (for whatever reason, since they were the main platform for most Senran Kagura games before), niche titles like this had to tippy toe on their tits to see what’s ok now.

the plot sees regular high school girl Tsumugi transported back to the Sengoku period, isekai’d directly during the Honno-ji incident so she can chat up Oda Nobunaga and have three female anime ninjas explain she was summoned there because she’s a discendant of a so called “Miko Of Prosperity”, and a prophecy involving her and a Demon Lord was foretold, etc.

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[EXPRESSO] Barbie (2023) | Life In Plastic

For once i’m glad here in Italy we don’t get movie releases as the US do, because Oppenheimer is releasing in late August here, so i can bury that stupid “Barbenheimer” shit.

So, the Barbie movie, by renowed director Greta Gerwig, it’s definitely something i’d been looking forward since announcement, wondering what the fuck the plot of a live-action Barbie movie could be, this isn’t aimed at children like the dozens of animated Barbie movies we’ve seen over the years, at all.

The basic gist is similar to Enchanted, as we’re introduced to Barbieland, a world where Barbies live perfect days, party and have fun in perpetuity… until the “Stereotype Barbie” (Margot Robbie) has an existential crisis, seek help from the wise old “Weird Barbie” that tells her she has to go to the real world and reconnect with the girl that played with her in order to fix the situation. Problem is, Mattel itself learns that “Barbie has breached contaiment”, and one of the Kens (Ryan Gosling) sneaks away into the real world too…

It’s a feminist comedy that use the brand to tackle the obvious themes you’d think, in modern ouvert (and very meta) fashion as expected and… well, neeeded, because at this point we know audiences can be quite “thick”, but it’s as brazen as it’s funny and caring in poking fun, showing a profound love of cinema in doing so, with some really nice musical segments and amazing sets.

It’s not perfect, for example the main plot is basically resolved 40 minutes in and then it kinda feels like they had to follow a “b-plot” for the sake of the runtime, the feminism itself it’s slightly superficial (not shallow, but not deep either), but even with its flaws, it’s a really sincere, entertaining and witty film.

[EXPRESSO] Super Mario Bros The Movie (2023) | Fungine Fun

Anteprima in una nuova scheda

So the new Super Mario Bros movie, the new animated one, is here, and i gotta say i’m pleasantly surprised, since it’s still handled by Illumination, which is… a prolific studio, let’s put it like that.

The plot is what about you’d expect and combines elements from both the previous film iterations of the Mario franchise, so you have Mario and Luigi as unsuccessful plumbers in Brooklyn that one day, while trying to fix a flood, get transported into the Mushroom Kingdom, where Princess Peach is preparing a plan to fight Bowser, as he got hold of the magical Super Star and is bent on world domination… after he pops the question to Peach, that is.

Yeah, there is the isekai element but the world isn’t the weird Blade Runner-looking dino society of the 1993 live action film, instead the one most audiences remember from the videogames, and i say “the videogames” because basically every popular iteration of Mario is represented, there’s even the karts and the Kongs play a not small role in it, as the movie crams a lot of action, varied setpieces and fuckton of references in every scene, making for a pleasing 90 minutes romp where there’s no downtime nor faffing about random shit to pad out the runtime.

Animation is top notch and the script (which is still very “Illumination”) it’s also a lot funnier than one would wager, so older audiences will get more laughs out of it than expected, instead of groaning their way through most of it.

If i went to see it when i was 12, i would have lost my shit, but even disregarding that, The Super Mario Bros animated film stands as a good kids movie, very fun indeed.

It’s better than the Sonic live-action films, i’d say.

Fire Emblem Warriors NSWITCH & NEW3DS [REVIEW] | Tactics Of The Emblem

To celebrate a new Fire Emblem crossover game with the Warriors formula, this time based on Three Houses in the same fashion as Age Of Calamity was from Zelda Breath Of Wild, let’s rivisit the older (and first) title, simply titled Fire Emblem Warriors, released back in 2017 for the Nintendo Switch and the 3DS… as in, only the New 3DS models, yep, it was one of those very few exclusive titles for that 3DS revision-upgraded restyling, arguably the only title of notice alongside Xenoblade Chronicles 3D in terms of New 3DS Only packaged retail releases.

I’m gonna review both versions as i first sunk 50+ hours on the New 3DS release (i didn’t had a Switch at the time) and then a little less once i got hold of a Switch and that version, and by that i mean i will just make a specific comparison in terms of performance and overall looks between the two versions, no need to review both separately, as in terms of contents they are 99 % identical.

Aside from that, prepare from a lot of comparison to Hyrule Warriors, it can’t be helped.

Also (as already explained in the hands-on on the demo for Three Hopes), don’t expect a review of Fire Emblem Warriors: Three Hopes anytime soon, for the same reason of Persona 5 Strikers, i gotta play the main game, Three Houses, first, even though this is described as an alternate story in that world. And i’m never gonna finish that game and then start, finish and have a review of that out in any timely fashion.

Time is not on my side. 😦

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Paripi Koumei / Ya Boy Kongming! (2022) [ANIME FIRST IMPRESSIONS]

(Impressions based upon the first 3 episodes)

I stumbled by chance into this new anime, and i feel it was meant to be, given my love for Romance Of The Three Kingdoms i’m not gonna skim over a new anime with good ol’ Zhuge Liang (AKA Kongming) as the protagonist, especially since it’s not a historical tale, but a sort of isekai-ish story where, after his death by illness in the Wuzhang Plains, sees him reincarnated as his young self in modern Shibuya during Halloween.

He gets drunk as a skunk and enjoys the party life that night, then the next day he’s helped by a young girl, an aspiring singer called Eiko, realizes what actually happened to him, and decides to help her back by serving as her “career strategist”, but first he needs a job to secure some “war funds”.

Luckily Eiko works and sings at a club run by a huge ROTTK nerd, so “ya boy” Kongming is hired as a barman.

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12 Days Of Dino Dicember #7: Valley Of The Dragons (1961)

Stock footage. The quintessence of cheap filmaking since its very beginning, the saviour of many low budget productions for decades, constantly growing over time and often very fuckin free, etc.

It’s and always will be a constant for visual media, but there are case when you can take it too far, like the infamous Gamera Super Monster, the final Showa era Gamera film, composed almost entirely of stock footage from previous movies in the series. Sometimes you can indeed go even cheaper, but shouldn’t, unless you wanna risk destroying any goodwill, fanbase or prospects.

Though this isn’t the case, with Valley Of The Dragons we have instead the story of trying to adapt the Jules Verne novel Off Of A Comet/Career Of A Comet, which was actually not published in US territories at the time, due to it being very anti-semitic.

A very loose adaptation mostly made to chase the success of previous film adaptations of Verne’ stories…. and because producer Donald Zimbalist wanted to have it heavily based around the stock footage from One Billion BC, as he owned the rights to that.

In its own way, this is also pure cinema at heart.

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[EXPRESSO] World Flipper iOS | Pinball Isekai RPG Action

“Flipper” it’s a short-term for pinball outside of America, FIY.

And i’m fairly sure we didn’t have a pinball RPG gacha game before, i remember there was a spin-off of FF XV of sorts for smart devices, but whatever, it’s a far more alluring proposition in a overly satured market of idle games, mild rpgs, and everything in the middle.

The plot it’s basically an isekai tropes salad, but the faux 8 bit graphics are nice enough, presentation is decent, and doesn’t bombard you with too much plot or terminology right away.

Gameplay is a bit different than expected, as it’s not set up as a traditional pinball affair, with the heroes acting as single “ball” but also able to dash while launched to attack the nearest enemy, and launch skills with a pretty typical but pretty good control scheme for touch devices.

There is a bit of depth, with enemies exposing weak points at certain times, the more combos you get in a row powering up your shot to make the team spring a stronger attack, there’s Fever Mode, and overall there’s quite enough to keep it easy to play in short bursts but not mindless.

Of course, this comes with the inevitable free-to-play trappings, events, upgrade trees/maps, but the less annoying ones, just energy consumption and gacha for characters using the main premium crystals/gems, one with gacha advantages for using gems obtained by poning up cash.

But still, it’s not that bad, and honestly it’s good, good fun, way more captivating than expected, even disregarding the obvious methods to try hook you in, World Flipper it’s one of those free-to-play games that you end up back into because you actually wanna play it.

A rare sight, even aside it delivering to the underserved niche of pinball games.

[EXPRESSO] Monster Hunter (2020) | Isekai Hunt

Yeah, we just got this one in theathers now, once again delayed due to the pandemic.

Preface: i know a bit about Monster Hunter, but not that much, as the franchise it’s one of those i should be really into, but somehow it never clicked with me.

But still, you should know what to expect: it’s another big-budget live action adaptation of a Capcom IP directed by Paul W.S. Anderson, as the Resident Evil movie series did bring a lot of buckaroos, so let’s do it again, and of course cast Milla Jovovich as the lead, i would be surprised if the director didn’t cast his wife for these roles.

And let’s get this out of the way: yes, it could have took place in the fantasy world alone and still deliver on the monsters and action, but nope, so in order to make it more “palatable” to all audiences, let’s have a US military unit get isekai’d into the Monster Hunter world, finding the guns useless on these giant monsters, and having to adapt to dual blades, maces and more “primitive” weapons that actually can damage these things. All while roaming a mostly desert land, searching for a way home.

And sequels.. that WILL probably be made.

To be honest, while the plot is a shining example of Hollywood cowardice and spineless scripts, the movie itself it’s not that bad. It’s dumb as a brick, written as such, but the CG for the monsters looks good, there’s a bit of horror, it adapts fairly ok a lot of elements from the games, preserving the basic gist of the thing, and it’s entertaining.

Not good, not smart, but entertaining enough, like MOST of the director’s Resident Evil movies. Also, it has Ron Perlman with a hilarious “afro Meatloaf” hairdo. XD