One of the advantage of being Italy-based is being able to easily see new movies from old italian directors that will never make the jump overseas, even on streaming, like this new romanticized retelling of the life of Dante Alighieri, released in theathers here in late September, simply called “Dante” and directed by Pupi Avati (famous for The House With The Laughing Windows, and also 2019’s Il Signor Diavolo).
Don’t ever say i don’t strive for variety, because i can assure you even here this is a niche release.
Regardless, it’s a period piece set in Reinassance Italy and fittingly follows Giovani Boccaccio’s ( the author of the Decameron and the first biographer of Dante, essential for cementing The Divine Comedy’s influence over time) efforts in redacting a piece about the life of the tuscanian poet, roughly 30 years after Dante’s death in 1321, coming in contact with people that were close to the poet and gathering new insight as he journeys to Ravenna in order to give Dante’s daughter monetary compensation on behalf of the city of Florence.
…it’s actually pretty good, as it goes for a realistic, grounded approach, does not shy away from the many unsavory aspects of the period or Dante’s life as a whole, be it the aftermath of the black plague, the political and religious intrigues in Florence leading to Dante fighting on the field and being exiled by the pope, the later years of extreme poverty, and not just quoting passages from his opus or his love for Beatrice.
All with a great italian cast, good costumes, some weird visuals, making for a good movie with a very niche target audience, even more since it’s definitely not an oversimplified digest of Dante Alighieri’s life and legacy made for audiences not versed in literature.