[EXPRESSO] Lightyear (2022) | Space Mediocrity

Ok, let’s leave aside the whole “identity crisis debacle”, despite Pixar being outright silly in starting the movie with the premise that THIS is the movie that in 1995 spawned the Buzz Lightyear toy Andy from Toy Story got. Also ignoring the 90’s animated TV series that served as a backstory to the character, because it’s clear this is a different interpretation-canon.

WHATEVER, who cares, let’s move on from this non-sense.

Though i can understand it’s quite tempting to do so since the ludicrous meta footnote is ripe for lampooning, and the actual movie leaves very little to say for itself.

But first, the plot.

I has been described by many as a sort of rip-off of Interstellar for children, and i agree, as we see Buzz and company investigate a newly scanned planet that the ship flew by during their voyage.

This alien world immediatly reveals to be rife with hostile fauna and flora, and in attempt to escape, the ship gets damaged, forcing Buzz and all the other people on board to camp and live there, while they find a way to create the specific fuel need for lightspeed space travel in order to contact base and leave the planet. They do manage to create the special fuel, but things turn for the weird as Buzz keeps failing the lightspeed flight test and returns to learn that his minutes long voyages translate to years of time passing in his absence….

I’ll say that this ain’t bad. I didn’t expect much from the trailer, but sadly despite the plot having some potential to be better, it all comes off as a generic “origin story” through and through, from the action to the characters, everything it’s pretty mild, predictable and – again – generic.

Enjoyable, but sadly quite middling overall.

King Cobra (1999) [REVIEW] | Dropkick Cobras with Pat Morita #snakesofjune

Due to the overabundance of snake movies, distributors had improvising their own method of flute chanting to enthice people, in this case by slapping on the cover Pat Morita’s name, and with special effects curated by the Chiodo Brothers of Killers Klowns From Outer Space and Critters fame.

Well, that sure would have gotten my attention, but even the funny Erik Estrada cammeo wouldn’t properly mask how this is the squintillionth Jaws rip-off.

That’s literally it.

I know i did eventually described the same plot over and over since lots of b-movies ripped off Jaws in everything, you wanna know the context that lead to a giant snake hybrid breaking loose? Fine.

Continua a leggere

[EXPRESSO] Black Phone (2021) | The Basement Dead

Time for some fresh meat, as this one will drop in theathers here in a week’s time, but i manage to see this earlier preview screening, and boy i’m glad i did, as i’ve heard of this movie before but kinda forgot when or if it was gonna come out in theathers here.

Based on the short story of the same name by Joe Hill, Black Phone is the new feature from Sinister ‘s (and the 2016’s Doctor Strange, as marketing makes abundantly clear) director Scott Derrickson, telling the story of a serial killer – dubbed “The Grabber” by the community – that in 1978 terrorizes a suburban town in Colorado by kidnapping children, with the sixth being the 13 yo Finny Shaw. While being imprisoned, Finny realizes that the black phone in the basement, despite having the line physically severed, acts a conduit for the Grabber’ previous victims to talk with the boy and hopefully help him escape. At the same time, Finny’s sister begins to have weird dreams, or visions..

You know when the trailer and most of the marking material makes the movie look good and “proper”, you go see it and then it’s actually quite good? Yeah, Black Phone it’s one of those.

Not only the setting it’s good, the presentation excellent at using “low budget tricks” like scenes filmed or edited to feel like era archive footage (which is not surprising given the director), all contributing to avoid the common modern mistake of “overly produced/shiny horror movies”, it’s a pretty creepy slice of that late 70s’ suburban America, with a really good atmosphere, a little bit of well integrated comedy and great characters all around, with the villain being as creepy as he looks.

Pretty good, fairly intense and quite satisfying to boot. Recommended.

Fire Emblem Warriors NSWITCH & NEW3DS [REVIEW] | Tactics Of The Emblem

To celebrate a new Fire Emblem crossover game with the Warriors formula, this time based on Three Houses in the same fashion as Age Of Calamity was from Zelda Breath Of Wild, let’s rivisit the older (and first) title, simply titled Fire Emblem Warriors, released back in 2017 for the Nintendo Switch and the 3DS… as in, only the New 3DS models, yep, it was one of those very few exclusive titles for that 3DS revision-upgraded restyling, arguably the only title of notice alongside Xenoblade Chronicles 3D in terms of New 3DS Only packaged retail releases.

I’m gonna review both versions as i first sunk 50+ hours on the New 3DS release (i didn’t had a Switch at the time) and then a little less once i got hold of a Switch and that version, and by that i mean i will just make a specific comparison in terms of performance and overall looks between the two versions, no need to review both separately, as in terms of contents they are 99 % identical.

Aside from that, prepare from a lot of comparison to Hyrule Warriors, it can’t be helped.

Also (as already explained in the hands-on on the demo for Three Hopes), don’t expect a review of Fire Emblem Warriors: Three Hopes anytime soon, for the same reason of Persona 5 Strikers, i gotta play the main game, Three Houses, first, even though this is described as an alternate story in that world. And i’m never gonna finish that game and then start, finish and have a review of that out in any timely fashion.

Time is not on my side. 😦

Continua a leggere

Megaboa (2021) [REVIEW] | Orchid Roberts #snakesofjune

More snakes. Want ‘em? You’ll get them anyway, because they’re one of the basic b-movie elements, and even without going back to stuff like Ssss they’re a costant in terms of b-movies, with Snakes On A Plane becoming the very first big cult movie sensation fueled via the internet, years before we saw The Asylum crystallize the formula but doing it crap on purpose with good ol’ Sharkenado.

It doesn’t matter if they’re big, mutated or come in swarm, snakes are an evergreen choice for this kind of movie… mostly because they’re easier (and cheaper) to animate being a limbless animal.

But let’s not involve reality, we’re talking another frigging giant snake, and i guess none told the makers of these creature features that’s there are more magniloquent terms for “big” outside of “Mega” and “Giga”, otherwise we would already be at “Peta Python VS Zettapuss”.

Continua a leggere

Anacondas: The Hunt For The Blood Orchid (2004) [REVIEW] #snakesofjune

Let’s go back to a slightly older time, not implying it was a better time per se, just saying that back in the late 90s – early 2000s you still could make B-movies about snakes with good effects and released widely in theathers, and this is true for Anacondas: The Hunt for the Blood Archid.

Though worry not, even if you didn’t see the original Anaconda (which we covered sometimes ago), this is a stand-alone sequel with a completely different cast and a completely separate plot, with directing duties handled to Dwight Hubbard Little (Marked For Death, Free Willy 2, Halloween 4).

Aside from proving than indeed what it’s old it’s eventually new again, there’s the fact that today this kind of sequel would never reach theathers, heck, not even the first/original movie would.

Continua a leggere

[EXPRESSO] Congo’s Caper/Joe & Mac 2 SNES | Sun Wukong Upon A Star

Ah, yes, the three inescapable truths of life: death, taxes and SNES caveman platformers that somehow you didn’t play or knew existed, like todays’s Congo’s Caper, just recently rereleased on the NSW Online subscription/retro apps.

This one it’s a bit more recognizable than stuff like Prehistorik Man, as it’s basically a spin-off of the Joe & Mac: Caveman Ninja series by Data East, but also the second game in the series, since it was actually sold as Joe & Mac 2 in Japan and PAL regions.

And i kinda get why, as Data East also recycled some characters from the mainline Joe & Mac series, like the devil or the first stage t-rex boss , and the controls are similar, as it retains the high jump, but not the weapons, as you use only a small club to attack.

The more distinctive feature is the player character turning back into a monkey if hit, and regaining your human form with a red crystal (Mario style), with the ability to enter a “super saiyan” invincibility state too, you’re a half-monkey man after all.

Controls are actually pretty smooth, arguably better than the original Joe & Mac, the new protagonist has some new abilities like hanging from vines, so it should be better…. and it arguably is, it’s definitely more polished, has a lot more levels, BUT it’s too easy for its own good, it’s fun, but it lacks challenge, and the level themselves are very short, while also not providing anything you haven’t seen (or heard, as some of the sound effects are pretty much “ripped off” of Super Mario World…. or its sound libraries) done better in terms of level design.

So it’s not a bad game, but a decent one that could have been potentially quite good.

Shame, really.

Fire Emblem Warriors: Three Hopes NSWITCH DEMO [HANDS-ON] Hope Is Ascending

While i wasn’t planning to review the full game soon since i still need to play Three Houses first, the release of a demo at least give me an excuse to talk about the new Fire Emblem Warriors, so compromise it is! Dr. Killinger was right after all.

Since i have no familiarity with the aforementioned FE entry, i will not talk in detail about the plot seen in the demo, even though this is described as an alternative story set in the same world.

I mean, judging from the prologue’s cutscenes, narration and overwiew, it feels fitting that this specific FE game has a dedicated Warriors spin-off, since it feels like a medieval european take on the Romance Of The Three Kingdoms. Just with more school and church stuff.

It’s a fairly meaty demo, that lets you the entire prologue and ends just before the final battle of Chapter 4, for roughly 4 hours of content, more than usual and more than enough to know if you like the game or not.

Continua a leggere

[EXPRESSO] Jurassic World: Dominion (2022) | Jurassic Mixtape Meatloaf

While i would have a lot to say about this one, i’ll reserve some of it for when we tackle the entire “Jurassic Park/World” series, so i’ll keep it brief.

While long overdue, it’s finally that time again. Time to go see the new “big budget Asylum movie equivalent”, i really go in these later Jurassic movies with this mindset, after Fallen Kingdom i don’t even entertain the idea that i might be too hyperbolical, given that someone greenlit that script.

Speaking of which, yes, the plot sees the fallout of that shit awful ending, leading to dinosaurs escaping free into our modern world, and the inevitable fight for survival that ensues. This also leads to Chris Pratt having to save the offsprings of Blue the velociraptor, the actual true protagonist of this new trilogy.

Like pretty much any other goddamn IP from decades ago that still receives installments, Jurassic World: Dominion treads heavily on nostalgia, even more than before, as it basically recasts all the surviving actors from the original Jurassic Park and “alluding” to that one a LOT.

Talk about a series that peaked so hard and so instantly, to the point nobody really cares anymore about anything that came after the 1993 original.

Even so, i feel this is arguably the best of the Jurassic World movies, thanks to a script that’s not fuckin tosh, despite trying to balance the “nostalgia mixtape best of 1993” of having pretty much all the original cast back, the callbacks (horror-style scenes included), more focus on story and the more chaotic dino bullshit from the other Jurassic World movies.

Honestly i’m surprised the final result isn’t a complete mess despite the movie wanting to compromise/squish together both the old and the new.

At least it’s entertaning big budget b-movie meatloaf funtime.

[EXPRESSO] Black Parthenope (2022) | ♫ Goin’ Naples Underground ♫

Bringing you more new italian horror movies coverage, the new ones that just kinda “sprout” out of nowhere into the programming schedule of my local cinemas, with no fanfare and almost no national marketing budget to speak of.

And i guess this is the year of smaller italian horror movies like this that frustrate me, as they make good use of distinctive regional italian locations and have some potential, but kinda squander it or are afflicted by fairly big flaws.

Black Parthenope is a horror thriller set in the incredibly extensive set of underground catacombs and tunnels of Naples, the so called “Naples Underground”, where some business people met in order to sell the entire “underground city” to a company that’ll make parking lots out of it, but they get lost and haunted by the neopolitean folklore legend of the “Monaciello” (meaning “small monk”), a wronged soul that was shunned and then killed in the underground tunnels, forever seeking revenge on anyone that walks his haunting grounds.

The Neapolis Underground setting it’s great, some of the scenes manage to create a decent atmosphere, the cast it’s decent and it’s a well produced movie… but it’s almost brought down entirely by how shallow, grating and obnoxious the characters are, to say nothing of the aggressively awful dialogue, and how uneven and often middlesome direction can be, falling back to cliches in a way telling of this being a feature debut for the director in question.

While the final part partially redeems the movie from “proper bad” territory, the first act almost makes you wanna give up on it entirely, but at least you can tell that this movie was always meant to be a thriller-horror movie, unlike the previosly reviewed The Bunker Game.

Even so, it’s definitely not a bad effort!