Cocaine Shark (2023) [REVIEW] | #thesharksix

You know the saying, the last year’s sensation is still fresh when gimmicks barely add anything, and by gimmicks i mean the fact Cocaine Bear was actually a big b-movie studio release last year, so by that summer you know they had someone on speed-dial to make their own knock off with 1000 times less the budget.

And it’s telling that in the past The Asylum would have made the movie themselves, but this is modern Asylum, so the first to put the “cocained killer animal mockbuster” was Mark Polonia.

…. though even that isn’t really the truth, as it’s often the case, reality is quite disappointing, as Mark Polonia just happened to release a movie called (Crab Shark) that premiered the 29^th of January 2023 in Japan (apparently even actually got real screenings, which is far more unbelievable than a crab shark but it seems to be true), and he retitled it “Cocaine Shark” when releasing it in the US later that July, to capitalize on the sensation of Cocaine Bear.

Funnily beating the director of Cocaine Bear, Elizabeth Banks, to the punch in making a follow up with a shark, again based on an actual news story.

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Earth Defense Force 3 AKA Earth Defense Force 2017 X360 [REVIEW] | #summerofedf

When of i think of when the series officially, globally managed to “hit it big”, Earth Defense Force 3 is when it actually happened, after word of mouth did its thing and helped reach the audience for a more arcadey and un-serious gaming experience, almost a pure one, if you want.

Sorry, Earth Defense Force 2017, as it better known, which is a fitting title for another reason besides keeping in tone with the 50/60’s style of sci-fi cheese, and the obvious hiding of this being the third entry of the series (the main one, anyway) to make the new potential audience of the previously Playstation centric IP not feel like they were missing out.

The reason being curiously a story one, as with EDF 2017 will start what would become a recurring approach to the plot, as in this does not follow up from the events of EDF 2, nothing from that game is ever mention, because EDF 2017 it’s a remake of the first EDF, which was set in the…. back then still not that far away year of 2017.

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Earth Defense Force 2: Invaders From Planet Space PS VITA [REVIEW] | #summerofedf

To kick off the Summer Of EDF, we continue in chronological order, after having reviewed the original Earth Defence Force on its PS2 debut, more specifically the PAL version that was released by Agetec as “Monster Attack” and now it’s rare to get, so much it’s cheaper to import the japanese PS2 version instead, also because it never came out in America.

And to be clear, while i do have the PAL release of EDF 2 (since it was once again not published in US back then), handled by D3 via their own label, Essential Games, made specifically for export to Europe their Simple series low budget releases) titled Global Defence Force (yes “Defence”, i’m fairly sure they never fixed the typo because i doubt they bothered to issue a reprinting just to fix the title), and i’m also aware of the japanese-only PSP port that also added extra classes.

Buy i’m choosing instead to review the PS Vita enhanced port-update-remake, Earth Defense Force 2: Invaders From Planet Space, not only for the hilarious title (or the fact it was the first time the game was released in US markets), but because it’s basically the definitive EDF 2 experience, and – alongside pretty much every mainline EDF game – also the version ported to Switch, only in Japan even on the digital storefronts at the time of writing.

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The Summer Of EDF & The Shark Six

So, to celebrate EDF 6 finally releasing westward in late July, we are gonna have ourselves a little Earth Defense Force retrospective, covering all the games yet not reviewed here (EDF 5, EDF Iron Rain and EDF World Brothers – alongside the PAL release of the first game in the series – have already been covered, FIY), mostly mainline ones, with 4 reviews spread across June and July.

This was already planned as such before D3 finally put down an actual release day (after the delay from spring 2024 to summer 2024), and since those months will have the now regular weekly release/cadence for articles/reviews, i’m also bringing back the sharks with 6 selected films about these poor animals, with 3 reviews per month.

August will be a surprise. For now.

Also, an expresso review of Furiosa – A Mad Max Saga is coming up next.

One Piece Pirate Warriors 4: Additional Episode 3- Path To The King Of Pirates PS4 [DLC REVIEW]

So here we are, the actual final piece of PW 4 DLC content that isn’t playable characters.

(i’m taking the educated guess of not expecting more content in any shape since there’s a digital Ultimate Edition package of all PW4 content on sale, and given TK’s track record, when they use/release the “Ultimate” edition of something means they’re done with a game)

(FIY, this isn’t the last time i will cover Pirate Warriors 4, i have a final impression/re-review/addendum in the works but i’m waiting to see if they plan to keep doing more Character Passes at a later date or not, i doubt so – see the above paragraph as to why – but then again Xenoverse 2 is still getting a lot of DLC content in a somewhat regular fashion, with no signs of stopping)

The final piece of the Special Log mode offers – alongside the final Soul Map that adds the advertised & expected batch of new skills to unlock and stats upgrades – what’s basically a post-game gauntlet of challenges.

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[EXPRESSO] Godzilla x Kong: The New Empire (2024) | Les dents du singe

Honestly, Godzilla fans have been eating good lately, because we both have great serious Godzilla movies like Minus One and then we have the Monsterverse delivering the funny cheesy , super silly Showa-era style kaiju clashes, crossovers and “monster royal rumble collabs”.

And i’m supposed to stand there and tell you i don’t love the high quality of monster movie silliness of Godzilla x Kong: The New Empire, as if i can’t love both.

Following up after the events of Godzilla VS Kong, the two Titans have reached an equibrilium of sorts, with Kong ruling over Hollow Earth and Godzilla serving as a “protector” against other kaijus on the surface of the planet. But when quakes inside Hollow Hearth make way for a new menace, the Monarch foundation will have to make two rival Titans work together to confront it…

Sadly, Godzilla kinda plays second fiddle in terms of relevance to the story, which is mostly about Kong’s loneliness and longing to meet other apes of his kind, the human characters are still pretty much stereotypes deep as a puddle, but here they’re more fun and-or tolerable than they were in Godzilla VS Kong, we do get to learn more about the lore of the world and the creatures as expected/promised (there’s a lot packed into a 2 hours runtime), there are some cool new monsters, with the kaiju’s personalities coming through perfectly, all culminating into one of the more expensive tag team kaiju wrestling matches ever seen on films.

Silly as shit, and deliberately so, with Godzilla taking a knack to sleeping in the Coliseum you know what the tone is gonna be, and i can’t deny it’s a blast.

A silly, hugely entertaining blast.

Can’t wait for the next one, come on Legendary, work Gamera into this Monsteverse thing!

Godzilla GB [REVIEW] | Chibizilla Made A Maze

the lesser known but far funnier PAL cover of the game.

Yep, the one you might remember as part of the AVGN Godzilla episode, with the Godzilla chibi sprites, Puzzle Bubble-esque music, we’re doing this Godzilla game this Giant Monster March, because why not after downing shitty licensed affair such as – but not limited to – the PS3-PS4 Godzilla game?

Curiously, this isn’t an entirely random game, per sé, as this Game Boy title is actually a port of the MSX title Godzilla-kun by Compile (yes, the same company that would become Compile Heart and crank out Neptunia titles by the dozens), done by Compile themselves, and the game in turn was based on Godzilland’s merchandise line that had chibi versions of Big G and the various kaijus.

The only differences between the original japanese GB release and the localized American & European ones is the rescue target, as in the original japanese version various monsters kidnap Godzilla’s girlfriend, Bijira (which was apparently a thing), and the western one they kidnapped his son, Minilla, and trapped him in a maze.

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[EXPRESSO] Godzilla Battle Line iOS | Army Mon’

So, you may or may not remember i tried to review this one alongside the other two mobile smartphone free-to-play Godzilla games Toho put out in 2021, the now (thankfully, as it was ugly and very, very shite) defunct Godzilla Destruction and the weird Uma Musume-ish training sim Run Godzilla.

Problem is that Battle Line didn’t work on my smarthphone, try as i might it would just crash after it booted, every single time. Almost 3 years later, with the prospect of the new Monsterverse film that will have Godzilla and Kong “collab” (and 2024 marking Godzilla’s 70^th anniversary), i went to see if it was still available to download… and yes, for some fuckin reason now it works, despite my smarthphone being fairly outdated, better late than never.

Godzilla Battle Line is actually a decent little RTS-thingie where you battle other human players by placing down what are basically toy-sized monsters, vehicles and weapons from the Godzilla franchise, all to overwhelm the other leader monster on the opposite side of the battle grid while defending yours.

Despite the cheapish production values, i do like the “playing with Godzilla toys on a diorama” aesthetic, there is some depth to it, over time it has had many updates (the latest adding Godzilla Minus One content), and despite the focus on versus matches, there’s also a single player mission-based mode.

Sure, its a gacha with a “battle pass”, some obnoxious in-game ads, i’ve heard cheaters are a thing…. hard to tell because right now the game it’s nearly unplayable, is THAT unstable, prone to crashes and costant disconnections at any time.

When it works, it’s actually a fun lil’ game, the free to play elements aren’t the worst, so if you’re into Godzilla it’s worth a punt at the very least.

The Cyclops (1957) [REVIEW] | #giantmonstermarch

Really scraping the bottom of the Bert I. Gordon barrell with this one, but i did mention it twice before, and – as i said when reviewing 2008’s Cyclops – it’s not like we’re drowning in cyclops movies, at all, and this one has some of that “so bad it’s good” qualities, so for this year’s Giant Monster March’s finale it’s time to end as we begun, meaning to fall face first into a vat of Gouda, groan like a fuzzy giant toddler and “do the cyclops”.

At least it has Lon Chaney Jr. past his prime as a Universal horror star but not yet being reduced to a pathetic, drunken parody of himself (the epitome of that would be him in 1971’s Dracula VS Frankenstein, which nowadays is kind of a cursed movie as it was the undignified end of many actors careers and lives), not yet, here we have him in his post-glory phase were he did a lot of work pretty much any support roles in any kind of movie, mostly westerns, exotic adventure flicks, and horror films once in a while, mostly cheap, low budget, often indipendent productions.

The Cyclops definitely fits the bill, being a Bert I. Gordon film and what that entails, and here a plays a villanous mining expert in search of uranium, part of a posse led by the wife of a pilot that disappeared 3 years ago in the jungles of Mexico, as she still believes he’s alive despite all odds, but guess what, it’s a 50s b-movie, so the mining for radioactive material results in mutated everything, from spiders, lizards, eagles, mice and whatever animal stock footage Bert could superglue together.

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Gargantua (1998) [REVIEW] #giantmonstermarch

The very – and this case literal – enbodiment of “we have Godzilla at home”, though it’s american-flavoured Godzilla given the production and the year it came out, one year that lives in infamy for the Godzilla faithful, but wait, there’s actually more as this is also kinda E.T., guess the echoes of Nukie and Mac & Me made the idea survive till the very end of the millennium itself.

And speaking of rip-offs it’s not totally incorrect since this TV movie premiered the very same day early screening for 1998 Roland Emmerich’s Godzilla were held, so yeah, it is not a victim of circumstances or a project in production before that was hurried to “compete” (by trying to come out first in hope of fooling the less informed, as usual) with an upcoming big budget Hollywood film that happened to have a similar plot or subject matter.

Still, i think “rip-off” might be too strong a word, since it doesn’t even really tries to do emulate the Roland Emmerich movie, and it’s actually closer to Gorgo or Gappa (as there are more of the monster siblings and parents), because it does involve the “momma monster” coming of the seabed to retrieve “da baby” from an enclosure of sorts, in this case though it because underwater quakes made possible for some amphibious giant reptilian creatures to show up on the beaches of Malau, Hawaii, where a marine biologist has brought along his son for work and to hopefully process the recent loss of the mother.

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