[One Piece: Side Pieces | Retrospective] Monsters: 103 Mercies, Dragon, Damnation (2024) [REVIEW]

To kick off this little retrospective about One Piece spin-offs and One Piece related stuff, let’s talk about Monsters: 103 Mercies, Dragon, Damnation, a short anime film adaptation of a 1994 Eiichiro Oda’s one-shot manga, simply – and terribly – titled “Monsters”, though most fans of One Piece have most likely read it when it was later recompiled in “Wanted!”, a volume collection of Oda’s pre-One Piece one shot mangas.

Apparently it was previously adapted in 2021… as a voice comic audio thing, but again, it was a “voice comic” affair, something made as part of the celebration for the series’ publishing its 100th volume, so this 2024 anime adaptation for streaming services like Netflix might as well be the first.

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Introducing the One Piece: Side Pieces retrospective

It’s August again, so time for a little One Piece themed small retrospective, this year with a review every 3 days till the 15th (after that i’m going into the usual August hiatus to resume on September), curating some of the spin-off One Piece material i have yet to cover, after a One Piece film retrospective (and one curating the various featurettes), a TV Specials retrospective, and having other various reviews about One Piece related material.

This year we’ll basically picking out manga spin-off, one shots, collaborations, mostly focusing on the manga side of things, for a change, starting off later today with a “blast from the past” for Eiichiro Oda fans.

My Deer Friend Nokotan/Shikanoko Nokonoko Koshitantan [ANIME FIRST IMPRESSIONS]

For most of you, there won’t be any need to introduce My Deer Friend Nokotan, as the marketing for it made it an instantly popular memetic trend, thanks to the incredible trailer, it coming from studio WIT and promising a non-sensical humour reminescent of Nichijou, especially as one of the legendary scenes in it was the “school principal VS deer wrestling match”.

The “shikanoko dance” itself made it reach meme heaven, go super-viral, as it resonated beyond well with the internet anime communities, all months before the first episode was aired and available on streaming via many popular services. And Crunchyroll.

Not bad for what was originally a fairly unknown manga by Oshioshio, author of Sakura Maimai but better known today (kinda) as the character designer for popular V-Tuber Amane Kanata.

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[EXPRESSO] Deadpool & Wolverine (2024) | Stabbing Friends

I do not know if it’s still “cool” to hate on Deadpool (both the character and the film series), but laughably wanton changes of popular opinion aside, i quite liked Deadpool and i was glad to see that he would return and drag back Hugh Jackman to play Wolverine again in the third Deadpool live action film, Deadpool & Wolverine, as they go through a multiverse hopping adventure to avoid the timelines being erased, and for spoilers’ sake i will leave it at that.

Not that you’re here for the story anyway, you’re here for Ryan Reynolds’s Deadpool and to see him interact with Hugh Jackman back in his iconic Wolverine role/persona, and honestly i can’t deny it works well as a buddy comedy adventure, as the two actors work off each other perfectly.

I will not chastize the series style and humour and characters for actually being consistent with themselves as they were before, but i also won’t deny i would be quite okay with this being the last Deadpool film, as nothing here works badly or anything, is just the formula at this point in time lacks any real surprise, and the “annoying” aspect of Deadpool deliberate meta-massacring humour is even more noticeable than it’s purposedly made to, like dial it back a bit.

Also, there’s the fact the plot is weaker and meandering, as much as it makes some cameos possible from Marvel characters otherwise stuck in stupid limbos, it’s more derivative, the new characters could be better, and the movie – which is still decent-and-above fun overall – is quite funny but noticeably not as funny (or well directed) as Deadpool 2 was, and the meta referencing und self deprecating humour ends up feeling kind old hat, even if you enjoyed Deadpool whole shtick so far.

Green Lantern: Rise Of The Manhunters X360 [REVIEW] #meleemay

During the 7th generation of console, there were still movie tie-in Marvel and DC games for each of the heroes/movies (though mostly for what is now known as Phase 1 of the Marvel MCU) , mostly under the Sega brand, and there was a 70 % chance of it being a beat em up because God Of War was still the new cock of the walk, leading the market to lots of imitators crafting up 3D hack n slash/beat em up in where to fisticuffs dozens of foes while playing as a digital Hollywood actor in costume. Yep, years ago, it was economically pheasable to pay for the actors’ likenesses without that alone costing more than the budget for the game itself. Looking at you, Square Enix’s Avengers.

The Green Lantern movie released in 2011 (starring a yet-to-bloom Ryan Reynolds) and… was definitely one of those, bad but not as bad as i expected. So after finally watching on a whime the movie last year on Neflix , i’ve decided to finally bother unearthing the disc from my 360 library. Hope you hankered for some tie-in movie trash of yore to be reviewed.

A shame DC is most likely never gonna touch the idea of a Green Lantern reboot in terms of live action film, so engrained is the stigma the 2011 movie has, because it would still make more sense than the Black Adam movie they did make, but who knows?

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Spy X Family: Code White (2023) | Alpine Capers

So, the Spy X Family movie, which feels kinda odd to see release in most territories (EU and english speaking ones) now in late April, as it debuted Dicember 2023 in japanese theathers, an and it’s very easy to notice it was meant as a winter/Christmas release, because of it taking place in a faux-Switzerland-esque city and the tone of a winter holiday vacation.

Not having watched further than Season 1, i was a bit worried to accidentally spoil myself, but this is a non-canonical original story…… that actually doesn’t even really need you to have watched Spy X Family at all, as it introduces the main characters and quickly explains the gist (which i won’t for time’s sake) anyway, you will miss some context for some side characters, but there’s nothing that you can’t catch on the fly by watching the movie.

The plot has the Forger family go into a vacation in the nearby alpine and Switzerland-esque town of Frigis in order to get the recipe for a cake that will make Anya pass the cooking exam at her prestigious school, in turn advancing her career and letting Lloyd get closer to the target of the secret operation he undertook and formed the family for.

But things go south when Anya accidentally gets imbroiled with the army and discovers their plan to undo the fragile peace between non-East Germany and non-West Germany…

It’s a fun time, but it could have been easily a 2 parts long special episode instead, very little feels “cinematic” until deep in the second act, but even in terms of animation quality there’s little (some brief dream sequences, mostly) that feels like this “needed” to be a movie.

Still quite cute and wholesome as is the series itself, but nothing really impressive either way.

Yuru Camp/Laid Back Camp Season 3 [FIRST IMPRESSIONS]

So, why are we doing a first impressions of the new season of Yuru Camp, a series i’ve covered extensively on here and one of my favourites of ever?

As in, i usually have the review when the season is over, but i was so pleased by the movie and so busy i forgot Season 3 was scheduled to come out, but as i remembered it being planned for a “winter release”…. i was surprised when a friend of mine told me the first episodes were out.

Then i remembered why i wasn’t as hyped as i would usually be, the fact the third season was not gonna be animated by C-Station, which is a yellow flag, and that it was gonna have a different director, Shin Tosaka, whom previously directed some episodes of many anime series (from Busou Shinki to some Beyblade series, and more recently The Slime Diaries, the spin-off of That Time I Got Reincarnated As A Slime) and some OVAs and ONAs.

Even before i made some research, it still was not a good sign, but i did watch the first 3 episodes (it’s streaming on Crunchyroll), after hearing of fans lamenting some issues, so here it goes.

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One Piece Pirate Warriors 4: Additional Episode 3- Path To The King Of Pirates PS4 [DLC REVIEW]

So here we are, the actual final piece of PW 4 DLC content that isn’t playable characters.

(i’m taking the educated guess of not expecting more content in any shape since there’s a digital Ultimate Edition package of all PW4 content on sale, and given TK’s track record, when they use/release the “Ultimate” edition of something means they’re done with a game)

(FIY, this isn’t the last time i will cover Pirate Warriors 4, i have a final impression/re-review/addendum in the works but i’m waiting to see if they plan to keep doing more Character Passes at a later date or not, i doubt so – see the above paragraph as to why – but then again Xenoverse 2 is still getting a lot of DLC content in a somewhat regular fashion, with no signs of stopping)

The final piece of the Special Log mode offers – alongside the final Soul Map that adds the advertised & expected batch of new skills to unlock and stats upgrades – what’s basically a post-game gauntlet of challenges.

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Godzilla GB [REVIEW] | Chibizilla Made A Maze

the lesser known but far funnier PAL cover of the game.

Yep, the one you might remember as part of the AVGN Godzilla episode, with the Godzilla chibi sprites, Puzzle Bubble-esque music, we’re doing this Godzilla game this Giant Monster March, because why not after downing shitty licensed affair such as – but not limited to – the PS3-PS4 Godzilla game?

Curiously, this isn’t an entirely random game, per sé, as this Game Boy title is actually a port of the MSX title Godzilla-kun by Compile (yes, the same company that would become Compile Heart and crank out Neptunia titles by the dozens), done by Compile themselves, and the game in turn was based on Godzilland’s merchandise line that had chibi versions of Big G and the various kaijus.

The only differences between the original japanese GB release and the localized American & European ones is the rescue target, as in the original japanese version various monsters kidnap Godzilla’s girlfriend, Bijira (which was apparently a thing), and the western one they kidnapped his son, Minilla, and trapped him in a maze.

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It Came From Beneath The Sea (1955) [REVIEW] #giantmonstermarch

It was another age. Another time.

The land was green but not good, as it was irradiated with radioactive sludge.

It was indeed the age of the atoms, the nucular spectacular of what new horrors science could do, and then eventually what kind of cinematic entertaiment companies could spun out of the Atom Age fad, monster movies being the more obvious one, as even the second Godzilla movie was more cheesy, and more in tone with other disaster flicks where the giant creature stomping and romping about was in some way born or mutated by radioactive fallout.

Before mutated anything, there was a man that already stunned the world of cinema with its special effect wizardry, Ray Harryhausen, having learned the ways of the magic known as stop-motion animation from his mentor, the legendary Willis O’Brien, whom worked on bringing the original King Kong to life, as well as the dinosaurs in the 1925 film adaptation of The Lost World.

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