It’s that time of year again where we let the MONSTERS FIGHT, even more as we have a new entry in Legendary’s Monsterverse with the collab episode of Godzilla X Kong: The New Empire hitting theathers internationally by the end of this month.
Also, i will be taking a break in April from the 1st up to the 14th of the month due to uni obligations and scholarly stuff, will be back from the 15th of April, though EXPRESSO review might still come out regardless.
One of the more infamous piece of copy n paste cinema from the IFD Film & Arts factory of Godfrey Ho and associates, one that happens NOT to be a ninja movie with their pink ninja pajamas and 30 seconds superfights against caucasian ninja masters, but the other kind of exploitation the company specialized in, the “actionxploitation” flick with super american stereotypes fighting against criminals of some ilk, all played by the same 6 non-asian guys Ho and Lai employed.
And we’re lucky because we got Pierre Kirby in this one, playing agent Ted Fast, who only works alone because he’s so good and not utterly stupid, opposing the crime boss Solomon, after a secret formula that can make animals and plants grow to gigantic proportions, like 3000 times their original size.
But sadly Solomon will have to crime very hard for it, since the formula is actually from the “host movie” spliced in by Godfrey Ho (here directing), a 1984 Taiwanese kaiju movie titled “She Wang” (translating to “King Of Snakes”) about a pet snake, Mosla, belonging to a little girl that accidentally comes in contact with the formula, grows giant, and then stars rampaging because the terrorists after the formula kidnap the girl, and Mosla is having none of it.
Continua a leggere “Thunder Of The Gigantic Serpent (1988) [REVIEW] #snakesofjunetoo”
We already discussed the best known film from legendary South Korean director Shin Sang-ok (whom sadly passed away in 2004), and i feel one really deserves the epiteth of legend given the history behind the 1985 Bulgasari/Pulgasari, especially as it feels like a last middle finger to the then current North Korean dictator, as him and his wife (kidnapped to make movies for Kim Jong-il, again, not joking, at all) managed to escape while at a Vienna’s film festival.
We went through the whole ordeal for that movie’s review, so i’m not gonna repeat myself too much on this regard, but i do think we’re long overdue for a movie about the whole ordeal, since it’s a perfect case where reality is crazier than fiction.
After his escape in Vienna the director and his wife became US citizens for a while, and during the 90s he made some movies under the pseudonym Simon Sheen, including some “3 Ninjas” sequels, and today’s feature, the ever-so-obscure Galgameth, also known/released as The Legend Of Galgameth or The Adventures Of Galgameth, of course it has alternative titles.
And Galgameth is of interest for us because director Sean McNamara basically recycled the script from Shin Sang-ok’s Pulgasari/Bulgasari remake (the original 1962 Pulgasari is sadly a lost film) but made it into a sword and sorcery film for children. As you do.
Continua a leggere “Galgameth (1996) [REVIEW] | #giantmonstermarch”
It’s March, so you know what that means, some select picks from the monster movie genre, as we try to not do the obvious ones but search deeper within the evergrowing sands of time, pulling out some familiar names as well as some of the more obscure entries, without completely forgoing more recent releases.
It’s not gonna be the more extensive year of the rubric, but i think the picks for this year’s Monster March are some of the better ones so far.
We’ll be starting on the 6th with some vintage rear projected cheese, after some EXPRESSO reviews of some recent releases i couldn’t get to before, see ya!
What, no japanese rubber monstersaurus this time? Of course no, you silly billys.
I left this one for last, because it’s not just a japanese giant monster movie.
It’s a Japanese AND American coproduction, and it’s actually just one of the many movies to come out of the Rankin Bass and Tsuburaya Productions collaboration, including The Ivory Ape and The Bermuda Depths, just to cite the adventure/monster movie stuff or adiacent ones.
But this time you might already had an inkling of familiarity with the giant t-rex body suit shown in the poster, especially if you were already familiar with another piece of Tsuburaya Productions’ prolific output, as boy it does look like the evil t-rex mastermind from Attack Of The Super Monsters, and hence from the anime-live action series Dinosaur War Izenborg.
Continua a leggere “12 Days Of Dino Dicember #24: The Last Dinosaur (1977)”
No, they didn’t reboot that specific series, this is simply a new monster movie from Norway about a very Norvegian type of monster: a troll. As in, the ones from the folklore, not the type of kid-friendly version proposed by beloved children book series and cartoon Moomins.
It released at the start of Dicember on Netflix, and it follow the release of the titular monster during construction work to open a new railroad through the Dovrefjell Mountain. The miners light up some explosive to clear the way, but something makes the earth tremble and causes destruction.
Unclear on what exactly happened, the prime minister summons various experts, like geologists, biologist and even paleontologist Nora Tildemann is interrupted during a successful search to look at the footage.
She manages to notices that the video reveals a human-like figure, and further investigation brings her – and the people tasked to help her – to the realization that this is indeed a troll, like the one in the fairytale her father told her, and that they need to find a way to stop it before it reaches Oslo.
At heart, Troll follows pretty much the standard monster movie formula and structure, down to the army being useless, pretty typical but at the same time it’s fairly well executed, the characters are quite likable, there is a lot more humour than one might expect (without ever going full spoof), and while it’s never fully explored, the troll folklore/mythology shown here help freshen up the familiar nature of the story and its execution, while also making you feel sympathy for the giant creature.
It’s nothing original but the effects are good, the pace is faster than anticipated, and overall it’s a very solid, quite entertainng monster movie, i wouldn’t mind to see those planned sequels.
While we wait for EDF 6 to come out this august in Japan, the previous spin-off finally went on proper sale on the PSN some time ago, so i finally got to play (bought the Deluxe Edition on sale, so complete of all Season Pass content, FIY) and review Earth Defense Force: World Brothers, another spin-off of D3 Publisher’s beloved cult series about space ants and giant robots, handled by Yuke’s, which did previously develop another EDF spin-off the year before, the quite solid EDF: Iron Rain.
The story it’s actually a more comedical take, with the aliens invaders from all previous EDF game scoming back (with a mothership each) under the guise of the new villain, just called Dark Tyrant, destroying “voxel earth” into many pieces in a single shot, so what’s left of the EDF has to find a way to put it back the pieces together and repel the invaders, one mothership at the time.
Instead of going for the serious faced ridiculousness played totally straight seen in the mainline titles and even the previous EDF Iron Rain, World Brothers just revels in the sea of clichès, deliberately having a voice acting that’s so ridiculous or “old fashioned cringe” for the also ridiculous as hell dialogues, here more on the zany side, which is further reinforced by the stylistical choice of going “voxel” in terms of graphics.
Continua a leggere “Earth Defense Force: World Brothers PS4 [REVIEW] | BROTHERS EVERYWHERE-“
Well, look’s who back, a series that i honestly even forgot existed, but they did announced this second (and final) season, guess that branding helped.
So yeah, while i didn’t hate the first season, Pacific Rim The Black was kinda the perfect example of “Netflix anime”, as in, it looks like anime, it’s produced by an anime company and japanese directors, but you could tell it’s written by non-japanese staff.
Which isn’t necessarily an issue, but you just can tell right away and it creates this slight disconnect, and due to that once again it’s hard to say for whom exactly this is made for exactly, given it’s still made in okayish but still janky 3D CG (and the specific “3D CG anime jank” of Polygon Pictures output), which is kinda offputting for most of the self-proclaimed “anime enthusiasts”.
But on the flipside, it’s not that bad, it’s honestly alright, it’s entertaining enough and this one picks from the point where the first season started having some interesting worldbuilding and character development, and manages to make the plot have some purpose (though it kinda has to, since this is the final season), introducing a death cult of Kaiju worshippers.
It’s an actual improvement over the first season, the writing it’s still nothing impressive, but it’s better, though despite being just another 7 episodes, i did wonder if it was ever supposed to be longer, as some resolutions and events happen very quickly, almost abruptly so.
Again, it’s alright, but as the idea of anime series based on Pacific Rim makes a lot of sense if you think about it, it kinda let you wish it had better animation and a slightly longer lenght.
Still, for a spin-off “western-ish anime” series that didn’t need to exist in the first place… it’s decent.
Some things come and go, but giant monsters are forever!
Yeah, while i’m still keeping the bi-daily posting rate, starting tomorrow for this month every posting day when there’s not a new movie EXPRESSO review there will be a full lenght giant monster movie review. Simple as that, so see ya tomorrow for the first one of this year, hoping this will become a yearly institution! 🙂
We previously spotlighted the delights of live action tokutatsu monster and superhero anime hybrid with the Dinosaur War Izenborg 4 episodes-to-compilation film “Attack Of The Super Monsters” by Tsuburaya Productions, so let’s talk about an even more obscure kaiju film, this time by Toei, with Legends Of Dinosaurs And Monster Birds, also known as Legend Of The Dinosaurs.
Interestingly, this was a japanese kaiju movie spurred by the international success of Spielberg’s Jaws (release in 1976 in Japan) and a coincidental resurgence of reports of Nessie in Loch Ness, so Toho settled to make it about a geologist who start investing strange reports of fossilized eggs and odd events surrounding the Saiko Lake (one of the Five Fuji Lakes) community, including a headless horse carcass and mysterious disappearances of people in the lake area.
Eventually Takashi puts the clues together and surmises it must be a Plesiosaur doing this, which turns out to be true, as it attacks the lakeside attendants during an event (hi, Jaws parallel), but in japanese monster movie tradition, the creature it’s bound to fight with another monster, a “Rhamphorhynchus” (basically a type of pterosaur like the pteranodon), emerging from a hidden cave in the Aokigahara region (aka the tragically famous “Sea Of Trees”, subject of a very crap Gus Van Sant movie to make things even worse), as accidentally discovered by a young girl.
Continua a leggere “12 Days Of Dino Dicember #10: Legends Of Dinosaurs And Monster Birds/Legends Of The Dinosaurs (1977)”
