#E32021 XBox-Bethesda & Square Enix [Highlights]

Still haven’t fully digested that Microsoft did actually buy Bethesda, but i didn’t have much interest in their games before… with the exception of Doom, Wolfenstein and pretty much anything they published but not developed, but still, it is a big deal.

Cared more than i could ever care about Microsoft’s offerings this last generation (and if anything so far into the X-Box One X is indicative of something, make it two), but whatever, let’s see if the two companies can offer a proper conference, at least with the standards we expect from “AAA” publishers and console makers.

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#E32021 Devolver Digital & Gearbox Software [Highlights]

One wonders why even bother watching any showcase or conference outside of Devolver Digital’s…. and this year is no exception, The deranged saga of Nina Struthers “continues” with even more ferocious, unsubtle piss taking of the videogame industry, corporate culture and all it stands for, all while keeping the unhinged multi-layered meta-narrative going, and while showing perfect awareness that they themselves are still in the industry to sell you stuff, all packaged in a 22 minutes delirium box.

They get it and still got it.

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[EXPRESSO] Run (2020) | Night And Day

Gotta be honest, this one completely flew under my radar, i didn’t even knew it was on Netflix from april… until now, where it got a theathrical release in my country (after leaving Netflix, of course).

Whoopsie. Whatever, i still prefer going to a theathrical screening.

From director and writer Aneesh Agharthy (2018’s Searching), Run tells the story of the weird relationship between Diane Walsh (Sarah Paulson) and her daughter Chloe (Kiera Allen), a wheelchair bound and homeschooled teen, as she notices her mother’s behaviour getting stranger and stranger, leading to find some strange name changes on some documents and making Chloe suspect of everything her mother does, fearing to uncover some dark secret.

Run is one of those movies that don’t really sound like much going by the premise, which might come off as too “familiar” and overused even if it really isn’t, and no, it’s nothing like the 1980’s film Mother’s Day (or its loose 2010 remake), even if it debutted original on Mother’s Day.

Still, while you kinda know what to expect, the execution makes it, as the very good script takes 100 % advantage of the setup and possibilities given by a disabled protagonist, without resorting to insincere little pieties about the “poor wittle paralyzed thing”, and offering very well written characters that perfectly play off each other thanks to the great performances of Paulson and Allen.

Also, while it has a slow first act, it’s not that much of a “slow burner”, as things pick up a bit faster than expected, but tension remains high all the way through, with a lot happening in 90 minutes, and a very satisfying ending.

Been a while since i saw a finale so satisfying.

Nothing “new”, but very well done, with nothing about it feeling vestigial. Good one.

#E32021 Wholesome Direct [Highlights]

Yeah, sorry but due to very limited time on my part, i will kinda have more “double feature” posts.

Especially since this E3 there’s way more conferences and showcase stuff to see, despite Sony basically being absent and EA delaying their crap to a direct thing in July.

Meaning i won’t have to cover it.

Also, since i’m on the subject, i won’t comment or watch the Warner Bros event, as they announced it’s all gonna be about Back 4 Blood and….i don’t really care about it, same for the PC Gaming Show, the Razer one and the final E3 Awards thingie.

And my time is limited, sadly.

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#E32021 Koch Primetime Gaming Stream & IGN EXPO [Highlights]

Yeah, compressing both together for my own convenience and because i really don’t have much to say about the Koch Primetime Stream (originally aired on Twitch) they had. I can say it was quite bad as a showcase for Koch Media new gaming label, named “Prime Matter”, 2 hours of mostly boredom thanks to the shit format of having basically an awkward interview relay race between various developers, with a lot of very dry talk and very little footage shown.

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#E32021 Summer Game Fest [Highlights]

Changed my mind, i will write small recaps/highlights of the various conferences, starting with this one.

Which is reall Geoff Khiley hosting “The Games Awards” by another name… yay?

Even more due to the event being sponsored by Prime Gaming…YAY.

Yeah, i didn’t miss this part of the E3 so much.

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“It’s Like Pokemon, but with Guns!”, for real this time

So, a couple of days ago a saw someone posting the trailer for this game in Early Access on Steam, called “Palworld”, saying that you were not ready to see it. They were fuckin right, because this game looks incredible. And pending for a legal bending from Nintendo. Or not?

I thought, oh, this is another of these Pokemon clones that are coming out now, like Cassette Beasts, or stuff already released like Monster Crown, who clearly borrow something or a lot from Nintendo popular series, Big N doesn’t have a trademark of “collecting monsters” as a game mechanic, why is this diff- HOLY SHIT, the character did a fly-by shooting with a rifle!!!

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[EXPRESSO] Ghost Lab (2021) | Thai Ghost Of Ruin

Let’s take a dip from Netflix new original content, specifically this thai horror thriller, Ghost Lab.

The premise is novel enough, as we see 2 medical doctors try to scientifically explain ghosts, after their hospital is infested by something they both have witnessed with their very own eyes together, so they venture on this quest of undisputable scientific proof for the literally unfathomable, setting up the titular “ghost laboratory” in a hall of an abandoned building in their hospital.

And as it turns out, it’s quite hard to prove ghosts, as even the odd night events like wheelchairs moving by themselves in fairly open spaces or things flying off the shelves by themselves don’t look more believable than the stuff available online, but while it doesn’t unfold exactly as you would expect (it doesn’t do the “Layton twist”) and it has some good drama, most of the final act seems kinda at odds with what came before, in a last second course correction to make it a more standard horror thriller, maybe afraid it would have less impact if didn’t.

Sure, at least there’s some entertaiment to it, but it’s hard to shake the feeling the script was tooled with to deliver a more palatable, safe conclusion, as if the writer wasn’t confident enough, so it threw all the genre cliches in a final act that – again, for the most part – might as well belong to a completely different movie.

It’s a shame, because it has a decent atmosphere, good characters, convincing performances, but it just doesn’t develop the interesting premise in a potentially interesting way, falling back into the generic, and in a fairly jarring way to boot.

It’s an uneven film, for sure, but i’d say it’s still worth a watch if you dig the premise.

Arachnid (2001) [REVIEW] | David Bowie Joke Here

Here, have more spiders, why not?

For this specific creature feature, we’re going back to very early 2000s, and also picking this randomly from recent additions to my personal DVD collection.

Sure as shit it’s not to celebrate a 20^th anniversary release of the movie, when even the director, Jack Sholder, kinda doesn’t wanna hear anything about it and would rather forget Arachnid, even when people bring it up to say it wasn’t actually that bad.

A sentiment i do echo because this isn’t as crap as you might expect, and if nothing else, it’s not exactly done by a bunch of complete nobodies, as it was produced by none other than Brian Yuzna (Re-Animator, The Guyver, Crying Freeman, Dagon, Honey I Shrunk The Kids) and the special effects were done by Steve Johnson, behind fxs for movies like Species I and II, Nightmare In Elm Street 4, An American Werewolf In London, Big Trouble In Little China, pretty good resumè.

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[EXPRESSO] The Conjuring 3: The Devil Made Me Do It (2021) | Pacino Panic

I’ll be honest, once i heard the third Conjuring main installment was gonna be handled by the director of Curse Of La Llrona (the 2019 one), Michael Chaves…. my expectations dropped like a lead baloon. Sorry, but they did, even with Wan involved… not in writing the screenplay. MH.

Now that the movie it’s finally in theathers….let’s go over the plot, first, instead.

In the 80s the Warrens (Vera Farmiga and Patrick Wilson) are investigating a new case of demon possessions and the like, which involves a man accused of killing his landlord by slashing him 22 times with a knife, and during the trail the Warrens – for the first time in American law’s history – try to negotiate a reduction by posing (and trying to prove as far as they can) the man was under demonic possession, uncovering another occult force along the way.

Let’s be brutally honest: this IS the underwhelming follow-up, it’s exactly that, not strictly bad, but just uninspired, going through the motions big time, with the best parts being hold-overs from the previous movies, in particular the Warrens’ characters, nothing that this movie can claim to have created. What is new is clearly an inferior redo of the Conjuring as a whole, not just with Chaves’ direction being ridden of limp, almost ineffectual jumpscares, but also the script (which really makes you miss Wan), made worse by the obvious “tricks” to make this one reach the 2 hours mark.

It’s disappointing, and a shame because you almost could see a better movie coming out of it if handled by more experienced people, but that movie didn’t happen in reality. Still better than The Nun or La Llorona, but come on, you reasonably expect more than just that from a mainline installment of this franchise.