Super Mario: The Great Mission To Rescue Princess Peach! (1986) [REVIEW]

Before this deal of an animated Mario movie was written between Nintendo and Illumination, heck, 7 years before the infamous live-action film with Bob Hopkins and John Leguizamo, Nintendo already had its Super Mario anime movie, with Super Mario: The Great Mission To Rescue Princess Peach, based on the seminal Super Mario Bros game, which was released just 1 year prior.

While not totally unknown, for years it had been quite the rare, obscure and elusive piece of forgotten Mario media, with some horrible VHS rips flying around the web of thing, until some absolute chads in 2021 came together to fund and execute a 4K restoration project of the film from a rare (possibly even the only surviving) 16 mm print secured by another madlad called “Carnivol”, and then put it on Youtube for free, with updated (and upgraded) english subs.

So you can easily check it out there, not gonna put the link directly because Nintendo, but the effort it’s more than laudable and the people behind the restoration deserve some money thrown at them.

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[EXPRESSO] John Wick 4 (2023) | Knights Of The High Table

Wasn’t sure if to review this one, but i eventually watched the first John Wick on Netflix for the first time, so yeah, whatever, gonna marathon this series days before seeing the new one in theathers.

So apparently the series as a whole has people kinda divided, but honestly i’m not quite getting the confusion as even the first movie was chock full of ultra stylish ultra violent revengeance that drew from many influences, indeed was a revitalizing kick in the ghoulies for the action genre, and already seemed like it was the best adaptation of a violent cult comic book that never was.

For the 4^th outing, it’s no surprise we get even more focus on the mythology of the assassins’ codes and the rules of this world that invites the same questions as WH40K does (“who cooks the meals without being bound via a blood pact to some finger collecting mob boss, etc.”), as we continue to see John Wick take on the High Table itself, after basically declaring war against it before.

Honestly i like these movies and how they try to up the ante every time, but if John Wick 3 seemed a little longer than necessary, Chapter 4 might result as downright bloated, as it pushes for a nearly 3 hours runtime, and could have benefitted to trim some of its many spectacular fights that sometimes go on so long they kinda start to grate on the audience a bit.

But i can forgive the excess as there’s plenty of very good action, and the pretty satisfying ending making it clear this is the intended end of the franchise, so hoping they will just stick with the already planned spin-offs, i’d say John Wick 4 it’s indeed quite “the blast” to end the series with.

Konga TNT (2020) [REVIEW] | #giantmonstermarch

Since the sequel to the Asylum’s “Godzilla VS Kong” mockbuster from 2020, Ape VS Mecha Ape, is not gonna officially be released here in time for the rubric (or at all, who can sah for certain), let’s dig through some other “based on comic book series you never knewn existed” garbage, we did the Fred Olen Ray produced Reptisaurus film, so here another Konga film, called Konga TNT.

Not based on the 1971 film with Michael Goeff, but on the Charlton Comics produced comic book series that spawned because of the movie, and how you’d like if Konga was basically remade from the director/producer behind Oujia Shark, Brett Kelly?

Because that’s what we’re getting, a homegrown no-budget knock off of a King Kong knock off.

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Reptisaurus (2009) [REVIEW] | #giantmonstermarch

Cheap, direct to video shitfest from Fred Olen Ray, the final frontier for the franchise you’ve never heard about until this very moment…. or did you really?

If you’ve been lurking and watching all things monster movies from a good decade or more, you probably already know of Reptilicus from 1961, the only Danish movie monster that had the privilege of being remembered by film historians, and like some of the others “Godzilla inspired” films, managed to get a shlocky comic book series, one that eventually crossed with the one based on Gorgo, of all fucking things.

But since this is that kind of story, Reptilicus’ comic book only lasted two issues. TWO.

Then the publisher, Charlton Comics, waited for the copyright on the name to expire, redesigning the creature a bit and retitling it as “Reptisaurus”, which at least gave the series more issues and a special one-shot, and – as said before – got a cameo in an issue of the Gorgo comic book series, also published by Charlton Comics.

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Big Octopus (2020) [REVIEW] | #giantmonstermarch

Ah yes, the forgotten Splatoon lore of kids now, squids now, and chinese movie makers bootlegging the Squid’s sworn enemies for feature length b-movies.

Or something about Octaman’s mom.

For one i can’t deny mainland China’s output of these monster movies it’s quite abundant, so i really could have chosen from the many of these “killer animals/mutated animals” that can be found online, but i picked this one, going by the international title of Big Octopus, because the name it’s so to the point, it’s good to see some takodachi representation and octopi are now a lot less represented, unless it’s a Lovecraft (or Lovecraft inspired) adaptation of sorts.

Or Splatoon, once again.

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[EXPRESSO] Shazam: Fury Of The Gods (2023) | Atlantomachia

Superhero time again, this time of the DC Comics variety, with the sequel to 2019’s Shazam, which introduced new audiences to the magic-powered hero and its origin story, before we got a DC Extended Universe entry related with last year’s spin-off film about Shazam’s nemesis, Black Adam, but honestly i’d rather not discuss of that movie again, what’s the point since their MCU attempt was such a mess that they hired James Gunn as well to reboot the entire thing?

So, talking about Fury Of The Gods, we have our boy Billy Batson and his foster siblings having to face a new menace, the Daughters of Atlas (played by Lucy Liu and Helen Mirren), who have come to reclaim a world ending artifact.

As you can guess, thanks to the new foes we get the explore the lore a bit more, learning of the origin of their powers, the world of Greek gods long gone, which also means it’s a great “excuse” to have a pandemonium style of monsters from said mythology run amok, from cyclops to harpies and manticores, and like the first you can tell this is from a horror director, because a lot of people get straight up killed (or worse) even in the prologue.

I was very pleasantly surprised by the first Shazam movie, and this one it’s just as good, being also a n everincrensigly rare specimen of superhero movie that isn’t plagued by tonal issues, has genuinely funny comedy bits (and the style of writing fits more with the protagonists being young teens), and balances well all of the aforementioned with the more emotional moments, which do feel earnest and not just there because the template says so.

Third act could have been a lil’ shorter, but still, lots of silly but genuine fun.

Galgameth (1996) [REVIEW] | #giantmonstermarch

We already discussed the best known film from legendary South Korean director Shin Sang-ok (whom sadly passed away in 2004), and i feel one really deserves the epiteth of legend given the history behind the 1985 Bulgasari/Pulgasari, especially as it feels like a last middle finger to the then current North Korean dictator, as him and his wife (kidnapped to make movies for Kim Jong-il, again, not joking, at all) managed to escape while at a Vienna’s film festival.

We went through the whole ordeal for that movie’s review, so i’m not gonna repeat myself too much on this regard, but i do think we’re long overdue for a movie about the whole ordeal, since it’s a perfect case where reality is crazier than fiction.

After his escape in Vienna the director and his wife became US citizens for a while, and during the 90s he made some movies under the pseudonym Simon Sheen, including some “3 Ninjas” sequels, and today’s feature, the ever-so-obscure Galgameth, also known/released as The Legend Of Galgameth or The Adventures Of Galgameth, of course it has alternative titles.

And Galgameth is of interest for us because director Sean McNamara basically recycled the script from Shin Sang-ok’s Pulgasari/Bulgasari remake (the original 1962 Pulgasari is sadly a lost film) but made it into a sword and sorcery film for children. As you do.

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Attack On Titan: Wings Of Freedom PS4 [REVIEW] | Nape Snape The Giants

As the Final Season of the Attack On Titan anime is somehow still going on (i’m not even talking about the many parts it has been split into), might as well revisit the videogames good ol’ Omega Force did, under the technically distinct (the best kind of distinct) title of “AOT” (yep, for legal reasons they couldn’t localize it as “Attack On Titan”, same issue as the My Hero Academia games, i think), starting with the first one, AOT: Wings Of Freedom, and then the direct sequel, AOT 2, in its complete form that also include the Final Battle expansion.

I would have loved to also cover the 3DS game, Shingeki No Kyoujin: Humanity In Chains, which is actually the first videogame based on Attack On Titan, but the localized english release has been pulled from the 3DS eShop years ago, i didn’t buy it before, so i’ll have to skip it as to get around these issues will take too much effort and – mostly – too much time, which is scarce at the moment.

I also want to cover AOT 2 in it’s complete form, will do that when they will release the second part of the part 3 of season 4 (if i got it right) somewhere in late 2023.

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[EXPRESSO] Demon Slayer: Prelude To The Swordsmith Village (2023) | Stock Breathing Style (UPDATED)

Okay, i’m not gonna sugarcoat it, this feels a bad joke to pull on the audience.

Sure, this was billed as a compilation film of the second season with the juicy carrot being the inclusion of the first episode from Season 3 of the Demon Slayer anime (covering the Swordsmith Village Arc), which will be airing normally this April, i’m not complaining about that.

But it’s not a compilation of the second season, it’s actually the final 3 episodes of Season 2 plus the never seen before episode 1 of the upcoming third season, and i would question it even being a compilation film, since they did slap the aforementioned episodes together, didn’t even bother to cut out endings, title cards, eyecatches or do any noticeable edits for better narrative flow.

I can kinda understand why only these episodes, as they sports movie level quality animation and are even better to see on the big screen, but this is supposed to be a compilation movie, so it’s a matter of editing… and even then i struggle to use that word, as they mostly added a brief gist of what the series it’s about in form of text over reused footage, and recycled the opening songs over very brief montages of battles and events leading to the action packed finale of the Entertaiment District arc, which you’re thrown upon.

Could have added some voice over narration here and there to give more context than zero or actually summarize the events leading to that, insteading of bugger all.

At least it’s not an extra pricey theathrical release, but still, this is lazy and bad even for a compilation film, complete cashgrab.

Even if episode 1 of Season 3 is quite good, just wait for the season to air regularly as it will.

EDIT 14/03/2022: i was made aware that the original trailer for the movie DID specify the contents as the movie just being the last 2 episodes of Season 2 plus the first one of Season 3, i didn’t know that since why bother seeing the trailer for a recap movie, and many news outlets didn’t quite specify what exactly was in the movie (the ones here in Italy just advertisedit as “recap movie of the Entertaiment District Arc” or something generic and non-descriptive, for once).

So i upgraded my rating to Americano to refelect, as in, it’s at least what they advertised, though this doesn’t fix the fact it was clearly marketed in a vague way by many news outlets (by choice, a malicious person might suggest), nor my complains about it lacking any kind of basic edit of the reused footage,

Babylon’s Fall PS4 [REVIEW-FUNERAL] | Enuma Eloss

After previously touching upon the demo, and especially when the inevitable news of the sunset period before the servers would be shot down, i knew i had get Babylon’s fall, for cheap (which wasn’t an issue), actually play and finish before lights were out.

Other times i’ve put out these “funerary reviews” slightly before a game kicked the bucket, just in case, as both a courtesy and a way to let people that might be interested in the game itself, for whatever reason, so they could – potentially – try it or play it, i mean, Jump Force can still be played as second hand copies are still around.

But Babylon’s Fall didn’t even deserve that, so we’re talking about it the very same days its servers will close forever, 28^th of February 2023, not even 1 year after the game launched on the 3^rd of March 2022, couldn’t even held out for 3 days more, in such a hurry to kill to it Square Enix were.

Then again, that in itself it’s nothing special, the company does this to countless mobile free to play spinoffs of it’s own series, it’s like clockwork for many people to learn through these “end of service announcement” that many mobile games based on franchises owned by Squeenix…. even existed.

But it’s Babylon’s Fall we’re talking about, a game that indeed will live on infamy as a golden grease stain on Platinum Games’ record, when they had the bright idea to work alongside the company that once every 2 year lamented every non-japanese big franchise they owned and handled sold “below expectations”, the company of FF VII NFTs, that also later sold all its western-centric studios and properties for a pittance, all to drown more cash into the latest internet money scam.

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