“Pteranoperil” was too bland, i guess, but feel free to use that one, if you want.
So yeah, i got this while hunting for dinosaur flicks on Amazon, and the UK DVD copy goes under the “Jurassic Wars” title, but at least the cover promises pterodactyls… and the movie is about pterodactyls. Checks out, not always a given with these kind of movie covers that promise more than the movie can actually deliver.
Continua a leggere “Dino Dicember #12: Terrordactyl / Jurassic Wars (2016)”
Remember when Carnousaur 2 script couldn’t definitely decide if to consider the first movie or not, so it just gave an explanation for the dinosaurs that could kinda link the two movies together?
Well, the third one doesn’t even try to follow one of the movies or both, so it’s no wonder it was released in the UK simply as “Primal Species”, might as well use the subtitle as the alternate title, since this one wasn’t even conceived as part of the Carnosaur series, originally.
Continua a leggere “Dino Dicember #9: Carnosaur 3: Primal Species (1996)”
2 years later, following the rise of a new dino-human hybrid race… Wait, this is that type of sequel, just slap another number on the name of the previous movie, and do whatever the fuck you want with it, as long its about the same general theme and/or subject. Continuity, thy name is Corman.
This time we have a group of scientist that go a nuclear mining facility in Yucca Mountains (just missing an atomic Tor Johnson followed by gray, dull narration) to investigate a potential meltdown, but instead find dino eggs in one of the caves. Not, not radioactive dinosaurs, that would have been kinda fun, just the boring old cloned type of mutant dinosaurs. You can guess the rest.
Continua a leggere “Dino Dicember #8: Carnosaur 2 (1995)”
So, either someone really liked Dino Crisis 3, or more likely was “inspired” by the Godzilla animated trilogy, which i feel it’s really underrated and often quite maligned just because the 3D CG looks kinda ass…which it does, but the script by Gen Urobuchi is quite good, so much it makes the trilogy worthy of being seen, i’d say.
While it isn’t the case, i find it hard to not think of it, since the premise still see the main crew of interstellar explorers landing on a planet full of dinosaurs, but it lacks the whole patriotic drive of “conquering back the motherplanet Earth” (this isn’t Earth), or the social tensions forming between the different groups and races on board of the ship. Still, space dinosaurs is still quite the proposition that could do for some good b-movie entertaiment, and isn’t exactly a sub-genre….yet, this isn’t even the only “dinosaur sci-fi in space” flick released in 2018.
Continua a leggere “Dino December #4: Jurassic Galaxy (2018)”
After quite enjoying Bot Vice, i decided to check out the others games the spanish DYA Games had on the Switch eShop, and this one got my attention, especially because of the concept, a mixture of puzzle game and 2D spaceship shooter.
And it was on sale for 1 buck.
Basically, it plays like a standard 2D spaceship shooter (down to the vertical scrolling), but the aliens and obstacles are placed in a still grid like they’re puzzle pieces, so shooting a row of aliens of the same color triggers a chain reaction, making nearby aliens of different colors crystalize into unbreakable blocks. Defeated aliens also leave behind gems, emeralds (3 for stage to collect) and upgrades, which can be used to buy more spaceships and upgrade their stats.
This… until you reach the level’s boss, then the pace speeds up considerably, the puzzle elements are thrown away all together, and you can use autofire. You’ll need it, since the bosses are fast and hit hard even at the beginning, throwing bullet hell style projectile patterns, quite jarring, even when you know it’s coming and you bought/upgraded better ships…it just feels like a different game, and i feel it’s done to just pad the longevity out a bit, as you have only 6 levels, each longer and featuring some specific obstacle/damage.
Problem is arriving to the bosses themselves it’s more a matter of luck than anything else, due to badly randomized level layouts, which result in many runs where you simply can’t do anything to avoid dying, trapped by the enemies patterns to be crushed by the scrolling in a way or another.
Shame, because the idea is nice, but for how short lived this game is, it’s mostly a frustrating, unbalanced pile of aggravation more than anything else. Disappointing.
P.S.: Also, don’t bother tackling the final mission unless you have ALL the emeralds, because even if you manage to kill the boss… you will die anyway if you don’t already have all the emeralds. No, the game doesn’t make it clear you NEED to get them all to even finish the game, it just says that you need to get them all, implying they’re important to the story and in general to the game, in the How To Play section.
Fuck you too, Super Star Path.
Please never pull shit like this again. Just don’t.
You might be wondering what the hell is this.
I did too, until i remembered the name from 2019’s edition of the Lucca Comic & Games convention in Italy, but i never “investigated” and i….completely forgot about it.
Then again, they didn’t market it AT ALL, despite being an italian production with William Shatner and Gérard Depardieu, alongside a cast mostly made by americans, italian actors at their first role and italian musician Angelo Minoli.
The year is 2012, and an extraordinary planetary aligment is about to happen. The eight members of the Galactic Council (each governing their own planet as a “Creator”) meet to discuss of the coming events, but following an incident they lose an essential artifact, and task a human girl to retrieve it before the planets disalign.
This is the basic gist… the movie itself it’s INSANE, it really lives up to the “colossal” monicker, as they basically threw together 3-4 movies. And – as you would expect – it gets confusing, as the sub-plots splinter into smaller sub-plots, each of the Creators has their hidden agenda, and the movie just keep throwing things at the viewer, like Jesus Christ, aliens abductions, conspiracies, sword and sorcery bits with scorpion-men, the very specifically italian “battle of the oranges”, etc.
And YES, all these things are connected together. The drawback is that with that many subplots and a runtime under 2 hours, some are abruptly resolved in seconds. Often because the movie just makes up new bullshit rules to do so. It’s anything but boring or stale, it’s visually intriguing, there is definitely dedication and ambition here, alongside a lot of money for an italian production of this type.
It tries to set-up sequels.
… I really wouldn’t mind, at all, but i “feel” they ain’t gonna happen.
Xeodrifter is a confusing game, to me.
Ok, you’re an indie game developer, you wanna basically made your own game and be unsubtle as possible for the inspiration behind it, and being inspired by Metroid isn’t a bad thing, let’s put it that way.
But i don’t get why do your “Metroid tribute” and fashion it after the original Metroid on NES gameplay wise. I get why you’d wanna make a nostalgia inspired game after the action NES titles, but Metroid isn’t action, it’s exploration, and frankly it’s vastly outdated today, and was already improved upon by the other titles in the series, and then by Symphony of Night.
Continua a leggere “Xeodrifter NSWITCHDDL [REVIEW] Mecroid”
Arrow Video keeps being a shining beacon of light in a world where companies are planning to stop making physical media all together, so they can hold properties hostage on another streaming service with no guarantee film and series will always be there, or there in a matter of months, for that matter.
This time they bring us a collection that will make kaiju fans furiously ejaculate, and for good reason, as there wasn’t any complete collection of the beloved Gamera series, there were some boxsets for the North American market, but nothing complete, and here in Europe TM we got it far worse, Italy especially, as they brought only 5 five of the Showa Era, often calling Gamera “The Great King” and retitling the movies to imply it’s Godzilla or King Kong, with craptacular marquee artworks to boot.
But now it’s all good again, as this boxset (which i preordered as soon as i saw it) is shipping worlwide, and it’s all english… but it’s also a limited release, so i’m just gonna say this to interested fans: stop reading, and get it RIGHT NOW, this is pricey and there aren’t gonna be that many copies around, so just go. Definitely worth the price, it’s not cheap, at all, but it’s worth every single cent. Continua a leggere “Gamera The Complete Collection UK BLURAY [REVIEW] | Absolute Pristine Turtle Meat, Really Neat”
After debutting last year on Steam, FobTi Interactive’s “flying saucer 2D abduction simulator is now also available on Nintendo Switch, where it honestly feels more at home, given it’s designed primarly for quick runs, and oddly it’s NOT a mobile port.
They Came From The Sky (not to be confused with “They Came From The Skies” on PS2) definitely delivers on its title, since it’s a 2D arcade style game, with pixel art to match the premise of playing as an alien saucer, attacking the 50s with a simple goal: to abduct humans (animals as well) and make delicious smoothies with them. So the premise goes anyway, you won’t see any retro, faux 8-bit pixel gore in any detail.
Gameplay is simple, as the ufo scrolls automatically in the sky, and when you use the beam to capture humans and collect power-ups, you also change in which direction the ufo is gonna move, so timing is essential to avoid rockets or bullets from the human opposition (unless you manage to collect enough energy for a warp drive), and at the same time to keep the combo going, because it’s either a high score race in a limited time, o a survival run. Either case, you’ll see and hear Godzilla in the background.
Admittely, there isn’t much in the way of stuff to unlock (with in-game coins ONLY obtained via playing) in any “long term”, outside of 5 extra ufos with different stats, there are 3 background/cities to play in, there’s local multiplayer for max 4 players, but it definitely nails the arcade formula of simple control scheme but far from immediate (and potentially quite addictive) mastery of the combo system.
Perfect for coffee breaks, honestly. And for 3 bucks (full price), this is a no brainer if the premise intrigues your high score brain.
To make things clear: this is NOT connected to the Shark Attack series (like it’s reported in the italian wikipedia page, which is in dire need of a serious update), it just happens to be a Nu Image production that recicles some footage from Shark Attack 3: Megalodon.. and the first Shark Attack, as well. Because recycling is caring.
This one isn’t about megalodons, it’s about two alien spaceships that in 1999 crash into each other while in outer space, and a capsule drifts away to Earth, landing in the waters of the Bermuda Triangle. 5 years later, an underwater research facility called Oshona finds the capsule, only to be attacked by sharks, who attack the facility and leave members of the crew trapped inside, with an ever decreasing oxygen supply…
After many tragic events, a researcher discovers that the capsule cointaned crystals, which were eaten by the sharks, and hence affected their minds, making them more intelligent and aggressive.. Continua a leggere “Raging Sharks/Shark Invasion (2005) [REVIEW] Alien Shark Attack”
Wise Cafe (International) 