Bad CGI Sharks (2019) [REVIEW] | #thesharklist

With a title like that, you know you’re either in for something that will serve as a perfect snapshot of the era, or you’re gonna eat some rotten bait, punished for willingly walking into an ACME trap.

I do like how to the point it is, like, you already know how crap these modern shark movies are, we’re gonna come clean and maybe lower your expectations even further to the point you may actually like our film, if it can actually somehow rise above being another self-deprecating joke stretched to feature lenght runtime?

This one was also surprisingly elusive since it never streamed on something available here, and out of pure stubborness i ended up importing the US DVD release, i guess Wild Eye Releasing has an exclusive deal of sorts just with Mark Polonia.

That said, this is in a way the “bad shark movie to end all shark movies”, despite some issues we’ll go over, after we go over the plot, because Bad CGI Sharks actually has one.

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The Mouse Trap (2024) [REVIEW] | Unhappy Mappy

I swore this off when it came out, even more since i did end up covering all the 3 fucking Popeye slashers that came out last year, but we’re getting at least one more of those, and apparently more of “Steamboat Willie as a horror movie” as a sequel for this was greenlit very soon (one month) after this one dropped in August 2024.

Plus this showed up today on my Amazon Prime Video feed, and since i’ve basically done the same with the Winnie The Pooh horror films, i guess it was indeed inevitable, so consider it a bonus review to excuse the Global Defence Force Tactics retrospective piece getting bumped to August.

I’ve already said a lot of what i thought about these kind of productions in my reviews of both the aforementioned Winnie The Pooh Blood And Honey films and the various Popeye slashers, but in case you weren’t aware, this is actually “patient zero” for this new trend among the bottom feeders of the indie horror scene, as in, waiting for a specific work’s copyright to expire and as soon as possible jump on its new public domain status to do a quickie cashgrab in the form of a cheap low budget slasher flick; the virus might mutate but so far this is the route chosen, as it’s easy, obvious and so brazenly shameless it will put eyes on your piece of shit.

More specifically, this exists because the famous Disney short featuring Mickey Mouse, Steamboat Willie, fell into the public domain on January 1, 2024, just that, meaning THAT Mickey Mouse’s appearance was “fair game”, not the other interpretations/designs/incarnations that followed, as Disney owns the copyright to those.

And Canadian filmmakers Jamie Bailey and Simon Philipps were eager to cash that “mouse money”, as they announced the film (as Mickey Mouse’s Trap, as if they ever expected that title to actually pass legit) on the very same day Steamboat Willie’s became public domain material.

More unbelievable was that this was supposed to get a theathrical release… it didn’t.

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Shark Side Of The Moon (2022) [REVIEW] | #thesharklist

Asylum time!

Not any of their random ass fucking shark movies… one of their random ass shark movies that The Asylum was commisioned for the streaming service Tubi… okay this is new territory, in a way.

Okay, this is one where i’m not even sure if it’s a mockbuster of something, sure, it released in 2022 as Emmerich’s Moonfall… but the Asylum already did have time to made two mockbuster of that while it was delayed due to the COVID-19 pandemic, so it’s just them doing whatever random crazy bullshit they want.

Which could be fun, since it’s basically them doing a mash up of Iron Sky and Sharkman but with USSR-era man-shark hybrids living on the moon, and i think part of my brain shutdown just in writing that…. so it’s ironically promising, in a roundabout way.

It sound like a lot of random fun crap, what the company often… well, sometimes can excel at, it’s a crapshoot, a monkey feces throwing contest, creatively speaking.

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Snakes On A Train (2006) [REVIEW] | Poco-loco-motion

Since we took the opportunity to review Snakes On A Plane some time ago for the movie 20th anniversary and the 4K UHD Bluray rerelease by Arrow Video meant to celebrate that, i guess it’s inevitable we cover the mockbuster version the Asylum cooked up the same year, as in, Snakes On A Train.

I mean, why not, i got the UK DVD release for peanuts years ago, might as well.

As with most of their mockbusters, the plot is legally distinct from the movie whose cottails they’re riding on, and just shares the same idea/copies the same gimmick, this time a public transport vehicle being filled with killer snakes, a train in this occasion as it’s cheaper to shoot.

In a way, this should have been a really fuckin easy one.

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The Mummy Resurrection (2022) [REVIEW] | Budget Mummies

Since we’re getting a new Mummy movie meant as a stand-alone thing unrelated to the old, forsaken Dark Universe, i’ve figured instead of reviewing again 2017’s The Mummy and boring myself to tears, i might be more interesting to review a random mummy themed horror film i found new on Amazon for 4 bucks and bought sight unseen.

No prior research, just unwrapped the thing from my library and saw it, for a change.

The result of this dice throw is both not good, but also kinda interesting and not as bad as i would have assumed.

Still bad, but the more interesting kind of “bad”.

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The Spooktacular Eight #31: Dante’s Inferno: An Animated Epic (2010)

As an Italian, it always tickled me silly how back in the late 2000s EA’s idea for competiting with Sony’s God Of War franchise was to pillage The Divine Comedy by Dante Alighieri and basically transform it into a power fantasy action game about saving a damsel in distress, which happens to be done by traversing Hell as described by the Tuscanian poet.

I guess because it was a well known public domain literary work that would also work as a quick and dirty band-aid to feign some refinement, and to be honest everyone was jumping on the hack n slash action game bandwagon at the time, so of course EA would have tried their hands at it.

Still feels fuckin random because they could just have made a Roman Empire themed hack n slash, but i guess they couldn’t push a marketing campaign literally encouraging to “go to hell” and the “sin to win” marketing shizzle.

I’m not even offended because this is so fuckin american it’s hilarious, i mean, sure, it’s based on Alighieri’s first book of The Divine Comedy as in it has the concept of venturing through Hell, it has a guy named Dante, a gal named Beatrice, and The Devil(TM) sure, it’s the same thing.

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The Spooktacular Eight #28: Suburban Sasquatch (2004)

Enough of Mark Polonia’s stuff, let’s go deeper into the homegrown cinema territory with a “classic” by David Wascavage, Suburban Sasquatch.

Sometimes you think you know a certain genre, then see shit like this or Fungicide that makes you realize, yes, we can go lower than an early Polonia Bros direct-to-video film made in the late 90s, there is a 10th circle of movie hell… or heaven, depending on whom you ask.

If you ever wondered what those Donald Trump VS Bigfoot VS Nazi Shark fuckin movies would have looked like if they were made in the 90s, and were somehow worse than Curse Of Bigfoot… well, wonder no more, because while this was made in 2004, it looks like the first Feeders film or something like that, it’s that territory of shooting your own shit with pocket change (and some “locally sourced” weed as stand-in for salaries) as budget, with your friends as “actors” and location shooting meaning you most likely recorded the footage (“filmed” is too strong of a word) somewhere in some woods or field near your home, or inside a friends’ house.

This is HIGH amateur hour stuff, my fellows bad movie buffs, so amateur it hurts.

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Pinata Survival Island AKA Demon Island (2002) [REVIEW] | Cinco De Pantyo

This is the “something” i eventually went with as an excuse for having to cut down One Piece August reviews (which are coming up soon after this), some rando film i had in my Amazon Prime Video watchlist, Demon Island…. under its Italian title, Pinata: Terror Island (still showing the title of Pinata: Survival Island in the film itself, as you do), which immediatly has primo “please rent me from Blockbuster, please!” direct-to-video trash film energy.

And now is a 20 years old aged serving of trash filet, hopefully so, let’s roll the dice with something from the directors of King Cobra (the cobra killer movie with Pat Morita i did review back then), National Lampoon’s Dorm Daze and the tv mini-series Deadtime Stories.

One might wonder why retitle a movie called “Demon Island” as “Pinata” or “Pinata Survival Island”…. unless you actually read a synopsis and realize it’s a bit more direct, since that’s the source of the daemons.

You see, an isolated tribe, cursed by spirits for their sins, decides to craft a pinata to house all their evil, and then sends the thing into the fuckin ocean to get rid of it and advert famines and such.

Not their problem anymore, i guess, so its up to a couple of teens to find the pinata on a island, while they are there to do a weird fraternity-sorority thing during Cinco De Mayo, which is getting fraternity guys and sorority girls put into teams of two and…..basically do a Senran Kagura questline that somehow never happened but easily could have, as in they compete for who can find the most underwear strewn around the island, with a prize of 20000 bucks for the winners.

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Shark Warning (2024) [REVIEW] | #sharkapalooza

Due to rescheduling issues i noticed Sharkapalooza was one movie short, so i figured i’d review one of my recent “sight unseen and cheap” DVD pickups, Shark Warning, from last year….

…..and it’s an Asylum joint.

I literally paused my Donkey Kong Bananza game to see this, no that i expected this movie to be good.

The odds were never on my favour, i guess this one of their generic shark films since there was no big budget shark film released that year… was it? I mean, we got Under Paris via Netflix, but this is not a mockbuster of that, and some other shark movies (like No Way Up) but nothing big budget or cinema bound for the Asylum to try make some cents out of its reflected glory.

Doesn’t matter anyway, so what kind of shark movie are we getting?

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Aquaslash (2019) [REVIEW] | Slasher Action Park

What a waste of time.

I could have made a longer lead up to that, but sadly this one it’s just a sour disappointment, even going in just expecting it to be an enjoyable teen slasher set in an aquatic park, setting the bar fairly low but in a way that’s reasonable.

Cool title, but i’m not being too hyperbolic when i say it feels like a waste of time, period, since 80 % of Aquaslash it’s build up for the slipslide kills, and by “build up” i mean a lot of exagerrated romantic drama with deliberately exaggerated douchy teens and asshole adults characters, and a lot of cliches, which would be fine if the pay off was worth it… it ain’t.

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